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  1. Narratives of border crossings
    literary approaches and negotiations
    Beteiligt: Fellner, Astrid M. (HerausgeberIn)
    Erschienen: 2021
    Verlag:  Nomos, Baden-Baden

    Wie kann man Grenze im Sinne einer ästhetischen Praktik verstehen? Zu einer Zeit, zu der Grenzen immer stärker ins Zentrum des Interesses kultureller Auseinandersetzungen rücken, setzen sich die Artikel dieses Sammelbandes mit englischsprachiger... mehr

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    Standort:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    Wie kann man Grenze im Sinne einer ästhetischen Praktik verstehen? Zu einer Zeit, zu der Grenzen immer stärker ins Zentrum des Interesses kultureller Auseinandersetzungen rücken, setzen sich die Artikel dieses Sammelbandes mit englischsprachiger Literatur, Film und TV Serien auseinander, die Grenzüberschreitungen behandeln und eine narrative Poetik der kulturellen Begegnung beinhalten. Die Beitragenden setzen sich mit der Komplexität von Grenzen in kulturellen Repräsentationen auseinander und analysieren rezente Rekonzeptualisierungen von Grenzen als Prozesse und Praktiken in Grenzerzählungen. Dieses Buch spricht all diejenigen an, die sich für kulturwissenschaftliche Border Studies und Ethnic Studies interessieren. Mit Beiträgen von Pirjo Ahokas, Francesca de Lucia, Aikaterini Delikonstantinidou, Astrid M. Fellner, Dorothea Fischer-Hornung, Bettina Hofmann, Nadine M. Knight, Page Laws, Ludmilla Martanovschi, Janna Odabas, Silvia Schultermandl und Elke Sturm-Trigonakis. How can we understand borders in terms of aesthetic practice? As borders are increasingly moving into the centre of cultural negotiations, the essays in this volume focus on anglophone fiction, film and TV series which employ border-crossing narratives and engage in narrative poetics of cultural encounters. Addressing the complex roles of borders in cultural representations, the articles analyse recent reconceptualisations of borders as processes and practices in border narratives. This book will appeal to anyone interested in cultural border studies as well as ethnic studies. With contributions by Pirjo Ahokas, Francesca de Lucia, Aikaterini Delikonstantinidou, Astrid M. Fellner, Dorothea Fischer-Hornung, Bettina Hofmann, Nadine M. Knight, Page Laws, Ludmilla Martanovschi, Janna Odabas, Silvia Schultermandl and Elke Sturm-Trigonakis.

     
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    Quelle: Staatsbibliothek zu Berlin
    Beteiligt: Fellner, Astrid M. (HerausgeberIn)
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9783748924005
    Weitere Identifier:
    RVK Klassifikation: HU 1691
    Auflage/Ausgabe: 1st Edition
    Schriftenreihe: Border studies. Cultures, spaces, orders ; volume 5
    Schlagworte: Film; Grenzen; border studies; Grenzforschung; Grenzüberschreitung; Literary Studies; borders; cultural studies; englische Literatur; Grenzüberschreitungen; Boundaries; Anglophone; Grenznarrative; Anglistik; anglophone fiction; Ethnic Studies; cultural encounters; border crossings; border narratives; ethnic literature
    Umfang: 1 Online-Ressource (227 Seiten)
  2. Antiracist Medievalisms
    From "Yellow Peril" to Black Lives Matter
    Autor*in: Hsy, Jonathan
    Erschienen: [2021]
    Verlag:  Arc Humanities Press, Leeds

    Frontmatter -- CONTENTS -- List of Illustrations -- Preface. Coalitions, Solidarities, and Acknowledgments -- Introduction. Performing Medievalism, Crafting Identities -- Chapter One. Progress: Racial Belonging, Medieval Masculinities, and the Ethnic... mehr

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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Universität Potsdam, Universitätsbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    Frontmatter -- CONTENTS -- List of Illustrations -- Preface. Coalitions, Solidarities, and Acknowledgments -- Introduction. Performing Medievalism, Crafting Identities -- Chapter One. Progress: Racial Belonging, Medieval Masculinities, and the Ethnic Minority Bildungsroman -- Chapter Two. Plague: Toxic Chivalry, Chinatown Crusades, and Chinese/ Jewish Solidarities -- Chapter Three. Place: Indefinite Detention and Forms of Resistance in Angel Island Poetry -- Chapter Four. Passing: Crossing Color Lines in the Short Fiction of Alice Dunbar-Nelson and Sui Sin Far -- Chapter Five. Play: Racial Recognition, Unsettling Poetics, and the Reinvention of Old English and Middle English Forms -- Chapter Six. Pilgrimage: Chaucerian Poets of Color in Motion -- Further Readings and Resources -- Bibliography -- Index How do marginalized communities across the globe use the medieval past to combat racism, educate the public, and create a just world? Jonathan Hsy advances urgent academic and public conversations about race and appropriations of the medieval past in popular culture and the arts.  Examining poetry, fiction, journalism, and performances, Hsy shows how cultural icons such as Frederick Douglass, Wong Chin Foo, Alice Dunbar-Nelson, and Sui Sin Far reinvented medieval traditions to promote social change. Contemporary Asian, Black, Indigenous, Latinx, and multiracial artists embrace diverse pasts to build better futures.  "Makes the crucial move of tying medievalism studies readings to social and racial justice work explicitly ... innovative and greatly needed in the field." Seeta Chaganti, author of Strange Footing "A major accomplishment that belongs on the shelves of every person who believes in antiracism." Geraldine Heng, author of The Invention of Race in the European Middle Ages

     
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    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781641893152
    Weitere Identifier:
    Schriftenreihe: Arc Medievalist
    Schlagworte: Anti-racism; Medievalism in art; Medievalism in literature; Medievalism; HISTORY / World
    Weitere Schlagworte: Activism; Ethnic Studies; Global Middle Ages; Medievalism; Minority Literature; racism; social justice; white supremacy
    Umfang: 1 Online-Ressource (170 p)
  3. Real Folks : Race and Genre in the Great Depression
    Autor*in: Retman, Sonnet
    Erschienen: 2011
    Verlag:  Duke University Press

    During the Great Depression, people from across the political spectrum sought to ground American identity in the rural know-how of “the folk.” At the same time, certain writers, filmmakers, and intellectuals combined documentary and satire into a... mehr

     

