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  1. How the other half laughs
    the comic sensibility in American culture, 1895-1920
    Autor*in: Cole, Jean Lee
    Erschienen: 2020
    Verlag:  University Press of Mississippi, Jackson

    Standort:
    Freie Universität Berlin, Universitätsbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe
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  2. The world of DC comics
    Autor*in: Friedenthal, Andrew J.
    Erschienen: 2019
    Verlag:  Routledge, New York ; London

    "The first sustained study of the DC Comics Multiverse, this book explores its history, meanings, and lasting influence. The multiverse is a unique exercise in world-building: a series of parallel and interactive worlds with a cohesive cosmology,... mehr

    Standort:
    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    "The first sustained study of the DC Comics Multiverse, this book explores its history, meanings, and lasting influence. The multiverse is a unique exercise in world-building: a series of parallel and interactive worlds with a cohesive cosmology, developed by various creators over more than fifty years. In examining DC's unique worlds and characters, the book illustrates the expansive potential of a multiverse, full of characters, histories, geographies, religions, ethnographies, and more, and allowing for expressions of legacy, multiplicity, and play that have defined much of DC Comics' output. It shows how a multiverse can be a vital, energizing part of any imaginary world, and argues that students and creators of such worlds would do well to explore the implications and complexities of this world-building technique. Andrew J. Friedenthal has crafted a ground-breaking, engaging and thoughtful examination of the multiverse, of interest to scholars and enthusiasts of not just comics studies, but also the fields of media studies and imaginary world studies."--

     
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    Hinweise zum Inhalt
    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9780815370574; 0815370571
    RVK Klassifikation: EC 7120 ; AP 88700
    Schriftenreihe: Imaginary worlds
    Schlagworte: Comic
    Weitere Schlagworte: DC Comics, Inc; DC Comics, Inc; Comic books, strips, etc / United States / History and criticism; Imaginary places in literature; Comic books, strips, etc; Imaginary places in literature; United States; Criticism, interpretation, etc
    Umfang: ix, 108 Seiten
    Bemerkung(en):

    :
  3. The British comic book invasion
    Alan Moore, Warren Ellis, Grant Morrison and the evolution of the American style
    Autor*in: Ecke, Jochen
    Erschienen: [2019]; © 2019
    Verlag:  McFarland & Company, Inc., Publishers, Jefferson, North Carolina

    "Writers and artists in the highly competitive U.S. comics mainstream have always had to explore these questions but they were especially pressing in the 1980s. As comics readers grew older they started calling for more sophisticated stories. They... mehr

    Standort:
    Freie Universität Berlin, Universitätsbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    "Writers and artists in the highly competitive U.S. comics mainstream have always had to explore these questions but they were especially pressing in the 1980s. As comics readers grew older they started calling for more sophisticated stories. They were also no longer just following the adventures of popular characters--writers and artists with distinctive styles were in demand. DC Comics and Marvel went looking for such mavericks and found them in the United Kingdom. Creators like Alan Moore, Grant Morrison and Garth Ennis migrated from the anarchical British comics industry to the U.S. mainstream and shook up the status quo yet came to rely on the genius of the American system."--

     
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    Hinweise zum Inhalt
    Quelle: Staatsbibliothek zu Berlin; Philologische Bibliothek, FU Berlin
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9781476674155
    RVK Klassifikation: EC 7120 ; HU 1821
    Schriftenreihe: Critical explorations in science fiction and fantasy ; 64
    Schlagworte: Comic books, strips, etc / United States / History and criticism; Graphic novels / History and criticism; Comic books, strips, etc; Graphic novels; Comic; Comicroman; Graphic Novel; Comic
    Weitere Schlagworte: Moore, Alan / 1953- / Criticism and interpretation; Morrison, Grant / Criticism and interpretation; Moore, Alan (1953-); Ellis, Warren (1968-); Morrison, Grant (1960-)
    Umfang: viii, 273 Seiten, Illustrationen, 23 cm
    Bemerkung(en):

    Includes bibliographical references and index
  4. The comics of Charles Schulz
    the good grief of modern life
    Beteiligt: Gardner, Jared (Hrsg.); Gordon, Ian (Hrsg.)
    Erschienen: 2017
    Verlag:  University Press of Mississippi, Jackson

    "With contributions by: Leonie Brialey, MJ Clarke, Roy T. Cook, Joseph J. Darowski, Ian Gordon, Gene Kannenberg Jr., Christopher P. Lehman, Anne C. McCarthy, Ben Owen, Lara Saguisag, Ben Saunders, Jeffrey O. Segrave, and Michael Tisserand The Comics... mehr

