Verlag:
Mercatorfonds, [Brussels]
;
Yale University Press, New Haven
The well-known South African artist William Kentridge (b. 1955) has become famous for his time-lapse animation movies and installations, as well as his activities as an opera and theater director. This book offers a unique selection of Kentridge's...
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The well-known South African artist William Kentridge (b. 1955) has become famous for his time-lapse animation movies and installations, as well as his activities as an opera and theater director. This book offers a unique selection of Kentridge's work curated for Sint-Janshospitaal in Bruges--at 800 years one of Europe's oldest surviving hospital buildings--organized around the themes of trauma and healing. The book features an introduction by Margaret K. Koerner, and also includes essays by diverse distinguished contributors: Benjamin Buchloh considers Kentridge's alternate reception of the historical avant-garde from a perspective of exile; Joseph Leo Koerner explores the artist's work as a self-styled process of working in which the past simultaneously disfigures and redeems; and Harmon Siegel examines Kentridge's approach to film history
This publication was published on the occasion of the exhibition "William Kentridge: smoke ashes, fable" at the Sint-Janshispitaal, Bruges, Belgium from 21 October 2017 to 25 February 2018
Verlag:
Mercatorfonds, [Brussels]
;
Yale University Press, New Haven
The well-known South African artist William Kentridge (b. 1955) has become famous for his time-lapse animation movies and installations, as well as his activities as an opera and theater director. This book offers a unique selection of Kentridge's...
mehr
The well-known South African artist William Kentridge (b. 1955) has become famous for his time-lapse animation movies and installations, as well as his activities as an opera and theater director. This book offers a unique selection of Kentridge's work curated for Sint-Janshospitaal in Bruges--at 800 years one of Europe's oldest surviving hospital buildings--organized around the themes of trauma and healing. The book features an introduction by Margaret K. Koerner, and also includes essays by diverse distinguished contributors: Benjamin Buchloh considers Kentridge's alternate reception of the historical avant-garde from a perspective of exile; Joseph Leo Koerner explores the artist's work as a self-styled process of working in which the past simultaneously disfigures and redeems; and Harmon Siegel examines Kentridge's approach to film history
This publication was published on the occasion of the exhibition "William Kentridge: smoke ashes, fable" at the Sint-Janshispitaal, Bruges, Belgium from 21 October 2017 to 25 February 2018
