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  1. The Celtic Revival in English Literature, 1760–1800
    Erschienen: [1923]
    Verlag:  Harvard University Press, Cambridge, Mass.

    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780674600010; 9780674599314
    Weitere Identifier:
    Schlagworte: English poetry / 18th century / History and criticism; Comparative literature / Celtic and English; Comparative literature / English and Celtic; Englische Literatur; Englisch; Irische Renaissance; Lyrik; Lyrik; Englisch; Irische Renaissance
    Umfang: 1 Online-Ressource (vi,208p.)
    Bemerkung(en):

    4 schw.-w. Abb., 1 frontispiece

  2. English Burlesque Poetry, 1700–1750
    Erschienen: [1932]
    Verlag:  Harvard University Press, Cambridge, Mass.

    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
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    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780674733329; 9780674730007
    Weitere Identifier:
    Schriftenreihe: Harvard Studies in English ; 6
    Schlagworte: English poetry / 18th century / History and criticism; Burlesques / Bibliography; Englische Literatur; Burlesques; English poetry; Burleske (Literatur); Englisch; Burleske <Literatur>
    Umfang: 1 Online-Ressource (xi,483p.)
  3. The Insistence of Horror
    Aspects of the Supernatural in Eighteenth-Century Poetry
    Erschienen: [1962]
    Verlag:  Harvard University Press, Cambridge, Mass.

    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
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  4. The Poetry of Vision
    Five Eighteenth-Century Poets
    Erschienen: [1967]
    Verlag:  Harvard University Press, Cambridge, Mass.

    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
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  5. The making of poetry
    Coleridge, the Wordsworths and their year of marvels
    Autor*in: Nicolson, Adam
    Erschienen: 2019
    Verlag:  William Collins, an imprint of HarperCollinsPublishers, London

    Universitäts- und Stadtbibliothek Köln, Hauptabteilung
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    Universitätsbibliothek Paderborn
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  6. The Epistolary Moment
    The Poetics of the Eighteenth-Century Verse Epistle
    Erschienen: [1991]
    Verlag:  Princeton University Press, Princeton, N.J.

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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781400862207
    Weitere Identifier:
    Schlagworte: Englische Literatur; English poetry / 18th century / History and criticism; Epistolary poetry, English / History and criticism; Poetics / History / 18th century; LITERARY CRITICISM / European / English, Irish, Scottish, Welsh; English poetry; Epistolary poetry, English; Poetics; Geschichte; Epistel; Briefgedicht; Englisch
    Umfang: 1 Online-Ressource (232p.)
    Bemerkung(en):

    The eighteenth-century verse epistle, argues William Dowling, was an attempt to solve in literary terms the dilemma of solipsism as raised by Locke and Hume. The focus of The Epistolary Moment is on internal audience in poetry--the audience "inside" the poem, created by its discourse and belonging to its world--as this divides in epistolary poetry into a double or simultaneous register of address: the audience directly addressed by the letter-writer, and an epistolary audience listening in on the exchange from a point external to the discourse of the speaker but internal to the discourse of the poem. Epistolary audience lies, contends The Epistolary Moment, at the heart of an Augustan theory of poetry as ideological intervention, poems as symbolic acts with enormous consequences in the domain of the real. The emergence of the verse epistle as the dominant form in eighteenth-century poetry thus takes as its ultimate context the origins of eighteenth-century solipsism in a degraded modernity symbolized by Sir Robert Walpole and his Robinocracy, the demonic representatives of a new money or market society arising from the ruins of organic or traditional community.Originally published in 1991.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These paperback editions preserve the original texts of these important books while presenting them in durable paperback editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905

  7. Reading Public Romanticism
    Autor*in: Magnuson, Paul
    Erschienen: [1998]
    Verlag:  Princeton University Press, Princeton, N.J.

