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  1. Rock of eye - Troy Montes-Michie
    Beteiligt: Montes-Michie, Troy (KünstlerIn, InterviewteR); Edwards, Brent Hayes (InterviewerIn); Andersson, Andrea (VerfasserIn von Zusatztexten); Campt, Tina (VerfasserIn von Zusatztexten)
    Erschienen: 2021
    Verlag:  Siglio, Catskill, New York ; Rivers Institute for Contemporary Art & Thought, [New Orleans] ; California African American Museum, Los Angeles

    The alchemy of the border: Troy Montes-Michie in conversation with Brent Hayes Edwards -- Troy Montes-Michie: Fashion notes / Andrea Andersson -- Troy Montes-Michie: Visioning Black study / Tina Campt -- After words on new beginnings / Cameron Shaw.... mehr

    Standort:
    Sächsische Landesbibliothek - Staats- und Universitätsbibliothek Dresden
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    The alchemy of the border: Troy Montes-Michie in conversation with Brent Hayes Edwards -- Troy Montes-Michie: Fashion notes / Andrea Andersson -- Troy Montes-Michie: Visioning Black study / Tina Campt -- After words on new beginnings / Cameron Shaw. To tailor a garment by "rock of eye" is to rely on the drape on experience over mathematical measurement in the fitting process. It is a kind of drawing in space--a freehand, an intuition, a trust of materials. Rock of Eye, published on the occasion of Troy Montes-Michie's (born 1985) solo exhibition at the California African American Museum, is a collection of the artist's collages, drawings, and found and woven images sourced from vintage erotic magazines, French tailoring magazines, found photographs, and other materials. These materials are familiar from Montes-Michie's recent large-scale paintings and collages that center on the Black male body and his series that traces the social history and form of the zoot suit. Troy Montes-Michie was born in El Paso and his practice reflects his experience growing up along the US/Mexico border. This book is a study in ambiguity between portraiture and landscape; his are the cuts and folds of patterning and mapping. In Rock of Eye, Montes-Michie's stitches suture histories and geographies; they establish thresholds for crossing; his needle hits rock

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Verbundkataloge
    Beteiligt: Montes-Michie, Troy (KünstlerIn, InterviewteR); Edwards, Brent Hayes (InterviewerIn); Andersson, Andrea (VerfasserIn von Zusatztexten); Campt, Tina (VerfasserIn von Zusatztexten)
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 193822132X; 9781938221323
    RVK Klassifikation: LI 99999
    Schlagworte: Artists' books; African American men in art; Gay men in art; Male nude in art; ART / General; African American men in art; Artists' books; Gay men in art; Male nude in art; Exhibition catalogs; Interviews; Photomontages; Specimens; Photomontages
    Weitere Schlagworte: Montes-Michie, Troy; Montes-Michie, Troy
    Umfang: 107 Seiten, 30 cm
    Bemerkung(en):

    Published on the occasion of the exhibition "Troy Montes-Michie: Rock of Eye" held February 16-September 4, 2022 at the California African-American Museum, Los Angeles

    Includes bibliographical references
  2. Invisible man
    Fahamu Pecou
    Beteiligt: Pecou, Fahamu (KünstlerIn); Sloan, Mark (HerausgeberIn)
    Erschienen: [2016]
    Verlag:  Halsey Institute of Contemporary Art, Charleston, SC ; EMORY, Michael C. Carlos Museum, Atlanta, Ga.

    "Visible Man" [i.e. "Invisible Man"] provides an in-depth look at the work of Atlanta-based artist Fahamu Pecou (born 1975) from the past two decades, showing how Pecou's work investigates the concept of black masculinity and provides new modes for... mehr

    Standort:
    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    "Visible Man" [i.e. "Invisible Man"] provides an in-depth look at the work of Atlanta-based artist Fahamu Pecou (born 1975) from the past two decades, showing how Pecou's work investigates the concept of black masculinity and provides new modes for the representation of black bodies. Starting with his self-assumed persona "Fahamu Pecou is the Shit!" and his early NEOPOP works, in which he places himself on the covers of prestigious art and culture magazines, the catalog shows the trajectory of his work, ending with the "DO or DIE" and "#BLACKMATTERLIVES" series

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Verbundkataloge
    Beteiligt: Pecou, Fahamu (KünstlerIn); Sloan, Mark (HerausgeberIn)
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9781532345074; 1532345070
    RVK Klassifikation: LI 99999
    Schlagworte: Art and society; Art; Hope in art; African American men in art; Racism in art; African American art; African American art; African American men in art; Art; Art and society; Hope in art; Racism in art; Pecou, Fahamu
    Weitere Schlagworte: Pecou, Fahamu (1975-)
    Umfang: 174 pages, 27 cm
    Bemerkung(en):

