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  1. Shakespeare's spiral
    tracing the snail in King Lear and Renaissance painting
    Autor*in: Gleyzon, François-Xavier
    Erschienen: c 2010
    Verlag:  University Press of America, Lanham, Md. [u.a.]

    "Shakespeare's Spiral aims to explore a figure forgotten in the dramatic texts of Shakespeare and in Renaissance painting: the snail. Taking as its point of departure the emergence of the gastropod object/subject in the text of King Lear as well as... mehr

    Standort:
    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    "Shakespeare's Spiral aims to explore a figure forgotten in the dramatic texts of Shakespeare and in Renaissance painting: the snail. Taking as its point of departure the emergence of the gastropod object/subject in the text of King Lear as well as its iconic interface in Giovanni Bellini's painting Allegory of Falsehood (circa 1490), this study sets out to follow the particular path traced by the snail throughout the Iuvre. From the central scene in which the metaphor of the snail and of its shell is specifically made manifest when Lear discovers, in a raging storm, the spectacle of Edgar disguised as Poor Tom coming out of his shelter (III.3.6-9) to the monster, this fiend, displaying on the cliffs of Dover, 'horms whelked and waved like the enridg-d sea' (IV.6.71), this work is the trace of a narrative - of a journey of the gaze - during the course of which the cryptic question of the gastropod - 'Why a Snail [-]?' (I.5.26) - does not cease to be developed and transformed. Incorporating a wide-ranging post-structuralist critique, the study aims to bring to light the particular functions of this 'revealing detail' in both its textual and visual dimension so as to put forward a new and innovatory understanding of the tragedy of King Lear."--Publisher's website "Shakespeare's Spiral aims to explore a figure forgotten in the dramatic texts of Shakespeare and in Renaissance painting: the snail. Taking as its point of departure the emergence of the gastropod object/subject in the text of King Lear as well as its iconic interface in Giovanni Bellini's painting Allegory of Falsehood (circa 1490), this study sets out to follow the particular path traced by the snail throughout the Iuvre. From the central scene in which the metaphor of the snail and of its shell is specifically made manifest when Lear discovers, in a raging storm, the spectacle of Edgar disguised as Poor Tom coming out of his shelter (III.3.6-9) to the monster, this fiend, displaying on the cliffs of Dover, 'horms whelked and waved like the enridg_d sea' (IV.6.71), this work is the trace of a narrative - of a journey of the gaze - during the course of which the cryptic question of the gastropod - 'Why a Snail [_]?' (I.5.26) - does not cease to be developed and transformed. Incorporating a wide-ranging post-structuralist critique, the study aims to bring to light the particular functions of this 'revealing detail' in both its textual and visual dimension so as to put forward a new and innovatory understanding of the tragedy of King Lear."--Publisher's website

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9780761841371; 0761841377
    Schlagworte: Snails; Snails
    Weitere Schlagworte: Shakespeare, William (1564-1616): King Lear; Bellini, Giovanni (1426?-1516): Allegory of falsehood
    Umfang: XXIII, 254 S., Ill., 23 cm
    Bemerkung(en):

    Includes bibliographical references (p. 219-241) and index

    Part One: A Shakespearean Gaze at the Snail. Introducing the Snail ; From the Hovel to the Shell ; Mutatis Mutandis I: From the Snail to the Worm ; The Decadence of the Garden Snail ; Mutatis Mutandis II: From the Worm to the Shell ; The Resurrection Shell ; The Virgin Mary's Snail ; Opening up the Spiral Quest.Part Two: The Renascent Spiral: Dazzling-Darkening. Introduction: Seeing and Thinking Blindly ; Dazzling-Darkening in King Lear ; Conclusion: The Eye-Spiral: Shakespeare - Charcot - Dürer. -- Part Three: Under the Eye of Gorgô or the Medusa-Snail. Recapitulation and Re: Capitulation ; Theoretical and Aporetic Considerations ; Sleep and Macbeth ; Return to King Lear: The Medusa-Snail.
  2. Shakespeare's spiral
    tracing the snail in King Lear and Renaissance painting
    Autor*in: Gleyzon, François-Xavier
    Erschienen: c 2010
    Verlag:  University Press of America, Lanham, Md. [u.a.]