    Standort:
    Freie Universität Berlin, Universitätsbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    "With contributions by: Leonie Brialey, MJ Clarke, Roy T. Cook, Joseph J. Darowski, Ian Gordon, Gene Kannenberg Jr., Christopher P. Lehman, Anne C. McCarthy, Ben Owen, Lara Saguisag, Ben Saunders, Jeffrey O. Segrave, and Michael Tisserand The Comics of Charles Schulz collects new essays on the work of the creator of the immensely popular Peanuts comic strip. Despite Schulz's celebrity, few scholarly books on his work and career have been published. This collection serves as a foundation for future study not only of Charles Schulz (1922-2000) but, more broadly, of the understudied medium of newspaper comics. Schulz's Peanuts ran for a half century, during which time he drew the strip and its characters to express keen observations on postwar American life and culture. As Peanuts' popularity grew, Schulz had opportunities to shape the iconography, style, and philosophy of modern life in ways he never could have imagined when he began the strip in 1950. Edited by leading scholars Jared Gardner and Ian Gordon, this volume ranges over a spectrum of Schulz's accomplishments and influence, touching on everything from cartoon aesthetics to the marketing of global fast food. Philosophy, ethics, and cultural history all come into play. Indeed, the book even highlights Snoopy's global reach as American soft power. As the broad interdisciplinary range of this volume makes clear, Peanuts offers countless possibilities for study and analysis. From many perspectives--including childhood studies, ethnic studies, health and exercise studies, as well as sociology--The Comics of Charles Schulz offers the most comprehensive and diverse study of the most influential cartoonist during the second half of the twentieth century."--

     
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  5. Many more lives of the Batman
    Beteiligt: Pearson, Roberta E., (Hrsg.); Uricchio, William, (Hrsg.); Brooker, Will, (Hrsg.)
    Erschienen: 2015
    Verlag:  Palgrave, [London]

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    Quelle: Verbundkataloge
    Beteiligt: Pearson, Roberta E., (Hrsg.); Uricchio, William, (Hrsg.); Brooker, Will, (Hrsg.)
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9781844577651; 9781844577644
    RVK Klassifikation: EC 5410
    Schriftenreihe: <<A>> BFI book
    Schlagworte: Batman (Fictitious character); Comic books, strips, etc / United States / History and criticism; Popular culture / United States
    Umfang: vi, 240 Seiten, Illustrationen, 24 cm
    Bemerkung(en):

    Enthält Literaturangaben
  6. The comics of Charles Schulz
    the good grief of modern life
    Beteiligt: Gardner, Jared (Hrsg.); Gordon, Ian (Hrsg.)
    Erschienen: 2017
    Verlag:  University Press of Mississippi, Jackson

    "With contributions by: Leonie Brialey, MJ Clarke, Roy T. Cook, Joseph J. Darowski, Ian Gordon, Gene Kannenberg Jr., Christopher P. Lehman, Anne C. McCarthy, Ben Owen, Lara Saguisag, Ben Saunders, Jeffrey O. Segrave, and Michael Tisserand The Comics... mehr

    Standort:
    Bayerische Staatsbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Zentralinstitut für Kunstgeschichte, Bibliothek
    Fernleihe:
    keine Ausleihe von Bänden, nur Papierkopien werden versandt

    Standort:
    Universitätsbibliothek Würzburg
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    "With contributions by: Leonie Brialey, MJ Clarke, Roy T. Cook, Joseph J. Darowski, Ian Gordon, Gene Kannenberg Jr., Christopher P. Lehman, Anne C. McCarthy, Ben Owen, Lara Saguisag, Ben Saunders, Jeffrey O. Segrave, and Michael Tisserand The Comics of Charles Schulz collects new essays on the work of the creator of the immensely popular Peanuts comic strip. Despite Schulz's celebrity, few scholarly books on his work and career have been published. This collection serves as a foundation for future study not only of Charles Schulz (1922-2000) but, more broadly, of the understudied medium of newspaper comics. Schulz's Peanuts ran for a half century, during which time he drew the strip and its characters to express keen observations on postwar American life and culture. As Peanuts' popularity grew, Schulz had opportunities to shape the iconography, style, and philosophy of modern life in ways he never could have imagined when he began the strip in 1950. Edited by leading scholars Jared Gardner and Ian Gordon, this volume ranges over a spectrum of Schulz's accomplishments and influence, touching on everything from cartoon aesthetics to the marketing of global fast food. Philosophy, ethics, and cultural history all come into play. Indeed, the book even highlights Snoopy's global reach as American soft power. As the broad interdisciplinary range of this volume makes clear, Peanuts offers countless possibilities for study and analysis. From many perspectives--including childhood studies, ethnic studies, health and exercise studies, as well as sociology--The Comics of Charles Schulz offers the most comprehensive and diverse study of the most influential cartoonist during the second half of the twentieth century."--

