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  1. Arte Povera 1966 - 1980
    libri e documenti ; Giovanni Anselmo, Alighiero Boetti, Pier Paolo Calzolari ...
    Beteiligt: Maffei, Giorgio (Hrsg.)
    Erschienen: 2007
    Verlag:  Corraini, Mantova

    Standort:
    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe
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    Quelle: Staatsbibliothek zu Berlin
    Beteiligt: Maffei, Giorgio (Hrsg.)
    Sprache: Italienisch; Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9788875700188; 8875700184
    Weitere Identifier:
    9788875700188
    RVK Klassifikation: LH 65827
    Schlagworte: Arte povera; Artists' books; Art, Italian
    Umfang: 285 S., zahlr. Ill., 24 cm
    Bemerkung(en):

    Text in English and Italian
  2. Queer and bookish
    Eve Kosofsky Sedgwick as book artist
    Autor*in: Edwards, Jason
    Erschienen: 2022
    Verlag:  Punctum Books, [Goleta, Calif.]

    Zugang:
    Verlag (kostenfrei)

    Standort:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe
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    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781685710255
    Schlagworte: Criticism; Homosexuality and literature; Artists' books; Artists' books; Criticism; Homosexuality and literature; DESIGN / Book; Criticism, interpretation, etc; History
    Weitere Schlagworte: Sedgwick, Eve Kosofsky; Sedgwick, Eve Kosofsky
    Umfang: 1 Online-Ressource (432 pages), color illustrations
  3. Queer and bookish
    Eve Kosofsky Sedgwick as book artist
    Autor*in: Edwards, Jason
    Erschienen: [2022]
    Verlag:  punctum books, Earth, Milky Way

    Queer and Bookish: Eve Kosofksy Sedgwick as Book Artist represents the first book-length study to explore the intersections of Sedgwick’s critical writing, poetry, and, most importantly, book art, making the case that her art criticism, especially... mehr

    Zugang:
    Verlag (kostenfrei)

    Standort:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Europa-Universität Viadrina, Universitätsbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    Queer and Bookish: Eve Kosofksy Sedgwick as Book Artist represents the first book-length study to explore the intersections of Sedgwick’s critical writing, poetry, and, most importantly, book art, making the case that her art criticism, especially her meditations on domestic and nineteenth-century photography, and "artist’s book" projects are as formally complex and brilliant, conceptually significant and life-changing, as her literary criticism and theory. In addition, the book represents a significant intervention into recent debates about reparative reading, surface reading, and the descriptive turn across the humanities, because of its sustained, positive accounts on Sedgwick’s books as visual, textural, and material objects. The book ranges across Sedgwick’s published output, from The Coherence of Gothic Conventions (1980) to the posthumously published The Weather in Proust (2011), and features her meditations on a wide variety of art-historical topoi, including Judith Scott’s queer/crip fiber art; the anality of Polykleitos’s Doryphorus; queer Modernist typography; Piranesi’s punitive space; Duncan Grant and Vanessa Bell’s queer holy family; Manet’s frontality and thalassic aesthetics; fat and thin aesthetics of various stripes; and the queer photography of Anna Atkins, Clementina Hawarden, and Julia Margaret Cameron; Baron De Mayer, Eugene Atget, and P.H. Emerson; as well as David Hockney, Ken Brown, and her own father, a NASA lunar photographer. The book climaxes with two chapter-length explorations of Sedgwick’s own late-life book-art practice: her panda Valentine alphabet cards (c. 1996) and her Last Days of Pompeii/Cavafy unique artist’s book (c. 2007).

     
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    Volltext (kostenfrei)
    Volltext (kostenfrei)
    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781685710255
    Weitere Identifier:
    Weitere Schlagworte: Sedgwick, Eve Kosofsky / Criticism and interpretation; Criticism; Homosexuality and literature / History / 20th century; Artists' books
    Umfang: 1 Online-Ressource (xv, 432 Seiten)
  4. Peak
    Beteiligt: Degiorgis, Nicolò
    Erschienen: 2017
    Verlag:  Rorhof, [Bolzano]

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    Quelle: Verbundkataloge
    Beteiligt: Degiorgis, Nicolò
    Sprache: Italienisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9788890981760; 8890981768
    RVK Klassifikation: LH 41195 ; LI 99999
    Auflage/Ausgabe: 3. Auflage
    Schlagworte: Degiorgis, Nicolò; ; Degiorgis, Nicolò; Kunstproduktion; Berg <Motiv>;
    Weitere Schlagworte: Artists' books; Mountains in art; Artists' books; Mountains in art; Artists' books / Italy / 21st century
    Umfang: ungezählte Seiten, 25 cm
    Bemerkung(en):