    "Shakespeare's Spiral aims to explore a figure forgotten in the dramatic texts of Shakespeare and in Renaissance painting: the snail. Taking as its point of departure the emergence of the gastropod object/subject in the text of King Lear as well as... mehr

    Standort:
    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
    Signatur:
    ::8:2010:4231:
    Fernleihe:
    keine Fernleihe

    Standort:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
    Signatur:
    1 A 804943
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Herzog August Bibliothek Wolfenbüttel
    Signatur:
    61.14
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    "Shakespeare's Spiral aims to explore a figure forgotten in the dramatic texts of Shakespeare and in Renaissance painting: the snail. Taking as its point of departure the emergence of the gastropod object/subject in the text of King Lear as well as its iconic interface in Giovanni Bellini's painting Allegory of Falsehood (circa 1490), this study sets out to follow the particular path traced by the snail throughout the Iuvre. From the central scene in which the metaphor of the snail and of its shell is specifically made manifest when Lear discovers, in a raging storm, the spectacle of Edgar disguised as Poor Tom coming out of his shelter (III.3.6-9) to the monster, this fiend, displaying on the cliffs of Dover, 'horms whelked and waved like the enridg-d sea' (IV.6.71), this work is the trace of a narrative - of a journey of the gaze - during the course of which the cryptic question of the gastropod - 'Why a Snail [-]?' (I.5.26) - does not cease to be developed and transformed. Incorporating a wide-ranging post-structuralist critique, the study aims to bring to light the particular functions of this 'revealing detail' in both its textual and visual dimension so as to put forward a new and innovatory understanding of the tragedy of King Lear."--Publisher's website "Shakespeare's Spiral aims to explore a figure forgotten in the dramatic texts of Shakespeare and in Renaissance painting: the snail. Taking as its point of departure the emergence of the gastropod object/subject in the text of King Lear as well as its iconic interface in Giovanni Bellini's painting Allegory of Falsehood (circa 1490), this study sets out to follow the particular path traced by the snail throughout the Iuvre. From the central scene in which the metaphor of the snail and of its shell is specifically made manifest when Lear discovers, in a raging storm, the spectacle of Edgar disguised as Poor Tom coming out of his shelter (III.3.6-9) to the monster, this fiend, displaying on the cliffs of Dover, 'horms whelked and waved like the enridg_d sea' (IV.6.71), this work is the trace of a narrative - of a journey of the gaze - during the course of which the cryptic question of the gastropod - 'Why a Snail [_]?' (I.5.26) - does not cease to be developed and transformed. Incorporating a wide-ranging post-structuralist critique, the study aims to bring to light the particular functions of this 'revealing detail' in both its textual and visual dimension so as to put forward a new and innovatory understanding of the tragedy of King Lear."--Publisher's website

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9780761841371; 0761841377
    Schlagworte: Snails; Snails
    Weitere Schlagworte: Shakespeare, William (1564-1616): King Lear; Bellini, Giovanni (1426?-1516): Allegory of falsehood
    Umfang: XXIII, 254 S., Ill., 23 cm
    Bemerkung(en):

    Includes bibliographical references (p. 219-241) and index

    Part One: A Shakespearean Gaze at the Snail. Introducing the Snail ; From the Hovel to the Shell ; Mutatis Mutandis I: From the Snail to the Worm ; The Decadence of the Garden Snail ; Mutatis Mutandis II: From the Worm to the Shell ; The Resurrection Shell ; The Virgin Mary's Snail ; Opening up the Spiral Quest.Part Two: The Renascent Spiral: Dazzling-Darkening. Introduction: Seeing and Thinking Blindly ; Dazzling-Darkening in King Lear ; Conclusion: The Eye-Spiral: Shakespeare - Charcot - Dürer. -- Part Three: Under the Eye of Gorgô or the Medusa-Snail. Recapitulation and Re: Capitulation ; Theoretical and Aporetic Considerations ; Sleep and Macbeth ; Return to King Lear: The Medusa-Snail.
  3. Shakespeare's spiral
    tracing the snail in King Lear and Renaissance painting
    Autor*in: Gleyzon, François-Xavier
    Erschienen: c2010
    Verlag:  University Press of America, Lanham, Md. [u.a.]

