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  1. Invisible man
    Fahamu Pecou
    Autor*in: Pecou, Fahamu
    Erschienen: [2018]; © 2018
    Verlag:  Halsey Institute of Contemporary Art, Charleston, SC

    "Visible Man" [i.e. "Invisible Man"] provides an in-depth look at the work of Atlanta-based artist Fahamu Pecou (born 1975) from the past two decades, showing how Pecou's work investigates the concept of black masculinity and provides new modes for... mehr

    Standort:
    Bayerische Staatsbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Zentralinstitut für Kunstgeschichte, Bibliothek
    Fernleihe:
    keine Ausleihe von Bänden, nur Papierkopien werden versandt

     

    "Visible Man" [i.e. "Invisible Man"] provides an in-depth look at the work of Atlanta-based artist Fahamu Pecou (born 1975) from the past two decades, showing how Pecou's work investigates the concept of black masculinity and provides new modes for the representation of black bodies. Starting with his self-assumed persona "Fahamu Pecou is the Shit!" and his early NEOPOP works, in which he places himself on the covers of prestigious art and culture magazines, the catalog shows the trajectory of his work, ending with the "DO or DIE" and "#BLACKMATTERLIVES" series

     
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    Quelle: Verbundkataloge
    Beteiligt: Sloan, Mark (Hrsg.)
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9781532345074; 1532345070
    Schlagworte: Zeichnung; Malerei; Junger Mann <Motiv>; Person of Color <Motiv>
    Weitere Schlagworte: Pecou, Fahamu (1975-); Pecou, Fahamu / 1975- / Exhibitions; Art and society / Exhibitions; Art / Psychological aspects / Exhibitions; Hope in art / Exhibitions; African American men in art / Exhibitions; Racism in art / Exhibitions; African American art / 21st century / Exhibitions
    Umfang: 174 Seiten
    Bemerkung(en):

    Produced in conjunction with the exhibition"DO or DIE: Affect, Ritual, Resistance" organized by the Halsey Institute of Contemporary Art, College of Charleston, School of the Arts, in collaboration with the Michael C. Carlos Museum of Emory University. Exhibition schedule: Halsey Institute of Contemporary Art, College of Charleston, Charleston, SC, August 26-October 8, 2016; Mary Elizabeth Dee Shaw Gallery, Weber State University, Ogden, UT, February 23-April 7, 2018; Museum of Art, University of New Hampshire, Durham, NH, August 27-October 21, 2018; and, Michael C. Carlos Museum, Emory University, Atlanta, GA, January 19-April 28, 2019
  2. Rock of eye
    Troy Montes-Michie
    Beteiligt: Montes-Michie, Troy; Edwards, Brent Hayes; Andersson, Andrea; Campt, Tina
    Erschienen: 2021
    Verlag:  Siglio, Catskill, New York ; Rivers Institute for Contemporary Art & Thought, [New Orleans] ; California African American Museum, Los Angeles

    The alchemy of the border: Troy Montes-Michie in conversation with Brent Hayes Edwards -- Troy Montes-Michie: Fashion notes / Andrea Andersson -- Troy Montes-Michie: Visioning Black study / Tina Campt -- After words on new beginnings / Cameron Shaw... mehr

    Standort:
    Zentralinstitut für Kunstgeschichte, Bibliothek
    Fernleihe:
    keine Ausleihe von Bänden, nur Papierkopien werden versandt

     

    The alchemy of the border: Troy Montes-Michie in conversation with Brent Hayes Edwards -- Troy Montes-Michie: Fashion notes / Andrea Andersson -- Troy Montes-Michie: Visioning Black study / Tina Campt -- After words on new beginnings / Cameron Shaw To tailor a garment by "rock of eye" is to rely on the drape on experience over mathematical measurement in the fitting process. It is a kind of drawing in space--a freehand, an intuition, a trust of materials. Rock of Eye, published on the occasion of Troy Montes-Michie's (born 1985) solo exhibition at the California African American Museum, is a collection of the artist's collages, drawings, and found and woven images sourced from vintage erotic magazines, French tailoring magazines, found photographs, and other materials. These materials are familiar from Montes-Michie's recent large-scale paintings and collages that center on the Black male body and his series that traces the social history and form of the zoot suit. Troy Montes-Michie was born in El Paso and his practice reflects his experience growing up along the US/Mexico border. This book is a study in ambiguity between portraiture and landscape; his are the cuts and folds of patterning and mapping. In Rock of Eye, Montes-Michie's stitches suture histories and geographies; they establish thresholds for crossing; his needle hits rock

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Verbundkataloge
    Beteiligt: Montes-Michie, Troy; Edwards, Brent Hayes; Andersson, Andrea; Campt, Tina
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9781938221323; 193822132X
    RVK Klassifikation: LI 99999
    Auflage/Ausgabe: First edition
    Schlagworte: Homosexualität <Motiv>; Mann <Motiv>; Assemblage
    Weitere Schlagworte: Montes-Michie, Troy (1985-); Montes-Michie, Troy / Exhibitions; Montes-Michie, Troy / Interviews; Artists' books / Specimens; African American men in art / Exhibitions; Gay men in art / Exhibitions; Male nude in art / Exhibitions; ART / General; African American men in art; Artists' books; Gay men in art; Male nude in art; Exhibition catalogs; Interviews; Photomontages; Specimens; Photomontages
    Umfang: 107 Seiten, 30 cm
    Bemerkung(en):

    Rückseite Titelblatt: This book is occasioned by the eponymous exhibition "Troy Montes-Michie: Rock of Eye" ... runs February 16 - September 4, 2022 at the California African American Museum in Los Angeles

    Includes bibliographical references