    During the Great Depression, people from across the political spectrum sought to ground American identity in the rural know-how of “the folk.” At the same time, certain writers, filmmakers, and intellectuals combined documentary and satire into a hybrid genre that revealed the folk as an anxious product of corporate capitalism, rather than an antidote to commercial culture. In Real Folks, Sonnet Retman analyzes the invention of the folk as figures of authenticity in the political culture of the 1930s, as well as the critiques that emerged in response. Diverse artists and intellectuals—including the novelists George Schuyler and Nathanael West, the filmmaker Preston Sturges, and the anthropologist Zora Neale Hurston—illuminated the fabrication and exploitation of folk authenticity in New Deal and commercial narratives. They skewered the racist populisms that prevented interracial working-class solidarity, prophesized the patriotic function of the folk for the nation-state in crisis, and made their readers and viewers feel self-conscious about the desire for authenticity. By illuminating the subversive satirical energy of the 1930s, Retman identifies a rich cultural tradition overshadowed until now by the scholarly focus on Depression-era social realism.

     
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  4. Grau
    Beteiligt: Schneider, Ingo (Hrsg.); Bodner, Reinhard (Hrsg.); Sohm, Kathrin (Hrsg.)
    Erschienen: 2009
    Verlag:  innsbruck university press, Innsbruck

    Volume four of “bricolage. Innsbrucker Zeitschrift für Europäische Ethnologie “ focuses on the color gray. Special attention is paid to the interactions between color as a quality of perception and the quality of cultural objectivations. Our "eye... mehr

     

    Volume four of “bricolage. Innsbrucker Zeitschrift für Europäische Ethnologie “ focuses on the color gray. Special attention is paid to the interactions between color as a quality of perception and the quality of cultural objectivations. Our "eye knowledge" of colors is created by dealing with traditional modes of perception and the meanings of things, images and behavioral patterns, myths, stereotypes and more, in short: with the objective culture. In this sense, “objective color” is not a quality that is inherent in natural phenomena independently of humans. It is shaped by culture and, in turn, can shape culture. The "World 3" (Karl R. Popper) of color is therefore the focus of our interest, to which the papers in this volume want to contribute from various disciplinary perspectives. In addition to well-known and respected scholars from Germany, Austria and Sweden - in line with the profile of “bricolage” as a publication organ for young academics - young academics are also given the possibility to publish their first texts.

     
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    Quelle: OAPEN
    Beteiligt: Schneider, Ingo (Hrsg.); Bodner, Reinhard (Hrsg.); Sohm, Kathrin (Hrsg.)
    Sprache: Deutsch
    Medientyp: Ebook
    Format: Online
    ISBN: 9783902719157
    Weitere Identifier:
    Schlagworte: Ethnic studies; Cultural studies; Perception
    Weitere Schlagworte: Ethnic Studies; Cultural Studies; Colour
    Umfang: 1 electronic resource (150 p.)
  5. Anthropology and the Racial Politics of Culture
    Autor*in: Baker, Lee D.
    Erschienen: 2010
    Verlag:  Duke University Press

    In the late nineteenth century, if ethnologists in the United States recognized African American culture, they often perceived it as something to be overcome and left behind. At the same time, they were committed to salvaging “disappearing” Native... mehr

     

    In the late nineteenth century, if ethnologists in the United States recognized African American culture, they often perceived it as something to be overcome and left behind. At the same time, they were committed to salvaging “disappearing” Native American culture by curating objects, narrating practices, and recording languages. In Anthropology and the Racial Politics of Culture, Lee D. Baker examines theories of race and culture developed by American anthropologists during the late nineteenth century and early twentieth. He investigates the role that ethnologists played in creating a racial politics of culture in which Indians had a culture worthy of preservation and exhibition while African Americans did not.

    Baker argues that the concept of culture developed by ethnologists to understand American Indian languages and customs in the nineteenth century formed the basis of the anthropological concept of race eventually used to confront “the Negro problem” in the twentieth century. As he explores the implications of anthropology’s different approaches to African Americans and Native Americans, and the field’s different but overlapping theories of race and culture, Baker delves into the careers of prominent anthropologists and ethnologists, including James Mooney Jr., Frederic W. Putnam, Daniel G. Brinton, and Franz Boas. His analysis takes into account not only scientific societies, journals, museums, and universities, but also the development of sociology in the United States, African American and Native American activists and intellectuals, philanthropy, the media, and government entities from the Bureau of Indian Affairs to the Supreme Court. In Anthropology and the Racial Politics of Culture, Baker tells how anthropology has both responded to and helped shape ideas about race and culture in the United States, and how its ideas have been appropriated (and misappropriated) to wildly different ends.

     
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  6. The Indian Craze : Primitivism, Modernism, and Transculturation in American Art, 1890–1915
    Autor*in: Hutchinson, Elizabeth
    Erschienen: 2009
    Verlag:  Duke University Press

    In the early twentieth century, Native American baskets, blankets, and bowls could be purchased from department stores, “Indian stores,” dealers, and the U.S. government’s Indian schools. Men and women across the United States indulged in a... mehr

     

    In the early twentieth century, Native American baskets, blankets, and bowls could be purchased from department stores, “Indian stores,” dealers, and the U.S. government’s Indian schools. Men and women across the United States indulged in a widespread passion for collecting Native American art, which they displayed in domestic nooks called “Indian corners.” Elizabeth Hutchinson identifies this collecting as part of a larger “Indian craze” and links it to other activities such as the inclusion of Native American artifacts in art exhibitions sponsored by museums, arts and crafts societies, and World’s Fairs, and the use of indigenous handicrafts as models for non-Native artists exploring formal abstraction and emerging notions of artistic subjectivity. She argues that the Indian craze convinced policymakers that art was an aspect of “traditional” Native culture worth preserving, an attitude that continues to influence popular attitudes and federal legislation.

    Illustrating her argument with images culled from late-nineteenth- and early-twentieth-century publications, Hutchinson revises the standard history of the mainstream interest in Native American material culture as “art.” While many locate the development of this cross-cultural interest in the Southwest after the First World War, Hutchinson reveals that it began earlier and spread across the nation from west to east and from reservation to metropolis. She demonstrates that artists, teachers, and critics associated with the development of American modernism, including Arthur Wesley Dow and Gertrude Käsebier, were inspired by Native art. Native artists were also able to achieve some recognition as modern artists, as Hutchinson shows through her discussion of the Winnebago painter and educator Angel DeCora. By taking a transcultural approach, Hutchinson transforms our understanding of the role of Native Americans in modernist culture.

