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  1. Perceptual drift
    black art and an ethics of looking
    Autor*in: Lee, Key Jo; James, Erica M.; Lewis, Robin Coste; Sharpe, Christina Elizabeth
    Erschienen: [2022]
    Verlag:  Cleveland Museum of Art, Cleveland, OH ; Yale University Press, New Haven

    'Perceptual Drift' offers a new interpretive model drawing on four key works of Black art in the Cleveland Museum of Art's collection. In its chapters, leading Black scholars from multiple disciplines deploy materialist approaches to challenge the... mehr

    Standort:
    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
    Signatur:
    ::8:2023:191:
    Fernleihe:
    keine Fernleihe

    Standort:
    Staats- und Universitätsbibliothek Bremen
    Signatur:
    03.m.0307
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Sächsische Landesbibliothek - Staats- und Universitätsbibliothek Dresden
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    'Perceptual Drift' offers a new interpretive model drawing on four key works of Black art in the Cleveland Museum of Art's collection. In its chapters, leading Black scholars from multiple disciplines deploy materialist approaches to challenge the limits of canonic art history, rooted as it is in social and racial inequities. The opening essay by Key Jo Lee introduces the concept of "perceptual drift": a means of exploring the matter of Blackness, or Blackness as matter in art and scholarship. Christina Sharpe examines Rho I (1977) by Jack Whitten; Lee explores Lorna Simpson's Cure/Heal (1992); Robin Coste Lewis analyzes Ellen Gallagher's Bouffant Pride (2003); and Erica Moiah James considers Simone Leigh's Las Meninas (2019). This approach seeks to transform how art history is written, introduce readers to complex objects and theoretical frameworks, illuminate meanings and untold histories, and simultaneously celebrate and open new entry points into Black art

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 0300263929; 9780300263923
    RVK Klassifikation: LH 31860 ; LO 94000
    Schlagworte: Art, Black; Art; Art, Black; Art - Moral and ethical aspects; Criticism, interpretation, etc
    Weitere Schlagworte: Whitten, Jack (1939-2018): Rho I; Simpson, Lorna (1960-): Cure/heal; Gallagher, Ellen (1965-): Bouffant pride; Leigh, Simone: Meninas
    Umfang: 80 Seiten, Illustrationen, 30 cm
    Bemerkung(en):

    Includes bibliographical references

    Director's foreword / William M. Griswold -- Introduction / Key Jo Lee -- "To decode the full spectrum": Jack Whitten's Rho I / Christina Sharpe -- An approach to Lorna Simpson's Cure/Heal / Key Jo Lee -- "Spit-bite" notes in conversation with Ellen Gallagher's Bouffant Pride: an introduction / Robin Coste Lewis -- A gust of grace: Simone Leigh's Las Meninas / Erica Moiah James.
  2. Perceptual drift
    black art and an ethics of looking
    Autor*in: Lee, Key Jo; James, Erica M.; Lewis, Robin Coste; Sharpe, Christina Elizabeth
    Erschienen: [2022]
    Verlag:  Cleveland Museum of Art, Cleveland, OH ; Yale University Press, New Haven

    'Perceptual Drift' offers a new interpretive model drawing on four key works of Black art in the Cleveland Museum of Art's collection. In its chapters, leading Black scholars from multiple disciplines deploy materialist approaches to challenge the... mehr

    Standort:
    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    'Perceptual Drift' offers a new interpretive model drawing on four key works of Black art in the Cleveland Museum of Art's collection. In its chapters, leading Black scholars from multiple disciplines deploy materialist approaches to challenge the limits of canonic art history, rooted as it is in social and racial inequities. The opening essay by Key Jo Lee introduces the concept of "perceptual drift": a means of exploring the matter of Blackness, or Blackness as matter in art and scholarship. Christina Sharpe examines Rho I (1977) by Jack Whitten; Lee explores Lorna Simpson's Cure/Heal (1992); Robin Coste Lewis analyzes Ellen Gallagher's Bouffant Pride (2003); and Erica Moiah James considers Simone Leigh's Las Meninas (2019). This approach seeks to transform how art history is written, introduce readers to complex objects and theoretical frameworks, illuminate meanings and untold histories, and simultaneously celebrate and open new entry points into Black art

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 0300263929; 9780300263923
    RVK Klassifikation: LH 31860 ; LO 94000
    Schlagworte: Art, Black; Art; Art, Black; Art - Moral and ethical aspects; Criticism, interpretation, etc
    Weitere Schlagworte: Whitten, Jack (1939-2018): Rho I; Simpson, Lorna (1960-): Cure/heal; Gallagher, Ellen (1965-): Bouffant pride; Leigh, Simone: Meninas
    Umfang: 80 Seiten, Illustrationen, 30 cm
    Bemerkung(en):

    Includes bibliographical references

    Director's foreword / William M. Griswold -- Introduction / Key Jo Lee -- "To decode the full spectrum": Jack Whitten's Rho I / Christina Sharpe -- An approach to Lorna Simpson's Cure/Heal / Key Jo Lee -- "Spit-bite" notes in conversation with Ellen Gallagher's Bouffant Pride: an introduction / Robin Coste Lewis -- A gust of grace: Simone Leigh's Las Meninas / Erica Moiah James.