     
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  7. How the other half laughs
    the comic sensibility in American culture, 1895-1920
    Autor*in: Cole, Jean Lee
    Erschienen: 2020
    Verlag:  University Press of Mississippi, Jackson

    Standort:
    Universitätsbibliothek Eichstätt-Ingolstadt
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Universitätsbibliothek der LMU München
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Zentralinstitut für Kunstgeschichte, Bibliothek
    Fernleihe:
    keine Ausleihe von Bänden, nur Papierkopien werden versandt

    Standort:
    Universitätsbibliothek Würzburg
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
  8. The British comic book invasion
    Alan Moore, Warren Ellis, Grant Morrison and the evolution of the American style
    Autor*in: Ecke, Jochen
    Erschienen: [2019]; © 2019
    Verlag:  McFarland & Company, Inc., Publishers, Jefferson, North Carolina

    "Writers and artists in the highly competitive U.S. comics mainstream have always had to explore these questions but they were especially pressing in the 1980s. As comics readers grew older they started calling for more sophisticated stories. They... mehr

    Standort:
    Universitätsbibliothek Regensburg
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    "Writers and artists in the highly competitive U.S. comics mainstream have always had to explore these questions but they were especially pressing in the 1980s. As comics readers grew older they started calling for more sophisticated stories. They were also no longer just following the adventures of popular characters--writers and artists with distinctive styles were in demand. DC Comics and Marvel went looking for such mavericks and found them in the United Kingdom. Creators like Alan Moore, Grant Morrison and Garth Ennis migrated from the anarchical British comics industry to the U.S. mainstream and shook up the status quo yet came to rely on the genius of the American system."--

     
    Export in Literaturverwaltung   RIS-Format
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    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9781476674155
    RVK Klassifikation: EC 7120 ; HU 1821
    Schriftenreihe: Critical explorations in science fiction and fantasy ; 64
    Schlagworte: Comic books, strips, etc / United States / History and criticism; Graphic novels / History and criticism; Comic books, strips, etc; Graphic novels; Comic; Comicroman; Graphic Novel; Comic
    Weitere Schlagworte: Moore, Alan / 1953- / Criticism and interpretation; Morrison, Grant / Criticism and interpretation; Moore, Alan (1953-); Ellis, Warren (1968-); Morrison, Grant (1960-)
    Umfang: viii, 273 Seiten, Illustrationen, 23 cm
    Bemerkung(en):

    Includes bibliographical references and index
  9. The world of DC comics
    Autor*in: Friedenthal, Andrew J.
    Erschienen: 2019
    Verlag:  Routledge, New York ; London

    "The first sustained study of the DC Comics Multiverse, this book explores its history, meanings, and lasting influence. The multiverse is a unique exercise in world-building: a series of parallel and interactive worlds with a cohesive cosmology,... mehr

    Standort:
    Universitätsbibliothek Augsburg
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Universitätsbibliothek Bayreuth
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    "The first sustained study of the DC Comics Multiverse, this book explores its history, meanings, and lasting influence. The multiverse is a unique exercise in world-building: a series of parallel and interactive worlds with a cohesive cosmology, developed by various creators over more than fifty years. In examining DC's unique worlds and characters, the book illustrates the expansive potential of a multiverse, full of characters, histories, geographies, religions, ethnographies, and more, and allowing for expressions of legacy, multiplicity, and play that have defined much of DC Comics' output. It shows how a multiverse can be a vital, energizing part of any imaginary world, and argues that students and creators of such worlds would do well to explore the implications and complexities of this world-building technique. Andrew J. Friedenthal has crafted a ground-breaking, engaging and thoughtful examination of the multiverse, of interest to scholars and enthusiasts of not just comics studies, but also the fields of media studies and imaginary world studies."--

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9780815370574; 0815370571
    RVK Klassifikation: EC 7120 ; AP 88700
    Schriftenreihe: Imaginary worlds
    Schlagworte: Comic
    Weitere Schlagworte: DC Comics, Inc; DC Comics, Inc; Comic books, strips, etc / United States / History and criticism; Imaginary places in literature; Comic books, strips, etc; Imaginary places in literature; United States; Criticism, interpretation, etc
    Umfang: ix, 108 Seiten
    Bemerkung(en):

    :
  10. Unstable masks
    whiteness and American superhero comics
    Beteiligt: Guynes, Sean (Hrsg.); Lund, Martin (Hrsg.)
    Erschienen: 2020
    Verlag:  The Ohio State University Press, Columbus

    "Contextualizes the history of race within comic books and the fundamental whiteness observed in American superhero narratives from the late 1930s to the present." mehr

    Standort:
    Freie Universität Berlin, Universitätsbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    "Contextualizes the history of race within comic books and the fundamental whiteness observed in American superhero narratives from the late 1930s to the present."

