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  1. Action Is Eloquence
    Shakespeare's Language of Gesture
    Autor*in: Bevington, David M.
    Erschienen: [1984]
    Verlag:  Harvard University Press, Cambridge, Mass.

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    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
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    Sprache: Englisch
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    ISBN: 9780674734326; 9780674734319
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    Schlagworte: Drama / Technique; Literatur; Englische Literatur; Gesture in literature; Gesture; Literature; Semiotik; Nichtverbale Kommunikation; Drama; Gebärdensprache; Theatersemiotik
    Weitere Schlagworte: Shakespeare, William (1564-1616)
    Umfang: 1 Online-Ressource (ix,227p.)
  2. Why Shakespeare
    an introduction to the playwright's art
    Autor*in: Pinciss, G. M.
    Erschienen: 2005
    Verlag:  Continuum, New York

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    Weitere Schlagworte: Shakespeare, William / 1564-1616 / Technique; Drama / Technique
    Umfang: 1 online resource (192 pages), illustrations
    Bemerkung(en):

    Includes bibliographical references (pages [181]-183) and index

    Also issued in printing
  3. Point of view in plays
    a cognitive stylistic approach to viewpoint in drama and other text-types
    Autor*in: McIntyre, Dan
    Erschienen: © 2006
    Verlag:  J. Benjamins, Amsterdam

    Standort:
    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
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    Ostbayerische Technische Hochschule Amberg-Weiden, Hochschulbibliothek, Standort Weiden
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    Sprache: Englisch
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    ISBN: 9027233357; 9027293333; 9789027233356; 9789027293336
    Schriftenreihe: Linguistic approaches to literature ; v. 3
    Schlagworte: LANGUAGE ARTS & DISCIPLINES / Rhetoric; REFERENCE / Writing Skills; LANGUAGE ARTS & DISCIPLINES / Composition & Creative Writing; Drama / Technique; Point of view (Literature); Prose literature / Technique; Toneelstukken; Vertelsituatie; Drama; Drama; Prose literature; Point of view (Literature); Erzählforschung; Prosa; Dramentechnik
    Umfang: 1 Online-Ressource (viii, 203 pages)
    Bemerkung(en):

    Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002

    Includes bibliographical references (pages 191-198) and index

    Point of View in Plays; Editorial page; Title page; LCC data; Table of contents; Acknowledgements; Preface; Point of view and plays; Narratives, narration and point of view in prose; Perspectives on point of view in drama; Deictic shifts in dramatic texts; Possible worlds, possible viewpoints; Logic, reality and mind style; Point of view in The Lady in the Van; Conclusion; References; Index

    This is the first book-length study of how point of view is manifested linguistically in dramatic texts. It examines such issues as how readers process the shifts in viewpoint that can occur within such texts. Using insights from cognitive linguistics, the book aims to explain how the analysis of point of view in drama can be undertaken, and how this is fruitful for understanding textual and discoursal effects in this genre. Following on from a consideration of existing frameworks for the analysis of point of view, a cognitive approach to deixis is suggested as being particularly profitable fo
  4. Author's pen and actor's voice
    playing and writing in Shakespeare's theatre
    Autor*in: Weimann, Robert
    Erschienen: 2000
    Verlag:  Cambridge University Press, Cambridge

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    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
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    Sprache: Englisch
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    ISBN: 0511013086; 051111866X; 0511484070; 0521781302; 0521787351; 9780511013089; 9780511118661; 9780511484070; 9780521781305; 9780521787352
    Schriftenreihe: Cambridge studies in Renaissance literature and culture ; 39
    Schlagworte: LITERARY CRITICISM / Shakespeare; DRAMA / Shakespeare; Acting in literature; Drama / Technique; Performing arts; Theater; Theater in literature; Toneel; Engels; Schriftcultuur; Englisch; Theater; Wissen; Theater in literature; Acting in literature; Drama; Aufführung; Drama; Textproduktion
    Weitere Schlagworte: Shakespeare, William / 1564-1616; Shakespeare, William / 1564-1616; Shakespeare, William; Shakespeare, William (1564-1616); Shakespeare, William (1564-1616); Shakespeare, William (1564-1616); Shakespeare, William (1564-1616)
    Umfang: 1 Online-Ressource (xiii, 298 pages)
    Bemerkung(en):