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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781400864799
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    Schlagworte: Englische Literatur; English poetry / 19th century / History and criticism; Literature and society / Great Britain / History / 19th century; Authors and readers / Great Britain / History / 19th century; English poetry / 18th century / History and criticism; Public opinion / Great Britain / History / 19th century; Public opinion / Great Britain / History / 18th century; Literary form / History / 18th century; Literary form / History / 19th century; Public opinion in literature; Romanticism / Great Britain; Speech acts (Linguistics); LITERARY CRITICISM / European / English, Irish, Scottish, Welsh; Authors and readers; English poetry; Literary form; Literature and society; Public opinion; Romanticism; Geschichte; Englisch; Zeithintergrund; Literatur
    Umfang: 1 Online-Ressource (264p.)
    Bemerkung(en):

    Reading Public Romanticism is a significant new example of the linking of esthetics and historical criticism. Here Paul Magnuson locates Romantic poetry within a public discourse that combines politics and esthetics, nationalism and domesticity, sexuality and morality, law and legitimacy. Building on his well-regarded previous work, Magnuson practices a methodology of close historical reading by identifying precise versions of poems, reading their rhetoric of allusion and quotation in the contexts of their original publication, and describing their public genres, such as the letter. He studies the author's public signature or motto, the forms and significance of address used in poems, and the resonances of poetic language and tropes in the public debates.According to Magnuson, "reading locations" means reading the writing that surrounds a poem, the "paratext" or "frame" of the esthetic boundary.

    In their particular locations in the public discourse, romantic poems are illocutionary speech acts that take a stand on public issues and legitimate their authors both as public characters and as writers. He traces the public significance of canonical poems commonly considered as lyrics with little explicit social or political commentary, including Wordsworth's "Immortality Ode"; Coleridge's "This Lime-Tree Bower My Prison," "Frost at Midnight," and "The Ancient Mariner"; and Keats's "On a Grecian Urn." He also positions Byron's Dedication to Don Juan in the debates over Southey's laureateship and claims for poetic authority and legitimacy. Reading Public Romanticism is a thoughtful and revealing work.Originally published in 1998.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press.

    These paperback editions preserve the original texts of these important books while presenting them in durable paperback editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905

  8. A companion to eighteenth-century poetry
    Erschienen: [2006?]
    Verlag:  Blackwell Pub., [Malden, Mass.]

    Technische Hochschulbibliothek Rosenheim
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    Volltext (URL des Erstveröffentlichers)
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    Medientyp: Ebook
    Format: Online
    ISBN: 9781405113168; 1405113162; 9781405171922; 1405171928; 9781405168717; 1405168714; 9780470996638; 0470996633
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    Schlagworte: Criticism, interpretation, etc; POETRY / English, Irish, Scottish, Welsh; English poetry; English poetry / 18th century / History and criticism; Lyrik; Englisch
    Umfang: 1 Online-Ressource
    Bemerkung(en):

    Title from e-book home page (publisher website, viewed Mar. 19, 2008). - Published on the Blackwell Reference Online website

    Includes bibliographical references

    This broad-ranging Companion gives readers a thorough grounding in both the background and the substance of eighteenth-century poetry in all its rich variety. An up-to-date and wide-ranging guide to eighteenth-century poetry. Reflects the dramatic transformation which has taken place in the study of eighteenth-century poetry over the past two decades. Opens with a section on contexts, discussing poetry's relationships with patriotism, politics, science, and the visual arts, for example. Discusses poetry by male and female poets from all walks of life. Includes numerous close readings of indivi

  9. Mapping mythologies
    countercurrents in eighteenth-century poetry and cultural history
    Autor*in: Butler, Marilyn
    Erschienen: 2015
    Verlag:  Cambridge University Press, Cambridge

    In this groundbreaking work of revisionary literary history, Marilyn Butler traces the imagining of alternative versions of the nation in eighteenth-century Britain, both in the works of a series of well-known poets (Akenside, Thomson, Gray, Collins,... mehr

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    In this groundbreaking work of revisionary literary history, Marilyn Butler traces the imagining of alternative versions of the nation in eighteenth-century Britain, both in the works of a series of well-known poets (Akenside, Thomson, Gray, Collins, Chatterton, Macpherson, Blake) and in the differing accounts of the national culture offered by eighteenth-century antiquarians and literary historians. She charts the beginnings in eighteenth-century Britain of what is now called cultural history, exploring how and why it developed, and the issues at stake. Her interest is not simply in a succession of great writers, but in the politics of a wider culture, in which writers, scholars, publishers, editors, booksellers, readers all play their parts. For more than thirty years, Marilyn Butler was a towering presence in eighteenth-century and romantic studies, and this major work is published for the first time