    "This artist book is published on the occasion of the project "Hämatli & Patriae" curated by Nicolo Degiorgis for Museion - Museum of modern and contemporary art, Bolzano"

    Titel dem Kolophon entnommen

    Buch enthält ausschließlich Illustrationen
  5. Women with cameras (anonymous)
    Beteiligt: Collier, Anne; Als, Hilton
    Erschienen: [2017]
    Verlag:  Karma, New York, NY ; Sudio Voltaire, London

    Women with Cameras (Anonymous) is a new artist's book by Anne Collier (born 1970), with a text by Hilton Als (winner of the 2017 Pulitzer Prize for Criticism), that consists of a sequence of 80 images of found amateur photographs that each depict a... mehr

     

    Women with Cameras (Anonymous) is a new artist's book by Anne Collier (born 1970), with a text by Hilton Als (winner of the 2017 Pulitzer Prize for Criticism), that consists of a sequence of 80 images of found amateur photographs that each depict a female subject in the act of holding a camera or taking a photograph. Dating from the 1970s to the early 2000s, these artifacts of the pre-digital age were collected by Collier over a number of years from flea markets, thrift stores and online market places. Each of these photographs has, at some point in the recent past, been discarded by its original owner. The concept of "abandonment," of photographic images and the personal histories that they represent, is central to Women with Cameras (Anonymous), which amplifies photography's relationship with memory, melancholia and loss. The sequence of the images in Collier's book follows the format of her 35mm slide projection work 'Women with Cameras (Anonymous)' (2016), that was recently shown to great acclaim in Tokyo, Japan, and Basel, Switzerland

     
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  6. Bookwork
    medium to object to concept to art
    Autor*in: Stewart, Garrett
    Erschienen: 2011
    Verlag:  Univ. of Chicago Press, Chicago, Ill. [u.a.]

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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9780226773919; 0226773914
    RVK Klassifikation: AN 38900
    Schlagworte: Artists' books; Altered books; Books in art; Conceptual art
    Umfang: XIX, 249 S., Ill.
  7. Veronika Spierenburg - Ōya-ishi - Oya stone
    Beteiligt: Spierenburg, Veronika; Tanikawa, Shuntarō; Elliott, William I.
    Erschienen: [2017]
    Verlag:  Art Paper Editions, [Gent]

    For three months, Veronika Spierenburg moved from Japan's south to it's north. Photography has become an obsession in Japan where only a few unspoiled spots can be found. From this, Spierenburg created an artist's book which shows the richness of... mehr

     

    For three months, Veronika Spierenburg moved from Japan's south to it's north. Photography has become an obsession in Japan where only a few unspoiled spots can be found. From this, Spierenburg created an artist's book which shows the richness of textures, artifacts, traditional as well as modern architecture in an idiosyncratic mood. The photographs shed light on how Japanese culture manifests itself in its craftsmanship. The buildings of famous architects such as Kenzo Tange, Togo Murano, Tadao Ando, Kazuo Shinohara and Kisho Kurokawa are presented in the book along with folk architecture.--

     
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    Quelle: Verbundkataloge
    Beteiligt: Spierenburg, Veronika; Tanikawa, Shuntarō; Elliott, William I.
    Sprache: Englisch; Japanisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9490800724; 9789490800727
    Auflage/Ausgabe: First edition
    Schriftenreihe: APE ; #091
    Schlagworte: Artists' books
    Umfang: 184 ungezählte Seiten, 29 cm
    Bemerkung(en):

    Hauptsachtitel auf dem Buchrücken
  8. I see / you mean
    a novel
    Autor*in: Lippard, Lucy R.
    Erschienen: [2021]
    Verlag:  New Documents, Los Angeles

    An experimental novel about mirrors, maps, relationships, about the ocean, elusive success and possible happiness. Weaving overeard dialogue, sexual encounters, and elements from the I Ching, Tarot, and palmistry, Lippard charts changing... mehr

     

    An experimental novel about mirrors, maps, relationships, about the ocean, elusive success and possible happiness. Weaving overeard dialogue, sexual encounters, and elements from the I Ching, Tarot, and palmistry, Lippard charts changing relationships among four people. Written in 1970, this novel brings to life political, feminist and aesthetic struggles of its time

