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  1. Francophonie en Orient
    aux croisements France - Asie (1840-1940)
    Autor*in: Kang, Mathilde
    Erschienen: [2018]
    Verlag:  Amsterdam University Press, Amsterdam

    This book offers a pioneering study of Asian cultures that officially escaped from French colonisation but nonetheless were steeped in French civilisation in the colonial era and had heavily French-influenced, largely francophone literatures. It... mehr

    Standort:
    Bayerische Staatsbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Universitätsbibliothek der LMU München
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Universitätsbibliothek Regensburg
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    This book offers a pioneering study of Asian cultures that officially escaped from French colonisation but nonetheless were steeped in French civilisation in the colonial era and had heavily French-influenced, largely francophone literatures. It raises a number of provocative questions, including whether colonisation is the ultimate requirement for a culture's being defined as francophone, or how to think about francophone literatures that emerge from Asian nations that were historically free from French domination. The ultimate result is a redefining of the Asian francophone heritage according to new, transnational paradigms

     
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  2. Orientalism
    the Orient in Western art
    Autor*in: Lemaire, Gérard-Georges
    Erschienen: [2013]; © 2013
    Verlag:  h.f.ullman, Potsdam

    The Orient and the mystical images it evokes have always been a special source of inspiraton in the history of European painting. This volume traces the development of the oriental motif in painting History of art mehr

    Standort:
    Kunsthistorisches Institut in Florenz, Max-Planck-Institut, Bibliothek

     

    The Orient and the mystical images it evokes have always been a special source of inspiraton in the history of European painting. This volume traces the development of the oriental motif in painting History of art

     
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    Quelle: Verbundkataloge
    Beteiligt: Lacambre, Geneviève
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9783848003174; 3848003171
    Auflage/Ausgabe: English edition
    Schlagworte: Einfluss; Malerei; Orient <Motiv>; Rezeption; Orientalen <Motiv>; Kulturaustausch; Kunst; Islamische Kunst; Orientalismus <Kunst>
    Weitere Schlagworte: Orientalism in art / History; Painting, European; Orient / In art; Orientalism in art; Painting, European; Asia / Orient; Orientalism in art / History / Europe; Painting, European; Orient / In art
    Umfang: 360 Seiten, Illustrationen, 32 cm
    Bemerkung(en):

    Orientalism from the 15th to the 17th century. Renaissance art and the Orient -- Near and far : the Orient during the 17th century

    Orientalism in the 18th century. The Turkish cashion -- First Orientalists

    Orientalism in the 19th Century. Conquest of Egypt -- Spain, gateway to the East -- Art and the Eastern question -- Constantinople -- Jean Auguste Dominique Ingres -- Eugene Delacroix -- A painter's paradise -- Orientalism and the Impressionists -- Orientalists from the Orient -- The Last Orientalists

    Orientalism Today. A shift in the center of gravity -- New visions of the Orient
  3. China from the ruins of Athens and Rome
    classics, sinology, and romanticism, 1793-1938
    Autor*in: Murray, Chris
    Erschienen: 2020
    Verlag:  Oxford University Press, Oxford, United Kingdom

    Fascinated and often baffled by China, Anglophone writers turned to classics for answers. In poetry, essays, and travel narratives, ancient Greece and Rome lent interpretative paradigms and narrative shape to Britain's information on the Middle... mehr

    Standort:
    Bayerische Staatsbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    Fascinated and often baffled by China, Anglophone writers turned to classics for answers. In poetry, essays, and travel narratives, ancient Greece and Rome lent interpretative paradigms and narrative shape to Britain's information on the Middle Kingdom. While memoirists of the diplomatic missions in 1793 and 1816 used classical ideas to introduce Chinese concepts, Roman history held ominous precedents for Sino-British relations according to Edward Gibbon and Samuel Taylor Coleridge. John Keats illuminated how peculiar such contemporary processes of Orientalist knowledge-formation were. In Britain, popular opinion on Chinese culture wavered during the nineteenth century, as Charles Lamb and Joanna Baillie demonstrated in ekphrastic responses to chinoiserie. A former reverence for China yielded gradually to hostility, and the classical inheritance informed a national identity-crisis over whether Britain's treatment of China was civilized or barbaric. Amidst this uncertainty, the melancholy conclusion to Virgil's 'Aeneid' became the master-text for discussion of British conduct at the Summer Palace in 1860. Yet if Rome was to be the model for the British Empire, Tennyson, Sara Coleridge, and Thomas de Quincey found closer analogues for the Opium Wars in Greek tragedy and Homeric epic. Meanwhile, Sinology advanced considerably during the Victorian age. Britain broadened its horizons by interrogating the cultural past anew as it turned to Asia; Anglophone readers were cosmopolitans in time as well as space, aggregating knowledge of Periclean Athens, imperial Rome, and many other polities in their encounters with Qing Dynasty China

     
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9780198767015
    Auflage/Ausgabe: First edition
    Schriftenreihe: Classical presences
    Schlagworte: Sinologie; Antike <Motiv>
    Weitere Schlagworte: English literature / 19th century / History and criticism; Orientalism in literature; Orient / In literature; English literature / 18th century / History and criticism; English literature / 20th century / History and criticism; English literature; Literature; Orientalism in literature; Asia / Orient; 1700-1999; Criticism, interpretation, etc
    Umfang: x, 265 Seiten, 8 Illustrationen (schwarz-weiß), 23 cm
    Bemerkung(en):

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  4. Materializing the East in early modern English drama
    Beteiligt: Ögütcü, Murat (Hrsg.); Hussain, Aisha (Hrsg.)
    Erschienen: 2023
    Verlag:  The Arden Shakespeare, London ; New York ; Oxford ; New Delhi ; Sydney

    "Despite the popularity of plays about the East, the representation of the East in early modern drama has been either overlooked, marginalized as footnotes, or generalized into taken-for-granted stereotypes. Materializing the East in Early Modern... mehr

    Standort:
    Bayerische Staatsbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    "Despite the popularity of plays about the East, the representation of the East in early modern drama has been either overlooked, marginalized as footnotes, or generalized into taken-for-granted stereotypes. Materializing the East in Early Modern English Drama focuses on the multi-layered, often conflicting and changing perceptions of the East and how dramatic works made use of their respective theatrical space to represent the concept of the East in drama. This volume re-examines the (mis)representation of the East on the early modern English outdoor and indoor stage and broadens our understanding of early modern theatrical productions beyond Shakespeare and the European continent. It traces the origin of conventional depictions of the East to university dramas and explores how they influenced the commercial stage. Chapters uncover how conflicting representations of the East were communicated on stage through the material aspects of stage architecture, costumes and performance effects. The collection emphasizes these material aspects of dramatic performances and showcases neglected plays, including George Peele's The Battle of Alcazar, Robert Greene's The Historie of Orlando Furioso and Joseph Simons' Leo the Armenian, and puts them in conversation with William Shakespeare's The Tempest, John Fletcher's The Island Princess and Philip Massinger and Fletcher's The Sea Voyage"--

     
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