     

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    Volltext (URL des Erstveröffentlichers)
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    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781316337301
    Weitere Identifier:
    RVK Klassifikation: HK 1181
    Schlagworte: Geschichte; English poetry / 18th century / History and criticism; Myth in literature; Literature and society / Great Britain / History / 18th century; Literature and myth; Lyrik; Mythos; Englisch
    Umfang: 1 online resource (xxv, 214 pages)
    Bemerkung(en):

    Title from publisher's bibliographic system (viewed on 05 Oct 2015)

    A map of mythologising -- Thomson and Akenside -- Collins and Gray -- The forgers: Macpherson and Chatterton -- Popular antiquities -- Blake -- Coda

  10. The calamity form
    on poetry and social life
    Erschienen: 2020
    Verlag:  The University of Chicago Press, Chicago ; London

    "The Romantic period in literature coincided with two of the most significant transformations in modern history: the Industrial Revolution and, with it, the inflection point of the Anthropocene. Literary critics have shown that much of Romantic... mehr

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    "The Romantic period in literature coincided with two of the most significant transformations in modern history: the Industrial Revolution and, with it, the inflection point of the Anthropocene. Literary critics have shown that much of Romantic poetry expresses an uncanny insight into both of these transformations, including the human and ecological costs of what we now call a carbon-based economy. But was art really capable of making sense of the emerging crisis-or of changing the future? In a superbly nuanced work of literary criticism, Anahid Nersessian shows that poets began to disqualify themselves from explaining the train of consequences that industry set in motion. Their form of knowledge-if knowledge it be-was of an order different from science or economics, and could not bear the burden of accounting for environmental calamity. Romanticism, Nersessian argues, is of the Anthropocene but not about it, and she cautions against investing its poetry with a straightforwardly testimonial power. In doing so, she models an approach to criticism that reads within what Charles Olson calls "the shapeful," emphasizing the role of rhetorical figures in fashioning the posture a poem takes on a historical question. While focusing on the Romantics, Nersessian also ranges back to the seventeenth century (e.g., the poetry of Andrew Marvell) and forward to examples of contemporary poetry and conceptual art (e.g., Derek Jarman's poetry, and installations by Agnes Denes and Helen Mirra). Within literary studies, this is a widely anticipated book by one of the most brilliant critics of her generation"--

     

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  11. Romantic prayer
    reinventing the poetics of devotion, 1773-1832
    Erschienen: 2021
    Verlag:  Oxford University Press, Oxford, United Kingdom ; New York, NY

  12. Poesia come pittura nel romanticismo inglese
    Erschienen: 2004
    Verlag:  Liguori, Napoli

    Kunsthistorisches Institut in Florenz, Max-Planck-Institut, Bibliothek
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    Quelle: Verbundkataloge
    Sprache: Italienisch
    Medientyp: Buch (Monographie)
    ISBN: 8820737019; 9788820737016
    Auflage/Ausgabe: 1. ed. italiana
    Schriftenreihe: L'armonia del mondo ; 5
    Schlagworte: Art and literature / England / History / 18th century; Art and literature / England / History / 19th century; Romanticism / England; English poetry / 18th century / History and criticism; English poetry / 19th century / History and criticism; Geschichte; Literatur; Kunst
    Umfang: 208 p., ill. (some col.), 24 cm
    Bemerkung(en):

    Collected essays

    Includes bibliographical references (p. 205 - 208)

  13. Literature, language, and the rise of the intellectual disciplines in Britain, 1680-1820
    Autor*in: Valenza, Robin
    Erschienen: 2009
    Verlag:  Cambridge University Press, Cambridge

    The divide between the sciences and the humanities, which often seem to speak entirely different languages, has its roots in the way intellectual disciplines developed in the long eighteenth century. As various fields of study became defined and to... mehr