     
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9781953441034; 1953441033
    RVK Klassifikation: HU 1010
    Schlagworte: Artists' books
    Umfang: 221 Seiten, 22 cm
  9. As heavy as sculpture
    Beteiligt: Pendleton, Adam (KünstlerIn)
    Erschienen: [2021]
    Verlag:  D.A.P., [New York]

    The book collects, repeats and processes over 80 source collages, incorporating drawings, sketches, writing and marks, often in combination with images. Much of the language in the collages is drawn from the protests against police brutality that... mehr

    Standort:
    Sächsische Landesbibliothek - Staats- und Universitätsbibliothek Dresden
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Hochschule für Bildende Künste, Bibliothek
    Signatur:
    J. Pendl : 2
    Fernleihe:
    keine Fernleihe

     

    The book collects, repeats and processes over 80 source collages, incorporating drawings, sketches, writing and marks, often in combination with images. Much of the language in the collages is drawn from the protests against police brutality that swept the US in 2020: Pendleton has transcribed slogans sprayed on walls and windows, combining them with his own improvised language as well as photographs of art objects and artifacts (sculptures, masks and figures). The work points to the poetic pressure that uprisings place on language itself, compressing it in some cases into the barest of forms: simple sequences like "ACAB" or "1312," further reducible to the elements "A, B, C," "1, 2, 3." In parallel with these operations of decomposition and recomposition, the collages in As Heavy as Sculpture have been duplicated, laid out across 30 sheets and folded into book signatures, creating new displacements and cuts. This folding is in effect a chance operation, a procedure of recombination and translation, resulting in arrangements of images not planned out in advance

     
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    Quelle: Verbundkataloge
    Beteiligt: Pendleton, Adam (KünstlerIn)
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 1636810276; 9781636810270
    RVK Klassifikation: LI 99999
    Schlagworte: Collage; Art and society; Conceptual art; Artists' books; Blacks in art; Race in art; Collage; Conceptual art; Art and society; Blacks in art; Race in art; Artists' books
    Weitere Schlagworte: Pendleton, Adam (1984-); Pendleton, Adam
    Umfang: 1 Band (unpaginiert), 23 cm
    Bemerkung(en):

    Umschlagtitel
  10. Curb
    Autor*in: Victor, Divya
    Erschienen: [2021]
    Verlag:  Nightboat Books, New York

    Settlement -- Hedges -- Plots -- Blood/soil -- Petitions (for an alien relative) -- Locution/location -- Threshold -- Milestones -- Landscapes (as portraits) -- More curbs -- Pavement -- Frequency (Alka's testimony) -- Estates : last offices... mehr

    Standort:
    Universitätsbibliothek Leipzig
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    Settlement -- Hedges -- Plots -- Blood/soil -- Petitions (for an alien relative) -- Locution/location -- Threshold -- Milestones -- Landscapes (as portraits) -- More curbs -- Pavement -- Frequency (Alka's testimony) -- Estates : last offices concerning the curbs of the body -- Notes & objects cited. "Divya Victor documents how immigrants and Americans navigate the liminal sites of everyday living: lawns, curbs, and sidewalks, undergirded by violence, but also constantly repaved with new possibilities of belonging. Curb witnesses immigrant survival, familial bonds, and interracial parenting in the context of nationalist and white-supremacist violence against South Asians. The book refutes the binary of the model minority and the monstrous, dark "other" by reclaiming the throbbing, many-tongued, vermillion heart of kith"--

     
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9781643620701; 1643620703
    RVK Klassifikation: MS 3600
    Schlagworte: East Indian Americans; Immigrants; Artists' books; Artists' books; Immigrants ; Crimes against; Poetry; Poetry
    Umfang: 157 Seiten, 21 cm
    Bemerkung(en):

    Includes bibliographical references

    Hier auch später erschienene unveränderte Nachdrucke
  11. We watch Karin, she watches something else
    Beteiligt: Wurm, Erwin (KünstlerIn)
    Erschienen: [2001]
    Verlag:  Onestar Press, Paris

    Zugang:
    Verlag (Full text PDF)

    Standort:
    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Digitale Bibliothek
    Fernleihe:
    keine Fernleihe

