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  1. The Queen's Dumbshows
    John Lydgate and the Making of Early Theater
    Autor*in: Sponsler, Claire
    Erschienen: [2014]

    Standort:
    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Link zum Verbundkatalog:
    Kooperativer Bibliotheksverbund Berlin-Brandenburg (KOBV)
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780812209471
    Weitere Identifier:
    Schriftenreihe: The Middle Ages Series
    Schlagworte: Englische Literatur; Theater / England / History / Medieval, 500-1500; English drama / To 1500 / History and criticism; English literature / Middle English, 1100-1500 / History and criticism; PERFORMING ARTS / Theater / History & Criticism; English drama; English literature / Middle English; Theater / Medieval; Geschichte; Theater
    Weitere Schlagworte: Lydgate, John (1370-1449)
    Umfang: 1 Online-Ressource (320p.)
    Bemerkung(en):

    7 illus

    The Queen's Dumbshows explores the importance of John Lydgate's mummings and entertainments for literary and theatrical history, rethinking what constitutes "drama" in late medieval England and what role it played in public life
  2. Four Middle English Mystery Cycles
    Textual, Contextual, and Critical Interpretations
    Autor*in: Stevens, Martin
    Erschienen: [1987]
    Verlag:  Princeton University Press, Princeton, N.J.

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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781400858729
    Weitere Identifier:
    Schlagworte: Englische Literatur; Mysteries and miracle-plays, English / History and criticism; Christian drama, English (Middle) / History and criticism; English drama / To 1500 / History and criticism; Bible plays, English / History and criticism; Civilization, Medieval, in literature; Cycles (Literature); DRAMA / European / English, Irish, Scottish, Welsh; Bible plays, English; English drama; Mysteries and miracle-plays, English; Mirakel; Mittelenglisch; Geschichte; Mysterienspiel
    Umfang: 1 Online-Ressource (378p.)
    Bemerkung(en):

    Martin Stevens examines the four extant complete cycles of Middle English mystery plays in light of the most recent research on the manuscripts, sources, and records relating to the medieval drama. The first comprehensive treatment of all four of the cycles, the book emphasizes the study of the surviving manuscripts as texts distinct from their performance history.Originally published in 1987.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These paperback editions preserve the original texts of these important books while presenting them in durable paperback editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905
  3. Shakespeare and the Dramaturgy of Power
    Autor*in: Cox, John D.
    Erschienen: [1989]
    Verlag:  Princeton University Press, Princeton, N.J.

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    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781400860012
    Weitere Identifier:
    Schlagworte: Englische Literatur; Politics and literature / Great Britain / History / 16th century; Christian drama, English (Middle) / History and criticism; Political plays, English / History and criticism; English drama / To 1500 / History and criticism; Power (Christian theology) in literature; Power (Social sciences) in literature; Civilization, Medieval, in literature; LITERARY CRITICISM / Shakespeare; English drama; Literature; Political and social views; Political plays, English; Politics and literature; Geschichte; Literatur; Tradition; Englisch; Politik <Motiv>; Drama; Macht; Macht <Motiv>
    Weitere Schlagworte: Shakespeare, William (1564-1616)
    Umfang: 1 Online-Ressource (300p.)
    Bemerkung(en):

    Ranging over all the dramatic genres in the Shakespearean canon, this book focuses on plays where medieval drama most clearly illuminates Shakespeare's treatment of political power and social privilege.Originally published in 1989.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These paperback editions preserve the original texts of these important books while presenting them in durable paperback editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905
  4. The Queen's Dumbshows
    John Lydgate and the Making of Early Theater
    Autor*in: Sponsler, Claire
    Erschienen: [2014]

    Standort:
    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    TH-AB - Technische Hochschule Aschaffenburg, Hochschulbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Technische Hochschule Augsburg
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    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Universitätsbibliothek Bamberg
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    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Hochschule Coburg, Zentralbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Hochschule Kempten, Hochschulbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Hochschule Landshut, Hochschule für Angewandte Wissenschaften, Bibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Universitätsbibliothek Passau
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    uneingeschränkte Fernleihe, Kopie und Ausleihe
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780812209471
    Weitere Identifier:
    Schriftenreihe: The Middle Ages Series
    Schlagworte: Englische Literatur; Theater / England / History / Medieval, 500-1500; English drama / To 1500 / History and criticism; English literature / Middle English, 1100-1500 / History and criticism; PERFORMING ARTS / Theater / History & Criticism; English drama; English literature / Middle English; Theater / Medieval; Geschichte; Theater
    Weitere Schlagworte: Lydgate, John (1370-1449)
    Umfang: 1 Online-Ressource (320p.)
    Bemerkung(en):