    "Shakespeare's Spiral aims to explore a figure forgotten in the dramatic texts of Shakespeare and in Renaissance painting: the snail. Taking as its point of departure the emergence of the gastropod object/subject in the text of King Lear as well as... mehr

    Standort:
    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
    Signatur:
    ::8:2010:4231:
    Fernleihe:
    keine Fernleihe

    Standort:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
    Signatur:
    1 A 804943
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Universitätsbibliothek Heidelberg
    Signatur:
    2010 C 2584
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Universität Konstanz, Kommunikations-, Informations-, Medienzentrum (KIM)
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Herzog August Bibliothek Wolfenbüttel
    Signatur:
    61.14
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    "Shakespeare's Spiral aims to explore a figure forgotten in the dramatic texts of Shakespeare and in Renaissance painting: the snail. Taking as its point of departure the emergence of the gastropod object/subject in the text of King Lear as well as its iconic interface in Giovanni Bellini's painting Allegory of Falsehood (circa 1490), this study sets out to follow the particular path traced by the snail throughout the Iuvre. From the central scene in which the metaphor of the snail and of its shell is specifically made manifest when Lear discovers, in a raging storm, the spectacle of Edgar disguised as Poor Tom coming out of his shelter (III.3.6-9) to the monster, this fiend, displaying on the cliffs of Dover, 'horms whelked and waved like the enridg-d sea' (IV.6.71), this work is the trace of a narrative - of a journey of the gaze - during the course of which the cryptic question of the gastropod - 'Why a Snail [-]?' (I.5.26) - does not cease to be developed and transformed. Incorporating a wide-ranging post-structuralist critique, the study aims to bring to light the particular functions of this 'revealing detail' in both its textual and visual dimension so as to put forward a new and innovatory understanding of the tragedy of King Lear."--Publisher's website "Shakespeare's Spiral aims to explore a figure forgotten in the dramatic texts of Shakespeare and in Renaissance painting: the snail. Taking as its point of departure the emergence of the gastropod object/subject in the text of King Lear as well as its iconic interface in Giovanni Bellini's painting Allegory of Falsehood (circa 1490), this study sets out to follow the particular path traced by the snail throughout the Iuvre. From the central scene in which the metaphor of the snail and of its shell is specifically made manifest when Lear discovers, in a raging storm, the spectacle of Edgar disguised as Poor Tom coming out of his shelter (III.3.6-9) to the monster, this fiend, displaying on the cliffs of Dover, 'horms whelked and waved like the enridg_d sea' (IV.6.71), this work is the trace of a narrative - of a journey of the gaze - during the course of which the cryptic question of the gastropod - 'Why a Snail [_]?' (I.5.26) - does not cease to be developed and transformed. Incorporating a wide-ranging post-structuralist critique, the study aims to bring to light the particular functions of this 'revealing detail' in both its textual and visual dimension so as to put forward a new and innovatory understanding of the tragedy of King Lear."--Publisher's website

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9780761841371; 0761841377
    Weitere Identifier:
    9780761841371
    Schlagworte: Snails; Snails; Snails; Snails
    Weitere Schlagworte: Shakespeare, William 1564-1616; Bellini, Giovanni d. 1516; Shakespeare, William (1564-1616): King Lear; Bellini, Giovanni (1426?-1516): Allegory of falsehood
    Umfang: xxiii, 254 S., Ill., 23 cm
    Bemerkung(en):

    Includes bibliographical references (p. 219-241) and index

    Part One: A Shakespearean Gaze at the Snail. Introducing the Snail ; From the Hovel to the Shell ; Mutatis Mutandis I: From the Snail to the Worm ; The Decadence of the Garden Snail ; Mutatis Mutandis II: From the Worm to the Shell ; The Resurrection Shell ; The Virgin Mary's Snail ; Opening up the Spiral Quest.Part Two: The Renascent Spiral: Dazzling-Darkening. Introduction: Seeing and Thinking Blindly ; Dazzling-Darkening in King Lear ; Conclusion: The Eye-Spiral: Shakespeare - Charcot - Dürer. -- Part Three: Under the Eye of Gorgô or the Medusa-Snail. Recapitulation and Re: Capitulation ; Theoretical and Aporetic Considerations ; Sleep and Macbeth ; Return to King Lear: The Medusa-Snail.
  4. Shakespeare's spiral
    tracing the snail in King Lear and Renaissance painting
    Autor*in: Gleyzon, François-Xavier
    Erschienen: c2010
    Verlag:  University Press of America, Lanham, Md. [u.a.]

