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  1. Latin Blackness in Parisian visual culture, 1852-1932
    Autor*in: Williams, Lyneise E.
    Erschienen: 2022
    Verlag:  Bloomsbury Visual Arts, Bloomsbury Publishing Inc., New York ; London ; Oxford ; New Delhi ; Sydney

    Latin Blackness in Parisian Visual Culture, 1852-1932 examines an understudied visual language used to portray Latin Americans in mid-19th to early 20th-century Parisian popular visual media. The term 'Latinize' is introduced to connect France's... mehr

    Standort:
    Bayerische Staatsbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Zentralinstitut für Kunstgeschichte, Bibliothek
    Fernleihe:
    keine Ausleihe von Bänden, nur Papierkopien werden versandt

     

    Latin Blackness in Parisian Visual Culture, 1852-1932 examines an understudied visual language used to portray Latin Americans in mid-19th to early 20th-century Parisian popular visual media. The term 'Latinize' is introduced to connect France's early 19th-century endeavors to create "Latin America," an expansion of the French empire into the Latin-language based Spanish and Portuguese Americas, to its perception of this population. 0Latin-American elites traveler to Paris in the 1840s from their newly independent nations were denigrated in representations rather than depicted as equals in a developing global economy. Darkened skin, etched onto images of Latin Americans of European descent mitigated their ability to claim the privileges of their ancestral heritage. Whitened skin, among other codes, imposed on turn-of-the-20th-century Black Latin Americans in Paris tempered their Blackness and rendered them relatively assimilatable compared to colonial Africans, Blacks from the Caribbean, and African Americans. After identifying mid-to-late 19th-century Latinizing codes, the study focuses on shifts in latinizing visuality between 1890-1933 in three case studies: the depictions of popular Cuban circus entertainer Chocolat; representations of Panamanian World Bantamweight Champion boxer Alfonso Teofilo Brown; and paintings of Black Uruguayans executed by Pedro Figari, a Uruguayan artist, during his residence in Paris between 1925-1933

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9781501332357; 9781501391019
    RVK Klassifikation: LH 84960
    Schlagworte: Lateinamerikaner <Motiv>; Kunst; Schwarze <Motiv>; Medien
    Weitere Schlagworte: Blacks in art; Latin Americans in art; Imperialism in art; Art and society / France / Paris / History / 19th century; Art and society / France / Paris / History / 20th century; Art and society; Blacks in art; Imperialism in art; France / Paris; 1800-1999; History
    Umfang: xvi, 213 Seiten, 8 ungezählte Seiten Tafeln, Illustrationen
  2. Latin Blackness in Parisian visual culture, 1852-1932
    Autor*in: Williams, Lyneise E.
    Erschienen: 2022
    Verlag:  Bloomsbury Visual Arts, Bloomsbury Publishing Inc., New York ; London ; Oxford ; New Delhi ; Sydney

    Latin Blackness in Parisian Visual Culture, 1852-1932 examines an understudied visual language used to portray Latin Americans in mid-19th to early 20th-century Parisian popular visual media. The term 'Latinize' is introduced to connect France's... mehr

    Standort:
    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    Latin Blackness in Parisian Visual Culture, 1852-1932 examines an understudied visual language used to portray Latin Americans in mid-19th to early 20th-century Parisian popular visual media. The term 'Latinize' is introduced to connect France's early 19th-century endeavors to create "Latin America," an expansion of the French empire into the Latin-language based Spanish and Portuguese Americas, to its perception of this population. 0Latin-American elites traveler to Paris in the 1840s from their newly independent nations were denigrated in representations rather than depicted as equals in a developing global economy. Darkened skin, etched onto images of Latin Americans of European descent mitigated their ability to claim the privileges of their ancestral heritage. Whitened skin, among other codes, imposed on turn-of-the-20th-century Black Latin Americans in Paris tempered their Blackness and rendered them relatively assimilatable compared to colonial Africans, Blacks from the Caribbean, and African Americans. After identifying mid-to-late 19th-century Latinizing codes, the study focuses on shifts in latinizing visuality between 1890-1933 in three case studies: the depictions of popular Cuban circus entertainer Chocolat; representations of Panamanian World Bantamweight Champion boxer Alfonso Teofilo Brown; and paintings of Black Uruguayans executed by Pedro Figari, a Uruguayan artist, during his residence in Paris between 1925-1933

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9781501332357; 9781501391019
    RVK Klassifikation: LH 84960
    Schlagworte: Lateinamerikaner <Motiv>; Kunst; Schwarze <Motiv>; Medien
    Weitere Schlagworte: Blacks in art; Latin Americans in art; Imperialism in art; Art and society / France / Paris / History / 19th century; Art and society / France / Paris / History / 20th century; Art and society; Blacks in art; Imperialism in art; France / Paris; 1800-1999; History
    Umfang: xvi, 213 Seiten, 8 ungezählte Seiten Tafeln, Illustrationen