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  1. Modernity in black and white
    art and image, race and identity in Brazil, 1890-1945
    Autor*in: Cardoso, Rafael
    Erschienen: 2021; © 2021
    Verlag:  Cambridge University Press, Cambridge ; New York

    Introduction. Ambiguous modernities and alternate modernisms -- Heart of darkness in the bosom of the modern metropolis : favelas, race and barbarity -- A pagan festival for the up to date : art, bohemianism and carnival -- The printing of modern... mehr

    Standort:
    Universitätsbibliothek Eichstätt-Ingolstadt
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Universitätsbibliothek der LMU München
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Zentralinstitut für Kunstgeschichte, Bibliothek
    Fernleihe:
    keine Ausleihe von Bänden, nur Papierkopien werden versandt

    Standort:
    Deutsches Forum für Kunstgeschichte, Bibliothek

    Standort:
    Bibliotheca Hertziana - Max-Planck-Institut für Kunstgeschichte

     

    Introduction. Ambiguous modernities and alternate modernisms -- Heart of darkness in the bosom of the modern metropolis : favelas, race and barbarity -- A pagan festival for the up to date : art, bohemianism and carnival -- The printing of modern life : a new art for a new century -- The cosmopolitan savage : modernism, primitivism and the anthropophagic descent -- The face of the land : depicting 'real' Brazilians under Vargas -- Epilogue. Images of a culture at war with itself. "The book provides a deeper understanding of modern art in the Brazilian context, moving the focus away from the self-declared avant-gardes and towards a broad panorama of modernizing tendencies throughout the period, 1890 to 1945. The backdrop of sertão, favelas, carnival and samba - often left out of accounts that restrict readings of modernism to erudite arenas like literature, fine art or architecture - are foregrounded in an attempt to situate artistic discourses within the social and political struggles of the period. Race, class and ideological conflict are given priority as tools for deconstructing complex debates, too often taken at face value or misread as merely reflexive of European phenomena. The anthropophagic movement (Antropofagia) rates special attention in teasing out the meanings of primitivism in the Brazilian context. The book examines a range of visual cultural materials including paintings, periodicals, graphics and photographs, revealing a hidden archive that calls into question the very essence of how modernism is usually perceived in Brazil. The enduring presence of archaism and violence behind an appearance of modernity reveals itself to be not an anomaly, but rather a product of the tensions inherent to the enduring oligarchical structures of Brazilian culture and society"--

     
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    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9781108481908; 9781108741590
    RVK Klassifikation: LO 97450
    Schriftenreihe: Afro-Latin America
    Schlagworte: Identität; Kunst; Rasse; Selbstbild; Postkolonialismus
    Weitere Schlagworte: Modernism (Art) / Brazil; Art and race; Art and society / Brazil / History / 19th century; Art and society / Brazil / History / 20th century
    Umfang: xix, 263 Seiten, 12 ungezählte Seiten Tafeln, Illustrationen
    Bemerkung(en):

    Includes bibliographical references and index
  2. "Mulatas" e negras pintadas por brancas
    questões de etnia e gênero presentes na pintura modernista brasileira
    Autor*in: Hill, Marcos
    Erschienen: 2017
    Verlag:  C/Arte, Belo Horizonte

    The author offers us analyzes that constitute a work of true archeology of the image. Marcos Hill questions the works "Tropical" by Anita Malfatti and "A Negra", by Tarsila do Amaral far beyond their plastic and pictorial qualities, carrying out a... mehr

    Standort:
    Zentralinstitut für Kunstgeschichte, Bibliothek
    Fernleihe:
    keine Ausleihe von Bänden, nur Papierkopien werden versandt

     

    The author offers us analyzes that constitute a work of true archeology of the image. Marcos Hill questions the works "Tropical" by Anita Malfatti and "A Negra", by Tarsila do Amaral far beyond their plastic and pictorial qualities, carrying out a historical, sociological, anthropological and gender investigation that makes possible understanding and deconstruction of the place reserved by modern art for black women and mulattoes in Brazil. What contradictions are involved in a modern art that seeks not universalism, but primitive and original elements in order to sustain the formation of the Brazilian social imaginary? And above all, what did the anthropomorphized iconography of an edenic exaltation converge in the election of these figures as emblems of national identity? These are some questions that the author develops in order to make the book a fundamental study not only for the History of Art, but for the relativization of a univocal historiographic discourse