    Standort:
    Staatliche Hochschule für Bildende Künste, Städelschule, Bibliothek
    Signatur:
    Online-Ressource
    Fernleihe:
    keine Fernleihe
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    Quelle: Verbundkataloge
    Beteiligt: Wurm, Erwin (KünstlerIn)
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Online
    RVK Klassifikation: LI 99999
    Schlagworte: Artists' books (books) ; France ; 21st century; Artists' books; Flip books; Flip books; Artists' books
    Umfang: 1 Online-Ressource (206 ungezählte Seiten)
    Bemerkung(en):

    "Published 2001; 140 x 225 mm; 204 page;s Cover: Paperback, color, glossy finish; Binding: glue bound; Interior: black and white" -- Publisher's description

    "We watch Karin, she watches something else Wurm redefines the relationship between time and sculptural form. Spontaneity and brevity are key to his artistic vision, as is the idea of endless permutation and proliferation at the expense of a final, fixed form. Many works exist in the form of written or drawn instructions or as photos. We watch Karin, she watches something else has been produced especially for this book. Layout and photos: Erwin Wurm" -- Verlagswebseite

    Impressum: First edition limited to 250 numbered copies

    Titel vom Cover (PDF-Seite 1)
  12. David Wojnarowicz
    in the shadow of forward motion
    Autor*in: Wojnarowicz, David
    Erschienen: [2020]
    Verlag:  Primary Information, Brooklyn, New York

    Standort:
    Sächsische Landesbibliothek - Staats- und Universitätsbibliothek Dresden
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Staatliche Hochschule für Bildende Künste, Städelschule, Bibliothek
    Signatur:
    Kü Wojnarowicz, D. 2020
    Fernleihe:
    keine Ausleihe von Bänden, nur Papierkopien werden versandt
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    Quelle: Verbundkataloge
    Beteiligt: Guattari, Félix (VerfasserIn von ergänzendem Text)
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9781732098688; 1732098689
    RVK Klassifikation: LI 99999
    Schlagworte: Death; Sleep; Sex; AIDS (Disease) and art; AIDS (Disease) and art; Death; Sex; Sleep; Artists' books; Artists' books
    Weitere Schlagworte: Wojnarowicz, David
    Umfang: 54 Seiten, Illustrationen, 28 cm
    Bemerkung(en):

    Umschlagtitel
  13. No demon no god
    poems
    Autor*in: Stoneking, Jason
    Erschienen: [2000]
    Verlag:  onestar press, [Paris]

    Zugang:
    Verlag (Full text PDF)

    Standort:
    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Digitale Bibliothek
    Fernleihe:
    keine Fernleihe

    Standort:
    Staatliche Hochschule für Bildende Künste, Städelschule, Bibliothek
    Signatur:
    Online-Ressource
    Fernleihe:
    keine Fernleihe
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Online
    Schlagworte: Artists' books; Artists' books
    Umfang: 1 Online-Ressource (179 Seiten)
    Bemerkung(en):

    "Published 2000; 140 x 225 mm; 182 pages; Cover: Paperback, color, glossy finish; Binding: glue bound; Interior: black and white; Edition limited to 250 numbered copies" -- Publisher's description

    "I don't usually like to read. especially not poems. too complicated. that's what i want to remove from poetry. what I hope remains is a voice that anyone could understand, and a picture that anyone could see. I wrote these poems the way I talk. I published them so I could talk to more people. Jason Stoneking" -- Publisher's website

    "First edition limited to 250 numbered copies" -- Colophon

    Title from PDF page 3
  14. On the table
    art performance
    Beteiligt: Shimoda, Seiji (KünstlerIn)
    Erschienen: 1990
    Verlag:  People's Wave, Japan

    Standort:
    Zentrum für Kunst und Medien Karlsruhe / Staatliche Hochschule für Gestaltung, Bibliothek
    Signatur:
    B Shi45 0001
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe
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    Quelle: Verbundkataloge
    Beteiligt: Shimoda, Seiji (KünstlerIn)
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    Schlagworte: Artists' books; Performance art documents
    Umfang: 63 Seiten, Illustrationen, 21 cm
    Bemerkung(en):

    Perfect binding; paper cover
  15. A la rêveuse matière
    Autor*in: Ponge, Francis
    Erschienen: 1963
    Verlag:  Editions du Verseau, Lausanne

