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  1. The medicine of art
    disease and the aesthetic object in gilded age America
    Autor*in: Lee, Elizabeth L.
    Erschienen: 2022
    Verlag:  Bloomsbury Visual Arts, London

    In 1901, the sculptor Augustus Saint-Gaudens proclaimed in a letter to Will Low, "Health—is the thing!" Though recently diagnosed with intestinal cancer, Saint-Gaudens was revitalized by recreational sports, having realized mid-career "there is... mehr

    Standort:
    Bayerische Staatsbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    In 1901, the sculptor Augustus Saint-Gaudens proclaimed in a letter to Will Low, "Health—is the thing!" Though recently diagnosed with intestinal cancer, Saint-Gaudens was revitalized by recreational sports, having realized mid-career "there is something else in life besides the four walls of an ill-ventilated studio." Health and Illness in American Gilded-Age Art puts such moments center stage to consider the role of health and illness in the way art was produced and consumed. It is the first study to address the place of organic disease—cancer, tuberculosis, syphilis—in the life and work of Gilded-Age artists. It demonstrates how well-known works of art were marked by disease, arguing that art itself functioned in medicinal terms for artists and viewers in the late nineteenth century. Not merely beautiful or entertaining objects, works of art could function as balm for the ill, providing relief from physical suffering and pain. Art did so by blunting the edges of contagious disease through a process of visual translation. In painting, for instance, hacking coughs, bloody sputum and bodily enervation were recast as signs of spiritual elevation and refinement for the tuberculous, who were shown with a pale, chalky pallor that signalled rarefied beauty rather than an alarming indication of death. Works of art thus redirected the experience of illness in an era prior to the life-saving discoveries that would soon become hallmarks of modern medical science to offer an alternate therapy.

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Volltext (URL des Erstveröffentlichers)
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781501346903; 9781501346897
    Weitere Identifier:
    Schlagworte: Krankheit <Motiv>; Bildnis; Kunst; Medizin <Motiv>
    Weitere Schlagworte: Stevenson, Robert Louis (1850-1894); Medicine and art / United States / History / 19th century; Diseases in art; Art / Psychological aspects; Artists / Health and hygiene; Art therapy; Art / Psychological aspects; Art therapy; Artists / Health and hygiene; Diseases in art; Medicine and art; United States; 1800-1899; History
    Umfang: 1 Online-Ressource (xiv, 226 Seiten, 7 ungezählte Seiten Bildtafeln), Illustrationen
  2. The medicine of art
    disease and the aesthetic object in gilded age America
    Autor*in: Lee, Elizabeth L.
    Erschienen: 2022
    Verlag:  Bloomsbury Visual Arts, London

    In 1901, the sculptor Augustus Saint-Gaudens proclaimed in a letter to Will Low, "Health—is the thing!" Though recently diagnosed with intestinal cancer, Saint-Gaudens was revitalized by recreational sports, having realized mid-career "there is... mehr

    Standort:
    Freie Universität Berlin, Universitätsbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    In 1901, the sculptor Augustus Saint-Gaudens proclaimed in a letter to Will Low, "Health—is the thing!" Though recently diagnosed with intestinal cancer, Saint-Gaudens was revitalized by recreational sports, having realized mid-career "there is something else in life besides the four walls of an ill-ventilated studio." Health and Illness in American Gilded-Age Art puts such moments center stage to consider the role of health and illness in the way art was produced and consumed. It is the first study to address the place of organic disease—cancer, tuberculosis, syphilis—in the life and work of Gilded-Age artists. It demonstrates how well-known works of art were marked by disease, arguing that art itself functioned in medicinal terms for artists and viewers in the late nineteenth century. Not merely beautiful or entertaining objects, works of art could function as balm for the ill, providing relief from physical suffering and pain. Art did so by blunting the edges of contagious disease through a process of visual translation. In painting, for instance, hacking coughs, bloody sputum and bodily enervation were recast as signs of spiritual elevation and refinement for the tuberculous, who were shown with a pale, chalky pallor that signalled rarefied beauty rather than an alarming indication of death. Works of art thus redirected the experience of illness in an era prior to the life-saving discoveries that would soon become hallmarks of modern medical science to offer an alternate therapy.

     
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      BibTeX-Format
  3. The medicine of art
    disease and the aesthetic object in gilded age America
    Autor*in: Lee, Elizabeth L.
    Erschienen: 2022
    Verlag:  Bloomsbury Visual Arts, London

    In 1901, the sculptor Augustus Saint-Gaudens proclaimed in a letter to Will Low, "Health—is the thing!" Though recently diagnosed with intestinal cancer, Saint-Gaudens was revitalized by recreational sports, having realized mid-career "there is... mehr

    Zugang:
    Aggregator (lizenzpflichtig)

    Standort:
    Freie Universität Berlin, Universitätsbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    In 1901, the sculptor Augustus Saint-Gaudens proclaimed in a letter to Will Low, "Health—is the thing!" Though recently diagnosed with intestinal cancer, Saint-Gaudens was revitalized by recreational sports, having realized mid-career "there is something else in life besides the four walls of an ill-ventilated studio." Health and Illness in American Gilded-Age Art puts such moments center stage to consider the role of health and illness in the way art was produced and consumed. It is the first study to address the place of organic disease—cancer, tuberculosis, syphilis—in the life and work of Gilded-Age artists. It demonstrates how well-known works of art were marked by disease, arguing that art itself functioned in medicinal terms for artists and viewers in the late nineteenth century. Not merely beautiful or entertaining objects, works of art could function as balm for the ill, providing relief from physical suffering and pain. Art did so by blunting the edges of contagious disease through a process of visual translation. In painting, for instance, hacking coughs, bloody sputum and bodily enervation were recast as signs of spiritual elevation and refinement for the tuberculous, who were shown with a pale, chalky pallor that signalled rarefied beauty rather than an alarming indication of death. Works of art thus redirected the experience of illness in an era prior to the life-saving discoveries that would soon become hallmarks of modern medical science to offer an alternate therapy.

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Volltext (URL des Erstveröffentlichers)
    Quelle: Philologische Bibliothek, FU Berlin
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781501346903; 9781501346897
    Weitere Identifier:
    Schlagworte: Krankheit <Motiv>; Bildnis; Kunst; Medizin <Motiv>
    Weitere Schlagworte: Stevenson, Robert Louis (1850-1894); Medicine and art / United States / History / 19th century; Diseases in art; Art / Psychological aspects; Artists / Health and hygiene; Art therapy; Art / Psychological aspects; Art therapy; Artists / Health and hygiene; Diseases in art; Medicine and art; United States; 1800-1899; History
    Umfang: 1 Online-Ressource (xiv, 226 Seiten, 7 ungezählte Seiten Bildtafeln), Illustrationen