     
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  3. Modernity in black and white
    art and image, race and identity in Brazil, 1890-1945
    Autor*in: Cardoso, Rafael
    Erschienen: 2021
    Verlag:  Cambridge University Press, Cambridge ; New York ; Port Melbourne ; New Delhi ; Singapore

    Introduction. Ambiguous modernities and alternate modernisms -- Heart of darkness in the bosom of the modern metropolis : favelas, race and barbarity -- A pagan festival for the up to date : art, bohemianism and carnival -- The printing of modern... mehr

    Standort:
    Universitäts- und Landesbibliothek Bonn
    Signatur:
    2022/395
    Fernleihe:
    Ausleihe von Bänden möglich, keine Kopien

    Standort:
    Historisches Institut, Abteilung für Iberische und Lateinamerikanische Geschichte, Bibliothek
    Signatur:
    423/Wm240
    Fernleihe:
    keine Fernleihe

    Standort:
    FH Münster, Hochschulbibliothek
    Signatur:
    77 HB 47
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    Introduction. Ambiguous modernities and alternate modernisms -- Heart of darkness in the bosom of the modern metropolis : favelas, race and barbarity -- A pagan festival for the up to date : art, bohemianism and carnival -- The printing of modern life : a new art for a new century -- The cosmopolitan savage : modernism, primitivism and the anthropophagic descent -- The face of the land : depicting 'real' Brazilians under Vargas -- Epilogue. Images of a culture at war with itself. "The book provides a deeper understanding of modern art in the Brazilian context, moving the focus away from the self-declared avant-gardes and towards a broad panorama of modernizing tendencies throughout the period, 1890 to 1945. The backdrop of sertão, favelas, carnival and samba - often left out of accounts that restrict readings of modernism to erudite arenas like literature, fine art or architecture - are foregrounded in an attempt to situate artistic discourses within the social and political struggles of the period. Race, class and ideological conflict are given priority as tools for deconstructing complex debates, too often taken at face value or misread as merely reflexive of European phenomena. The anthropophagic movement (Antropofagia) rates special attention in teasing out the meanings of primitivism in the Brazilian context. The book examines a range of visual cultural materials including paintings, periodicals, graphics and photographs, revealing a hidden archive that calls into question the very essence of how modernism is usually perceived in Brazil. The enduring presence of archaism and violence behind an appearance of modernity reveals itself to be not an anomaly, but rather a product of the tensions inherent to the enduring oligarchical structures of Brazilian culture and society"--

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9781108481908; 9781108741590
    Schriftenreihe: Afro-Latin America
    Schlagworte: Kunst; Geschichte 1890-1945; Selbstbild; Postkolonialismus; Rasse; Identität
    Weitere Schlagworte: Modernism (Art) / Brazil; Art and race; Art and society / Brazil / History / 19th century; Art and society / Brazil / History / 20th century
    Umfang: xv, 263 Seiten, 12 ungezählte Seiten Tafeln, Illustrationen
    Bemerkung(en):

    Includes bibliographical references and index
  4. Modernity in black and white
    art and image, race and identity in Brazil, 1890-1945
    Autor*in: Cardoso, Rafael
    Erschienen: 2021; © 2021
    Verlag:  Cambridge University Press, Cambridge ; New York

    Introduction. Ambiguous modernities and alternate modernisms -- Heart of darkness in the bosom of the modern metropolis : favelas, race and barbarity -- A pagan festival for the up to date : art, bohemianism and carnival -- The printing of modern... mehr