    Band im Schuber
  3. Boston's Apollo
    Thomas McKeller and John Singer Sargent
    Beteiligt: Sargent, John Singer; Silver, Nathaniel (Hrsg.); Fairbrother, Trevor J.; Fisher, Paul; Greene, Nikki A.; Hirschler, Erica E.; O'Grady, Lorraine; Riley, Casey; Tóibín, Colm
    Erschienen: [2020]; © 2020
    Verlag:  Isabella Stewart Gardner Museum, Boston ; Yale University Press, New Haven ; London

    "In 1916, John Singer Sargent (1856-1925) met Thomas Eugene McKeller (1890-1962), a young Black elevator attendant, at Boston's Hotel Vendome. McKeller posed for most of the figures--both male and female--in Sargent's murals in the Museum of Fine... mehr

    Standort:
    Universitätsbibliothek Bamberg
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Universitätsbibliothek Erlangen-Nürnberg, Hauptbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Kunsthistorisches Institut in Florenz, Max-Planck-Institut, Bibliothek

    Standort:
    Bayerische Staatsbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Zentralinstitut für Kunstgeschichte, Bibliothek
    Fernleihe:
    keine Ausleihe von Bänden, nur Papierkopien werden versandt

    Standort:
    Universitätsbibliothek Würzburg
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    "In 1916, John Singer Sargent (1856-1925) met Thomas Eugene McKeller (1890-1962), a young Black elevator attendant, at Boston's Hotel Vendome. McKeller posed for most of the figures--both male and female--in Sargent's murals in the Museum of Fine Arts. The painter transformed McKeller into white gods and goddesses, creating soaring allegories of the liberal arts that celebrated the recent expansion of the city's premier civic museum. Sargent then gave the preparatory drawings of McKeller to Isabella Stewart Gardner, ensuring their preservation in perpetuity. Displayed together for the first time, the drawings provide a window into the metamorphoses of race, gender, and identity, and attest to a relationship between two men, artist and model, at a time of intense social upheaval. This exhibition brings together Sargent's drawings and related historical materials to tell the story of McKeller's life. His central importance in Sargent's major artistic commissions in the Boston area considers critical questions of race, class, and sexuality--as relevant today as they were in Gilded Age Boston."

     
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    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Beteiligt: Sargent, John Singer; Silver, Nathaniel (Hrsg.); Fairbrother, Trevor J.; Fisher, Paul; Greene, Nikki A.; Hirschler, Erica E.; O'Grady, Lorraine; Riley, Casey; Tóibín, Colm
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    RVK Klassifikation: LI 77880
    Schlagworte: Artists' models / Biography; African American men in art; Nude in art; Human figure in art; Mural painting and decoration, American / Massachusetts / Boston / 20th century; Modell <Kunst>; Kunst; Aktdarstellung
    Weitere Schlagworte: Sargent, John Singer / 1856-1925 / Exhibitions; Sargent, John Singer / 1856-1925 / Criticism and interpretation; Sargent, John Singer / 1856-1925 / Themes, motives, etc; McKeller, Thomas Eugene / 1890-1962; Sargent, John Singer (1856-1925)
    Umfang: 256 Seiten, 29 cm
    Bemerkung(en):

    Rückseite Titelblatt: First published to accompany the exhibition "Boston's Apollo. Thomas McKeller and John Singer Sargent", curated by Nathaniel Silver, William and Lia Poorvu Curator of the Collection at the Isabella Stewart Gardner Museum, Boston, 13 February - 17 May 2020

    Thomas McKeller, John Singer Sargent, and Isabella Stewart Gardner : an introduction / Nathaniel Silver -- "Atlas, with the world on his shoulders, this was my body" : Thomas McKeller and his work with John Singer Sargent / Paul Fisher -- Thomas McKeller sous rapture : John Singer Sargent's erasure of a Black male model / Nikki A. Greene -- Notes on living a translated life / Lorraine O'Grady -- John Singer Sargent : academician / Erica E. Hirshler -- Secrets & sensuality : the private lives of John Singer Sargent and Henry James / Colm Tóibín -- 1986 / Trevor Fairbrother -- To make a case : Isabella Stewart Gardner's archival installations at Fenway Court / Casey Riley
  4. Rock of eye
    Troy Montes-Michie
    Beteiligt: Montes-Michie, Troy; Edwards, Brent Hayes; Andersson, Andrea; Campt, Tina
    Erschienen: 2021
    Verlag:  Siglio, Catskill, New York ; Rivers Institute for Contemporary Art & Thought, [New Orleans] ; California African American Museum, Los Angeles

    The alchemy of the border: Troy Montes-Michie in conversation with Brent Hayes Edwards -- Troy Montes-Michie: Fashion notes / Andrea Andersson -- Troy Montes-Michie: Visioning Black study / Tina Campt -- After words on new beginnings / Cameron Shaw... mehr

    Standort:
    Zentralinstitut für Kunstgeschichte, Bibliothek
    Fernleihe:
    keine Ausleihe von Bänden, nur Papierkopien werden versandt