    Standort:
    Zentrum für Kunst und Medien Karlsruhe / Staatliche Hochschule für Gestaltung, Bibliothek
    Signatur:
    0001-H-6151
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe
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    Quelle: Verbundkataloge
    Beteiligt: Grindat, Henriette (FotografIn); Yersin, Albert-Edgar (IllustratorIn)
    Sprache: Französisch
    Medientyp: Buch (Monographie)
    Format: Druck
    Schlagworte: Artists' books; Artists' books
    Weitere Schlagworte: Grindat, Henriette (1923-1986); Yersin, Albert-Edgar (1905-1984); Grindat, Henriette; Yersin, Albert-Edgar
    Umfang: 1 Mappe, 8 ungezählte Seiten, 1 gefaltetes Poster 75 x 52 cm gefaltet zu 26 x 18 cm, Illustrationen, 27 cm
    Bemerkung(en):

    nummerierte Exemplare

    Printed by Roth & Sauter in Lausanne
  16. I wish I never saw the sunshine
    Beteiligt: Silano, Pacifico (FotografIn); Diaz, José Carlos (VerfasserIn von Zusatztexten)
    Erschienen: [2021]
    Verlag:  Loose Joints Edition, [London]

    American conceptual artist Pacifico Silano's practice is rooted in excavating the printed ephemera of gay culture to create new images that comment on loss, longing and queer melancholy. In particular, Silano uses the gestures of framing, cropping... mehr

    Standort:
    Sächsische Landesbibliothek - Staats- und Universitätsbibliothek Dresden
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    American conceptual artist Pacifico Silano's practice is rooted in excavating the printed ephemera of gay culture to create new images that comment on loss, longing and queer melancholy. In particular, Silano uses the gestures of framing, cropping and layering vintage gay erotica to comment on the HIV/AIDS crisis and its reverberations on queer lives, which included the loss of the artist's uncle at the height of the epidemic. 'I Wish I Never Saw the Sunshine' is Silano's first artists' book, and engages with an ambitious accordion-folded format that references Silano's photo-based installations: two twenty-panel long sequences that can be read as both one continuous collage and a sequence of individual images. Included in the book is an interview with the artist by José Diaz, Chief Curator of The Andy Warhol Museum

     
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    Quelle: Verbundkataloge
    Beteiligt: Silano, Pacifico (FotografIn); Diaz, José Carlos (VerfasserIn von Zusatztexten)
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9781912719242; 191271924X
    RVK Klassifikation: AP 94100
    Schlagworte: Gay culture; AIDS (Disease); AIDS (Disease); Gay culture; Artists' books; Photobooks; Artists' books; Photobooks
    Weitere Schlagworte: Silano, Pacifico (1986-)
    Umfang: 1 Band in Leporellofaltung, 25 cm
  17. A parallel road
    Beteiligt: Willett, Amani (KünstlerIn); Jones, Tiffany (BuchgestalterIn)
    Erschienen: 2020
    Verlag:  Overlapse, London

    "This multi-layered work explores the Black experience of driving in America over the past 85 years. By picturing how it has too often been marked by fear, violence and death, 'A Parallel Road' challenges representations of the American ideal of the... mehr

    Standort:
    Sächsische Landesbibliothek - Staats- und Universitätsbibliothek Dresden
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    "This multi-layered work explores the Black experience of driving in America over the past 85 years. By picturing how it has too often been marked by fear, violence and death, 'A Parallel Road' challenges representations of the American ideal of the road trip that have long dominated our view through artistic and literary media. Referencing the historical Negro Motorist Green Book, and layering archival and new images, it examines the question of how long the road will continue to be a site of violence and oppression for Black people in American society."--artist's webpage

     
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    Quelle: Verbundkataloge
    Beteiligt: Willett, Amani (KünstlerIn); Jones, Tiffany (BuchgestalterIn)
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9781999446840; 1999446844
    RVK Klassifikation: AP 94100
    Auflage/Ausgabe: First edition
    Schlagworte: African Americans in art; Travel in art; Civil rights in art; Social justice in art; Artists' books; Artists' books; African Americans in art; Artists' books; Civil rights in art; Social justice in art; Travel in art; Photobooks; Artists' books; Specimens
    Umfang: 106 Seiten, 17 cm
    Bemerkung(en):

    In Umschlag

    Hand-sewn single signature binding with buckram tape, uncut fore edge, full-size printed paper wrapper with title and color illustration
  18. Diagramming fluidity
    designing a research method
    Autor*in: Misslin, Floriane
    Erschienen: [2020]
    Verlag:  Onomatopee, Eindhoven

