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  1. Unruly Narrative
    Private Property, Self-Making, and Toni Morrison's ›A Mercy‹
    Autor*in: Spatzek, Samira
    Erschienen: [2022]; ©2022
    Verlag:  De Gruyter, Berlin

    This study deals with the formative powers of modern liberal ideas of private property. The liberal subject emerged with the formations of European liberalism, Atlantic slavery, and settler colonial expansion in the New World. Toni Morrison's A Mercy... mehr

     

    This study deals with the formative powers of modern liberal ideas of private property. The liberal subject emerged with the formations of European liberalism, Atlantic slavery, and settler colonial expansion in the New World. Toni Morrison's A Mercy is thus identified as a key literary text that generates a fundamental critique of the connections between self-making and private property at its 17th-century scene

     
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    Volltext (kostenfrei)
    Volltext (kostenfrei)
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9783110780574; 9783110780666
    Weitere Identifier:
    Schriftenreihe: American Frictions ; 6
    Schlagworte: Right of property; Slavery; USA; LITERARY CRITICISM / European / English, Irish, Scottish, Welsh
    Weitere Schlagworte: Afropessimism; Black Feminism; Slavery; Toni Morrison
    Umfang: 1 Online-Ressource (VIII, 284 Seiten)
  2. Unruly narrative
    private property, self-making, and Toni Morrison's "A mercy"
    Autor*in: Spatzek, Samira
    Erschienen: [2022]
    Verlag:  De Gruyter, Berlin, Germany

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  3. Unruly Narrative
    Private Property, Self-Making, and Toni Morrison’s ›A Mercy‹
    Autor*in: Spatzek, Samira
    Erschienen: 2022
    Verlag:  De Gruyter, Berlin/Boston

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  4. Richard Wright’s Anagrammatical Allegory of Liturgical Reading, or Inhabiting the Black Messianic in “The Man Who Lived Underground”
    Autor*in: Kaplan, Andrew Santana
    Erschienen: 2021

    This essay reads Richard Wright’s speculative novella, “The Man Who Lived Underground” (1940/1996), as an anagrammatical allegory of liturgical reading. By anagrammatical, I invoke Christina Sharpe’s understanding of how Blackness singularly “exists... mehr

    Standort:
    Index theologicus der Universitätsbibliothek Tübingen
    Fernleihe:
    keine Fernleihe

     

    This essay reads Richard Wright’s speculative novella, “The Man Who Lived Underground” (1940/1996), as an anagrammatical allegory of liturgical reading. By anagrammatical, I invoke Christina Sharpe’s understanding of how Blackness singularly “exists as an index of violability and also potentiality” in its foreclosure from the World’s grammar of anti-Blackness. With allegory (of reading), I draw attention to both (1) how Wright recasts Plato’s allegory of the cave in modern America and, following Paul de Man, (2) how Wright’s text is an allegory of un/readability. Finally, with liturgy, I draw on Giorgio Agamben’s understanding of mystery as a performance that (re-)enacts the text. This leads me to theorize that Wright’s anagrammatical allegory of liturgical reading brings the reader into speculative attunement to the Black messianic, which is a radical mode of fidelity to the Black’s singular positionality in aspiring to the un-veiling [apo-kalyptein] of the katechontic anti-Black World – toward gratuitous messianic freedom.

     
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Aufsatz aus einer Zeitschrift
    Format: Online
    Weitere Identifier:
    Übergeordneter Titel: Enthalten in: Political theology; Abingdon : Routledge, Taylor and Francis Group, 1999; 22(2021), 4, Seite 279-295; Online-Ressource

    Schlagworte: Paul; Agamben; Afropessimism; profanation; reading; apocalyptic; messianic; liturgy; allegory; anagrammatical; Blackness; Richard Wright