    7 illus

    The Queen's Dumbshows explores the importance of John Lydgate's mummings and entertainments for literary and theatrical history, rethinking what constitutes "drama" in late medieval England and what role it played in public life
  5. Reading texts for performance and performance as texts
    shifting paradigms in early English drama studies
    Autor*in: King, Pamela M
    Erschienen: 2021
    Verlag:  Routledge, Abingdon, Oxon

    "This volume brings together nineteen important articles by Pamela M. King, one of the foremost British scholars working on Early English Drama. Unique to this collection are five articles on the 'living' traditions of performances in Spain,... mehr

     

    "This volume brings together nineteen important articles by Pamela M. King, one of the foremost British scholars working on Early English Drama. Unique to this collection are five articles on the 'living' traditions of performances in Spain, discussing their origins and the modes of production that are used. Several articles use modern literary theory on aspects of early drama, whilst others consider drama in the context of late medieval poetry. The volume also includes a rich collection of articles on English scriptural plays from surviving manuscripts"--

     
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  6. Early performance: courts and audiences
    shifting paradigms in early English drama studies
    Autor*in: Carpenter, Sarah
    Erschienen: 2021; © 2021
    Verlag:  Routledge, Abingdon, Oxon

    "These essays of Sarah Carpenter have been selected to reflect her career's close focus on the relationship of performance and audience. They are drawn from the last 25 years of her writing, and this has enabled the editors to organise them not... mehr

     

    "These essays of Sarah Carpenter have been selected to reflect her career's close focus on the relationship of performance and audience. They are drawn from the last 25 years of her writing, and this has enabled the editors to organise them not chronologically but rather to develop her central theme through a range of genres, including morality plays, the interlude, court entertainments, international political spectacle, and the public 'performances' of natural and maintained fools. As a scholar who also has experience of acting and of production, Carpenter is particularly sensitive to the implications of location for creating meaning and generating audience reaction. The essays are focused on a relatively short time-span of 120 years, from the late fifteenth to the turn of the seventeenth century, and thus nuance a period traditionally divided between the late medieval and the early-modern, and between Catholicism and Protestantism. Carpenter shows how the dynamics of theatrical engagement in which the roles of audience and performer are frequently mixed or even reversed offer a more creative route to understanding how the individual and society respond to change"--

     
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    Quelle: Verbundkataloge
    Beteiligt: McGavin, John J. (Hrsg.); Walker, Greg (Hrsg.)
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780429269042; 0429269048; 9781000088786; 1000088782; 9781000088823; 1000088820; 9781000088748; 100008874X
    Schriftenreihe: Variorum collected studies series
    Collected studies
    Schlagworte: English drama / To 1500 / History and criticism; English drama / Early modern and Elizabethan, 1500-1600; Theater / England / History / Medieval, 500-1500; Theater / England / History / To 1500
    Umfang: 1 online resource (viii, 233 pages)
    Bemerkung(en):

    Description based on online resource; title from digital title page (viewed on July 30, 2020)
  7. Reading literature historically
    drama and poetry from Chaucer to the Reformation
    Autor*in: Walker, Greg
    Erschienen: ©2013
    Verlag:  Edinburgh University Press, Edinburgh

    Standort:
    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Ostbayerische Technische Hochschule Amberg-Weiden, Hochschulbibliothek, Standort Weiden
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780748681020; 0748681027; 9780748681013; 0748681019; 9781299456587; 1299456588
    Schlagworte: LITERARY CRITICISM / European / English, Irish, Scottish, Welsh; English drama; English drama / Early modern and Elizabethan; English poetry / Early modern; English poetry / Middle English; Historicism in literature; English drama / Early modern and Elizabethan, 1500-1600 / History and criticism; English drama / To 1500 / History and criticism; English poetry / Early modern, 1500-1700 / History and criticism; English poetry / Middle English, 1100-1500 / History and criticism; Historicism in literature; Historicism in literature; English drama; English drama; English poetry; English poetry; Mittelenglisch; Literatur
    Umfang: 206 pages
    Bemerkung(en):