    Diagramming fluidity is a research project by design researcher and visual sociologist Floriane Misslin. The project investigates how producers of fashion photography actualize the fluidity of gender in an industry that is oh so dominated by... mehr

    Standort:
    Sächsische Landesbibliothek - Staats- und Universitätsbibliothek Dresden
    Fernleihe:
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    Diagramming fluidity is a research project by design researcher and visual sociologist Floriane Misslin. The project investigates how producers of fashion photography actualize the fluidity of gender in an industry that is oh so dominated by established modes of production and consumption based on the gendered binary division of women(swear) and men(swear). The project outlines the conditions in which the fluidity of gender is being actualized in the production of fashion photography. Floriane Misslin interviewed several practitioners to discuss, question, and reflect upon the past and present of gender fluidity within the field. What gendered divisions have been made so far within fashion (photography)? Is there any room for non-binary visualizations? What is left unsaid, and what is missing? The outcome of the series of interviews is a selection of manifestos that both textually and visually as well as diagrammatically show the different means of making a gender fluid approach to fashion more visible within visual culture. About Floriane Misslin: Somewhere between visual and critical design, fashion and gender studies, sociology and its research methods is where Floriane Misslin's practice resides. Misslin designs methodologies and media that provide for vivid and interactive ways to explore the entanglements of bodies and visual culture, and more particularly their relation to gender

     
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    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    RVK Klassifikation: LH 60250 ; AP 95940
    Schriftenreihe: Onomatopee ; Z0029
    Schlagworte: Cultural fusion; Gender identity in art; Fashion photography; Cultural fusion; Fashion photography; Gender identity in art; Art; Artists' books; Artists' books
    Umfang: 97 Seiten, Illustrationen, 30 cm
  19. Encuentros titiriteros con Alicia
    un libro para espectadores curiosos y a la hora del té
    Autor*in: Darío Salazar, Rubén
    Erschienen: abril 2018
    Verlag:  Ediciones Vigía, Matanzas, Cuba

    Standort:
    Ibero-Amerikanisches Institut Preußischer Kulturbesitz, Bibliothek
    Signatur:
    B 19 / 2214
    Fernleihe:
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    Quelle: Verbundkataloge
    Beteiligt: Calero, Zenén (BuchgestalterIn)
    Sprache: Spanisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9789592402409; 959240240X
    Schriftenreihe: Coleccioń Aforos
    Schlagworte: Limited edition of 200 copies; Artists' books; Artists' books; Children's plays, Spanish; Artists' books; Children's plays, Spanish; Cuba; Cuba ; Matanzas; Artists' books ; Cuba ; Matanzas ; 21st century; Specimens
    Umfang: 67 pages, illustrations (chiefly color), 21 cm
    Bemerkung(en):

    Part of a collection of handmade chapbooks, most with cords for hanging (literatura de cordel), published by Ediciones Vigía under the auspices of the Cuban Ministry of Culture

    Volume is made of cardboard with a yellow colored fabric wrapped around bottom half. The color cutout image of a teacup, with a pair of feet are protruding from the cup, is affixed to the front cover along with text. A color cutout image of a lamp with a rabbit inside and the text "Ediciones Vigía" is affixed to the back cover. Text is on white paper intermixed with illustrations which are on a thicker yellow stock of paper
  20. Through the night
    Beteiligt: Ferrané, Vincent (FotografIn); Cederteg, Tony (HerausgeberIn)
    Erschienen: [2019]
    Verlag:  Libraryman, [Antwerpen]

    Through the Night' is an imperative segment from Vincent Ferrané's (b. 1974, French) series 'Milky Way'. Detached, it emphasizes on its protracted and somewhat altered repetition mehr

    Standort:
    Sächsische Landesbibliothek - Staats- und Universitätsbibliothek Dresden
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    Through the Night' is an imperative segment from Vincent Ferrané's (b. 1974, French) series 'Milky Way'. Detached, it emphasizes on its protracted and somewhat altered repetition

     
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    Quelle: Verbundkataloge
    Beteiligt: Ferrané, Vincent (FotografIn); Cederteg, Tony (HerausgeberIn)
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9789188113283; 9188113280
    RVK Klassifikation: AP 94100
    Auflage/Ausgabe: First editio
    Schlagworte: Photography, Artistic; Mother and infant; Breastfeeding in art; Artists' books
    Weitere Schlagworte: Ferrané, Vincent
    Umfang: 16 ungezählte Seiten, 22 cm
    Bemerkung(en):