    Standort:
    Freie Universität Berlin, Universitätsbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    Introduction. Ambiguous modernities and alternate modernisms -- Heart of darkness in the bosom of the modern metropolis : favelas, race and barbarity -- A pagan festival for the up to date : art, bohemianism and carnival -- The printing of modern life : a new art for a new century -- The cosmopolitan savage : modernism, primitivism and the anthropophagic descent -- The face of the land : depicting 'real' Brazilians under Vargas -- Epilogue. Images of a culture at war with itself. "The book provides a deeper understanding of modern art in the Brazilian context, moving the focus away from the self-declared avant-gardes and towards a broad panorama of modernizing tendencies throughout the period, 1890 to 1945. The backdrop of sertão, favelas, carnival and samba - often left out of accounts that restrict readings of modernism to erudite arenas like literature, fine art or architecture - are foregrounded in an attempt to situate artistic discourses within the social and political struggles of the period. Race, class and ideological conflict are given priority as tools for deconstructing complex debates, too often taken at face value or misread as merely reflexive of European phenomena. The anthropophagic movement (Antropofagia) rates special attention in teasing out the meanings of primitivism in the Brazilian context. The book examines a range of visual cultural materials including paintings, periodicals, graphics and photographs, revealing a hidden archive that calls into question the very essence of how modernism is usually perceived in Brazil. The enduring presence of archaism and violence behind an appearance of modernity reveals itself to be not an anomaly, but rather a product of the tensions inherent to the enduring oligarchical structures of Brazilian culture and society"--

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Philologische Bibliothek, FU Berlin
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9781108481908; 9781108741590
    RVK Klassifikation: LO 97450
    Schriftenreihe: Afro-Latin America
    Schlagworte: Identität; Kunst; Rasse; Selbstbild; Postkolonialismus
    Weitere Schlagworte: Modernism (Art) / Brazil; Art and race; Art and society / Brazil / History / 19th century; Art and society / Brazil / History / 20th century
    Umfang: xix, 263 Seiten, 12 ungezählte Seiten Tafeln, Illustrationen
    Bemerkung(en):

    Includes bibliographical references and index
  5. Modernity in black and white
    art and image, race and identity in Brazil, 1890-1945
    Autor*in: Cardoso, Rafael
    Erschienen: 2021
    Verlag:  Cambridge University Press, Cambridge ; New York ; Port Melbourne ; New Delhi ; Singapore

    Introduction. Ambiguous modernities and alternate modernisms -- Heart of darkness in the bosom of the modern metropolis : favelas, race and barbarity -- A pagan festival for the up to date : art, bohemianism and carnival -- The printing of modern... mehr

    Standort:
    Universitäts- und Landesbibliothek Bonn
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Universitäts- und Stadtbibliothek Köln, Hauptabteilung
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    FH Münster, Hochschulbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    Introduction. Ambiguous modernities and alternate modernisms -- Heart of darkness in the bosom of the modern metropolis : favelas, race and barbarity -- A pagan festival for the up to date : art, bohemianism and carnival -- The printing of modern life : a new art for a new century -- The cosmopolitan savage : modernism, primitivism and the anthropophagic descent -- The face of the land : depicting 'real' Brazilians under Vargas -- Epilogue. Images of a culture at war with itself "The book provides a deeper understanding of modern art in the Brazilian context, moving the focus away from the self-declared avant-gardes and towards a broad panorama of modernizing tendencies throughout the period, 1890 to 1945. The backdrop of sertão, favelas, carnival and samba - often left out of accounts that restrict readings of modernism to erudite arenas like literature, fine art or architecture - are foregrounded in an attempt to situate artistic discourses within the social and political struggles of the period. Race, class and ideological conflict are given priority as tools for deconstructing complex debates, too often taken at face value or misread as merely reflexive of European phenomena. The anthropophagic movement (Antropofagia) rates special attention in teasing out the meanings of primitivism in the Brazilian context. The book examines a range of visual cultural materials including paintings, periodicals, graphics and photographs, revealing a hidden archive that calls into question the very essence of how modernism is usually perceived in Brazil. The enduring presence of archaism and violence behind an appearance of modernity reveals itself to be not an anomaly, but rather a product of the tensions inherent to the enduring oligarchical structures of Brazilian culture and society"--

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9781108481908; 9781108741590
    Schriftenreihe: Afro-Latin America
    Schlagworte: Modernism (Art) / Brazil; Art and race; Art and society / Brazil / History / 19th century; Art and society / Brazil / History / 20th century
    Umfang: xv, 263 Seiten, 12 ungezählte Seiten Tafeln, Illustrationen
    Bemerkung(en):

    Includes bibliographical references and index