     
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    Hinweise zum Inhalt
    Quelle: Philologische Bibliothek, FU Berlin
    Beteiligt: Guynes, Sean (Hrsg.); Lund, Martin (Hrsg.)
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9780814214183; 9780814255636
    RVK Klassifikation: AP 88890 ; EC 7120 ; HU 1821 ; LB 31960 ; LC 84610
    Schriftenreihe: New suns: race, gender, and sexuality in the speculative
    Schlagworte: Comic; Ethnische Identität; Weißsein; Superheld
    Weitere Schlagworte: Comic books, strips, etc / United States / History and criticism; Race awareness / United States / History and criticism; Superheroes in literature; Comic books, strips, etc; Race awareness; Superheroes in literature; United States; Criticism, interpretation, etc
    Umfang: xviii, 280 Seiten, Illustrationen
  11. Representations of Islam in United States comics, 1880-1922
    Autor*in: Rhett, Maryanne A.
    Erschienen: 2020
    Verlag:  Bloomsbury Academic, London ; New York ; Oxford ; New Delhi ; Sydney

    Standort:
    Freie Universität Berlin, Universitätsbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe
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  12. Son of classics and comics
    Beteiligt: Kovacs, George (Hrsg.); Marshall, C. W. (Hrsg.)
    Erschienen: [2016]
    Verlag:  Oxford University Press, Oxford

    Standort:
    Universitätsbibliothek Bamberg
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Bayerische Staatsbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Universitätsbibliothek der LMU München
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Universitätsbibliothek Regensburg
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Universitätsbibliothek Würzburg
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe
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    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Beteiligt: Kovacs, George (Hrsg.); Marshall, C. W. (Hrsg.)
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9780190268893
    Schriftenreihe: Classical Presences
    Schlagworte: Classical literature / Influence; Classical literature / Influence; Comic books, strips, etc / United States / History and criticism; Comic books, strips, etc; Erzähltechnik; Antike <Motiv>; Comic
    Weitere Schlagworte: Goscinny, René (1926-1977): Astérix le gaulois
    Umfang: xxx, 250 Seiten, Illustrationen
  13. The mythology of the superhero
    Autor*in: Bahlmann, Andrew R.
    Erschienen: [2016]
    Verlag:  McFarland & Company, Inc., Publishers, Jefferson, North Carolina

    Standort:
    Bayerische Staatsbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9781476662480
    RVK Klassifikation: AP 50300 ; LC 32595 ; LC 83000
    Schlagworte: Comic books, strips, etc / United States / History and criticism; Superheroes; Classical literature / Influence; Superheld; Literatur; Comic; Visuelle Medien; Mythologie
    Umfang: ix, 203 Seiten
    Bemerkung(en):

    Includes bibliographical references and index

    1. Building a Framework : the Lexicon of Superhero Mythology -- 2. Green Arrow as an Exemplar of the Superhero Myth Structure -- 3. Buffy Summers and the Superhero Myth : Reading a Popular Culture Icon Through a Mythological Lens -- 4. Finding the Superhero : Reading SyFy's Alphas Through the Mythological Lexicon -- 5. The Superhero Before the Superhero : Finding Superhero Mythology in the Old English Beowulf -- 6. The Superheroic Structure : Examining the Mythological Character of the Superhero
  14. Unstable masks
    whiteness and American superhero comics
    Beteiligt: Guynes, Sean (Hrsg.); Lund, Martin (Hrsg.)
    Erschienen: 2020
    Verlag:  The Ohio State University Press, Columbus

    "Contextualizes the history of race within comic books and the fundamental whiteness observed in American superhero narratives from the late 1930s to the present." mehr

    Standort:
    Universitätsbibliothek Eichstätt-Ingolstadt
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Universitätsbibliothek Erlangen-Nürnberg, Hauptbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Bayerische Staatsbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Universitätsbibliothek der LMU München
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Universitätsbibliothek Würzburg
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    "Contextualizes the history of race within comic books and the fundamental whiteness observed in American superhero narratives from the late 1930s to the present."