    Includes bibliographical references and index

    How far should we try to read medieval and early modern texts historically? Does the attempt to uncover how such texts might have been received by their original readers and audiences uncover new, hitherto unexpected contemporary resonances in them? Or does it flatten works of art into mere 'secondary sources' for historical analysis? This book makes the case for the study of literature in context
  8. The devil and the sacred in English drama, 1350-1642
    Autor*in: Cox, John D.
    Erschienen: 2000
    Verlag:  Cambridge University Press, Cambridge

    John Cox tells the intriguing story of stage devils from their earliest appearance in English plays to the closing of the theatres by parliamentary order in 1642. The book represents a major revision of E. K. Chambers' ideas of stage devils in The... mehr

    Standort:
    Universitätsbibliothek Bamberg
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Bayerische Staatsbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    John Cox tells the intriguing story of stage devils from their earliest appearance in English plays to the closing of the theatres by parliamentary order in 1642. The book represents a major revision of E. K. Chambers' ideas of stage devils in The Medieval Stage (1903), arguing that this is not a history of gradual secularization, as scholarship has maintained for the last century, but rather that stage devils were profoundly shaped from the outset by the assumptions of sacred drama and retained this shape virtually unchanged until the advent of permanent commercial theatres near London. The book spans both medieval and Renaissance drama including the medieval Mystery cycles on the one hand, through to plays by Greene, Marlowe, Shakespeare (1 and 2 Henry VI), Jonson, Middleton and Davenant. An appendix lists all known devil plays in English from the beginning to 1642

     
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780511483271
    Weitere Identifier:
    RVK Klassifikation: HG 432
    Schlagworte: Geschichte; English drama / Early modern and Elizabethan, 1500-1600 / History and criticism; Devil in literature; English drama / 17th century / History and criticism; English drama / To 1500 / History and criticism; Christian drama, English / History and criticism; Christianity and literature / England / History; Good and evil in literature; Holy, The, in literature; Evil in literature; Englisch; Drama; Geistliches Drama; Teufel; Teufel <Motiv>; Das Heilige
    Umfang: 1 online resource (x, 257 pages)
    Bemerkung(en):

    Title from publisher's bibliographic system (viewed on 05 Oct 2015)

    1. Stage devils and oppositional thinking -- 2. The devil and the sacred in the English mystery plays -- 3. Stage devils and sacramental community in non-cycle plays -- 4. Stage devils and early social satire -- 5. Protestant devils and the new community -- 6. The devils of Dr. Faustus -- 7. Reacting to Marlowe -- 8. The devil and the sacred on the Shakespearean stage: theatre and belief -- 9. Traditional morality and magical thinking -- 10. New directions -- App. Devil Plays in English, 1350-1642
  9. Gender and medieval drama
    Autor*in: Normington, Katie
    Erschienen: 2004
    Verlag:  Boydell & Brewer, Suffolk

    An investigation of the public image of women as presented in contemporary drama. The focus of this study is upon the Corpus Christi plays, supplemented by other performance practices such as festive and social entertainments, civic parades, funeral... mehr

    Standort:
    Bayerische Staatsbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    An investigation of the public image of women as presented in contemporary drama. The focus of this study is upon the Corpus Christi plays, supplemented by other performance practices such as festive and social entertainments, civic parades, funeral processions and public punishments. The main argument relates to the traditional approaches to women's non-performance in the Corpus Christi dramas, but other factors are considered and analysed, including the semiotics of the cross-dressed actor and the significance of the visual and spatial language of the processional stage to gender debates. In conclusion, there is a series of readings which reassess the dramatic portrayal of a selection of holy and vulgar women - the Virgin Mary, Mary Magdalene, Mrs Noah and Dame Procula. The emphasis throughout the book is upon a performance-based analysis. Evidence from Records of Early English Drama, social, literary and cultural sources are drawn together in order to investigate how performances within the late Middle Ages were both shaped by, and shaped, the public image of women. KATIE NORMINGTON is Lecturer in Drama, Royal Holloway, London

     
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781846154706
    RVK Klassifikation: HH 4123
    Schlagworte: Geschichte; Mysteries and miracle-plays, English / History and criticism; Women in literature; Sex role in literature; Gender identity in literature; Corpus Christi Festival / England; Bible plays, English / History and criticism; English drama / To 1500 / History and criticism; Women and literature / England / History / To 1500; Christian drama, English (Middle) / History and criticism; Christianity and literature / England / History / To 1500; Christentum; Literatur; Drama; Geschlechterforschung; Mysterienspiel; Englisch; Frau
    Umfang: 1 online resource (158 pages)
    Bemerkung(en):