     
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    Quelle: OAPEN
    Beteiligt: Thomas, Nicholas (Hrsg.)
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    Weitere Identifier:
    Schlagworte: History of the Americas; History of art / art & design styles
    Weitere Schlagworte: History; United States; 20th Century; Social Science; Ethnic Studies; American; Art; American
  7. The Funeral of Mr. Wang : Life, Death, and Ghosts in Urbanizing China (Edition 1)
    Autor*in: Kipnis, Andrew B.
    Erschienen: 2021
    Verlag:  University of California Press

    A free open access ebook is available upon publication. Learn more at www.luminosoa.org. In rural China funerals are conducted locally, on village land by village elders. But in urban areas, people have neither land for burials nor elder relatives... mehr

     

    A free open access ebook is available upon publication. Learn more at www.luminosoa.org.

     

    In rural China funerals are conducted locally, on village land by village elders. But in urban areas, people have neither land for burials nor elder relatives to conduct funerals. Chinese urbanization, which has increased drastically in recent decades, involves the creation of cemeteries, state-run funeral homes, and small private funerary businesses. The Funeral of Mr. Wang examines social change in urbanizing China through the lens of funerals, the funerary industry, and practices of memorialization. It analyzes changes in family life, patterns of urban sociality, transformations in economic relations, the politics of memorialization, and the echoes of these changes in beliefs about the dead and ghosts.

     
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  8. Medikale Kulturen
    Beteiligt: Unterkircher, Alois (Hrsg.)
    Erschienen: 2008
    Verlag:  innsbruck university press, Innsbruck

    The fifth volume of “bricolage. Innsbrucker Zeitschrift für Europäische Ethnologie“ analyzes health and disease-related concepts and practices of different social groups from a socio-historical and cultural-scientific point of view. Instead of the... mehr

     

    The fifth volume of “bricolage. Innsbrucker Zeitschrift für Europäische Ethnologie“ analyzes health and disease-related concepts and practices of different social groups from a socio-historical and cultural-scientific point of view. Instead of the terminology of the older “folk medicine research”, the authors orientate themselves on the concept of “medical culture(s)” as is the case in the identical research area “Cultural Encounters - Cultural Conflicts” of the University of Innsbruck. This association of humanities and social science subjects deals with different forms of cultural contact, whereby culture is understood as a dynamic system for the creation of meaning. So far, there is no anthology that does this with regard to specifically Austrian conditions and developments. The fifth volume of “bricolage” tries to fill this gap and would like to stimulate further discussion in this field of research in Austria.

     
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    Quelle: OAPEN
    Beteiligt: Unterkircher, Alois (Hrsg.)
    Sprache: Deutsch
    Medientyp: Ebook
    Format: Online
    ISBN: 9783902571564
    Weitere Identifier:
    Schlagworte: Ethnic studies; Society & social sciences; Medicine; Cultural studies
    Weitere Schlagworte: Ethnic Studies; Medicine; Health
    Umfang: 1 electronic resource (272 p.)
  9. Money Matters : Umgang mit Geld als soziale und kulturelle Praxis
    Beteiligt: Meyer, Silke (Hrsg.)
    Erschienen: 2014
    Verlag:  innsbruck university press, Innsbruck

    This volume examines ways of dealing with money as social and cultural forms. Empirical examples from the discipline of European Ethnology encompass modified bank notes, regional monies, Deutschmark-nostalgia, the role of pocket money in parenting,... mehr

     

    This volume examines ways of dealing with money as social and cultural forms. Empirical examples from the discipline of European Ethnology encompass modified bank notes, regional monies, Deutschmark-nostalgia, the role of pocket money in parenting, pawned money, money gifts and remittances. In all of them, money can be read as a means of social positioning, as a way of negotiating belonging, as biographical self-emancipation and as social inclusion and exclusion. The case studies share one aim: by deconstructing economic as social practices, the economy as such can be anthropologized (Paul Rabinow), i.e. stripped off its allegedly self-evident universal claim and revealed in its culturally, socially and historically specific functions.

     
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    Quelle: OAPEN
    Beteiligt: Meyer, Silke (Hrsg.)
    Sprache: Deutsch
    Medientyp: Ebook
    Format: Online
    ISBN: 9783902936400
    Weitere Identifier:
    Schlagworte: Ethnic studies; Cultural studies; Economics
    Weitere Schlagworte: Ethnic Studies; Tyrol; Economy
    Umfang: 1 electronic resource (252 p.)
  10. SOS : Sauberkeit Ordnung Sicherheit in der Stadt
    Beteiligt: Langreiter, Nikola (Hrsg.); Rolshoven, Johanna (Hrsg.); Steidl, Martin (Hrsg.)
    Erschienen: 2010
    Verlag:  innsbruck university press, Innsbruck

    The sixth volume of "bricolage. Innsbruck Journal of European Ethnology" is dedicated to the explosive urban policy issue of cleanliness – order – security, terms that in German merge into the acronym “SOS” (Sauberkeit, Ordnung, Sicherheit). Security... mehr

     

    The sixth volume of "bricolage. Innsbruck Journal of European Ethnology" is dedicated to the explosive urban policy issue of cleanliness – order – security, terms that in German merge into the acronym “SOS” (Sauberkeit, Ordnung, Sicherheit). Security in public spaces has become a central agenda of current urban policy and urban planning. Municipalities are increasingly implementing measures oriented toward the guiding principle of the "clean and orderly city". The current discourses and developments require observation and reflection; the relevant debates demand critical cultural studies involvement. The idea and initiative to dedicate this issue of "bricolage" to a critical examination of historically and currently propagated and accepted notions of cleanliness, order, and safety in the city, and of the political concepts and measures currently relying on them, came from Johanna Rolshoven. In the context of a course in Innsbruck in the summer term of 2009, she motivated the students to think and write about this field of her urban research. The sixth volume of "bricolage. Innsbruck Journal of European Ethnology" is dedicated to the explosive urban policy issue of cleanliness – order – security, terms that in German merge into the acronym “SOS” (Sauberkeit, Ordnung, Sicherheit). Security in public spaces has become a central agenda of current urban policy and urban planning. Municipalities are increasingly implementing measures oriented toward the guiding principle of the "clean and orderly city". The current discourses and developments require observation and reflection; the relevant debates demand critical cultural studies involvement. The idea and initiative to dedicate this issue of "bricolage" to a critical examination of historically and currently propagated and accepted notions of cleanliness, order, and safety in the city, and of the political concepts and measures currently relying on them, came from Johanna Rolshoven. In the context of a course in Innsbruck in the summer term of 2009, she motivated the students to think and write about this field of her urban research.

