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  1. Todd Gray - Euclidean Gris Gris
    Beteiligt: Gray, Todd; McGrew, Rebecca (Hrsg.); Adusei-Poku, Nana; Jayawardane, Neelika; Weems, Carrie Mae
    Erschienen: [2019]
    Verlag:  Pomona College Museum of Art, Claremont, CA

    (from table of contents)Foreword /Kathleen Stewart Howe --Introduction:Time and space--the work of Todd Gray /Rebecca McGrew and Hannah Grossman --Todd Gray: composite stranger /Nana Adusei-Poku --Conversation with Todd Gray /Carrie Mae Weems... mehr

    Standort:
    Zentralinstitut für Kunstgeschichte, Bibliothek
    Fernleihe:
    keine Ausleihe von Bänden, nur Papierkopien werden versandt

     

    (from table of contents)Foreword /Kathleen Stewart Howe --Introduction:Time and space--the work of Todd Gray /Rebecca McGrew and Hannah Grossman --Todd Gray: composite stranger /Nana Adusei-Poku --Conversation with Todd Gray /Carrie Mae Weems --Relocating the fragments: the kaleidoscopic vision of Todd Gray /M. Neelika Jayawardane --Image plates --Artist's biography /Todd Gray --Longing on a large scale /Nana Adusei-Poku --Exhibition checklist --Contributors' biographies

     
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    Quelle: Verbundkataloge
    Beteiligt: Gray, Todd; McGrew, Rebecca (Hrsg.); Adusei-Poku, Nana; Jayawardane, Neelika; Weems, Carrie Mae
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9780997930603; 0997930608
    RVK Klassifikation: AP 94100
    Schlagworte: Kolonialismus <Motiv>; Fotografie
    Weitere Schlagworte: Gray, Todd (1954-); Gray, Todd / 1954- / Exhibitions; Photography, Artistic / Exhibitions; African American photographers / Exhibitions; African American photographers / California / Los Angeles; Composition (Art) / Pictorial works; African diaspora in art / Exhibitions; Multimedia (Art) / Exhibitions; Photography, Artistic; Exhibition catalogs
    Umfang: 185 Seiten, 26 cm
    Bemerkung(en):

    Impressum: This catalog was published on the occasion of the exhibition "Todd Gray: Euclidean Gris Gris" presented at the Pomona College Museum of Art, September 3, 2019-May 17, 2020

    Pagination includes program booklet "Longing on a large scale / curated by Nana Adusei-Poku" (22 x 14 cm) bound between pages 144/177. Includes campus map
  2. A picture gallery of the soul
    Autor*in: Finley, Cheryl
    Erschienen: [2022]
    Verlag:  University of California Press, Oakland, CA

    A Picture Gallery of the Soul presents the work of more than one hundred Black American artists whose practice incorporates the photographic medium. Organized by the Katherine E. Nash Gallery at the University of Minnesota, this group exhibition... mehr

    Standort:
    Zentralinstitut für Kunstgeschichte, Bibliothek
    Fernleihe:
    keine Ausleihe von Bänden, nur Papierkopien werden versandt

     

    A Picture Gallery of the Soul presents the work of more than one hundred Black American artists whose practice incorporates the photographic medium. Organized by the Katherine E. Nash Gallery at the University of Minnesota, this group exhibition samples a range of photographic expressions produced over three centuries, from traditional photography to mixed media and conceptual art. From the daguerreotypes made by Jules Lion in New Orleans in 1840 to the Instagram post of the Baltimore Uprising made by Devin Allen in 2015, photography has chronicled Black American life, and Black Americans have defined the possibilities of photography. Frederick Douglass recognized the quick, easy, and inexpensive reproducibility of photography and developed a theoretical framework for understanding its impact on public discourse, which he delivered as a series of four lectures during the Civil War. It has been widely acknowleged that Douglass, the subject of 160 photographic portraits and the most photographed American of the nineteenth century, anticipated that the history of American photography and the history of Black American culture and politics would be deeply intertwined. A Picture Gallery of the Soul honors the diverse visions of Blackness made manifest through the lens of photography.

     
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    Quelle: Verbundkataloge
    Beteiligt: Milligan, Herman J.; Oransky, Howard; Nelson, Chrystal Am; Rodney, Seph; Willis, Deborah
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9780520388062
    RVK Klassifikation: AP 95740 ; AP 99083
    Auflage/Ausgabe: First edition
    Schlagworte: Porträtfotografie; Person of Color <Motiv>; Fotograf; Person of Color; Fotografie
    Weitere Schlagworte: African American photographers / Exhibitions
    Umfang: 274 Seiten
    Bemerkung(en):

    Titelblattrückseite: "This catalogue is published in conjunction with the exhibition "A Picture Gallery of the Soul", organized by Herman J. Milligan Jr. and Howard Oransky for the Katherine E. Nash Gallery at the University of Minnesota, Minneapolis, September 13-December 10, 2022."

