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  1. Hyenas of the battlefield, machines in the garden
    Erschienen: 2014
    Verlag:  GOST, London

    Hyenas of the Battlefield, Machines in the Garden, is a study into the 'unholy alliance' between the military, the entertainment industry and technology, and their coalescence around modern-day warfare. As Fredric Jameson famously observed in 1991... mehr

    Standort:
    Museum Folkwang, Museumsbibliothek
    Signatur:
    FS J 2 Barn
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    Hyenas of the Battlefield, Machines in the Garden, is a study into the 'unholy alliance' between the military, the entertainment industry and technology, and their coalescence around modern-day warfare. As Fredric Jameson famously observed in 1991 'the underside of culture is blood, torture, death and horror.' Barnard's publication explores the complex relationship between these apparently divergent arenas and how the screen is pivotal to the emergence and ongoing development in the relationship between war, media and industry as they relate to the virtual and the real. Shifting from screen to landscape and incorporating imagery from disparate yet indelibly connected areas: from Las Vegas to Pakistan, Waziristan to Hollywood (via Washington), this new work questions photojournalism's 'truth claims' and the indecipherable, all-consuming nature of the industrial-military complex. The 'machines in the garden' denote the dialectical tension between the American pastoral ideal and machine technology. The 'hyenas of the battlefield' are the technological-driven corporations that keep the US soldiers 'in the loop', but off the ground. This is the goal of the US administration: a model of warfare where no more American soldiers die on the battlefield. Everything that is included in the publication has been researched, filmed and photographed by Lisa Barnard. The interviews with the military Clinical Psychologists and the US Air Force pilots were recorded in person and all the images are taken in either the USA or Pakistan.

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9780957427297
    Auflage/Ausgabe: 1. publ.
    Schlagworte: Militär <Motiv>; Fotografie
    Weitere Schlagworte: Barnard, Lisa (1967-)
    Umfang: 207 S., überw. Ill., 28 cm
  2. Hyenas of the battlefield, machines in the garden
    Erschienen: 2014
    Verlag:  GOST, London

    Hyenas of the Battlefield, Machines in the Garden, is a study into the 'unholy alliance' between the military, the entertainment industry and technology, and their coalescence around modern-day warfare. As Fredric Jameson famously observed in 1991... mehr

    Standort:
    Zentralinstitut für Kunstgeschichte, Bibliothek
    Fernleihe:
    keine Ausleihe von Bänden, nur Papierkopien werden versandt

     

    Hyenas of the Battlefield, Machines in the Garden, is a study into the 'unholy alliance' between the military, the entertainment industry and technology, and their coalescence around modern-day warfare. As Fredric Jameson famously observed in 1991 'the underside of culture is blood, torture, death and horror.' Barnard's publication explores the complex relationship between these apparently divergent arenas and how the screen is pivotal to the emergence and ongoing development in the relationship between war, media and industry as they relate to the virtual and the real. Shifting from screen to landscape and incorporating imagery from disparate yet indelibly connected areas: from Las Vegas to Pakistan, Waziristan to Hollywood (via Washington), this new work questions photojournalism's 'truth claims' and the indecipherable, all-consuming nature of the industrial-military complex. The 'machines in the garden' denote the dialectical tension between the American pastoral ideal and machine technology. The 'hyenas of the battlefield' are the technological-driven corporations that keep the US soldiers 'in the loop', but off the ground. This is the goal of the US administration: a model of warfare where no more American soldiers die on the battlefield. Everything that is included in the publication has been researched, filmed and photographed by Lisa Barnard. The interviews with the military Clinical Psychologists and the US Air Force pilots were recorded in person and all the images are taken in either the USA or Pakistan.

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9780957427297
    Auflage/Ausgabe: 1. publ.
    Schlagworte: Military art and science / United States / 21st century / Pictorial works; Military administration / United States / Pictorial works; Mass media and war / United States / Pictorial works; Fotografie; Militär <Motiv>
    Weitere Schlagworte: Barnard, Lisa (1967-)
    Umfang: 207 S., überw. Ill., 28 cm
  3. The canary and the hammer
    Beteiligt: Barnard, Lisa (Fotograf)
    Erschienen: [2019]
    Verlag:  MACK, [London]

    Photographed across four years and four continents, 'The Canary and The Hammer' details our reverence for gold and its role in humanity's ruthless pursuit of progress. Through a mix of image, text and archival material, the third book by British... mehr

    Standort:
    Universitätsbibliothek Kassel, Standort Kunsthochschulbibliothek
    Signatur:
    75 Kun 471 BARNAR
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    Photographed across four years and four continents, 'The Canary and The Hammer' details our reverence for gold and its role in humanity's ruthless pursuit of progress. Through a mix of image, text and archival material, the third book by British artist Lisa Barnard provides a fascinating insight into the troubled history of gold and the complex ways it intersects with the global economy. Gold is ubiquitous in modern life; the mineral is concealed at the heart of much of the technology we use and is, most fundamentally, a potent symbol of value, beauty, purity, greed and political power. The Canary and The Hammer strives to connect these disparate stories from the mania of the gold rush and the brutal world of modern mining, to the sexual politics of the industry and gold's often dark but indispensable role at the heart of high-tech industry. Prompted by the financial crisis of 2008 and its stark reminder of the global west's determination to accumulate wealth, Barnard sets out to question gold's continued status as economic barometer amidst new intangible forms of technological high finance. By addressing this through photography, Barnard in turn raises the question of how her chosen medium can respond to such abstract events and concepts. The result is an ambitious project, one sketching a personal journey in which she ultimately tackles the complexity of material representation in these fragmented and troubling times

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Beteiligt: Barnard, Lisa (Fotograf)
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9781912339334; 1912339331
    Auflage/Ausgabe: First edition
    Schlagworte: Fotografie; Gold <Motiv>
    Weitere Schlagworte: Barnard, Lisa (1967-)
    Umfang: 199 Seiten