    250 copies

    16,8 cm x 21,5 cm. 16 pages. 22 black/white plates. Black/white offset printed softcover. Saddle-stitched
  21. Metropole
    Beteiligt: Bush, Lewis (FotografIn, VerfasserIn von Zusatztexten)
    Erschienen: [2018]
    Verlag:  Overlapse, [London]

    "London, once known as the 'Metropole', was the mother city at the heart of a vast empire which at its peak encompassed a quarter of all land on the planet. Its maternal name belied a profoundly hierarchical and unequal relationship with power... mehr

    Standort:
    Sächsische Landesbibliothek - Staats- und Universitätsbibliothek Dresden
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    "London, once known as the 'Metropole', was the mother city at the heart of a vast empire which at its peak encompassed a quarter of all land on the planet. Its maternal name belied a profoundly hierarchical and unequal relationship with power radiating outwards from the urban heart, and territorial riches feeding back in return. The British Empire has long since collapsed but in its place has risen a new world power; globalised capitalism. London, rebranded an 'investment opportunity', is now a city of continuous demolition, shifting cranes, and glittering new high rises. "Metropole" is a document of the brutal uprooting of London's foundations at the hands of corporate developers, for the benefit of wealthy investors and absentee property speculators. In the wake of aggressive high-end development, genuinely affordable housing has diminished and residents of London are pushed ever further out from the core. Photographed over dozens of winter nights spent wandering through the escalating city, "Metropole" records the dizzying effects of a capital influx on London. The frameworks of luxury residential towers are documented during construction, and the use of double exposures layers building upon building. This proliferating tangle mirrors the threatening scale of alteration in the city. Perspective and orientation are lost in the process, emulating the sense of loss that many Londoners now feel."--Publisher's statement

     
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    Quelle: Verbundkataloge
    Beteiligt: Bush, Lewis (FotografIn, VerfasserIn von Zusatztexten)
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9780994791979; 0994791976
    RVK Klassifikation: AP 94100
    Auflage/Ausgabe: First edition
    Schlagworte: High-rise apartment buildings; Architectural photography; Architecture; Artists' books; Buildings; Social conditions; England; England ; London; History; Pictorial works
    Weitere Schlagworte: Bush, Lewis (1988-)
    Umfang: 152 ungezählte Seiten, 29 cm
    Bemerkung(en):

    Place of publication and publication date from publisher's Web site (viewed April 2019)

    Swiss binding, with orange stitching on open spine
  22. I see/you mean
    a novel
    Autor*in: Lippard, Lucy R.
    Erschienen: 2021
    Verlag:  New Documents, Los Angeles

    An experimental novel about mirrors, maps, relationships, about the ocean, elusive success and possible happiness. Weaving overeard dialogue, sexual encounters, and elements from the I Ching, Tarot, and palmistry, Lippard charts changing... mehr

    Standort:
    Leuphana Universität Lüneburg, Medien- und Informationszentrum, Universitätsbibliothek
    Signatur:
    22-1058
    Fernleihe:
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    An experimental novel about mirrors, maps, relationships, about the ocean, elusive success and possible happiness. Weaving overeard dialogue, sexual encounters, and elements from the I Ching, Tarot, and palmistry, Lippard charts changing relationships among four people. Written in 1970, this novel brings to life political, feminist and aesthetic struggles of its time

     
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9781953441034; 1953441033
    Schlagworte: Artists' books; Artists' books; Experimental fiction, American ; 20th century
    Umfang: 221 Seiten, 22 cm
  23. Rock of eye - Troy Montes-Michie
    Beteiligt: Montes-Michie, Troy (KünstlerIn, InterviewteR); Edwards, Brent Hayes (InterviewerIn); Andersson, Andrea (VerfasserIn von Zusatztexten); Campt, Tina (VerfasserIn von Zusatztexten)
    Erschienen: 2021
    Verlag:  Siglio, Catskill, New York ; Rivers Institute for Contemporary Art & Thought, [New Orleans] ; California African American Museum, Los Angeles

    The alchemy of the border: Troy Montes-Michie in conversation with Brent Hayes Edwards -- Troy Montes-Michie: Fashion notes / Andrea Andersson -- Troy Montes-Michie: Visioning Black study / Tina Campt -- After words on new beginnings / Cameron Shaw.... mehr