    Includes bibliographical references and index

    Foreword / Deborah Willis -- Preface / Herman J. Milligan, Jr. -- Preface / Howard Oransky -- Mining the archive of black life and culture / Cheryl Finley -- A visual politics of black pleasure / crystal am nelson -- Why we wear a suit to do the work / Seph Rodney.
  3. Joshua Rashaad McFadden
    I believe I'll run on
    Beteiligt: McFadden, Joshua Rashaad; Ward, LaCharles; Harris, Lyle Ashton
    Erschienen: [2022]
    Verlag:  George Eastman Museum, Rochester, NY ; Yale University Press, [New Haven, Connecticut]

    Foreword / Bruce Barnes -- In the long shadow : Black photography, anti-Black violence, and the great beauty of Black life / LaCharles Ward -- A conversation / Lyle Ashton Harris and Joshua Rashaad McFadden "American artist Joshua Rashaad McFadden... mehr

    Standort:
    Zentralinstitut für Kunstgeschichte, Bibliothek
    Fernleihe:
    keine Ausleihe von Bänden, nur Papierkopien werden versandt

     

    Foreword / Bruce Barnes -- In the long shadow : Black photography, anti-Black violence, and the great beauty of Black life / LaCharles Ward -- A conversation / Lyle Ashton Harris and Joshua Rashaad McFadden "American artist Joshua Rashaad McFadden (b. 1990) makes photographs that explore and celebrate Black life in the United States. Published in conjunction with his first solo museum exhibition, Joshua Rashaad McFadden: I Believe I'll Run On demonstrates his mastery of a wide range of photographic genres-social documentary, reportage, portraiture, and fine art-and his use of the medium to confront racism and anti-Black violence. Like Black photographers before him, such as Gordon Parks, Roy DeCarava, Carrie Mae Weems, Dawoud Bey, and LaToya Ruby Frazier, McFadden documents the beauty of Black life and illuminates the specificity of Black living in our historical present, including a series of impactful photographs devoted to the Black Lives Matter protests in 2020. Along with a candid conversation between McFadden and artist Lyle Ashton Harris and an essay that traces McFadden's meteoric career, this catalogue offers an overview of and insight into a poignant and deeply personal body of work, asserting McFadden's key role in shaping the art and visual culture of the United States"--

     
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    Quelle: Verbundkataloge
    Beteiligt: McFadden, Joshua Rashaad; Ward, LaCharles; Harris, Lyle Ashton
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9780300264265
    RVK Klassifikation: AP 94100
    Schlagworte: USA <Motiv>; Fotografie; Person of Color <Motiv>
    Weitere Schlagworte: McFadden, Joshua Rashaad (1990-); McFadden, Joshua Rashaad / Exhibitions; George Eastman Museum / Catalogs; African American photographers / Exhibitions; Photography, Artistic / Exhibitions; Documentary photography / United States / Exhibitions; African Americans in art / Exhibitions; United States / Race relations / In art
    Umfang: 304 Seiten
    Bemerkung(en):

    "This catalog is published in conjunction with the exhibition Joshua Rashaad McFadden: I Believe I'll Run On, presented by the George Eastman Museum, November 5, 2021-June 19, 2022.

    2203
  4. Called to the camera
    Black American studio photographers
    Beteiligt: Piper, Brian; Mason, John Edwin; Williams, Carla; Lord, Russell; Taylor, Susan M.
    Erschienen: [2023]
    Verlag:  New Orleans Museum of Art, [New Orleans, La.] ; Yale University Press, New Haven ; London

    From photography's beginnings in the United States, Black studio photographers operated on the developing edge of popular media to produce affirming portraits for their clients, as well as a wide range of photographic work rooted in their... mehr

    Standort:
    Kunsthistorisches Institut in Florenz, Max-Planck-Institut, Bibliothek

    Standort:
    Zentralinstitut für Kunstgeschichte, Bibliothek
    Fernleihe:
    keine Ausleihe von Bänden, nur Papierkopien werden versandt

     