     
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    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Beteiligt: Guynes, Sean (Hrsg.); Lund, Martin (Hrsg.)
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9780814214183; 9780814255636
    RVK Klassifikation: AP 88890 ; EC 7120 ; HU 1821 ; LB 31960 ; LC 84610
    Schriftenreihe: New suns: race, gender, and sexuality in the speculative
    Schlagworte: Comic; Ethnische Identität; Weißsein; Superheld
    Weitere Schlagworte: Comic books, strips, etc / United States / History and criticism; Race awareness / United States / History and criticism; Superheroes in literature; Comic books, strips, etc; Race awareness; Superheroes in literature; United States; Criticism, interpretation, etc
    Umfang: xviii, 280 Seiten, Illustrationen
  15. Representations of Islam in United States comics, 1880-1922
    Autor*in: Rhett, Maryanne A.
    Erschienen: 2020
    Verlag:  Bloomsbury Academic, London ; New York ; Oxford ; New Delhi ; Sydney

    Standort:
    Zentralinstitut für Kunstgeschichte, Bibliothek
    Fernleihe:
    keine Ausleihe von Bänden, nur Papierkopien werden versandt
    Export in Literaturverwaltung   RIS-Format
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  16. The world of Marvel Comics
    Autor*in: Friedenthal, Andrew J.
    Erschienen: 2022
    Verlag:  Routledge, Taylor & Francis Group, New York ; London

    "A detailed study of the history and long-lasting influence of Marvel Comics, this book explores the ways Marvel's truly unique comic book world reflects real world issues and controversies alongside believable, psychologically-motivated characters.... mehr

    Standort:
    Universitätsbibliothek Erlangen-Nürnberg, Hauptbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Zentralinstitut für Kunstgeschichte, Bibliothek
    Fernleihe:
    keine Ausleihe von Bänden, nur Papierkopien werden versandt

    Standort:
    Universitätsbibliothek Würzburg
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    "A detailed study of the history and long-lasting influence of Marvel Comics, this book explores the ways Marvel's truly unique comic book world reflects real world issues and controversies alongside believable, psychologically-motivated characters. The book examines a decades-long dual focus on both tight-knit continuity and real-world fidelity that makes the Marvel Universe a unique entity amongst imaginary worlds. Although there have been many books and articles that analyze each of these aspects of the Marvel Universe, the unique focus of this book is on how those two aspects have interwoven over the course of Marvel's history, and the ways in which both have been used as storytelling engines that have fueled entire imaginary world of Marvel Comics. Andrew J. Friedenthal has crafted a groundbreaking, engaging, and thoughtful examination of how this particular story world combines intricate world-building with responsiveness to real world events, which will be of interest to scholars and enthusiasts of not just comics studies, but also the fields of transmedia studies and imaginary worlds"--

     
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  17. Intersectional feminist readings of comics
    interpreting gender in graphic narratives
    Beteiligt: Cox, Sandra (Hrsg.)
    Erschienen: 2022
    Verlag:  Routledge, Taylor & Francis Group, London ; New York

    "Intersectional Feminist Readings of Comics collects several theoretically informed close reading of comics and graphic literature that apply an intersectional feminist lens to the interpretation of several contemporary North American graphic... mehr

    Standort:
    Bayerische Staatsbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Universitätsbibliothek Regensburg
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    "Intersectional Feminist Readings of Comics collects several theoretically informed close reading of comics and graphic literature that apply an intersectional feminist lens to the interpretation of several contemporary North American graphic narratives. The essays use a range of interpretive lenses drawn from theoretical models used in contemporary aesthetics, media studies, and literary criticism to analyze mainstream figures like DC's Catwoman and Marvel's Miss America and Doctor Strange, to contextualize historical and speculative comics by Indigenous American illustrators, and to explicate autography by critically lauded Jewish, queer and female cartoonists. In the first half of the book, the chapters examine ways in which superhero comics and the cinematic and televisual adaptations thereof, reify, revise and reject gender parity, systemic misogyny and heteropatriarchy through visual and textual rhetorics of representation. In the second part of the volume, the chapters look at the ways that feminist interpretive practices illuminate the radical work undertaken by cartoonists from historically marginalized communities in the U.S. and Canada. Across both halves, readers will find applications of longstanding feminist critical traditions, like ecofeminism, as well as new intersectional extrapolations of narratology, autobiographical studies, and visual rhetoric, which have been applied to the selected comics in insightful and innovative ways. This is a lively and varied collection suitable for students and scholars in gender studies, cultural studies, media studies and literary studies"

