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  1. The afterlives of eighteenth-century fiction
    Beteiligt: Cook, Daniel (Hrsg.); Seager, Nicholas (Hrsg.)
    Erschienen: 2015
    Verlag:  Cambridge University Press, Cambridge

    The Afterlives of Eighteenth-Century Fiction probes the adaptation and appropriation of a wide range of canonical and lesser-known British and Irish novels in the long eighteenth century, from the period of Daniel Defoe and Eliza Haywood through to... mehr

    Standort:
    Universitätsbibliothek Bamberg
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Bayerische Staatsbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Universitätsbibliothek Passau
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    The Afterlives of Eighteenth-Century Fiction probes the adaptation and appropriation of a wide range of canonical and lesser-known British and Irish novels in the long eighteenth century, from the period of Daniel Defoe and Eliza Haywood through to that of Jane Austen and Walter Scott. Major authors, including Jonathan Swift, Samuel Richardson, Henry Fielding and Laurence Sterne, are discussed alongside writers such as Sarah Fielding and Ann Radcliffe, whose literary significance is now increasingly being recognised. By uncovering this neglected aspect of the reception of eighteenth-century fiction, this new collection contributes to developing our understanding of the form of the early novel, its place in a broader culture of entertainment then and now, and its interactions with a host of other genres and media, including theatre, opera, poetry, print caricatures and film

     
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    Volltext (URL des Erstveröffentlichers)
    Quelle: Verbundkataloge
    Beteiligt: Cook, Daniel (Hrsg.); Seager, Nicholas (Hrsg.)
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781107294424
    Weitere Identifier:
    RVK Klassifikation: HK 1301
    Schlagworte: English fiction / 18th century / History and criticism; English fiction / Irish authors / History and criticism; English fiction / Adaptations / History and criticism; Englisch; Rezeption; Roman
    Umfang: 1 Online-Ressource (ix, 304 Seiten)
    Bemerkung(en):

    Title from publisher's bibliographic system (viewed on 05 Oct 2015)

    Introduction / Daniel Cook and Nicholas Seager -- 1. On authorship, appropriation, and eighteenth-century fiction / Daniel Cook -- 2. The afterlife of family romance / Michael McKeon -- 3. From Picaro to Pirate: afterlives of the Picaresque in early eighteenth-century fiction / Leah Orr -- 4. Ghosts of the guardian in Sir Charles Grandison and Bleak House / Sarah Raff -- 5. The novel's afterlife in the newspaper, 1712-1750 / Nicholas Seager -- 6. Wit and humour for the heart of sensibility: the beauties of Fielding and Sterne / M.-C. Newbould -- 7. The spectral iamb: the poetic afterlife of the late eighteenth-century novel / Dahlia Porter -- 8. Rethinking fictionality in the eighteenth-century puppet theatre / David A. Brewer -- 9. The novel in musical theatre: Pamela, Caleb Williams, Frankenstein and Ivanhoe / Michael Burden -- 10. Gillray's Gulliver and the 1803 invasion scare / David Francis Taylor -- 11. Defoe's cultural afterlife, mainly on screen / Robert Mayer -- 12. Happiness in Austen's Sense and Sensibility and its afterlife in film / Jill Heydt-Stevenson -- 13. Refreshing The History of England: Jane Austen's and 1066 and All That / Peter Sabor -- Select bibliography
  2. Threatened masculinity from British fiction (1880-1915) to Cold War German cinema
    Autor*in: Willis, Joseph P.
    Erschienen: 2019
    Verlag:  Routledge, Taylor & Francis Group, New York ; London

    Standort:
    Bayerische Staatsbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9780367210915
    Schriftenreihe: Among the Victorians and modernists ; 16
    Schlagworte: Kino; Literatur; Ost-West-Konflikt; Film; Geschlechterforschung; Verfilmung
    Weitere Schlagworte: Childers, Erskine (1870-1922): The riddle of the sands; Conrad, Joseph (1857-1924): Victory; Doyle, Arthur Conan (1859-1930): The speckled band; Stevenson, Robert Louis (1850-1894): Treasure Island; Motion pictures / Germany (West) / History; English fiction / 19th century / History and criticism; English fiction / 20th century / History and criticism; English fiction / Adaptations / History and criticism; Masculinity / Germany; Motion pictures / Social aspects / Germany / History / 20th century; English fiction; Masculinity; Motion pictures; Motion pictures / Social aspects; Germany; Germany (West); 1800-1999; Criticism, interpretation, etc; History
    Umfang: 191 Seiten
    Bemerkung(en):

    Introduction: theoretical framework for masculinity studies -- The criminal as enemy of reason in Arthur Conan Doyle's "The speckled band" (1892) and Paul May's Das gefleckte band (1967) -- Usurping the father in Robert Louis Stevenson's Treasure island (1883) and Wolfgang Liebeneiner's Die schatzinsel (1966) -- The arms race and self-determination in Erskine Childers' Riddle of the sands (1903) and Rainer Boldt's Das rätsel der sandbank (1985) -- Mutual destruction and self-determination in Joseph Conrad's Victory (1915) and Vadim Glowna's Des teufels paradies (1986/1987)