    Includes bibliographical references (pages 269-288) and index

    Introduction: conjunctures and concepts -- - Performance and authority in Hamlet (1603) -- - A new agenda for authority -- - The "low and ignorant" crust of corruption -- - Towards a circulation of authority in the theatre -- - Players, printers, preachers: distraction in authority -- - Pen and voice: versions of doubleness -- - "Frivolous jestures" vs. matter of "worthiness" (Tamburlaine) -- - Bifold authority in Troilus and Cressida -- - "Unworthy scaffold" for "so great an object" (Henry V) -- - Playing with a difference -- - To "disfigure, or to present" (A Midsummer Night's Dream) -- - To "descant" on difference and deformity (Richard III) -- - The "self-resembled show" -- - Presentation, or the performant function -- - Histories in Elizabethan performance -- - Disparity in mid-Elizabethan theatre history -- - Reforming "a whole theatre of others" (Hamlet) -- - From common player to excellent actor -- - Differentiation, exclusion, withdrawal -- - Hamlet and the purposes of playing -- - Renaissance writing and common playing -- - Unworthy antics in the glass of fashion -- - "When in one line two crafts directly meet" -- - (Word)play and the mirror of representation -- - Space (in)dividable: locus and platea revisited -- - Space as symbolic form: the locus -- - The open space: provenance and function -- - Locus and platea in Macbeth -- - Banqueting in Timon of Athens -- - Shakespeare's endings: commodious thresholds -- - Epilogues vs. closure -- - Ends of postponement: holiday into workaday -- - Thresholds to memory and commodity -- - Liminality: cultural authority 'betwixt-and-between'
  5. Storytelling and drama
    exploring narrative episodes in plays
    Autor*in: Bowles, Hugo
    Erschienen: ©2010
    Verlag:  John Benjamins Pub. Co., Amsterdam

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    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
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    ISBN: 9027233403; 9027288690; 9789027233400; 9789027288691
    Schriftenreihe: Linguistic approaches to literature ; v. 8
    Schlagworte: LANGUAGE ARTS & DISCIPLINES / Rhetoric; REFERENCE / Writing Skills; LANGUAGE ARTS & DISCIPLINES / Composition & Creative Writing; Dialogue; Discourse analysis, Literary; Drama / Technique; Literature; Narration (Rhetoric); Storytelling; Literatur; Narration (Rhetoric); Drama; Dialogue; Discourse analysis, Literary; Storytelling in literature; Drama; Erzählung; Diskursanalyse; Binnenerzählung
    Umfang: 1 Online-Ressource (vii, 216 pages)
    Bemerkung(en):

    Includes bibliographical references and index

    Narrative and dramatic discourse -- An interactional approach to storytelling -- Analysing and classifying stories -- Tellability : discourse features and strategies -- Small stories -- Remembering and dreaming -- Challenging stories -- Being the narrator
  6. How to write a play
    letters from Augier, Banville, Dennery, Dumas, Gondinet, Labiche, Legouvé, Pailleron, Sardon, Zola
    Erschienen: ©2009
    Verlag:  Floating Press, [Auckland, N.Z.]

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    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
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    ISBN: 1775410323; 9781775410324
    Schlagworte: LANGUAGE ARTS & DISCIPLINES / Rhetoric; REFERENCE / Writing Skills; LANGUAGE ARTS & DISCIPLINES / Composition & Creative Writing; Drama / Technique; Drama
    Umfang: 1 Online-Ressource (47 pages)
    Bemerkung(en):

    Title from PDF title page (viewed May 18, 2010). - "From a 1916 edition"--Title page verso
  7. The theatricality of Greek tragedy
    playing space and chorus
    Autor*in: Ley, Graham
    Erschienen: 2007
    Verlag:  University Of Chicago Press, Chicago

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    Sprache: Englisch
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    Format: Online
    ISBN: 0226477568; 9780226477565
    RVK Klassifikation: FE 4451
    Schlagworte: Literature; DRAMA / Ancient, Classical & Medieval; Drama / Technique; Greek drama (Tragedy); Theater; Tragedies; Uitvoering; Griekse oudheid; Tragödie; Aufführungspraxis; Geschichte; Literatur; Greek drama (Tragedy); Theater; Drama; Griechisch; Aufführungspraxis; Tragödie
    Umfang: 1 Online-Ressource (xix, 226 pages)
    Bemerkung(en):

    Includes bibliographical references (pages 207-214) and index

    The scripts and the playing space -- The surviving tragedies of Aeschylus and early tragic performance -- Choros, actors/characters, and playing space in the earlier tragedies of Aeschylus -- Composition for the playing space in Aeschylus's Oresteia -- Realizing the tragic playing space after Aeschylus -- Altars and tombs in the playing space after Aeschylus -- Performers and vehicles in the playing space -- Three kinds of vocal delivery in tragedy -- Movement and dancing in the playing space -- Actors/characters and choros : chanting, singing, and dancing in the playing space -- A chronology of the surviving plays -- The choros in epic -- Composition for the choros -- Music : meter or measure, melody, and mode -- Dancing -- Strophe, Anistrophe, and Choreia -- Dithyrambs -- The theatrical choroi : definitions and distinctions -- Time line for chapter 2

