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Recognition in the Arabic narrative tradition
discovery, deliverance and delusion -
Recognition in the arabic narrative tradition
discovery, deliverance and delusion -
La reconnaissance sur la scène française
(XVIIe - XXIe siècle) -
Recognition: the poetics of narrative
interdisciplinary studies of anagnorisis -
Dramatische Aufklärung
Anagnorisis und Motive der (Selbst-)Erkenntnis in Tragödien des 18. Jahrhunderts -
Recognitions
a study in poetics -
Recognitions
a study in poetics -
The Bible and its rewritings
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Is Jesus Athene or Odysseus?
investigating the unrecognisability and metamorphosis of Jesus in his post-resurrection appearances -
Recognition in the Arabic narrative tradition
discovery, deliverance and delusion -
The Bible and its rewritings
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Is Jesus Athene or Odysseus?
investigating the unrecognisability and metamorphosis of Jesus in his post-resurrection appearances -
Anagnorisis
scenes and themes of recognition and revelation in Western literature -
Recognition and modes of knowledge
anagnorisis from antiquity to contemporary theory -
El tema del reconocimiento en el teatro español del siglo XVI
la teoría de la anagnórisis -
Recognitions
a study in poetics -
The seal of Orestes
self-reference and authority in Sophocles' Electra -
Knowledge and mortality
anagnorisis in genesis and narrative fiction -
Anagnorisis
scenes and themes of recognition and revelation in Western literature -
Anagnorisis
scenes and themes of recognition and revelation in Western literature -
Mythos und Gewalt im (post)dramatischen Werk von Wajdi Mouawad und Olivier Py
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Mythos und Gewalt im (post)dramatischen Werk von Wajdi Mouawad und Olivier Py
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La anagnórisis en la tragedia española del renacimiento
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Recognition: The Poetics of Narrative
Interdisciplinary Studies on Anagnorisis -
Die Dramentheorien nach Aristoteles und Lessing im Vergleich zum epischen Theater nach Brecht am Beispiel der Dreigroschenoper