     
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    Quelle: OAPEN
    Beteiligt: Langreiter, Nikola (Hrsg.); Rolshoven, Johanna (Hrsg.); Steidl, Martin (Hrsg.)
    Sprache: Deutsch
    Medientyp: Ebook
    Format: Online
    ISBN: 9783902719720
    Weitere Identifier:
    Schlagworte: Ethnic studies; Urban & municipal planning; Cultural studies
    Weitere Schlagworte: Ethnic Studies; Urban Planning; Graffiti
    Umfang: 1 electronic resource (240 p.)
  11. Igitt : Ekel als Kultur
    Beteiligt: Heimerdinger, Timo (Hrsg.)
    Erschienen: 2015
    Verlag:  innsbruck university press, Innsbruck

    ”Yuck!" - we involuntarily disgust ourselves with what could be harmful to us and threatens us. Disgust protects - one might think. But disgust is more. It's not only a physiological response, it's also a cultural achievement. Disgust plays a... mehr

     

    ”Yuck!" - we involuntarily disgust ourselves with what could be harmful to us and threatens us. Disgust protects - one might think. But disgust is more. It's not only a physiological response, it's also a cultural achievement. Disgust plays a colorful role in many contexts as interpersonal behaviors and perceptions. In this volume disgust has been ethnographically explored and appears as a cultural player. The authors are looking for places such as hospital wards, public toilets, sailing ships or video booths, they address innards, pranks and rites de passage.

     
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    Quelle: OAPEN
    Beteiligt: Heimerdinger, Timo (Hrsg.)
    Sprache: Deutsch
    Medientyp: Ebook
    Format: Online
    ISBN: 9783902936912
    Weitere Identifier:
    Schlagworte: Ethnic studies; Cultural studies
    Weitere Schlagworte: Ethnic Studies; Cultural Studies
    Umfang: 1 electronic resource (214 p.)
  12. POP
    Beteiligt: Mauler, Sandra (Hrsg.); Waldhart, Elisabeth (Hrsg.); Bonz, Jochen (Hrsg.)
    Erschienen: 2019
    Verlag:  innsbruck university press, Innsbruck

    POP - with this motto, the present volume reaches out to a dazzling dimension of everyday culture and approaches it in a series of detailed studies. Subjects include the goa techno scene, Internet memes, fan fiction, Game of Thrones, dumpster diving,... mehr

     

    POP - with this motto, the present volume reaches out to a dazzling dimension of everyday culture and approaches it in a series of detailed studies. Subjects include the goa techno scene, Internet memes, fan fiction, Game of Thrones, dumpster diving, and veganism. The contributions are by students and are based on undergraduate papers that emerged from a two-semester seminar that combined an introduction to the concepts of British cultural studies with an ethnographic fieldwork exercise. A methodological paper by J. Bonz on ethnographic fieldwork, which also emerged from the seminar, complements the studies. The student articles are framed by three contributions from renowned popular culture researchers: S. Egger writes about Beyoncé Knowles from the point of view of aesthetic social critique, C. Bareither about communalizing emotional practices, and M. Tauschek gives an overview of popular culture research in the discourse of European Ethnology in conversation with S. Mauler. As a special extra, the volume includes a stretch of 29 photographs by B. Ludewig on the topic of contemporary avant-garde festivals.

     
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    Quelle: OAPEN
    Beteiligt: Mauler, Sandra (Hrsg.); Waldhart, Elisabeth (Hrsg.); Bonz, Jochen (Hrsg.)
    Sprache: Deutsch
    Medientyp: Ebook
    Format: Online
    ISBN: 9783903187603
    Weitere Identifier:
    Schlagworte: Ethnic studies; Cultural studies
    Weitere Schlagworte: Ethnic Studies; Cultural Studies; Popular Culture
    Umfang: 1 electronic resource (186 p.)
  13. Decolonizing Native Histories : Collaboration, Knowledge, and Language in the Americas
    Autor*in: Mallon, Florencia E.
    Erschienen: 2011
    Verlag:  Duke University Press

    Decolonizing Native Histories is an interdisciplinary collection that grapples with the racial and ethnic politics of knowledge production and indigenous activism in the Americas. It analyzes the relationship of language to power and empowerment, and... mehr

     

    Decolonizing Native Histories is an interdisciplinary collection that grapples with the racial and ethnic politics of knowledge production and indigenous activism in the Americas. It analyzes the relationship of language to power and empowerment, and advocates for collaborations between community members, scholars, and activists that prioritize the rights of Native peoples to decide how their knowledge is used. The contributors—academics and activists, indigenous and nonindigenous, from disciplines including history, anthropology, linguistics, and political science—explore the challenges of decolonization.

    These wide-ranging case studies consider how language, the law, and the archive have historically served as instruments of colonialism and how they can be creatively transformed in constructing autonomy. The collection highlights points of commonality and solidarity across geographical, cultural, and linguistic boundaries and also reflects deep distinctions between North and South. Decolonizing Native Histories looks at Native histories and narratives in an internationally comparative context, with the hope that international collaboration and understanding of local histories will foster new possibilities for indigenous mobilization and an increasingly decolonized future.

     
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  14. The Creative Underclass : Youth, Race, and the Gentrifying City
    Autor*in: Denmead, Tyler
    Erschienen: 2018
    Verlag:  Duke University Press

    As an undergraduate at Brown University, Tyler Denmead founded New Urban Arts, a nationally recognized arts and humanities program primarily for young people of color in Providence, Rhode Island. Along with its positive impact, New Urban Arts, under... mehr

     

    As an undergraduate at Brown University, Tyler Denmead founded New Urban Arts, a nationally recognized arts and humanities program primarily for young people of color in Providence, Rhode Island. Along with its positive impact, New Urban Arts, under his leadership, became entangled in Providence's urban renewal efforts that harmed the very youth it served. As in many deindustrialized cities, Providence's leaders viewed arts, culture, and creativity as a means to drive property development and attract young, educated, and affluent white people, such as Denmead, to economically and culturally kick-start the city. In The Creative Underclass, Denmead critically examines how New Urban Arts and similar organizations can become enmeshed in circumstances where young people, including himself, become visible once the city can leverage their creativity to benefit economic revitalization and gentrification. He points to the creative cultural practices that young people of color from low-income communities use to resist their subjectification as members of an underclass, which, along with redistributive economic policies, can be deployed as an effective means with which to both oppose gentrification and better serve the youth who have become emblematic of urban creativity.