    Ancient Greek tragedy has been an inspiration to Western culture, but the way it was first performed has long remained in question. In The Theatricality of Greek Tragedy, Graham Ley provides an illuminating discussion of key issues relating to the use of the playing space and the nature of the chorus, offering a distinctive impression of the performance of Greek tragedy in the fifth century BCE. Drawing on evidence from the surviving texts of tragedies by Aeschylus, Sophocles, and Euripides, Ley explains how scenes with actors were played in the open ground of the orchestra, often considered a
  8. El arte nuevo de hacer comedias en este tiempo
    Autor*in: Vega, Lope de
    Erschienen: 2007
    Verlag:  Linkgua Ediciones, Barcelona

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    Sprache: Spanisch
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    ISBN: 849897707X; 9788498977073
    Schriftenreihe: Memoria (Linkgua Ediciones)
    Schlagworte: DRAMA / Continental European; Drama / Technique; Drama
    Umfang: 1 Online-Ressource (33 p.)
  9. Walking on fire
    the shaping force of emotion in writing drama
    Autor*in: Linnell, James Ward
    Erschienen: c2011
    Verlag:  Southern Illinois University Press, Carbondale

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    ISBN: 0809330474; 0809390663; 9780809330478; 9780809390663
    Schlagworte: PERFORMING ARTS / Theater / Playwriting; Drama / Technique; Language and emotions; Playwriting / Psychological aspects; Psychologie; Playwriting; Language and emotions; Drama
    Umfang: 1 Online-Ressource (ix, 129 p.)
    Bemerkung(en):

    Includes bibliographical references (p. 121-123) and index

    Seeds of emotional form -- Fire hose and the nozzle -- End is where you started -- Collaborating with calamity -- Practice of fire walking
  10. Backwards and forwards
    a technical manual for reading plays
    Autor*in: Ball, David, (David A.)
    Erschienen: c1983
    Verlag:  Southern Illinois University Press, Carbondale

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    Sprache: Englisch
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    Format: Online
    ISBN: 0585111448; 9780585111445
    Schlagworte: LANGUAGE ARTS & DISCIPLINES / Rhetoric; REFERENCE / Writing Skills; LANGUAGE ARTS & DISCIPLINES / Composition & Creative Writing; Hamlet (Shakespeare, William); Drama / Technique; Technique; Theater / Production and direction; Drama; Theater
    Weitere Schlagworte: Shakespeare, William / 1564-1616; Shakespeare, William / 1564-1616; Shakespeare, William (1564-1616): Hamlet; Shakespeare, William (1564-1616)
    Umfang: 1 Online-Ressource (ix, 96 p.)
    Bemerkung(en):

    Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002

    Using Hamlet as illustration, the author provides the tools for students and practitioners to use as they investigate plot, character, theme, exposition, imagery, motivation/obstacle/conflict, theatricality, and the other crucial parts of the superstructure of a play

    pt. 1. Shape -- 1. What happens that makes something else happen? -- 2. And what happens next? -- 3. But do it backwards -- 4. Stasis and intrusion -- 5. Obstacle, conflict -- 6. Ignorance is bliss -- 7. Things theatrical -- pt. 2. Methods -- 8. Exposition -- 9. Forwards : hungry for next -- 10. Missing persons (character) -- 11. Image -- 12. Theme -- pt. 3. Tricks of the trade -- 13. Background information -- 14. Trusting the playwright -- 15. Families -- 16. Generalities : mood, atmosphere -- 17. The unique factor -- 18. Changing eras -- 19. Climax -- 20. Beginnings/endings -- 21. Rereading -- 22. What next?
  11. Figures of play
    Greek drama and metafictional poetics
    Autor*in: Dobrov, Gregory W.
    Erschienen: 2001
    Verlag:  Oxford University Press, Oxford

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    ISBN: 0195116585; 1280470224; 1423759796; 9780195116588; 9781280470226; 9781423759799
    Schlagworte: DRAMA / Ancient, Classical & Medieval; Toneelstukken; Grieks; Théâtre grec / Histoire et critique; Arts du spectacle dans la littérature; Théâtre dans la littérature; Esthétique ancienne; Théâtre (Genre littéraire) / Technique; Poétique; Aesthetics, Ancient; Drama / Technique; Greek drama; Performing arts in literature; Poetics; Theater in literature; Drama; Geschichte; Griechisch; Greek drama; Performing arts in literature; Poetics; Theater in literature; Aesthetics, Ancient; Drama; Griechisch; Metafiktion; Drama
    Umfang: 1 Online-Ressource (viii, 238 pages)
    Bemerkung(en):

    Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002

    Includes bibliographical references (pages 213-231) and index

    PART I: METATHEATER: THREE PHENOMENAL MODES: Drama and metafiction -- Figures of play, Part 1: surface play and Mise en Abyme -- Figures of play, Part 2: the comic contrafact -- PART II: THE ANATOMY OF DRAMATIC FICTION: TRAGIC MADNESS: Aias, Sophokles' Aias, Madness and the show within -- Pentheus: Euripides' Bakkhai as a contest of fictions -- PART III: THE ANATOMY OF DRAMATIC FICTION: COMIC UTOPIA: Bellerophontes: Euripides' Bellerophontes and Aristophanes' Peace -- Tereus: Sophokles' Tereus and Aristophanes' Birds -- Herakles: Euripides' Peirithous and Aristophanes' Frogs -- Conclusion

    Figures of Play explores the reflexive aspects of ancient theatrical culture across genres. Fifth century tragedy and comedy sublimated the agonistic basis of Greek civilization in a way that invited the community of the polis to confront itself. In the theatre, as in the courts and assemblies, a significant subset of the Athenian public was spectator and judge of contests where important social and ideological issues were played to it by its own members. The "syntax" of drama is shown to involve specific "figures of play" through which the theatrical medium turns back on itself to study the various contexts of its production. Greek tragedy and comedy were argued to be tempermentally metafictional in that they are always involved in recycling older fictions into contemporary scenarios of immediate relevance to the polis.

    The phemonenology of this process is discussed under three headings, each a "figure of play": 1) surface play--momentary disruption of the theatrical pretense through word, sign, gesture; 2) mise en abyme--a mini-drama embedded in a larger framework; 3) contrafact--an extended remake in which one play is based on another.; Following three chapters in which this framework is set forth and illustrated with concrete examples there are five case studies named after the protagonists of the plays in question: Aias, Pentheus, Tereus, Bellerophontes, Herakles. Hence the other meaning of "figures of play" as stage figures. In the second section of the book on "the Anatomy of Dramatic Fiction," special attention is paid to the interaction between genres. In particular, Aristophanic comedy is shown to be engaged in an intense rivalry with tragedy that underscores the different ways in which each genre deployed its powers of representation.

    Tragedy refashions myth: in Bakkhai, for example, it is argued that Euripides reinvented Dionysis to be specifically a theatrical god, a symbol of tragedy's powers of representation. Comedy refashions tragedy: in a series of utopian comedies, Aristophanes re-enacts a tragic scenario in a way that revals comedy as a superior means of solving political and social crisis
  12. Pygmalion's wordplay
    the postmodern Shaw
    Autor*in: Reynolds, Jean
    Erschienen: ©1999
    Verlag:  University Press of Florida, Gainesville

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  13. Homer's divine audience
    the Iliad's reception on Mount Olympus
    Autor*in: Myers, Tobias
    Erschienen: 2019
    Verlag:  Oxford University Press, Oxford

    The gods of the Iliad have long troubled readers, with many features of their presentation defying satisfactory explanation. This volume presents a new 'metaperformative' approach to the poem's scenes of divine viewing, arguing that the poet uses the... mehr

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    The gods of the Iliad have long troubled readers, with many features of their presentation defying satisfactory explanation. This volume presents a new 'metaperformative' approach to the poem's scenes of divine viewing, arguing that the poet uses the gods to model and thereby manipulate the ongoing dynamics of performance and live reception

     
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Dissertation
    Format: Online
    ISBN: 9780191878350
    Weitere Identifier:
    Auflage/Ausgabe: First edition
    Schriftenreihe: Oxford scholarship online
    Schlagworte: Gods, Greek, in literature; Drama / Technique; Götter <Motiv>
    Weitere Schlagworte: Homer / Iliad; Homerus (ca. v8. Jh.): Ilias
    Umfang: 1 Online-Ressource, Illustrationen
    Bemerkung(en):

    This edition also issued in print: 2019. - Includes bibliographical references and index

    Dissertation, Columbia University, 2011
  14. Homer's divine audience
    the Iliad's reception on Mount Olympus
    Autor*in: Myers, Tobias
    Erschienen: 2019
    Verlag:  Oxford University Press, Oxford, United Kingdom

    The gods of the Iliad have long troubled readers, with many features of their presentation defying satisfactory explanation. This volume presents a new 'metaperformative' approach to the poem's scenes of divine viewing, arguing that the poet uses the... mehr

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    The gods of the Iliad have long troubled readers, with many features of their presentation defying satisfactory explanation. This volume presents a new 'metaperformative' approach to the poem's scenes of divine viewing, arguing that the poet uses the gods to model and thereby manipulate the ongoing dynamics of performance and live reception.

