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The worlds of Elias Canetti

centenary essays

Erschienen: 2007

Verlag: Cambridge Scholars Pub, Newcastle, UK

Though he died in the last decade of the twentieth century, the satirist, social thinker, memoirist, and dramatist Elias Canetti lives on into the present. Testifying to the author's undeniable cultural ""afterlife,"" the essays gathered together... mehr

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Aalen: Hochschule Aalen, Bibliothek

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Hochschule Aalen, Bibliothek

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Esslingen: Hochschule Esslingen, Bibliothek

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Hochschule Esslingen, Bibliothek

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Saarbrücken: Saarländische Universitäts- und Landesbibliothek

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Saarländische Universitäts- und Landesbibliothek

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Tübingen: Universitätsbibliothek der Eberhard Karls Universität

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Universitätsbibliothek der Eberhard Karls Universität

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Though he died in the last decade of the twentieth century, the satirist, social thinker, memoirist, and dramatist Elias Canetti lives on into the present. Testifying to the author's undeniable cultural ""afterlife,"" the essays gathered together here repre

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Quelle:	Verbundkataloge
Sprache:	Englisch
Medientyp:	Ebook
Format:	Online
ISBN:	9781443806329; 1443806323
Schlagworte:	LITERARY CRITICISM ; European ; German; Cultural studies; Prose: non-fiction; Conference papers and proceedings; Criticism, interpretation, etc; Canterbury (2005); Kongress
Weitere Schlagworte:	Canetti, Elias 1905-1994; Canetti, Elias 1905-1994; Canetti, Elias (1905-1994): Blendung; Canetti, Elias (1905-1994); Canetti, Elias; Canetti, Elias; Canetti, Elias ; analys och tolkning ; konferenser; Canetti, Elias ; konferenser
Umfang:	Online Ressource (xxvii, 283 p.), ill.
Bemerkung(en):	Most essays began as papers delivered at a conference held July 2005 at the University of Kent. - Includes bibliographical references and index. - Description based on print version record

Edge of irony

modernism in the shadow of the Habsburg Empire

Autor*in: Perloff, Marjorie

Erschienen: 2016

Verlag: The University of Chicago Press, Chicago

Among the brilliant writers and thinkers who emerged from the multicultural and multilingual world of the Austro-Hungarian Empire were Joseph Roth, Robert Musil, and Ludwig Wittgenstein. For them, the trauma of World War I included the sudden loss of... mehr

Berlin: Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden

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Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden

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uneingeschränkte Fernleihe, Kopie und Ausleihe

Among the brilliant writers and thinkers who emerged from the multicultural and multilingual world of the Austro-Hungarian Empire were Joseph Roth, Robert Musil, and Ludwig Wittgenstein. For them, the trauma of World War I included the sudden loss of the geographical entity into which they had been born: in 1918, the empire was dissolved overnight, leaving Austria a small, fragile republic that would last only twenty years before being annexed by Hitler’s Third Reich. In this major reconsideration of European modernism, Marjorie Perloff identifies and explores the aesthetic world that emerged from the rubble of Vienna and other former Habsburg territories—an “Austro-Modernism” that produced a major body of drama, fiction, poetry, and autobiography. Perloff explores works ranging from Karl Kraus’s drama The Last Days of Mankind and Elias Canetti’s memoir The Tongue Set Free to Ludwig Wittgenstein’s notebooks and Paul Celan’s lyric poetry. Throughout, she shows that Austro-Modernist literature is characterized less by the formal and technical inventions of a modernism familiar to us in the work of Joyce and Pound, Dada and Futurism, than by a radical irony beneath a seemingly conventional surface, an acute sense of exile, and a sensibility more erotic and quixotic than that of its German contemporaries. Skeptical and disillusioned, Austro-Modernism prefers to ask questions rather than formulate answers.