     
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    Quelle: OAPEN
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    Schlagworte: Art: financial aspects; Ethnic studies; Urban communities
    Weitere Schlagworte: Art; Business Aspects; Social Science; Ethnic Studies; Social Science; Sociology; Urban
  15. Textilzirkel in der DDR
    Autor*in: Wassermann, Sarah
    Erschienen: 2021
    Verlag:  Logos Verlag Berlin

    Textilzirkel waren laienkünstlerische Gruppierungen, die in der DDR als Teil des so genannten "künstlerischen Volksschaffens" staatlich gefördert wurden. In ihrer Freizeit gestalteten und fertigten die Gruppen Kleidung, Souvenirs und Heimtextilien... mehr

     

    Textilzirkel waren laienkünstlerische Gruppierungen, die in der DDR als Teil des so genannten "künstlerischen Volksschaffens" staatlich gefördert wurden. In ihrer Freizeit gestalteten und fertigten die Gruppen Kleidung, Souvenirs und Heimtextilien sowie Wandbehänge und Textilbilder für den Eigenbedarf oder für öffentliche Einrichtungen und gesellschaftliche Anlässe. Im Fokus dieser kulturwissenschaftlichen Arbeit stehen die KünstlerInnen, ihre Arbeitsweisen und die in den Gruppen entstandenen Werke. Durch eine Kombination aus Interviews, historischen Bild- und Textquellen sowie den materiellen Objekten wird ein umfassendes Gesamtbild der Textilzirkel gezeichnet. Dabei wird der kulturpolitische Hintergrund beleuchtet und die strukturellen sowie künstlerischen Entwicklungen im Laufe der Jahrzehnte reflektiert. Sie widerspiegeln zugleich den kulturellen und gesellschaftlichen Wandel innerhalb der DDR. In einem Ausblick wird der Verbleib der textilkünstlerischen Gruppierungen nach der Wiedervereinigung betrachtet.

     
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    Quelle: OAPEN
    Sprache: Deutsch
    Medientyp: Ebook
    Format: Online
    Weitere Identifier:
    Schlagworte: The arts: general issues; Ethnic studies; Humanities
    Weitere Schlagworte: Art; Social Science; Ethnic Studies; History
  16. Technicolored : Reflections on Race in the Time of TV
    Autor*in: duCille, Ann
    Erschienen: 2018
    Verlag:  Duke University Press

    From early sitcoms such as I Love Lucy to contemporary prime-time dramas like Scandal and How to Get Away with Murder, African Americans on television have too often been asked to portray tired stereotypes of blacks as villains, vixens, victims, and... mehr

     

    From early sitcoms such as I Love Lucy to contemporary prime-time dramas like Scandal and How to Get Away with Murder, African Americans on television have too often been asked to portray tired stereotypes of blacks as villains, vixens, victims, and disposable minorities. In Technicolored black feminist critic Ann duCille combines cultural critique with personal reflections on growing up with the new medium of TV to examine how televisual representations of African Americans have changed over the last sixty years. Whether explaining how watching Shirley Temple led her to question her own self-worth or how televisual representation functions as a form of racial profiling, duCille traces the real-life social and political repercussions of the portrayal and presence of African Americans on television. Neither a conventional memoir nor a traditional media study, Technicolored offers one lifelong television watcher's careful, personal, and timely analysis of how television continues to shape notions of race in the American imagination.

     
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    Quelle: OAPEN
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    Schlagworte: Ethnic studies; Television
    Weitere Schlagworte: Social Science; Ethnic Studies; American; African American & Black Studies; Performing Arts; Television; History & Criticism
  17. Cinematic Independence : Constructing the Big Screen in Nigeria
    Autor*in: Tsika, Noah
    Erschienen: 2022
    Verlag:  University of California Press

    Cinematic Independence traces the emergence, demise, and rebirth of big-screen film exhibition in Nigeria. Film companies flocked to Nigeria in the years following independence, beginning a long history of interventions by Hollywood and corporate... mehr

     

    Cinematic Independence traces the emergence, demise, and rebirth of big-screen film exhibition in Nigeria. Film companies flocked to Nigeria in the years following independence, beginning a long history of interventions by Hollywood and corporate America. The 1980s and 1990s saw a shuttering of cinemas, which were almost entirely replaced by television and direct-to-video movies. However, after 1999, the exhibition sector was revitalized with the construction of multiplexes. Cinematic Independence is about the periods that straddle this disappearing act: the immediate decades bracketing independence in 1960, and the years after 1999. At stake is the Nigerian postcolony’s role in global debates about the future of the movie theater. That it was eventually resurrected in the flashy form of the multiplex is not simply an achievement of commercial real estate, but also a testament to cinema’s persistence—its capacity to stave off annihilation or, in this case, come back from the dead.

     
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    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
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    Schlagworte: African history; Film theory & criticism
    Weitere Schlagworte: Social Science; Ethnic Studies; African Studies; History; Africa; West; Performing Arts; Film; History & Criticism
  18. Narratives of border crossings
    literary approaches and negotiations
    Beteiligt: Fellner, Astrid M. (Herausgeber)
    Erschienen: 2021
    Verlag:  Nomos, Rombach Wissenschaft, Baden-Baden