    Title from publisher's bibliographic system (viewed on 02 Oct 2015)

    Women and history -- Gender and performance -- Cross-dressing and performance -- Signifying women -- Holy women -- Vulgar women
  10. Inventions of the skin
    the painted body in early English drama, 1400-1642
    Autor*in: Stevens, Andrea Ria
    Erschienen: 2013
    Verlag:  Edinburgh University Press, Edinburgh

    Inventions of the Skin illuminates a history of the stage technology of paint that extends backward to the 1460s York cycle and forward to the 1630s. Organized as a series of studies, the four chapters of this book examine goldface and divinity in... mehr

    Standort:
    Bayerische Staatsbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    Inventions of the Skin illuminates a history of the stage technology of paint that extends backward to the 1460s York cycle and forward to the 1630s. Organized as a series of studies, the four chapters of this book examine goldface and divinity in York's Corpus Christi play, with special attention to the pageant representing The Transfiguration of Christ; bloodiness in Elizabethan and Jacobean drama, specifically blood's unexpected role as a device for disguise in plays such as Look About You (anon.) and Shakespeare's Coriolanus; racial masquerade within seventeenth-century court performances and popular plays, from Ben Jonson's Masque of Blackness to William Berkeley's The Lost Lady; and finally whiteface, death, and 'stoniness' in Thomas Middleton's The Second Maiden’s Tragedy and Shakespeare's The Winter’s Tale. Recovering a crucial grammar of theatrical representation, this book argues that the onstage embodiment of characters — not just the words written for them to speak — forms an important and overlooked aspect of stage representation

     
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780748670505
    RVK Klassifikation: AP 78830 ; HI 1269
    Schlagworte: English drama / Early modern and Elizabethan, 1500-1600 / History and criticism; English drama / To 1500 / History and criticism; English drama / 17th century; Englisch; Drama; Maskenbildnerei; Aufführung
    Umfang: 1 online resource (xi, 176 pages)
    Bemerkung(en):

    Title from publisher's bibliographic system (viewed on 02 Oct 2015)

    Light : staging divinity in the York cycle -- Blood : enter Martius, painted -- Black : mastering masques of blackness -- Stone : lost ladies
  11. Reading literature historically
    drama and poetry from Chaucer to the Reformation
    Autor*in: Walker, Greg
    Erschienen: 2013
    Verlag:  Edinburgh University Press, Edinburgh

    How far should we try to read medieval and early modern texts historically? Does the attempt to uncover how such texts might have been received by their original readers and audiences uncover new, hitherto unexpected contemporary resonances in them?... mehr

    Standort:
    Bayerische Staatsbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    How far should we try to read medieval and early modern texts historically? Does the attempt to uncover how such texts might have been received by their original readers and audiences uncover new, hitherto unexpected contemporary resonances in them? Or does it flatten works of art into mere ‘secondary sources’ for historical analysis? This book makes the case for the study of literature in context. It demonstrates the value of historical and cultural analysis alongside traditional literary scholarship for enriching our understanding of plays and poems from the medieval and early Tudor past and of the cultures which produced and received them. It equally accepts the risks involved in that kind of study

     
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780748681020
    RVK Klassifikation: HG 260 ; HG 400 ; HH 1121 ; HI 1140
    Schlagworte: Historicism in literature; English drama / To 1500 / History and criticism; English drama / Early modern and Elizabethan, 1500-1600 / History and criticism; English poetry / Middle English, 1100-1500 / History and criticism; English poetry / Early modern, 1500-1700 / History and criticism; Mittelenglisch; Literatur
    Umfang: 1 online resource (206 pages)
    Bemerkung(en):

    Title from publisher's bibliographic system (viewed on 02 Oct 2015)