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Quelle:	Staatsbibliothek zu Berlin
Sprache:	Englisch
Medientyp:	Buch (Monographie)
Format:	Druck
ISBN:	9780226054421
Weitere Identifier:	doi: 10.7208/chicago/9780226328492.001.0001
RVK Klassifikation:	NQ 4060 ; GE 4325 ; GM 4328
Schlagworte:	Modernism (Literature); Austrian literature; Austrian literature; Modernism (Literature)
Weitere Schlagworte:	Kraus, Karl (1874-1936): Letzten Tage der Menschlichkeit; Roth, Joseph (1894-1939): Radetzkymarsch; Musil, Robert (1880-1942): Mann ohne Eigenschaften; Canetti, Elias (1905-1994): Gerettete Zunge; Canetti, Elias (1905-1994): Fackel im Ohr; Canetti, Elias (1905-1994): Augenspiel; Celan, Paul; Kraus, Karl 1874-1936; Roth, Joseph 1894-1939; Musil, Robert 1880-1942; Canetti, Elias 1905-1994; Canetti, Elias 1905-1994; Canetti, Elias 1905-1994; Celan, Paul
Umfang:	xv, 204 Seiten, 8 ungezählte Seiten Bildtafeln, Illustrationen, Karten
Bemerkung(en):	"An earlier version of chapter 1 appeared as "Avant-Garde in a Different Key: Karl Kraus's The Last Days of Mankind," Critical Inquiry 40, no. 2 (Winter 2014): 311-38 Literaturangaben Introduction: the making of Austro-modernism -- The mediated war: Karl Kraus's The last days of mankind -- The lost hyphen: Joseph Roth's The Radetzky march -- "The subjunctive of possibilities": Robert Musil's The man without qualities -- Coming of age in Kakania: mother tongue and identity theft in Canetti's autobiography -- The last Habsburg poet: Paul Celan's love poetry and the limits of language -- Coda: becoming a "different" person: Wittgenstein's "Gospels".

Canetti and Nietzsche

theories of humor in Die Blendung

Erschienen: c1997

Verlag: State University of New York Press, Albany

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Aalen: Hochschule Aalen, Bibliothek

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Hochschule Aalen, Bibliothek

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Esslingen: Hochschule Esslingen, Bibliothek

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Hochschule Esslingen, Bibliothek

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Saarbrücken: Saarländische Universitäts- und Landesbibliothek

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Saarländische Universitäts- und Landesbibliothek

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keine Fernleihe

Tübingen: Universitätsbibliothek der Eberhard Karls Universität

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Universitätsbibliothek der Eberhard Karls Universität

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keine Fernleihe

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Quelle:	Verbundkataloge
Sprache:	Englisch
Medientyp:	Ebook
Format:	Online
ISBN:	0585063850; 9780585063850
Schriftenreihe:	SUNY series, the margins of literature
Schlagworte:	German wit and humor; Humour allemand; Comique dans la littérature; Comic, The, in literature; German wit and humor; Comic, The, in literature; German wit and humor; LITERARY CRITICISM ; European ; German; Comic, The, in literature; Influence (Literary, artistic, etc.); Criticism, interpretation, etc
Weitere Schlagworte:	Canetti, Elias 1905-1994; Nietzsche, Friedrich Wilhelm 1844-1900; Canetti, Elias 1905-1994; Nietzsche, Friedrich Wilhelm 1844-1900; Nietzsche, Friedrich Wilhelm (1844-1900); Canetti, Elias (1905-1994): Blendung; Nietzsche, Friedrich Wilhelm (1844-1900); Canetti, Elias (1905-1994): Blendung; Nietzsche, Friedrich Wilhelm
Umfang:	Online Ressource (ix, 444 p.)
Bemerkung(en):	Includes bibliographical references (p. 405-439) and index. - Description based on print version record

Anthropology as memory

Elias Canetti's and Franz Baermann Steiner's responses to the Shoah

Erschienen: 2010

Verlag: Max Niemeyer Verlag, Tübingen

Whereas many other post-Holocaust Jewish thinkers - including Derrida - have concentrated on a refusal of totality and celebration of 'otherness', the poet and intellectual Franz Baermann Steiner (1909-1952) combines this emphasis with an equal... mehr

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Hochschule Aalen, Bibliothek

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Esslingen: Hochschule Esslingen, Bibliothek

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Hochschule Esslingen, Bibliothek

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Saarbrücken: Saarländische Universitäts- und Landesbibliothek

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Saarländische Universitäts- und Landesbibliothek

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Tübingen: Universitätsbibliothek der Eberhard Karls Universität

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Universitätsbibliothek der Eberhard Karls Universität

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keine Fernleihe

Whereas many other post-Holocaust Jewish thinkers - including Derrida - have concentrated on a refusal of totality and celebration of 'otherness', the poet and intellectual Franz Baermann Steiner (1909-1952) combines this emphasis with an equal stress on the 'need' for certain collectively acknowledged limits. Next to the wider significance of this book for discussions of Holocaust studies in relation to current theoretical and social issues, it will also offer a new interpretation of Elias Canetti's work. This is the first detailed examination of Steiner's anthropology and philosophy and its pt. 1. Elias Canetti : anthropology as Literature -- pt. 2. Franz Baermann Steiner : anthropology and totalitarian terror -- pt. 3. Style, law and danger.