     
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Dissertation
    ISBN: 9780198842354
    Auflage/Ausgabe: First edition
    Schlagworte: Gods, Greek, in literature; Drama / Technique; Götter <Motiv>
    Weitere Schlagworte: Homer / Iliad; Homerus (ca. v8. Jh.): Ilias
    Umfang: xii, 231 Seiten, 2 Illustrationen
    Bemerkung(en):

    Titel geht aus der Dissertation des Autors hervor

    Dissertation, Columbia University, 2011
  15. Diversity, inclusion, and representation in contemporary dramaturgy
    case studies from the field
    Beteiligt: Kelly, Philippa (Hrsg.)
    Erschienen: 2020; © 2020
    Verlag:  Routledge, Abingdon, Oxon

    "Diversity, Inclusion and Representation in Contemporary Dramaturgy offers fresh perspectives on how dramaturgs can support a production beyond rigid disciplinary expectations about what information and ideas are useful and how they should be shared.... mehr

     

    "Diversity, Inclusion and Representation in Contemporary Dramaturgy offers fresh perspectives on how dramaturgs can support a production beyond rigid disciplinary expectations about what information and ideas are useful and how they should be shared. The sixteen contributors to this volume offer personal windows into dramaturgy practice, encouraging theater practitioners, students, and general theater-lovers to imagine themselves as dramaturgs newly inspired by the encounters and enquiries that are the juice of contemporary theater. Each case study is written by a dramaturg whose body of work explores important issues of race, cultural equity, and culturally-specific practices within a wide range of conventions, venues, and communities. The contributors demonstrate the unique capacity of their craft to straddle the ravine between stage and stalls, intention and impact. By unpacking, in the most up-to-date ways, the central question of "Why this play, at this time, for this audience?," this collection provides valuable insights and dramaturgy tools for scholars and students of Dramaturgy, Directing and Theatre Studies"--

     
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    Beteiligt: Kelly, Philippa (Hrsg.)
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780429445316; 0429445318; 9780429817724; 042981772X; 9780429817731; 0429817738; 9780429817717; 0429817711
    Schriftenreihe: Focus on dramaturgy
    Focus on dramaturgy
    Schlagworte: Drama / Technique; Race in the theater; Minorities in the performing arts; Theater / Production and direction
    Umfang: 1 online resource (xvii, 133 pages)
    Bemerkung(en):

    "Routledge Focus" -- taken from front cover

    Description based on online resource; title from digital title page (viewed on April 14, 2020)
  16. New dramaturgies
    strategies and exercises for 21st Century playwriting
    Autor*in: Bly, Mark
    Erschienen: 2020
    Verlag:  Routledge, Abingdon, Oxon

    In New Dramaturgies: Strategies and Exercises for 21st Century Playwriting, Mark Bly offers a new playwriting book with nine unique play-generating exercises. These exercises offer dramaturgical strategies and tools for confronting and overcoming... mehr

     

    In New Dramaturgies: Strategies and Exercises for 21st Century Playwriting, Mark Bly offers a new playwriting book with nine unique play-generating exercises. These exercises offer dramaturgical strategies and tools for confronting and overcoming obstacles that all playwrights face. Each of the chapters features lively commentary and participation from Bly's former students. They are now acclaimed writers and producers for media such as House of Cards, Weeds, Friday Night Lights, Warrior, and The Affair, and their plays appear onstage in major venues such as the Roundabout Theatre, Yale Rep, and the Royal National Theatre. They share thoughts about their original response to an exercise and why it continues to have a major impact on their writing and mentoring today. Each chapter concludes with their original, inventive, and provocative scene generated in response to Bly's exercise, providing a vivid real-life example of what the exercises can create. Suitable for both students of playwriting and screenwriting, as well as professionals in the field, New Dramaturgies gives readers a rare combination of practical provocation and creative discussion

     
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    Format: Online
    ISBN: 9781315282213; 1315282216; 9781315282183; 1315282186; 9781315282190; 1315282194; 9781315282206; 1315282208
    Schriftenreihe: Focus on dramaturgy
    Focus on dramaturgy
    Schlagworte: Playwriting; Drama / Technique
    Umfang: 1 online resource (xii, 122 pages)
  17. Dramaturgy of migration
    staging multilingual encounters in contemporary theatre
    Beteiligt: Meerzon, Yana (Hrsg.); Pewny, Katharina (Hrsg.)
    Erschienen: 2020; © 2020
    Verlag:  Routledge, Abingdon, Oxon

    Dramaturgy of Migration: Staging Multilingual Encounters in Contemporary Theatre examines the function of dramaturgy and the role of the dramaturg in making a theatre performance situated at the crossroads of multiple theatre forms and performative... mehr

     

    Dramaturgy of Migration: Staging Multilingual Encounters in Contemporary Theatre examines the function of dramaturgy and the role of the dramaturg in making a theatre performance situated at the crossroads of multiple theatre forms and performative devices. This book explores how these forms and devices are employed, challenged, experimented with, and reflected upon in the work of migrant theatre by performance and dance artists. Meerzon and Pewny ask: What impact do peoples' movement between continents, countries, cultures, and languages have on the process of meaning production in plays about migration created by migrant artists? What dramaturgical devices do migrant artists employ when they work in the context of multilingual production, with the texts written in many languages, and when staging performances that target multicultural and multilingual theatregoers? And, finally, how do the new multilingual practices of theatre writing and performance meet and transform the existing practices of postdramatic dramaturgies? By considering these questions in a global context, the editors explore the overlapping complexities of migratory performances with both range and depth. Ideal for scholars, students, and practitioners of theatre, dramaturgy, and devising, Dramaturgy of Migration expresses not only the practicalities of migratory performances but also the emotional responses of the artists who stage them