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    Quelle: Verbundkataloge
    Beteiligt: Fellner, Astrid M. (Herausgeber)
    Sprache: Englisch
    Medientyp: Konferenzschrift
    Format: Druck
    ISBN: 9783848780082; 3848780089
    Weitere Identifier:
    9783848780082
    Auflage/Ausgabe: 1st edition
    Körperschaften/Kongresse: MESEA Conference, 9. (2014, Saarbrücken)
    Schriftenreihe: Border studies ; volume 5
    Schlagworte: Englisch; Literatur; Film; Grenze <Motiv>; Grenzüberschreitung
    Weitere Schlagworte: (Produktform)Paperback / softback; Borders; Boundaries; Literary Studies; Cultural Studies; film; Anglophone; Grenzüberschreitung; Grenznarrative; Anglistik; englische Literatur; Grenzforschung; Grenzüberschreitungen; Grenzen; anglophone fiction; Ethnic Studies; cultural encounters; border crossings; border narratives; ethnic literature; Border Studies; (Produktrabattgruppe)NG: NG-Rabatt; (VLB-WN)1729: Hardcover, Softcover / Soziologie/Sonstiges
    Umfang: 227 Seiten, 23 cm, 330 g
  19. Political myth-making, nationalist resistance and populist performance
    examining Kwame Nkrumah's construction and promotion of the African dream
    Autor*in: Nartey, Mark
    Erschienen: 2023
    Verlag:  Routledge, Taylor & Francis Group, London

    Using the socio-political discourse of Kwame Nkrumah, a pioneering Pan-Africanist and Ghana's independence leader, Nartey investigates the notion of political myth-making in a context underexplored in the literature. He examines Nkrumah's... mehr

     

    Using the socio-political discourse of Kwame Nkrumah, a pioneering Pan-Africanist and Ghana's independence leader, Nartey investigates the notion of political myth-making in a context underexplored in the literature. He examines Nkrumah's construction of a myth described in the book as the Unite or Perish myth (i.e., the idea of a 'United States of Africa' being a prerequisite for the survival of Africa in the post-independence period), exploring the rhetorical resources he deployed, categorizing and analyzing key tropes and metaphors, and setting out the myth's basic components. This book focuses on three areas: an investigation of political myth-making as a social and discursive practice in order to identify particular semiotic practices and linguistic patterns deployed in the construction of mythic discourse; the unpacking of the discursive manifestation, representation, features, and functions of political mythic themes; and finally to propose and implement an integrated discourse analytical framework to account for the complexities of mythic discourse and political narratives in general. It analyzes how Nkrumah deployed his discourse to concurrently construct heroes and villains, protagonists and antagonists, as part of an ideological mechanism aimed at galvanizing support for and instigating action on the part of the masses towards his lifelong African dream.Nartey's book steps out from the conventional domain of critical discourse studies to focus on myth as a form of populist performance. It will be of interest to postgraduate students and academics in (critical) discourse studies, rhetorical discourse analysis, African and Diaspora studies, and African history, as well as non-academics such as journalists, political commentators, and people who consider themselves to be Nkrumaists and Pan-Africanists

     
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9781032109169; 9781032109183
    Schriftenreihe: Routledge research in language and communication
    Schlagworte: Communication in politics; Critical discourse analysis; Populism; National liberation movements; Pan-Africanism; African history; Afrikanische Geschichte; Colonialism & imperialism; Comparative politics; Discourse analysis; Ethnic Studies; Ethnic studies; Kolonialismus und Imperialismus; LAN009010; LAN009050; LANGUAGE ARTS & DISCIPLINES / Linguistics; Literatur: Geschichte und Kritik; Literature: history & criticism; POL053000; Regional geography; Regional studies; Regionale Geographie; Regionalstudien / Internationale Studien; Semantik, Diskursanalyse, Stilistik; Sociolinguistics
    Weitere Schlagworte: Nkrumah, Kwame (1909-1972)
    Umfang: pages cm
    Bemerkung(en):

    Based on author's PhD research at Hong Kong Polytechnic University

    Includes bibliographical references and index

    Interessenniveau: 05, College/higher education: For universities and colleges of further and higher education. (05)

    Discourse and mythology -- Analytical and methodological procedures -- The unite or perish myth as a discourse of nationalist resistance -- Metaphor and the unite or perish myth -- The unite or perish myth as populist performance.
  20. Fatherhood in the borderlands
    a daughter's slow approach
    Autor*in: Perez, Domino Renee
    Erschienen: 2022
    Verlag:  University of Texas Press, Austin

    "In the borderlands between the white US cultural mainstream and Mexican American cultural productions, this book concerns itself not with the liberation but with the legibility of Mexican American fathers in literature and film. Few works focus... mehr

     

    "In the borderlands between the white US cultural mainstream and Mexican American cultural productions, this book concerns itself not with the liberation but with the legibility of Mexican American fathers in literature and film. Few works focus exclusively on Brown fathers in the borderlands. This study focuses on the slow interplay of form, genre, and subject that determines the roles these fathers are allowed to occupy in the cultural imaginary. From arts and exercise to parenting and educational practices, slow, as a multivalent ideology, has taken shape over the last thirty years. It encourages us to think about the generative possibility of cultural or structural transformation. Rather than a temporal designation or an assessment of the rate of output, specifically within the context of the neoliberal academy, slow research emphasizes the interconnectedness of research and knowledge formation, particularly when derived from sources that are gendered, classed, and racialized. Stated another way, slow research strives to lay bare how research is "made.""-- As a young girl growing up in Houston, Texas, in the 1980s, Domino Perez spent her free time either devouring books or watching films-and thinking, always thinking, about the media she consumed. The meaningful connections between these media and how we learn form the basis of Perez's "slow" research approach to race, class, and gender in the borderlands. Part cultural history, part literary criticism, part memoir, Fatherhood in the Borderlands takes an incisive look at the value of creative inquiry while it examines the nuanced portrayal of Mexican American fathers in literature and film.Perez reveals a shifting tension in the literal and figurative borderlands of popular narratives and shows how form, genre, and subject work to determine the roles Mexican American fathers are allowed to occupy. She also calls our attention to the cultural landscape that has allowed such a racialized representation of Mexican American fathers to continue, unopposed, for so many years. Fatherhood in the Borderlands brings readers right to the intersection of the white cultural mainstream in the United States and Mexican American cultural productions, carefully considering the legibility and illegibility of Brown fathers in contemporary media

     
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    Quelle: Verbundkataloge
    Sprache: Englisch; Spanisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9780292745537; 9781477326343
    Auflage/Ausgabe: First edition
    Schriftenreihe: Joe R. and Teresa Lozano Long series in Latin American and Latino art and culture
    Schlagworte: Mexican Americans in literature; Mexican Americans in motion pictures; Fathers in literature; Fathers in motion pictures; Fatherhood in literature; Fatherhood in motion pictures; Ethnic Studies; Ethnic studies; SOCIAL SCIENCE / Ethnic Studies / Hispanic American Studies; SOCIAL SCIENCE / Sociology / Marriage & Family; Social & cultural history; Sociology: family & relationships; Sozial- und Kulturgeschichte; Soziologie: Familie und Beziehungen
    Weitere Schlagworte: Perez, Domino Renee (1967-)
    Umfang: pages cm
    Bemerkung(en):