     
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    Quelle: Verbundkataloge
    Beteiligt: Cox, Sandra (Hrsg.)
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9780367704711; 9780367704728
    RVK Klassifikation: AP 88798
    Schriftenreihe: Interdisciplinary research in gender
    Schlagworte: Literatur; Frau; Geschlechterrolle
    Weitere Schlagworte: Comic books, strips, etc / United States / History and criticism; Motion pictures and comic books; Superhero films / United States / History and criticism; Women in literature; Sex role in literature; Women in motion pictures; Sex role in motion pictures; Feminist theory; Superhero films; Criticism, interpretation, etc; Literary criticism
    Umfang: x, 177 Seiten, Illustrationen, 24 cm
    Bemerkung(en):

    Includes bibliographical references and index

    Introduction: Drawn to and from gender -- what it means to read comics through a feminist lens / Sandra Cox -- Racialized heroes and sexualized villains. On the fringes and tassels of respectability : Catwoman and censoring the femme form / A. Luxx Mishou -- Queer, Latina, and punching Nazis : a new America breaking borders / Ande Davis -- Contested adaptations : legacies of orientalism, she-heroes and Hollywood's diversity aesthetic / Michael Rinehard -- Unweaving the world : militant eco-feminism in the anti-fairy tale Beautiful darkness / Shane Gomes -- National histories and personal autographies. Drawn into being : the transformative voices of Native American and First Nations women in comics and visual narratives / Nicole Dib -- Comics and gendered subjectivity : the multifaceted truth of Alison Bechdel's graphic memoirs / Cody Shrum -- Love, lust and lucre in Leela Corman's Unterzakhn / Alex Link
  18. The world of Marvel comics
    Autor*in: Friedenthal, Andrew J.
    Erschienen: 2022
    Verlag:  Routledge, Taylor & Francis Group, New York ; London

    "A detailed study of the history and long-lasting influence of Marvel Comics, this book explores the ways Marvel's truly unique comic book world reflects real world issues and controversies alongside believable, psychologically-motivated characters.... mehr

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    "A detailed study of the history and long-lasting influence of Marvel Comics, this book explores the ways Marvel's truly unique comic book world reflects real world issues and controversies alongside believable, psychologically-motivated characters. The book examines a decades-long dual focus on both tight-knit continuity and real-world fidelity that makes the Marvel Universe a unique entity amongst imaginary worlds. Although there have been many books and articles that analyze each of these aspects of the Marvel Universe, the unique focus of this book is on how those two aspects have interwoven over the course of Marvel's history, and the ways in which both have been used as storytelling engines that have fueled entire imaginary world of Marvel Comics. Andrew J. Friedenthal has crafted a groundbreaking, engaging, and thoughtful examination of how this particular story world combines intricate world-building with responsiveness to real world events, which will be of interest to scholars and enthusiasts of not just comics studies, but also the fields of transmedia studies and imaginary worlds"--

     
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  19. Raw, Weirdo, and beyond
    American alternative comics, 1980-2000
    Beteiligt: McCoy, John (Hrsg.); Molotiu, Andrei (Hrsg.)
    Erschienen: [2022]
    Verlag:  McMullen Museum of Art, Boston College, [Boston, Mass.]

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    Universitätsbibliothek Augsburg
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    Quelle: Verbundkataloge
    Beteiligt: McCoy, John (Hrsg.); Molotiu, Andrei (Hrsg.)
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9781892850430
    RVK Klassifikation: EC 7120 ; HU 1821
    Schlagworte: Comic; Gegenkultur
    Weitere Schlagworte: Comic books, strips, etc / United States / History and criticism; Comic books, strips, etc / Authorship
    Umfang: vi, 305 Seiten, Illustrationen, 31 cm
    Bemerkung(en):

    Rückseite Titelblatt: This publication is issued in conjunction with the exhibition "American Alternative Comics, 1980-2000: 'Raw', 'Weirdo', and Beyond" in the Daley Family Gallery at the McMullen Museum of Art, Boston College, September 6 - December 4, 2022
  20. Bodies and boundaries in graphic fiction
    reading female and nonbinary characters
    Autor*in: Baldanzi, Jessica
    Erschienen: 2023
    Verlag:  Routledge, Taylor & Francis Group, London ; New York

    "This book examines the fictional female bodies of four stylistically distinct comics artists in the US-Chris Ware, Emil Ferris, Ebony Flowers, and Tillie Walden-whose work has attracted significant attention. These bodies showcase how comics and its... mehr