     
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    Beteiligt: Meerzon, Yana (Hrsg.); Pewny, Katharina (Hrsg.)
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781351270250; 1351270257; 9781351270267; 1351270265; 9781351270243; 1351270249; 9781351270236; 1351270230
    Schriftenreihe: [Focus on dramaturgy]
    Schlagworte: Drama / Technique; Multilingual communication; Theater / Production and direction
    Umfang: 1 online resource (xii, 145 pages), illustrations
    Bemerkung(en):

    "Routledge focus."
  18. Performing nerves
    four plays, four essays, on hysteria
    Autor*in: Furse, Anna
    Erschienen: 2020
    Verlag:  Routledge, Abingdon, Oxon

    "Academic interest in hysteria has burgeoned in recent decades. The topic has been probed by feminist theorists, cultural studies specialists, literary scholars, anthropologists, sociologists, psychologists, medical and art historians as well as... mehr

     

    "Academic interest in hysteria has burgeoned in recent decades. The topic has been probed by feminist theorists, cultural studies specialists, literary scholars, anthropologists, sociologists, psychologists, medical and art historians as well as novelists. The hysteric is construed as a powerless, voiceless subject, marginalised by the forces of the patriarchy that have been at root cause of their distress, dissembling and disablement. In Performing Nerves, Anna Furse interweaves her artistic and academic practice, drawing on her own performance texts to explore four different versions of debilitating hysteric suffering. Each text is extensively annotated, revealing the dramaturgical logic and in turn the historical, medical and cultural context behind their protagonists' illness that is argued as environmentally caused in each case. This unique, reflective insight into a playwright and director's craft offers not only an account of how mental suffering can manifest in different contexts and times, from the 19th century to today, but also a breadth of access to the ideas that can motivate creative research. An invaluable resource for scholars of Theatre Studies, Performance Studies, Dramaturgy, 20th Century History, Gender Studies and Medical Humanities"--

     
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    Quelle: Verbundkataloge
    Beteiligt: Showlater, Elaine
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780429423956; 0429423950; 9780429753541; 0429753543; 9780429753534; 0429753535; 9780429753558; 0429753551
    Schlagworte: Hysteria / Drama; Hysteria in literature; Psychoanalysis and literature; Drama / Technique
    Umfang: 1 online resource, illustrations
    Bemerkung(en):

    Description based on print version record and CIP data provided by publisher; resource not viewed
  19. The Hamburg dramaturgy
    Autor*in: Lessing, Gotthold Ephraim
    Erschienen: [2019]; © 2019
    Verlag:  Routledge, Milton Park, Abingdon, Oxon

    While eighteenth-century playwright and critic Gotthold Ephraim Lessing made numerous contributions in his lifetime to the theater, the text that best documents his dynamic and shifting views on dramatic theory is also that which continues to... mehr

     

    While eighteenth-century playwright and critic Gotthold Ephraim Lessing made numerous contributions in his lifetime to the theater, the text that best documents his dynamic and shifting views on dramatic theory is also that which continues to resonate with later generations - the Hamburg Dramaturgy (Hamburgische Dramaturgie, 1767-69). This collection of 104 short essays represents one of the eighteenth century's most important critical engagements with the theater and its potential to promote humanistic discourse. Lessing's essays are an immensely erudite, deeply engaged, witty, ironic, and occasionally scathing investigation of European theatrical culture, bolstered by deep analysis of Aristotelian dramatic theory and utopian visions of theater as a vehicle for human connection. This is the first complete English translation of Lessing's text, with extensive annotations that place the work in its historical context. For the first time, English-language readers can trace primary source references and link Lessing's observations on drama, theory, and performance not only to the plays he discusses, but also to dramatic criticism and acting theory. This volume also includes three introductory essays that situate Lessing's work both within his historical time period and in terms of his influence on Enlightenment and post-Enlightenment theater and criticism

     
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    Quelle: Verbundkataloge
    Beteiligt: Arons, Wendy; Figal, Sara Eigen; Baldyga, Natalya (Hrsg.)
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780203072400; 0203072405
    Schlagworte: Drama / Technique
    Weitere Schlagworte: Aristotle / Poetics
    Umfang: 1 online resource (xviii, 450 pages.)
    Bemerkung(en):

    Description based on print version record
  20. New dramaturgy
    international perspectives on theory and practice
    Autor*in: Trencsényi, Katalin
    Erschienen: 2014
    Verlag:  Bloomsbury, London [u.a.]