    Standort:
    Sächsische Landesbibliothek - Staats- und Universitätsbibliothek Dresden
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    The alchemy of the border: Troy Montes-Michie in conversation with Brent Hayes Edwards -- Troy Montes-Michie: Fashion notes / Andrea Andersson -- Troy Montes-Michie: Visioning Black study / Tina Campt -- After words on new beginnings / Cameron Shaw. To tailor a garment by "rock of eye" is to rely on the drape on experience over mathematical measurement in the fitting process. It is a kind of drawing in space--a freehand, an intuition, a trust of materials. Rock of Eye, published on the occasion of Troy Montes-Michie's (born 1985) solo exhibition at the California African American Museum, is a collection of the artist's collages, drawings, and found and woven images sourced from vintage erotic magazines, French tailoring magazines, found photographs, and other materials. These materials are familiar from Montes-Michie's recent large-scale paintings and collages that center on the Black male body and his series that traces the social history and form of the zoot suit. Troy Montes-Michie was born in El Paso and his practice reflects his experience growing up along the US/Mexico border. This book is a study in ambiguity between portraiture and landscape; his are the cuts and folds of patterning and mapping. In Rock of Eye, Montes-Michie's stitches suture histories and geographies; they establish thresholds for crossing; his needle hits rock

     
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    Quelle: Verbundkataloge
    Beteiligt: Montes-Michie, Troy (KünstlerIn, InterviewteR); Edwards, Brent Hayes (InterviewerIn); Andersson, Andrea (VerfasserIn von Zusatztexten); Campt, Tina (VerfasserIn von Zusatztexten)
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 193822132X; 9781938221323
    RVK Klassifikation: LI 99999
    Schlagworte: Artists' books; African American men in art; Gay men in art; Male nude in art; ART / General; African American men in art; Artists' books; Gay men in art; Male nude in art; Exhibition catalogs; Interviews; Photomontages; Specimens; Photomontages
    Weitere Schlagworte: Montes-Michie, Troy; Montes-Michie, Troy
    Umfang: 107 Seiten, 30 cm
    Bemerkung(en):

    Published on the occasion of the exhibition "Troy Montes-Michie: Rock of Eye" held February 16-September 4, 2022 at the California African-American Museum, Los Angeles

    Includes bibliographical references
  24. Tvdocumentracings
    Beteiligt: Ockerse, Thomas (KünstlerIn)
    Erschienen: [1973]; © 1973
    Verlag:  Tom Ockerse Editions, Providence, R.I

    Standort:
    Zentrum für Kunst und Medien Karlsruhe / Staatliche Hochschule für Gestaltung, Bibliothek
    Signatur:
    B Ock20 0001
    Fernleihe:
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    Quelle: Verbundkataloge
    Beteiligt: Ockerse, Thomas (KünstlerIn)
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    Auflage/Ausgabe: A Tom Ockerse edition
    Schlagworte: Artists' books; Television programs; Alphabet in art; Television programs; Alphabet in art; Artists' books; Artists' books ; Rhode Island ; 20th century; Art
    Weitere Schlagworte: Ockerse, Thomas; Ockerse, Thomas
    Umfang: 18 ungezählte Blätter, 17 x 22 cm
    Bemerkung(en):

    "tvdocumentracings was produced in a limited edition of 300 numbered copies, this is copy number ... "
  25. Philatelic items
    Beteiligt: Batty, Lolly (KünstlerIn)
    Erschienen: 2022
    Verlag:  The Everyday Press, London

    "Batty’s work playfully explores a geometric and systemic logic through the colour and value of the stamps used and their positioning on the envelope. Bearing traces of their passage through the world and the postal system each is also a... mehr

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    "Batty’s work playfully explores a geometric and systemic logic through the colour and value of the stamps used and their positioning on the envelope. Bearing traces of their passage through the world and the postal system each is also a collaboration with the anonymous hand that franks or cancels the stamps. Some of these collaborators have taken a clear pleasure in adding to the harmony of the composition, others have chosen to aggressively negate it."--Printed Matter website

     
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    Quelle: Verbundkataloge
    Beteiligt: Batty, Lolly (KünstlerIn)
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9781912458158; 1912458152
    RVK Klassifikation: LI 99999
    Schlagworte: Postage stamps; Stamp collecting; Artists' books; Artists' books; Postage stamps; Stamp collecting; Artists' books; Specimens; Artists' books
    Umfang: 96 ungezählte Seiten, 30 cm
    Bemerkung(en):

    Umschlagtitel

    Edition of 1,000 copies