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    "This book examines the fictional female bodies of four stylistically distinct comics artists in the US-Chris Ware, Emil Ferris, Ebony Flowers, and Tillie Walden-whose work has attracted significant attention. These bodies showcase how comics and its unique visual language can both critique and re-envision some of the most challenging social issues of our time. The characters analyzed in this book illustrate diverse techniques for projecting the complex humanity and "truth" of US women's unruly bodies onto a two-dimensional page. All of the protagonists qualify as "outsider" in some way, whether by gender identity, sexuality, ability, religion, race, class, ethnicity, age, or a combination of these and other categories. These bodily expressions of outsider identity both resist traditional categorization and stereotypes, and sometimes harness and employ those stereotypes for the purposes of parody or social critique. The language of comics affords a unique opportunity for complex representation of these disparate women's bodies, especially when comics artists use the full range of tools at their disposal, such as style, materials, narrative direction, the space of the gutter, and the friction between word and image. This is an a timely and important intervention suitable for researchers and students in comics studies, gender studies, literature and queer studies"--

     
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9780367679477; 9780367679484
    RVK Klassifikation: HV 18250
    Schriftenreihe: Routledge studies in gender, sexuality, and comics
    Schlagworte: Comic; Körper <Motiv>; Frau <Motiv>
    Weitere Schlagworte: Ferris, Emil (1962-); Walden, Tillie (1996-); Flowers, Ebony (1981-); Ware, Chris (1967-); Comic books, strips, etc / United States / History and criticism; Women in literature; Women in art; Human body in literature; Human figure in art; Gender identity in literature; Gender identity in art; Literary criticism; Art criticism
    Umfang: xii, 155 Seiten, Illustrationen
    Bemerkung(en):

    Literaturverzeichnis: Seite 143-150 und Index
  21. Understanding superhero comic books
    a history of key elements, creators, events and controversies
    Autor*in: Grand, Alex
    Erschienen: [2023]
    Verlag:  McFarland & Company, Inc., Publishers, Jefferson, North Carolina

    "This work dissects the origin and growth of superhero comic books, their major influences, and the creators behind them. It demonstrates how superheroes like Batman, Wonder Woman, Captain America and many more stand as time capsules of their... mehr

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    "This work dissects the origin and growth of superhero comic books, their major influences, and the creators behind them. It demonstrates how superheroes like Batman, Wonder Woman, Captain America and many more stand as time capsules of their respective eras, rising and falling with societal changes, and reflecting an amalgam of influences. It covers in detail the iconic superhero comic book creators and their unique contributions that impacted the medium, including Julius Schwartz and the science-fiction origins of superheroes; the collaborative design of the Marvel Universe by Jack Kirby, Stan Lee, and Steve Ditko; Jim Starlin's incorporation of the death of superheroes in comic books; John Byrne and the revitalization of superheroes in the modern age; and Alan Moore's deconstruction of superheroes"

     
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    Quelle: Verbundkataloge
    Beteiligt: Steranko, Jim
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9781476690391
    RVK Klassifikation: EC 7120
    Schlagworte: Comic; Interpretation; Motiv; Superheld
    Weitere Schlagworte: Comic books, strips, etc / United States / History and criticism; Comic books, strips, etc; Superheroes in comics; United States; Criticism, interpretation, etc; Comics criticism
    Umfang: xi, 346 Seiten, Illustrationen
  22. All of the marvels
    a journey to the ends of the biggest story ever told
    Autor*in: Wolk, Douglas
    Erschienen: 2021
    Verlag:  Penguin Press, New York

    The first-ever full reckoning with Marvel Comics' interconnected, half-million-page story, a revelatory guide to the "epic of epics"--and to the past sixty years of American culture--from a beloved authority on the subject who read all 27,000+ Marvel... mehr

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    The first-ever full reckoning with Marvel Comics' interconnected, half-million-page story, a revelatory guide to the "epic of epics"--and to the past sixty years of American culture--from a beloved authority on the subject who read all 27,000+ Marvel superhero comics and lived to tell the tale The superhero comic books that Marvel Comics has published since 1961 are, as Douglas Wolk notes, the longest continuous, self-contained work of fiction ever created: over half a million pages to date, and still growing. The Marvel story is a gigantic mountain smack in the middle of contemporary culture. Thousands of writers and artists have contributed to it. Everyone recognizes its protagonists: Spider-Man, the Avengers, the X-Men. Eighteen of the hundred highest-grossing movies of all time are based on parts of it. Yet not even the people telling the story have read the whole thing--nobody's supposed to. So, of course, that's what Wolk did: he read all 27,000+ comics that make up the Marvel Universe thus far, from Alpha Flight to Omega the Unknown. And then he made sense of it--seeing into the ever-expanding story, in its parts and as a whole, and seeing through it, as a prism through which to view the landscape of American culture. In Wolk's hands, the mammoth Marvel narrative becomes a fun-house-mirror history of the past sixty years, from the atomic night terrors of the Cold War to the technocracy and political division of the present day--a boisterous, tragicomic, magnificently filigreed epic about power and ethics, set in a world transformed by wonders. As a work of cultural exegesis, this is sneakily significant, even a landmark; it's also ludicrously fun. Wolk sees fascinating patterns--the rise and fall of particular cultural aspirations, and of the storytelling modes that conveyed them. He observes the Marvel story's progressive visions and its painful stereotypes, its patches of woeful hackwork and stretches of luminous creativity, and the way it all feeds into a potent cosmology that echoes our deepest hopes and fears. This is a huge treat for Marvel fans, but it's also a revelation for readers who don't know Doctor Strange from Doctor Doom. Here, truly, are all of the marvels