    Introduction : literature and history : the risks of conversation -- pt. I. Drama. Early Tudor drama and the arts of resistance -- 'To speak before the king, it is no child's play' : Godly Queen Hester in 1529 -- Flytyng in the face of convention : protest and innovation in Lindsay's Satyre of the Thrie Estaitis -- pt. II. Poetry, 1380-1532. Courtesy and chivalry in Sir Gawain and the green knight -- The plowman's tale and the politics of 1532 : a cautionary tale? -- Rough girls and squeamish boys : the trouble with Absolon in The miller's tale
  12. The civic cycles
    artisan drama and identity in premodern England
    Autor*in: Rice, Nicole R.; Pappano, Margaret A.
    Erschienen: [2015]
    Verlag:  University of Notre Dame Press, Notre Dame, Indiana

    "The civic religious drama of late medieval England--financed, produced, and performed by craftspeople--offers one of the earliest forms of written literature by a non-elite group in Europe. In this innovative study, Nicole R. Rice and Margaret Aziza... mehr

    Standort:
    Bayerische Staatsbibliothek
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    "The civic religious drama of late medieval England--financed, produced, and performed by craftspeople--offers one of the earliest forms of written literature by a non-elite group in Europe. In this innovative study, Nicole R. Rice and Margaret Aziza Pappano trace an artisanal perspective on medieval and early modern civic relations, analyzing selected plays from the cities of York and Chester individually and from a comparative perspective, in dialogue with civic records. Positing a complex view of relations among merchants, established artisans, wage laborers, and women, the two authors show how artisans used the cycle plays to not only represent but also perform their interests, suggesting that the plays were the major means by which the artisans participated in civic polity. In addition to examining selected plays in the context of artisanal social and economic practices, Rice and Pappano also address relations between performance and historical transformation, considering how these plays, staged for nearly two centuries, responded to changes in historical conditions. In particular, they pay attention to how the pressures of Reformist governments influenced the meaning and performance of the civic religious drama in both towns. Ultimately, the authors provide a new perspective on how artisans can be viewed as social actors and agents in England in the fifteenth and sixteenth centuries. "The Civic Cycles is an outstanding take on the urban dramas of medieval York and Chester, complementing previous historicist scholarship on these plays while expanding the political frame of reference. This volume is poised to become a major book in early English drama studies, a text that coordinates and assimilates all of the revisionary historicist work on the cycles from the previous two decades even as it takes that historicism to the next level of complexity." --Robert Barrett, Jr., University of Illinois at Urbana-Champaign "--

     
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  13. Gender and medieval drama
    Autor*in: Normington, Katie
    Erschienen: 2004
    Verlag:  Boydell & Brewer, Suffolk

    An investigation of the public image of women as presented in contemporary drama. The focus of this study is upon the Corpus Christi plays, supplemented by other performance practices such as festive and social entertainments, civic parades, funeral... mehr

    Standort:
    Universitätsbibliothek Bamberg
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Bayerische Staatsbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    An investigation of the public image of women as presented in contemporary drama. The focus of this study is upon the Corpus Christi plays, supplemented by other performance practices such as festive and social entertainments, civic parades, funeral processions and public punishments. The main argument relates to the traditional approaches to women's non-performance in the Corpus Christi dramas, but other factors are considered and analysed, including the semiotics of the cross-dressed actor and the significance of the visual and spatial language of the processional stage to gender debates. In conclusion, there is a series of readings which reassess the dramatic portrayal of a selection of holy and vulgar women - the Virgin Mary, Mary Magdalene, Mrs Noah and Dame Procula. The emphasis throughout the book is upon a performance-based analysis. Evidence from Records of Early English Drama, social, literary and cultural sources are drawn together in order to investigate how performances within the late Middle Ages were both shaped by, and shaped, the public image of women. KATIE NORMINGTON is Lecturer in Drama, Royal Holloway, London

     
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    Volltext (URL des Erstveröffentlichers)
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781846154706
    RVK Klassifikation: HH 4123
    Schlagworte: Geschichte; Mysteries and miracle-plays, English / History and criticism; Women in literature; Sex role in literature; Gender identity in literature; Corpus Christi Festival / England; Bible plays, English / History and criticism; English drama / To 1500 / History and criticism; Women and literature / England / History / To 1500; Christian drama, English (Middle) / History and criticism; Christianity and literature / England / History / To 1500; Geschlechterforschung; Drama; Englisch; Mysterienspiel; Christentum; Frau; Literatur
    Umfang: 1 online resource (158 pages)
    Bemerkung(en):

    Title from publisher's bibliographic system (viewed on 02 Oct 2015)