    Recent shifts in the theatrical landscape have had corresponding implications for dramaturgy. The way we think about theatre and performance today has changed our approaches to theatre making and composition. Emerging new aesthetics and new areas of... mehr

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    Universitätsbibliothek Erlangen-Nürnberg, Hauptbibliothek
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    Universitätsbibliothek der LMU München
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    Recent shifts in the theatrical landscape have had corresponding implications for dramaturgy. The way we think about theatre and performance today has changed our approaches to theatre making and composition. Emerging new aesthetics and new areas of dramaturgical work such as live art, devised and physical theatre, experimental performance, and dance demand new approaches and sensibilities. This is the first book to explore new dramaturgy in depth, and considers how our thinking about dramaturgy and the role of the dramaturg has been transformed

     
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9781408177082; 1408177080; 9781408177099
    Auflage/Ausgabe: 1. publ.
    Schriftenreihe: Methuen drama
    Schlagworte: Drama / Technique; Playwriting; Theater; Theater; Dramaturgie
    Umfang: XX, 275 S., Ill.
    Bemerkung(en):

    Includes bibliographical references and index

    Machine generated contents note: pt. 1 Towards a New Theory -- 1.Dramaturgy in P̀ostdramatic' Times / Joseph Danan -- 2.Dramaturgy as Ecology: A Report from The Dramaturgies Project / Melanie Beddie -- 3.Respect and Perspective: Art, Structure and Ownership / Alan Lawrence -- pt. 2 Text -- 4.Telling Stories Across Forms: Interview with Brian Quirt (artistic director, Nightswimming, Toronto) / Yolanda Ferrato -- 5.Towards Performed Dramaturgy / Duska Radosavljevic -- 6.Disruption as Revealing the Essence of Truth / Ruth Kanner -- pt. 3 Devising -- 7.The Feeling of Devising: Emotion and Mind in the Devising Process / Jackie Smart -- 8.À Way of Listening': Interview with John Collins (artistic director, Elevator Repair Service, New York) / Ana Pais -- 9.The Appliance of Science: Devising, Dramaturgy and the Alternative Science Play / Alex Mermikides -- pt. 4 Dance -- 10.Time and a Mirror: Towards a Hybrid Dramaturgy for Intercultural-Indigenous Performance / Rachael Swain -- 11.Going Àu-dela': A Journey into the Unknown. Reflections of a Choreographer and a Dramaturg / Annie Pui Ling Lok -- 12.Re-Membering Zero Degrees Guy Cools -- pt. 5 Spectatorship -- 13.Porous Dramaturgy and the Pedestrian / Cathy Turner -- 14.Dialectical Theatre and Devising: Dramaturgy as a Dialogue between the Author and the Audience / Pedro Ilgenfritz -- 15.Acts of Spectating: The Dramaturgy of the Audience's Experience in Contemporary Theatre / Peter M. Boenisch
  21. Shakespeare and the energies of drama
    Autor*in: Goldman, Michael
    Erschienen: 1972; © 1972
    Verlag:  Princeton University Press, Princeton, New Jersey

    Standort:
    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781400872510; 1400872510; 9780691619743; 0691619743
    Schriftenreihe: Princeton legacy library
    Schlagworte: DRAMA / Shakespeare; Drama / Technique; Theater audiences; DRAMA / English, Irish, Scottish, Welsh; Array; Drama
    Weitere Schlagworte: Shakespeare, William / 1564-1616; Shakespeare, William (1564-1616); Shakespeare, William (1564-1616)
    Umfang: 1 online resource (187 pages)
    Bemerkung(en):

    Includes index

    Description based on print version record
  22. The plays of Samuel Beckett
    Autor*in: Webb, Eugene
    Erschienen: 2014; © 1972
    Verlag:  University Of Washington Press, Seattle

    Standort:
    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
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    Standort:
    Ostbayerische Technische Hochschule Amberg-Weiden, Hochschulbibliothek, Standort Weiden
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780295805283; 0295805285; 0295994355; 9780295994352; 0295952024
    Auflage/Ausgabe: Washington paperback edition
    Schlagworte: Criticism and interpretation; Drama / Technique; DRAMA / Continental European; Drama; Drama
    Weitere Schlagworte: Beckett, Samuel / 1906-1989; Beckett, Samuel (1906-1989); Beckett, Samuel (1906-1989)
    Umfang: 1 online resource (160 pages)
    Bemerkung(en):

    Print version record

    Introduction: Beckett and the philosophical tradition of the absurd -- "Waiting for Godot" -- "All that fall" -- "Endgame" -- "Krapp's last tape" -- "Embers" -- "Two mimes: act without words I and act without words II" -- "Happy days" -- "Words and music" -- "Cascando" -- "Trios: play and come and go" -- "Film" -- Eh Joe" -- A general view
  23. Shakespeare and social dialogue
    dramatic language and Elizabethan letters
    Autor*in: Magnusson, Lynne
    Erschienen: 1999
    Verlag:  Cambridge University Press, Cambridge