    Includes bibliographical references and index

    Zielgruppe: 5PB-US-H, Bezug zu Latino-Amerikanern

    Interessenniveau: 06, Professional and scholarly: For an expert adult audience, including academic research. (06)

    Preface: The Slow LowdownIntroduction: A Slow Approach to Fathers and Other FictionsPart I. Sourcing Authority Film: Ancianos not Abuelos: Making Space and Mediating Male PowerPersonal Narrative: "No, I Am Your Father"Literature: Fathers and Racialized Masculinities in Luis Alberto Urrea's In Search of SnowPart II. Instrumentalizing Indigeneity Personal Narrative: Nobody Ever Said We Were AztecsFilm: Fatherhood, Chicanismo, and the Cultural Politics of Healing in La MissionLiterature: New Tribalism and Chicana/o Indigeneity in the Work of Gloria AnzalduaPart III. Fantasmas and FronterasLiterature: Fathers, Sons, and Other (Short) FictionsFilm: Meta and Mutant FathersPersonal Narrative: Family Fictions and Other Lies about the TruthConclusion: Fathers and FuturityParting ShotAcknowledgmentsNotesWorks Cited and ConsultedIndex
  21. Trans/Intifada
    The Politics and Poetics of Intersectional Resistance
    Autor*in: Jegić, Denijal
    Erschienen: 2019
    Verlag:  Universitätsverlag Winter, Heidelberg

    This book explores political, cultural, and literary aspects of intersectional and transnational resistance articulated contemporarily and historically by Palestinian and Black American artists and activists. A historical and political survey... mehr

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    This book explores political, cultural, and literary aspects of intersectional and transnational resistance articulated contemporarily and historically by Palestinian and Black American artists and activists. A historical and political survey examines the Nakba as a contemporaneous colonial epoch that is constantly reproduced through a multitude of oppressive policies which place Palestinians within the link between U.S. and Israeli hegemony, whose colonial violence has extended transnationally. Black and Palestinian expressions of mutual solidarity result from the location of their struggles within subaltern spaces. Drawing on intersectional approaches emanating from Black feminism and post-colonial theory, this study investigates written and spoken poetry, essays, and lyrics as interventions into imperialist and colonialist currents and as demands for revolutions that are conceptualized as an Intifada that transcends the original, Palestinian context.

     
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  22. Projecting American studies
    essays on theory, method, and practice
    Beteiligt: Kelleter, Frank (Hrsg.); Starre, Alexander (Hrsg.)
    Erschienen: [2018]
    Verlag:  Universitätsverlag Winter, Heidelberg

    Standort:
    Freie Universität Berlin, Universitätsbibliothek
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    Standort:
    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    Quelle: Philologische Bibliothek, FU Berlin; Staatsbibliothek zu Berlin
    Beteiligt: Kelleter, Frank (Hrsg.); Starre, Alexander (Hrsg.)
    Sprache: Englisch
    Medientyp: Konferenzschrift
    ISBN: 9783825368470; 3825368475
    Weitere Identifier:
    9783825368470
    RVK Klassifikation: AK 17830 ; HD 270
    DDC Klassifikation: Englisch, Altenglisch (420)
    Körperschaften/Kongresse: Conference "Looking Forward, 2014: Current Projects in American Studies" (2014, Berlin)
    Schriftenreihe: American studies ; volume 285
    Schlagworte: Methode; Forschungsgegenstand; Interdisziplinarität; Amerikanistik; Selbstverständnis
    Weitere Schlagworte: American Studies; Nordamerikstudien; Amerikanistik; Methodologie; Forschungsübersicht; Forschungspraxis; Kulturtheorie; U.S.A.; amerikanische Literatur; Naturalismus; Kulturtransfer; Howells, William Dean; Ethnic Studies; Urbanität; Zivilgesellschaft; Interdisziplinarität; Transdisziplinarität; Materialismus; Medienwissenschaft
    Umfang: 314 Seiten, Illustrationen, 21 cm x 13.5 cm
    Bemerkung(en):

    " ... the conference "Looking Forward, 2014" at the John F. Kennedy Institute for North American Studies in the fall of 2014 ..." - Preface
  23. Emancipation
    the unfinished project of liberation
    Beteiligt: Gilham, Will (HerausgeberIn)
    Erschienen: [2023]
    Verlag:  Amon Carter Museum of Art, Fort Worth ; Williams College Museum of Art, Williamstown ; University of California Press, Oakland

    This stunning exhibition catalog visualizes what freedom looks like for Black Americans today and the legacy of the Civil War in 2023 and beyond. Emancipation: The Unfinished Project of Liberation sits at the intersection of history and contemporary... mehr

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    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
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    This stunning exhibition catalog visualizes what freedom looks like for Black Americans today and the legacy of the Civil War in 2023 and beyond. Emancipation: The Unfinished Project of Liberation sits at the intersection of history and contemporary life. Building upon in-depth conversations about representations of enslavement and emancipation at the close of the Civil War, this project originates from an analysis of sculptor John Quincy Adams Ward's The Freedman (1863), one of the first bronze representations of a Black person in the United States, and expands into an investigation of how living artists envision emancipation, freedom, and liberation today. Featuring interviews with artists Sadie Barnette, Alfred Conteh, Maya Freelon, Hugh Hayden, Letitia Huckaby, Jeffrey Meris, and Sable Elyse Smith, the exhibition catalog explores their practices along with cutting-edge scholarship by Kirsten Pai Buick and Kelvin Parnell, among others, as well as a haunting story of embodiment and exploitation by celebrated science-fiction author N. K. Jemisin. Burdened by failed promises but buoyed by hope, this project is mournful and melancholy yet also reflective and celebratory in its aspirations for a brighter future. Published in association with the Amon Carter Museum of American Art Exhibition dates: Amon Carter Museum of American Art: March 12-July 9, 2023 Newcomb Art Museum at Tulane University: August 5-November 11, 2023 Williams College Museum of Art: February 16-June 16, 2024