    "Shakespeare's Spiral aims to explore a figure forgotten in the dramatic texts of Shakespeare and in Renaissance painting: the snail. Taking as its point of departure the emergence of the gastropod object/subject in the text of King Lear as well as... mehr

    Standort:
    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    "Shakespeare's Spiral aims to explore a figure forgotten in the dramatic texts of Shakespeare and in Renaissance painting: the snail. Taking as its point of departure the emergence of the gastropod object/subject in the text of King Lear as well as its iconic interface in Giovanni Bellini's painting Allegory of Falsehood (circa 1490), this study sets out to follow the particular path traced by the snail throughout the Iuvre. From the central scene in which the metaphor of the snail and of its shell is specifically made manifest when Lear discovers, in a raging storm, the spectacle of Edgar disguised as Poor Tom coming out of his shelter (III.3.6-9) to the monster, this fiend, displaying on the cliffs of Dover, 'horms whelked and waved like the enridg-d sea' (IV.6.71), this work is the trace of a narrative - of a journey of the gaze - during the course of which the cryptic question of the gastropod - 'Why a Snail [-]?' (I.5.26) - does not cease to be developed and transformed. Incorporating a wide-ranging post-structuralist critique, the study aims to bring to light the particular functions of this 'revealing detail' in both its textual and visual dimension so as to put forward a new and innovatory understanding of the tragedy of King Lear."--Publisher's website "Shakespeare's Spiral aims to explore a figure forgotten in the dramatic texts of Shakespeare and in Renaissance painting: the snail. Taking as its point of departure the emergence of the gastropod object/subject in the text of King Lear as well as its iconic interface in Giovanni Bellini's painting Allegory of Falsehood (circa 1490), this study sets out to follow the particular path traced by the snail throughout the Iuvre. From the central scene in which the metaphor of the snail and of its shell is specifically made manifest when Lear discovers, in a raging storm, the spectacle of Edgar disguised as Poor Tom coming out of his shelter (III.3.6-9) to the monster, this fiend, displaying on the cliffs of Dover, 'horms whelked and waved like the enridg_d sea' (IV.6.71), this work is the trace of a narrative - of a journey of the gaze - during the course of which the cryptic question of the gastropod - 'Why a Snail [_]?' (I.5.26) - does not cease to be developed and transformed. Incorporating a wide-ranging post-structuralist critique, the study aims to bring to light the particular functions of this 'revealing detail' in both its textual and visual dimension so as to put forward a new and innovatory understanding of the tragedy of King Lear."--Publisher's website

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9780761841371; 0761841377
    Weitere Identifier:
    9780761841371
    Schlagworte: Snails; Snails; Snails; Snails
    Weitere Schlagworte: Shakespeare, William 1564-1616; Bellini, Giovanni d. 1516; Shakespeare, William (1564-1616): King Lear; Bellini, Giovanni (1426?-1516): Allegory of falsehood
    Umfang: xxiii, 254 S., Ill., 23 cm
    Bemerkung(en):

    Includes bibliographical references (p. 219-241) and index

    Part One: A Shakespearean Gaze at the Snail. Introducing the Snail ; From the Hovel to the Shell ; Mutatis Mutandis I: From the Snail to the Worm ; The Decadence of the Garden Snail ; Mutatis Mutandis II: From the Worm to the Shell ; The Resurrection Shell ; The Virgin Mary's Snail ; Opening up the Spiral Quest.Part Two: The Renascent Spiral: Dazzling-Darkening. Introduction: Seeing and Thinking Blindly ; Dazzling-Darkening in King Lear ; Conclusion: The Eye-Spiral: Shakespeare - Charcot - Dürer. -- Part Three: Under the Eye of Gorgô or the Medusa-Snail. Recapitulation and Re: Capitulation ; Theoretical and Aporetic Considerations ; Sleep and Macbeth ; Return to King Lear: The Medusa-Snail.