    Women and history -- Gender and performance -- Cross-dressing and performance -- Signifying women -- Holy women -- Vulgar women
  14. Inventions of the skin
    the painted body in early English drama, 1400-1642
    Autor*in: Stevens, Andrea Ria
    Erschienen: 2013
    Verlag:  Edinburgh University Press, Edinburgh

    Inventions of the Skin illuminates a history of the stage technology of paint that extends backward to the 1460s York cycle and forward to the 1630s. Organized as a series of studies, the four chapters of this book examine goldface and divinity in... mehr

    Standort:
    Universitätsbibliothek Bamberg
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Bayerische Staatsbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    Inventions of the Skin illuminates a history of the stage technology of paint that extends backward to the 1460s York cycle and forward to the 1630s. Organized as a series of studies, the four chapters of this book examine goldface and divinity in York's Corpus Christi play, with special attention to the pageant representing The Transfiguration of Christ; bloodiness in Elizabethan and Jacobean drama, specifically blood's unexpected role as a device for disguise in plays such as Look About You (anon.) and Shakespeare's Coriolanus; racial masquerade within seventeenth-century court performances and popular plays, from Ben Jonson's Masque of Blackness to William Berkeley's The Lost Lady; and finally whiteface, death, and 'stoniness' in Thomas Middleton's The Second Maiden’s Tragedy and Shakespeare's The Winter’s Tale. Recovering a crucial grammar of theatrical representation, this book argues that the onstage embodiment of characters — not just the words written for them to speak — forms an important and overlooked aspect of stage representation

     
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780748670505
    RVK Klassifikation: AP 78830 ; HI 1269
    Schlagworte: English drama / Early modern and Elizabethan, 1500-1600 / History and criticism; English drama / To 1500 / History and criticism; English drama / 17th century; Drama; Englisch; Maskenbildnerei; Aufführung
    Umfang: 1 online resource (xi, 176 pages)
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    Title from publisher's bibliographic system (viewed on 02 Oct 2015)

    Light : staging divinity in the York cycle -- Blood : enter Martius, painted -- Black : mastering masques of blackness -- Stone : lost ladies
  15. Reading literature historically
    drama and poetry from Chaucer to the Reformation
    Autor*in: Walker, Greg
    Erschienen: 2013
    Verlag:  Edinburgh University Press, Edinburgh

    How far should we try to read medieval and early modern texts historically? Does the attempt to uncover how such texts might have been received by their original readers and audiences uncover new, hitherto unexpected contemporary resonances in them?... mehr

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    Universitätsbibliothek Bamberg
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    Bayerische Staatsbibliothek
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    How far should we try to read medieval and early modern texts historically? Does the attempt to uncover how such texts might have been received by their original readers and audiences uncover new, hitherto unexpected contemporary resonances in them? Or does it flatten works of art into mere ‘secondary sources’ for historical analysis? This book makes the case for the study of literature in context. It demonstrates the value of historical and cultural analysis alongside traditional literary scholarship for enriching our understanding of plays and poems from the medieval and early Tudor past and of the cultures which produced and received them. It equally accepts the risks involved in that kind of study

     
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780748681020
    RVK Klassifikation: HG 260 ; HG 400 ; HH 1121 ; HI 1140
    Schlagworte: Historicism in literature; English drama / To 1500 / History and criticism; English drama / Early modern and Elizabethan, 1500-1600 / History and criticism; English poetry / Middle English, 1100-1500 / History and criticism; English poetry / Early modern, 1500-1700 / History and criticism; Mittelenglisch; Literatur
    Umfang: 1 online resource (206 pages)
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    Title from publisher's bibliographic system (viewed on 02 Oct 2015)

    Introduction : literature and history : the risks of conversation -- pt. I. Drama. Early Tudor drama and the arts of resistance -- 'To speak before the king, it is no child's play' : Godly Queen Hester in 1529 -- Flytyng in the face of convention : protest and innovation in Lindsay's Satyre of the Thrie Estaitis -- pt. II. Poetry, 1380-1532. Courtesy and chivalry in Sir Gawain and the green knight -- The plowman's tale and the politics of 1532 : a cautionary tale? -- Rough girls and squeamish boys : the trouble with Absolon in The miller's tale
  16. Language and stage in medieval and Renaissance England
    Autor*in: Dillon, Janette
    Erschienen: 1998
    Verlag:  Cambridge University Press, Cambridge