     
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    Cover (lizenzpflichtig)
    Quelle: Verbundkataloge
    Beteiligt: Gilham, Will (HerausgeberIn)
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9780520393301
    Schlagworte: ART / History / Contemporary (1945-); ART / History / Modern (late 19th Century to 1945); Art & design styles: from c 1960; Black & Asian studies; Ethnic Studies; Ethnische Gruppen und multikulturelle Studien; HIS056000; History of art & design styles: from c 1900 -; History of the Americas; Kunstgeschichte; Modernismus; SOC056000; SOCIAL SCIENCE / Ethnic Studies / African American Studies; Sozial- und Kulturgeschichte
    Umfang: 139 Seiten
    Bemerkung(en):

    Seite [140]: Published on the occasion of the exhibition "Emancipation: The Unfinished Project of Liberation", organized by the Amon Carter Musum of American Art, Fort Worth, Texas and the Williams College Museum of Art, Williamstown, Massachusetts. Exposition dates: Amon Carter Center of American Art, Fort Worth, Texas, March 12 through July 9, 2023. - New Comb Museum at Tulane University, New Orleans, Louisiana, August 5 through November 11, 2023. - Williams College Museum of Art, Williamstown, Massachusetts, February 16 through June 16, 2024

    Zielgruppe: 5PB, Bezug zu Personen: ethnische Gruppen, indogene Völker, Kulturen, Stämme und andere Gruppierungen von Menschen

    Zielgruppe: 5PB-US-C, Bezug zu Afro-Amerikanern
  24. Anziehender Schrecken
    das Denkbild des Heiligen im anthropologischen und ästhetischen Diskurs der Moderne
    Autor*in: Kuba, Alexander
    Erschienen: 2012
    Verlag:  Fink, München

    Attribute wie heilig, sakral und vor allem tabu bezeichnen ein ambivalentes Phänomen, das sich die Moderne mit dem Bedeutungsspektrum des lateinischen ´sacer´ erklärt hat: ehrwürdig und unantastbar, aber auch verworfen und unberührbar, strikt von der... mehr

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    Universität Potsdam, Universitätsbibliothek
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    Attribute wie heilig, sakral und vor allem tabu bezeichnen ein ambivalentes Phänomen, das sich die Moderne mit dem Bedeutungsspektrum des lateinischen ´sacer´ erklärt hat: ehrwürdig und unantastbar, aber auch verworfen und unberührbar, strikt von der Sphäre des ´profanum´ getrennt und irreduzibel anders. Doch das lateinische Wort ´sacer´ hat seine Verständlichkeit verloren. Die Moderne überblendet es mit einem ethnologischen Tabubegriff, der die Leitdifferenz heilig/profan mit der Binnendifferenz rein/unrein verbindet und so die Faszinationsgeschichte eines anziehenden Schreckens schreibt, der sich im Deutschen nicht durch ein einzelnes Wort wiedergeben lässt. Von William Robertson Smith, James George Frazer, Sigmund Freud und Rudolf Otto über Émile Durkheim, Marcel Mauss und Claude Lévi-Strauss bis zu Georges Bataille und Antonin Artaud zeichnet das Buch diesen Diskurs nach.

     
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    Quelle: Verbundkataloge
    Sprache: Deutsch
    Medientyp: Dissertation
    Format: Online
    ISBN: 9783846753163
    Weitere Identifier:
    9783846753163
    Auflage/Ausgabe: 1. Aufl
    Schlagworte: Ethnic Studies; Ethnie; ethnische Studien; Kulturgeschichte; Kulturwissenschaft; Sozialgeschichte; Sozialwissenschaft
    Umfang: Online-Ressource (208 S.)
    Bemerkung(en):

    Zugl.: Berlin, Freie Univ., Diss., 2010
  25. Antiracist Medievalisms
    From "Yellow Peril" to Black Lives Matter
    Autor*in: Hsy, Jonathan
    Erschienen: [2021]
    Verlag:  Arc Humanities Press, Leeds

    Frontmatter -- CONTENTS -- List of Illustrations -- Preface. Coalitions, Solidarities, and Acknowledgments -- Introduction. Performing Medievalism, Crafting Identities -- Chapter One. Progress: Racial Belonging, Medieval Masculinities, and the Ethnic... mehr

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    Hochschule für Gesundheit, Hochschulbibliothek
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    Universitätsbibliothek Braunschweig
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    Frontmatter -- CONTENTS -- List of Illustrations -- Preface. Coalitions, Solidarities, and Acknowledgments -- Introduction. Performing Medievalism, Crafting Identities -- Chapter One. Progress: Racial Belonging, Medieval Masculinities, and the Ethnic Minority Bildungsroman -- Chapter Two. Plague: Toxic Chivalry, Chinatown Crusades, and Chinese/ Jewish Solidarities -- Chapter Three. Place: Indefinite Detention and Forms of Resistance in Angel Island Poetry -- Chapter Four. Passing: Crossing Color Lines in the Short Fiction of Alice Dunbar-Nelson and Sui Sin Far -- Chapter Five. Play: Racial Recognition, Unsettling Poetics, and the Reinvention of Old English and Middle English Forms -- Chapter Six. Pilgrimage: Chaucerian Poets of Color in Motion -- Further Readings and Resources -- Bibliography -- Index How do marginalized communities across the globe use the medieval past to combat racism, educate the public, and create a just world? Jonathan Hsy advances urgent academic and public conversations about race and appropriations of the medieval past in popular culture and the arts.  Examining poetry, fiction, journalism, and performances, Hsy shows how cultural icons such as Frederick Douglass, Wong Chin Foo, Alice Dunbar-Nelson, and Sui Sin Far reinvented medieval traditions to promote social change. Contemporary Asian, Black, Indigenous, Latinx, and multiracial artists embrace diverse pasts to build better futures.  "Makes the crucial move of tying medievalism studies readings to social and racial justice work explicitly ... innovative and greatly needed in the field." Seeta Chaganti, author of Strange Footing "A major accomplishment that belongs on the shelves of every person who believes in antiracism." Geraldine Heng, author of The Invention of Race in the European Middle Ages

     
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781641893152
    Weitere Identifier:
    Schriftenreihe: Arc Medievalist
    Schlagworte: Anti-racism; Medievalism in art; Medievalism in literature; Medievalism; HISTORY / World
    Weitere Schlagworte: Activism; Ethnic Studies; Global Middle Ages; Medievalism; Minority Literature; racism; social justice; white supremacy
    Umfang: 1 Online-Ressource (170 p)