    Universitätsbibliothek Bamberg
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    The divide between the sciences and the humanities, which often seem to speak entirely different languages, has its roots in the way intellectual disciplines developed in the long eighteenth century. As various fields of study became defined and to some degree professionalized, their ways of communicating evolved into an increasingly specialist vocabulary. Chemists, physicists, philosophers, and poets argued about whether their discourses should become more and more specialised, or whether they should aim to remain intelligible to the layperson. In this interdisciplinary study, Robin Valenza shows how Isaac Newton, Samuel Johnson, David Hume, Adam Smith, Samuel Taylor Coleridge and William Wordsworth invented new intellectual languages. By offering a much-needed account of the rise of the modern disciplines, Robin Valenza shows why the sciences and humanities diverged so strongly, and argues that literature has a special role in navigating between the languages of different areas of thought

     

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    Volltext (URL des Erstveröffentlichers)
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780511635601
    Weitere Identifier:
    RVK Klassifikation: HF 395 ; HK 1081
    Schlagworte: Geschichte; English poetry / 18th century / History and criticism; Literature and science / Great Britain / History / 18th century; Language and culture / Great Britain / History / 18th century; Science and the humanities / Great Britain / History / 18th century; Literatur; Wissenschaft; Englisch
    Umfang: 1 online resource (ix, 239 pages)
    Bemerkung(en):

    Title from publisher's bibliographic system (viewed on 05 Oct 2015)

    The economies of knowledge -- The learned and conversable worlds -- Physics and its audiences -- Philosophy's place between science and literature -- Poetry among the intellectual disciples

  14. The Cambridge introduction to eighteenth-century poetry
    Autor*in: Sitter, John
    Erschienen: 2011
    Verlag:  Cambridge Univ. Press, Cambridge [u.a.]

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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9780521848244; 9780521612784
    RVK Klassifikation: HK 1150
    Auflage/Ausgabe: 1. publ.
    Schriftenreihe: Cambridge introductions to literature
    Schlagworte: Lyrik; Englisch
    Weitere Schlagworte: English poetry / 18th century / History and criticism
    Umfang: XII, 246 S.
  15. Poetry and the idea of progress, 1760-1790
    Autor*in: Regan, John
    Erschienen: [2018]; © 2018
    Verlag:  Anthem Press, London, UK ; New Yok, NY

    Bayerische Staatsbibliothek
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  16. The Insistence of Horror
    Aspects of the Supernatural in Eighteenth-Century Poetry
    Erschienen: [1962]
    Verlag:  Harvard University Press, Cambridge, Mass.

    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
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  17. The Poetry of Vision
    Five Eighteenth-Century Poets
    Erschienen: [1967]
    Verlag:  Harvard University Press, Cambridge, Mass.

    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
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  18. The Celtic Revival in English Literature, 1760–1800
    Erschienen: [1923]
    Verlag:  Harvard University Press, Cambridge, Mass.

    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780674600010
    Weitere Identifier:
    Schlagworte: English poetry / 18th century / History and criticism; Comparative literature / Celtic and English; Comparative literature / English and Celtic; Englische Literatur; Englisch; Irische Renaissance; Lyrik; Lyrik; Englisch; Irische Renaissance
    Umfang: 1 Online-Ressource (vi,208p.)
    Bemerkung(en):

    4 schw.-w. Abb., 1 frontispiece

  19. English Burlesque Poetry, 1700–1750
    Erschienen: [1932]
    Verlag:  Harvard University Press, Cambridge, Mass.

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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780674733329
    Weitere Identifier:
    Schriftenreihe: Harvard Studies in English ; 6
    Schlagworte: English poetry / 18th century / History and criticism; Burlesques / Bibliography; Englische Literatur; Burlesques; English poetry; Burleske (Literatur); Englisch; Burleske <Literatur>
    Umfang: 1 Online-Ressource (xi,483p.)
  20. Four Augustan science poets
    Abraham Cowley, James Thomson, Henry Brooke, Erasmus Darwin
    Erschienen: 2020
    Verlag:  Anthem Press, London