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Quelle:	Verbundkataloge
Sprache:	Englisch
Medientyp:	Ebook
Format:	Online
ISBN:	9783110965964; 3110965968
Schriftenreihe:	Conditio Judaica 0941-5866 ; 34 Conditio Judaica ; 34
Schlagworte:	Holocaust, Jewish (1939-1945); Anthropology in literature; Anthropology; Holocaust, Jewish (1939-1945); Holocaust, Jewish (1939-1945); Anthropology; Anthropology in literature; LITERARY CRITICISM ; European ; German; Influence (Literary, artistic, etc.); Holocaust; Judenvernichtung; Criticism, interpretation, etc
Weitere Schlagworte:	Canetti, Elias 1905-1994; Steiner, Franz Baermann 1909-1952; Canetti Elias; Steiner, Franz Baermann (1909-1952); Canetti, Elias (1905-1994); Steiner, Franz Baermann 1909-1952; Canetti, Elias 1905-1994; Canetti Elias; Steiner, Franz Baermann 1909-1952; Steiner, Franz Baermann; Canetti, Elias; Steiner, Franz Baermann; Canetti, Elias
Umfang:	Online Ressource (vi, 230 pages)
Bemerkung(en):	Includes bibliographical references (pages 205-226) and index Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002 Online-Ausg. [S.l.] : HathiTrust Digital Library

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Badische Landesbibliothek

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Konstanz: Universität Konstanz, Kommunikations-, Informations-, Medienzentrum (KIM)

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Universität Konstanz, Kommunikations-, Informations-, Medienzentrum (KIM)

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Leipzig: Universitätsbibliothek Leipzig

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Universitätsbibliothek Leipzig

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Herzog August Bibliothek Wolfenbüttel

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67.3942

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Among the brilliant writers and thinkers who emerged from the multicultural and multilingual world of the Austro-Hungarian Empire were Joseph Roth, Robert Musil, and Ludwig Wittgenstein. For them, the trauma of World War I included the sudden loss of the geographical entity into which they had been born: in 1918, the empire was dissolved overnight, leaving Austria a small, fragile republic that would last only twenty years before being annexed by Hitler’s Third Reich. In this major reconsideration of European modernism, Marjorie Perloff identifies and explores the aesthetic world that emerged from the rubble of Vienna and other former Habsburg territories—an “Austro-Modernism” that produced a major body of drama, fiction, poetry, and autobiography. Perloff explores works ranging from Karl Kraus’s drama The Last Days of Mankind and Elias Canetti’s memoir The Tongue Set Free to Ludwig Wittgenstein’s notebooks and Paul Celan’s lyric poetry. Throughout, she shows that Austro-Modernist literature is characterized less by the formal and technical inventions of a modernism familiar to us in the work of Joyce and Pound, Dada and Futurism, than by a radical irony beneath a seemingly conventional surface, an acute sense of exile, and a sensibility more erotic and quixotic than that of its German contemporaries. Skeptical and disillusioned, Austro-Modernism prefers to ask questions rather than formulate answers.

Export in Literaturverwaltung

RIS-Format
BibTeX-Format

Quelle:	Staatsbibliothek zu Berlin
Sprache:	Englisch
Medientyp:	Buch (Monographie)
Format:	Druck
ISBN:	9780226054421
Weitere Identifier:	doi: 10.7208/chicago/9780226328492.001.0001
RVK Klassifikation:	NQ 4060 ; GE 4325 ; GM 4328
Schlagworte:	Modernism (Literature); Austrian literature; Austrian literature; Modernism (Literature)
Weitere Schlagworte:	Kraus, Karl (1874-1936): Letzten Tage der Menschlichkeit; Roth, Joseph (1894-1939): Radetzkymarsch; Musil, Robert (1880-1942): Mann ohne Eigenschaften; Canetti, Elias (1905-1994): Gerettete Zunge; Canetti, Elias (1905-1994): Fackel im Ohr; Canetti, Elias (1905-1994): Augenspiel; Celan, Paul; Kraus, Karl 1874-1936; Roth, Joseph 1894-1939; Musil, Robert 1880-1942; Canetti, Elias 1905-1994; Canetti, Elias 1905-1994; Canetti, Elias 1905-1994; Celan, Paul
Umfang:	xv, 204 Seiten, 8 ungezählte Seiten Bildtafeln, Illustrationen, Karten
Bemerkung(en):	"An earlier version of chapter 1 appeared as "Avant-Garde in a Different Key: Karl Kraus's The Last Days of Mankind," Critical Inquiry 40, no. 2 (Winter 2014): 311-38 Literaturangaben Introduction: the making of Austro-modernism -- The mediated war: Karl Kraus's The last days of mankind -- The lost hyphen: Joseph Roth's The Radetzky march -- "The subjunctive of possibilities": Robert Musil's The man without qualities -- Coming of age in Kakania: mother tongue and identity theft in Canetti's autobiography -- The last Habsburg poet: Paul Celan's love poetry and the limits of language -- Coda: becoming a "different" person: Wittgenstein's "Gospels".

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The worlds of Elias Canetti

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