    Shakespeare and Social Dialogue deals with Shakespeare's language and the rhetoric of Elizabethan letters. Moving beyond claims about the language of individual Shakespearean characters, Magnusson analyses dialogue, conversation, sonnets and... mehr

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    Shakespeare and Social Dialogue deals with Shakespeare's language and the rhetoric of Elizabethan letters. Moving beyond claims about the language of individual Shakespearean characters, Magnusson analyses dialogue, conversation, sonnets and particularly letters of the period, which are normally read as historical documents, as the verbal negotiation of specific social and power relations. Thus, the rhetoric of service or friendship is explored in texts as diverse as Sidney family letters, Shakespearean sonnets and Burghley's state letters. The book draws on ideas from discourse analysis and linguistic pragmatics, especially 'politeness theory', relating these to key ideas in epistolary handbooks of the period, including those by Erasmus and Angel Day and demonstrates that Shakespeare's language is rooted in the everyday language of Elizabethan culture. Magnusson creates a way of reading both literary texts and historical documents which bridges the gap between the methods of new historicism and linguistic criticism

     
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  24. Analyzing Shakespeare's action
    scene versus sequence
    Autor*in: Hallett, Charles A.
    Erschienen: 1991
    Verlag:  Cambridge University Press, Cambridge

    In this book, Charles and Elaine Hallett invite the reader to follow the actions of Shakespeare's plays. They show that the conventional division of the plays into scenes does not help the reader or play goer to discover how the narrative works. They... mehr

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    Universitätsbibliothek Bamberg
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    In this book, Charles and Elaine Hallett invite the reader to follow the actions of Shakespeare's plays. They show that the conventional division of the plays into scenes does not help the reader or play goer to discover how the narrative works. They offer instead a division into smaller units which they define as beats, sequences and frames. Detailed analysis of the unfolding action reveals that Shakespeare's scenes frequently consist of a series of sequences, each with its own individual climax, and these sequences are regularly built up of a succession of smaller units, or beats. Several sequences usually work together to create a still larger action, or frame. Study of these components yields valuable information about Shakespeare's playwriting techniques. The book will be of interest to students and scholars of Shakespeare and theatre studies as well as to actors and directors

     
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780511518911
    Weitere Identifier:
    RVK Klassifikation: HI 3375 ; HI 3381 ; HI 3390
    Schlagworte: Drama / Technique; Handlung <Literatur>; Szene; Dramentechnik; Drama
    Weitere Schlagworte: Shakespeare, William / 1564-1616 / Technique; Shakespeare, William (1564-1616)
    Umfang: 1 online resource (xi, 230 pages)
    Bemerkung(en):

    Title from publisher's bibliographic system (viewed on 05 Oct 2015)
  25. Undoing time
    the life and work of Samuel Beckett
    Autor*in: Birkett, Jennifer
    Erschienen: 2015
    Verlag:  Irish Academic Press, Sallins, Kildare

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    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780716532927; 0716532921; 9780716532903; 9780716532910
    Schlagworte: DRAMA / English, Irish, Scottish, Welsh; Beckett, Samuel, 1906-1989 / Criticism and interpretation; Beckett, Samuel, 1906-1989; Drama / Technique; Experimental drama, English / History and criticism; Experimental drama, English; Experimental drama, English
    Weitere Schlagworte: Beckett, Samuel / 1906-1989; Array (Array); Beckett, Samuel (1906-1989)
    Umfang: 1 online resource
    Bemerkung(en):

    Description based on online resource; title from PDF title page (EBSCO, viewed May 5, 2015)

    Since his death in 1989, it has become difficult to imagine that Samuel Beckett was once a virtually unknown writer. Born in 1906 into a respectable middle-class family in a Dublin suburb, he came late to fame in the early 1950s with the ground-breaking play, Waiting for Godot. Since Godot, Beckett's writings have been translated, published, and staged throughout the world. This highly accessible and original account offers a new opportunity to engage with a towering figure of Irish and world literature. The book offers a systematic overview of Samuel Beckett's best-known and most popular work

    Cover; Front Matter; Title Page; Contents; Acknowledgements; Author's Note and Abbreviations; Introduction; Chapter 1; The Long Beginning (1928-46); Chapter 2; Beginning with Prose; Chapter 3; Refusing Mastery; Chapter 4; The Shorter Prose -- False Starts, Fresh Ends; Chapter 5; Drama From Eleutheria to Happy Days; Chapter 6; The Shorter Plays -- Diminishing Returns; Chapter 7; Broadcasting Beckett ; Coda; References; Index