    Focusing on four poets who, because of their distinctive profiles, illustrate especially well the opportunities and pitfalls of writing science poetry during the long eighteenth century, <i>Four Augustan Science Poets: Abraham Cowley, James Thomson,... mehr

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    Focusing on four poets who, because of their distinctive profiles, illustrate especially well the opportunities and pitfalls of writing science poetry during the long eighteenth century, Four Augustan Science Poets: Abraham Cowley, James Thomson, Henry Brooke, Erasmus Darwin offers numerous close readings that shed light not only on standard versions of the sublime but also on these idiosyncratic variants: the apologetic (Abraham Cowley), the illicit (James Thomson), the perverse (Henry Brooke) and the atheistic (Erasmus Darwin).

    Recurrent concerns include the similarities and differences among the languages of poetry, science and religion. Of the poets analyzed, all but Thomson wrote extensive notes to accompany their lines, permitting further comparison of languages, in this case between the same authors' poetry and prose.

    Topics covered include the Royal Society, the scientific revolution, astronomy, botany, chemistry, telescopy, microscopy, the anthropic principle, the clockwork universe, evolution, intelligent design, comets, meteors, light, the aurora borealis, the sun, the moon, the milky way, analogies, mimetic prosody, poetic diction and the value to poetry or science of fable and myth

     

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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781785272929
    Schlagworte: English poetry / Early modern, 1500-1700 / History and criticism; English poetry / 18th century / History and criticism; Literature and science
    Weitere Schlagworte: Cowley, Abraham / 1618-1667; Thomson, James / 1700-1748; Brooke, Henry / 1703?-1783; Darwin, Erasmus / 1731-1802
    Umfang: 1 Online-Ressource (xiii, 107 Seitens)
    Bemerkung(en):

    Title from publisher's bibliographic system (viewed on 20 Jan 2022)

  21. The Cambridge introduction to eighteenth-century poetry
    Autor*in: Sitter, John E.
    Erschienen: 2011
    Verlag:  Cambridge University Press, Cambridge

    For readers daunted by the formal structures and rhetorical sophistication of eighteenth-century English poetry, this introduction by John Sitter brings the techniques and the major poets of the period 1700–1785 triumphantly to life. Sitter begins by... mehr

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    For readers daunted by the formal structures and rhetorical sophistication of eighteenth-century English poetry, this introduction by John Sitter brings the techniques and the major poets of the period 1700–1785 triumphantly to life. Sitter begins by offering a guide to poetic forms ranging from heroic couplets to blank verse, then demonstrates how skilfully male and female poets of the period used them as vehicles for imaginative experience, feelings and ideas. He then provides detailed analyses of individual works by poets from Finch, Swift and Pope, to Gray, Cowper and Barbauld. An approachable introduction to English poetry and major poets of the eighteenth century, this book provides a grounding in poetic analysis useful to students and general readers of literature

     

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    Sprache: Englisch
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    ISBN: 9781139029186
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    RVK Klassifikation: HK 1150
    Schriftenreihe: Cambridge introductions to literature
    Schlagworte: English poetry / 18th century / History and criticism; Englisch; Lyrik
    Umfang: 1 online resource (xii, 246 pages)
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    Introduction -- pt. 1. Voice. Voice in eighteenth-century poetry ; The heroic couplet continuum ; Vocal engagement: reading Pope's An essay on criticism ; Talking in tetrameter ; Blank verse and stanzaic poetry -- pt. 2. Poetic consciousness. Satiric poetry ; Pope as metapoet ; Metapoetry beyond Pope -- pt. 3. Vision. Reading visions ; Personification ; Prophecy and prospects of society ; Ecological prospects and natural knowledge -- A concluding note: then and now

  22. Science and sensation in Romantic poetry
    Autor*in: Jackson, Noel
    Erschienen: 2008
    Verlag:  Cambridge University Press, Cambridge

    Romantic poets, notably Wordsworth, Blake, Coleridge and Keats, were deeply interested in how perception and sensory experience operate, and in the connections between sense-perception and aesthetic experience. Noel Jackson tracks this preoccupation... mehr