    This study explores the use of other languages, especially Latin, in medieval and Renaissance English drama. Until the medieval period Latin was regarded as the sacramental language of authority, but in the newly politicized linguistic arena of the... mehr

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    Universitätsbibliothek Bamberg
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    Standort:
    Bayerische Staatsbibliothek
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    This study explores the use of other languages, especially Latin, in medieval and Renaissance English drama. Until the medieval period Latin was regarded as the sacramental language of authority, but in the newly politicized linguistic arena of the late fourteenth century it became a symbol of the potential enemy from Rome. In this book Janette Dillon examines why, during the period 1400 to 1600, other languages increasingly invade English plays, and how their significance is illuminated by developments in Church and state, in particular the advancing Reformation and expanding English nationalism. In marked contrast to other related studies, Dillon focuses on drama as performance and employs a wide range of works, from the mystery cycles to The Spanish Tragedy, and finally Shakespeare

     
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  17. The Middle English mystery play
    a study in dramatic speech and form
    Autor*in: Diller, Hans-Jürgen
    Erschienen: 1992
    Verlag:  Cambridge University Press, Cambridge

    The mystery plays of medieval England have traditionally been analysed in ways which centre on the texts and their religious significance. Hans-Jurgen Diller's major study, first published in German, seeks to recover their dramatic potential by... mehr

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    Universitätsbibliothek Bamberg
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    Standort:
    Bayerische Staatsbibliothek
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    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    The mystery plays of medieval England have traditionally been analysed in ways which centre on the texts and their religious significance. Hans-Jurgen Diller's major study, first published in German, seeks to recover their dramatic potential by focusing on the function of language in conventional modes of speech, prayer, address and dialogue. He looks at speech and dramatic form in the plays to reveal new insights concerning spatial and temporal orientation, the expression of emotions, and the relationships between characters on stage, between actor and audience, and between the dramatic world and the ordinary world outside it. His analysis offers new ways of understanding the relationship of vernacular drama to its liturgical antecedents, and new means of distinguishing stylistically between the cycles and between the groups of plays they comprise

     
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    Quelle: Verbundkataloge
    Beteiligt: Wessels, Frances Joan
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780511597541
    Weitere Identifier:
    RVK Klassifikation: AP 70400 ; HH 4126
    Schriftenreihe: European studies in English literature
    Schlagworte: Bibel; Geschichte; Mysteries and miracle-plays, English / History and criticism; Christian drama, English (Middle) / History and criticism; English drama / To 1500 / History and criticism; Bible plays, English / History and criticism; Literary form / History / To 1500; Speech in literature; Rhetoric, Medieval; Mittelenglisch; Mysterienspiel; Sprache
    Umfang: 1 online resource (xvi, 336 pages)
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    Title from publisher's bibliographic system (viewed on 05 Oct 2015)
  18. Materializing the East in early modern English drama
    Beteiligt: Ögütcü, Murat (Hrsg.); Hussain, Aisha (Hrsg.)
    Erschienen: 2023
    Verlag:  The Arden Shakespeare, London ; New York ; Oxford ; New Delhi ; Sydney

    "Despite the popularity of plays about the East, the representation of the East in early modern drama has been either overlooked, marginalized as footnotes, or generalized into taken-for-granted stereotypes. Materializing the East in Early Modern... mehr

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    "Despite the popularity of plays about the East, the representation of the East in early modern drama has been either overlooked, marginalized as footnotes, or generalized into taken-for-granted stereotypes. Materializing the East in Early Modern English Drama focuses on the multi-layered, often conflicting and changing perceptions of the East and how dramatic works made use of their respective theatrical space to represent the concept of the East in drama. This volume re-examines the (mis)representation of the East on the early modern English outdoor and indoor stage and broadens our understanding of early modern theatrical productions beyond Shakespeare and the European continent. It traces the origin of conventional depictions of the East to university dramas and explores how they influenced the commercial stage. Chapters uncover how conflicting representations of the East were communicated on stage through the material aspects of stage architecture, costumes and performance effects. The collection emphasizes these material aspects of dramatic performances and showcases neglected plays, including George Peele's The Battle of Alcazar, Robert Greene's The Historie of Orlando Furioso and Joseph Simons' Leo the Armenian, and puts them in conversation with William Shakespeare's The Tempest, John Fletcher's The Island Princess and Philip Massinger and Fletcher's The Sea Voyage"--

     
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