     
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  23. American comics
    a history
    Autor*in: Dauber, Jeremy
    Erschienen: [2022]; © 2022
    Verlag:  W.W. Norton & Company, New York, N.Y. ; London

    "The sweeping story of cartoons, comic strips, and graphic novels and their century-long hold on the American imagination. Starting with the Civil War and cartoonist Thomas Nast, creator of the lasting images of Uncle Sam and Santa Claus, author... mehr

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    "The sweeping story of cartoons, comic strips, and graphic novels and their century-long hold on the American imagination. Starting with the Civil War and cartoonist Thomas Nast, creator of the lasting images of Uncle Sam and Santa Claus, author Jeremy Dauber whizzes readers through comics' progress in the twentieth century and beyond: from the golden age of newspaper comic strips (Krazy Kat, Yellow Kid, Dick Tracy) to the midcentury superhero boom (Superman, Batman, Wonder Woman); from the moral panic of the Eisenhower era to the underground comix movement; from the grim and gritty Dark Knights and Watchmen to the graphic novel's brilliant rise (Art Spiegelman, Alison Bechdel, Joe Sacco). Dauber's story shows not only how comics have changed, but how American politics and history have changed them. Throughout, he describes the origins of beloved comics, champions neglected masterpieces, and argues that we can understand how America sees itself through whose stories comics tell"--

     
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  24. Drawing from the archives
    comics memory in the contemporary graphic novel
    Autor*in: Crucifix, Benoît
    Erschienen: 2023
    Verlag:  Cambridge University Press, Cambridge, United Kingdom

    Following Art Spiegelman's declaration that 'the future of comics is in the past,' this book considers comics memory in the contemporary North American graphic novel. Cartoonists such as Chris Ware, Seth, Charles Burns, Daniel Clowes, and others have... mehr

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    Universitätsbibliothek Bamberg
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    Following Art Spiegelman's declaration that 'the future of comics is in the past,' this book considers comics memory in the contemporary North American graphic novel. Cartoonists such as Chris Ware, Seth, Charles Burns, Daniel Clowes, and others have not only produced some of the most important graphic novels, they have also turned to the history of comics as a common visual heritage to pass on to new readers. This book is a full-length study of contemporary cartoonists when they are at work as historians: it offers a detailed description of how they draw from the archives of comics history, examining the different gestures of collecting, curating, reprinting, forging, swiping, and undrawing that give shape to their engagement with the past. In recognizing these different acts of transmission, this book argues for a material and vernacular history of how comics are remembered, shared, and recirculated over time

     
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781009250955
    Weitere Identifier:
    RVK Klassifikation: AP 15420 ; AP 88832 ; EC 7120 ; HV 18250
    Schlagworte: Graphic novels / United States / History and criticism; Comic books, strips, etc / United States / History and criticism; Comic; Graphic Novel
    Umfang: 1 Online-Ressource (xi, 274 Seiten)
    Bemerkung(en):

    Title from publisher's bibliographic system (viewed on 10 Jul 2023)

    Collecting -- Curating -- Reprinting -- Forging -- Swiping -- Undrawing
  25. Not all supermen
    sexism, toxic masculinity, and the complex history of superheroes
    Autor*in: Hanley, Tim
    Erschienen: [2022]
    Verlag:  Rowman & Littlefield, Lanham ; Boulder ; New York ; London

    "Not All Supermen explores the complex history of the superhero genre, with its troubling undercurrent of sexism and toxic masculinity while supposedly espousing truth, justice, and valor for generations of fans"-- mehr

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    "Not All Supermen explores the complex history of the superhero genre, with its troubling undercurrent of sexism and toxic masculinity while supposedly espousing truth, justice, and valor for generations of fans"--

     
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