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    Romantic poets, notably Wordsworth, Blake, Coleridge and Keats, were deeply interested in how perception and sensory experience operate, and in the connections between sense-perception and aesthetic experience. Noel Jackson tracks this preoccupation through the Romantic period and beyond, both in relation to late eighteenth-century human sciences, and in the context of momentous social transformations in the period of the French Revolution. Combining close readings of the poems with interdisciplinary research into the history of the human sciences, Noel Jackson sheds light on Romantic efforts to define how art is experienced in relation to the newly emerging sciences of the mind and shows the continued relevance of these ideas to our own habits of cultural and historical criticism today. This book will be of interest not only to scholars of Romanticism, but also to those interested in the intellectual interrelations between literature and science

     

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    Format: Online
    ISBN: 9780511484292
    Weitere Identifier:
    RVK Klassifikation: HL 1191
    Schriftenreihe: Cambridge studies in Romanticism ; 73
    Schlagworte: Geschichte; Ästhetik; English poetry / 19th century / History and criticism; English poetry / 18th century / History and criticism; Senses and sensation in literature; Mind and body in literature; Perception in literature; Aesthetics in literature; Poets, English / Aesthetics; Literature and science / Great Britain / History / 18th century; Literature and science / Great Britain / History / 19th century; Romanticism / Great Britain; Lyrik; Englisch; Wahrnehmung
    Umfang: 1 online resource (xiv, 288 pages)
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    Introduction : lyrical forms and empirical realities : reading Romanticism's "language of the sense" -- Senses of history : between the mind and the world -- Powers of suggestion : sensation, revolution, and Romantic aesthetics -- The "sense of history" and the history of the senses : periodizing perception in Wordsworth and Blake -- Senses of community : lyric subjectivity and "the culture of the feelings" -- Critical conditions : Coleridge, "common sense," and the literature of self-experiment -- Sense and consensus : Wordsworth, aesthetic culture, and the poet-physician -- The persistence of the aesthetic : afterlives of Romanticism -- John Keats and the sense of the future -- More than a feeling? : Walter Pater, Wilkie Collins, and the legacies of Wordsworthian aesthetics

  23. Poetry as an occupation and an art in Britain, 1760-1830
    Erschienen: 1993
    Verlag:  Cambridge University Press, Cambridge

    Peter Murphy's book examines the tension between the material, economic pressures motivating poetry as an occupation, and traditional notions of the forces of literary history defining poetry as an art. It focuses on five writers in the Romantic... mehr

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    Peter Murphy's book examines the tension between the material, economic pressures motivating poetry as an occupation, and traditional notions of the forces of literary history defining poetry as an art. It focuses on five writers in the Romantic period: James MacPherson, Robert Burns, James Hogg, Walter Scott, and William Wordsworth. The first four are Scottish; the economic and linguistic status of Scotland during the period makes its writers especially interesting as examples of poetic ambition. Murphy's study then crosses the border into England, offering a new perspective on Wordsworth's poetic ambition and career. Murphy's engagement throughout with the ballad revival yields fresh insights into some major concerns of the Romantic period: the interest in the primitive and the simple, experiments with poetic form, the problematics of loss, and the emergence of a new literary culture

     

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    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780511519062
    Weitere Identifier:
    RVK Klassifikation: HL 1191
    Schriftenreihe: Cambridge studies in Romanticism ; 3
    Schlagworte: Geschichte; English poetry / 18th century / History and criticism; English poetry / 19th century / History and criticism; Literature and society / Great Britain / History; Poetry / Authorship / History; Romanticism / Great Britain; Englisch; Lyriker; Lyrik; Beruf; Schriftsteller; Romantik
    Weitere Schlagworte: Scott, Walter (1771-1832); Burns, Robert (1759-1796); Hogg, James (1770-1835); Wordsworth, William (1770-1850); Macpherson, James (1736-1796)
    Umfang: 1 online resource (xii, 270 pages)
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    1. James MacPherson -- 2. Robert Burns -- 3. James Hogg -- 4. Walter Scott -- 5. William Wordsworth

  24. Landscape, liberty, and authority
    poetry, criticism, and politics from Thomson to Wordsworth
    Autor*in: Fulford, Tim
    Erschienen: 1996
    Verlag:  Cambridge University Press, Cambridge