    From photography's beginnings in the United States, Black studio photographers operated on the developing edge of popular media to produce affirming portraits for their clients, as well as a wide range of photographic work rooted in their communities. Called to the Camera offers a comprehensive history of this work, from the nineteenth-century daguerreotypes of James Presley Ball to the height of Black studios in the mid-twentieth century, and considers contemporary photographers responding to Black studio traditions today. In addition to showcasing famous photographers such as Ball, James Van Der Zee, and Addison Scurlock, this volume brings attention to dozens of other artists across the country, including Florestine Perrault Collins, Austin Hansen, and Henry Clay Anderson. The book features more than one hundred extraordinary vintage photographs, many of them unique objects and some, like those by the Hooks Brothers Studio, published here for the first time. Highlighting Black subjects on both sides of the camera, Called to the Camera presents a broader and more inclusive history of photography

     
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    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Beteiligt: Piper, Brian; Mason, John Edwin; Williams, Carla; Lord, Russell; Taylor, Susan M.
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9780300267389
    Schlagworte: Fotostudio; Schwarze <Motiv>; Porträtfotografie; Schwarze
    Weitere Schlagworte: African American portrait photographers / Exhibitions; African American photographers / Exhibitions; African Americans / Portraits / Exhibitions; Portrait photography / United States / History / Exhibitions; Photographes portraitistes noirs américains / Expositions; Photographes noirs américains / Expositions; Photographie / États-Unis / Histoire / Expositions; Portraits (Photographie) / États-Unis / Expositions; ART / American / African American & Black; African American photographers; Photography; History; United States; History; Exhibition catalogs; Photobooks
    Umfang: 226 Seiten, 29 cm
    Bemerkung(en):

    Frontispizseite: exhibition dates: New Orleans Museum of Art, September 15, 2022 - January 8, 2023

    Director's foreword / Susan M. Taylor -- Introduction / Russell Lord -- "Where there's beauty we take it, and where there's none we can make it:" the work of Black American photography studios / Brian Piper -- Nobody's "faithful servant:" Henry Martin represents himself / John Edwin Mason -- The art of seeing as being seen / Carla Williams
  5. Called to the camera
    Black American studio photographers
    Beteiligt: Williams, Carla; Lord, Russell; Taylor, Susan M. (Verfasser eines Vorworts)
    Erschienen: [2023]
    Verlag:  New Orleans Museum of Art, New Orleans, La ; Yale University Press, New Haven

    From photography's beginnings in the United States, Black studio photographers operated on the developing edge of popular media to produce affirming portraits for their clients, as well as a wide range of photographic work rooted in their... mehr

    Standort:
    Universität Mainz, Zentralbibliothek
    Signatur:
    bestellt
    Fernleihe:
    keine Fernleihe

     

    From photography's beginnings in the United States, Black studio photographers operated on the developing edge of popular media to produce affirming portraits for their clients, as well as a wide range of photographic work rooted in their communities. Called to the Camera offers a comprehensive history of this work, from the nineteenth-century daguerreotypes of James Presley Ball to the height of Black studios in the mid-twentieth century, and considers contemporary photographers responding to Black studio traditions today. In addition to showcasing famous photographers such as Ball, James Van Der Zee, and Addison Scurlock, this volume brings attention to dozens of other artists across the country, including Florestine Perrault Collins, Austin Hansen, and Henry Clay Anderson. The book features more than one hundred extraordinary vintage photographs, many of them unique objects and some, like those by the Hooks Brothers Studio, published here for the first time. Highlighting Black subjects on both sides of the camera, Called to the Camera presents a broader and more inclusive history of photography

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Beteiligt: Williams, Carla; Lord, Russell; Taylor, Susan M. (Verfasser eines Vorworts)
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9780300267389
    Schlagworte: Schwarze; Fotostudio; Porträtfotografie; Schwarze <Motiv>
    Weitere Schlagworte: African American portrait photographers / Exhibitions; African American photographers / Exhibitions; African Americans / Portraits / Exhibitions; Portrait photography / United States / History / Exhibitions; Photographes portraitistes noirs américains / Expositions; Photographes noirs américains / Expositions; Photographie / États-Unis / Histoire / Expositions; Portraits (Photographie) / États-Unis / Expositions; ART / American / African American & Black; African American photographers; Photography; History; United States; History; Exhibition catalogs; Photobooks
    Umfang: 226 Seiten, 29 cm
    Bemerkung(en):

    Frontispizseite: exhibition dates: New Orleans Museum of Art, September 15, 2022 - January 8, 2023

    Director's foreword / Susan M. Taylor -- Introduction / Russell Lord -- "Where there's beauty we take it, and where there's none we can make it:" the work of Black American photography studios / Brian Piper -- Nobody's "faithful servant:" Henry Martin represents himself / John Edwin Mason -- The art of seeing as being seen / Carla Williams