    Eighteenth-century landscape description formed part of a larger debate over the nature of liberty and authority which was vital to a Britain newly defining its nationhood in a period of growing imperial power and rapid economic change. Tim Fulford... mehr

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    Eighteenth-century landscape description formed part of a larger debate over the nature of liberty and authority which was vital to a Britain newly defining its nationhood in a period of growing imperial power and rapid economic change. Tim Fulford examines landscape description in the writings of Thomson, Cowper, Johnson, Gilpin, Repton, Wordsworth, Coleridge and others, revealing tensions that arose as writers struggled for authority over the public sphere and sought to redefine the nature of that authority. In his investigation of poetry and political and aesthetic writing, Dr Fulford throws light on the legacy of Commonwealth and Country-party ideas of liberty. Also discussed are the significance of the Miltonic sublime, the politics of the picturesque and the post-colonial encounter of the Scottish tour. Dr Fulford goes on to show how the early radicalism and later conservatism of Wordsworth and Coleridge were shaped, in part, by eighteenth-century literary political and literary authorities. His study offers an understanding of literary and political influence that cuts across conventional periodization, finding new links between the early eighteenth and nineteenth centuries

     

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    Format: Online
    ISBN: 9780511519000
    Weitere Identifier:
    RVK Klassifikation: HG 430 ; HK 1181 ; HL 1191
    Schriftenreihe: Cambridge studies in eighteenth-century English literature and thought ; 30
    Schlagworte: Geschichte; English poetry / 18th century / History and criticism; Landscapes in literature; Politics and literature / Great Britain / History / 18th century; Political poetry, English / History and criticism; Description (Rhetoric) / History / 18th century; Picturesque, The, in literature; Authority in literature; Liberty in literature; Lyrik; Landschaft <Motiv>; Politisches Denken; Politik; Englisch; Literatur
    Umfang: 1 online resource (xiii, 251 pages)
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    1. Thomson and Cowper: the 'stubborn Country tam'd'? -- 2. Johnson: the usurpations of virility -- 3. Unreliable authorities? Squires, tourists and the picturesque -- 4. Wordsworth: the politics of landscape -- 5. Coleridge: fields of liberty

  25. Romantic atheism
    poetry and freethought, 1780-1830
    Erschienen: 2000
    Verlag:  Cambridge University Press, Cambridge

    Romantic Atheism explores the links between English Romantic poetry and the first burst of outspoken atheism in Britain from the 1780s onwards. Martin Priestman examines the work of Blake, Coleridge, Wordsworth, Shelley, Byron and Keats in their most... mehr

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    Romantic Atheism explores the links between English Romantic poetry and the first burst of outspoken atheism in Britain from the 1780s onwards. Martin Priestman examines the work of Blake, Coleridge, Wordsworth, Shelley, Byron and Keats in their most intellectually radical periods, establishing the depth of their engagement with such discourses, and in some cases their active participation. Equal attention is given to less canonical writers: such poet-intellectuals as Erasmus Darwin, Sir William Jones, Richard Payne Knight and Anna Laetitia Barbauld, and controversialists including Holbach, Volney, Paine, Priestley, Godwin, Richard Carlile and Eliza Sharples (these last two in particular representing the close links between punishably outspoken atheism and radical working-class politics). Above all, the book conveys the excitement of Romantic atheism, whose dramatic appeals to new developments in politics, science and comparative mythology lend it a protean energy belied by the common and more recent conception of 'loss of faith'

     

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    ISBN: 9780511484452
    Weitere Identifier:
    RVK Klassifikation: HL 1091 ; HL 1191
    Schriftenreihe: Cambridge studies in Romanticism ; 37
    Schlagworte: Geschichte; English poetry / 19th century / History and criticism; Atheism / Great Britain / History / 19th century; English poetry / 18th century / History and criticism; Atheism / Great Britain / History / 18th century; Romanticism / Great Britain; Freethinkers / Great Britain; Atheism in literature; Freidenker; Atheismus; Englisch; Romantik; Literatur; Lyrik
    Umfang: 1 online resource (xiii, 307 pages)
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