     

    The alchemy of the border: Troy Montes-Michie in conversation with Brent Hayes Edwards -- Troy Montes-Michie: Fashion notes / Andrea Andersson -- Troy Montes-Michie: Visioning Black study / Tina Campt -- After words on new beginnings / Cameron Shaw To tailor a garment by "rock of eye" is to rely on the drape on experience over mathematical measurement in the fitting process. It is a kind of drawing in space--a freehand, an intuition, a trust of materials. Rock of Eye, published on the occasion of Troy Montes-Michie's (born 1985) solo exhibition at the California African American Museum, is a collection of the artist's collages, drawings, and found and woven images sourced from vintage erotic magazines, French tailoring magazines, found photographs, and other materials. These materials are familiar from Montes-Michie's recent large-scale paintings and collages that center on the Black male body and his series that traces the social history and form of the zoot suit. Troy Montes-Michie was born in El Paso and his practice reflects his experience growing up along the US/Mexico border. This book is a study in ambiguity between portraiture and landscape; his are the cuts and folds of patterning and mapping. In Rock of Eye, Montes-Michie's stitches suture histories and geographies; they establish thresholds for crossing; his needle hits rock

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Verbundkataloge
    Beteiligt: Montes-Michie, Troy; Edwards, Brent Hayes; Andersson, Andrea; Campt, Tina
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9781938221323; 193822132X
    RVK Klassifikation: LI 99999
    Auflage/Ausgabe: First edition
    Schlagworte: Homosexualität <Motiv>; Mann <Motiv>; Assemblage
    Weitere Schlagworte: Montes-Michie, Troy (1985-); Montes-Michie, Troy / Exhibitions; Montes-Michie, Troy / Interviews; Artists' books / Specimens; African American men in art / Exhibitions; Gay men in art / Exhibitions; Male nude in art / Exhibitions; ART / General; African American men in art; Artists' books; Gay men in art; Male nude in art; Exhibition catalogs; Interviews; Photomontages; Specimens; Photomontages
    Umfang: 107 Seiten, 30 cm
    Bemerkung(en):

    Rückseite Titelblatt: This book is occasioned by the eponymous exhibition "Troy Montes-Michie: Rock of Eye" ... runs February 16 - September 4, 2022 at the California African American Museum in Los Angeles

    Includes bibliographical references
  5. Black male
    representations of masculinity in contemporary American art ; [exhibition at the Whitney Museum of American Art, November 10, 1994 - March 5, 1995]
    Autor*in: Golden, Thelma
    Erschienen: c1994
    Verlag:  Abrams, New York

    Standort:
    Haus der Kulturen der Welt, HKW.Bibliothek
    Signatur:
    FG 300 AM-01 Bla
    Fernleihe:
    keine Ausleihe von Bänden, nur Papierkopien werden versandt

    Standort:
    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
    Signatur:
    ::8:2013:1741:
    Fernleihe:
    keine Fernleihe

    Standort:
    Sächsische Landesbibliothek - Staats- und Universitätsbibliothek Dresden
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Museum für Moderne Kunst, Bibliothek
    Signatur:
    96/106
    Fernleihe:
    keine Ausleihe von Bänden, nur Papierkopien werden versandt

    Standort:
    Staats- und Universitätsbibliothek Hamburg Carl von Ossietzky
    Signatur:
    AA M II 2400
    Fernleihe:
    keine Fernleihe

    Standort:
    Universitätsbibliothek Heidelberg
    Signatur:
    95 A 4824
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    documenta archiv, Bibliothek
    Signatur:
    10 Gen 1 1994
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Hochschule für Grafik und Buchkunst, Bibliothek
    Fernleihe:
    keine Fernleihe

    Standort:
    Stiftung Galerie für Zeitgenössische Kunst Leipzig, Bibliothek
    Signatur:
    30.15 New York Whitney 1994:1
    Fernleihe:
    keine Ausleihe von Bänden, nur Papierkopien werden versandt

    Standort:
    Bibliotheks-und Informationssystem der Carl von Ossietzky Universität Oldenburg (BIS)
    Signatur:
    kun 879 mq CA 4606
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Württembergische Landesbibliothek
    Signatur:
    45/81591
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    UB Weimar
    Signatur:
    132 736
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 0874270936
    RVK Klassifikation: LO 94030
    Schlagworte: Männlichkeit
    Weitere Schlagworte: Array; Array; Array
    Umfang: 223 Seiten, Ill., 25 cm
    Bemerkung(en):

    Includes bibliographical references (p. 201-210)

    Filmography: p. 215-219

    Ausstellungsdaten der Beilage entnommen

    Literaturverz. S. 201 - 210

    Filmogr. S. 215 - 219
  6. Black male
    representations of masculinity in contemporary American art ; [exhibition at the Whitney Museum of American Art, November 10, 1994 - March 5, 1995]
    Autor*in: Golden, Thelma
    Erschienen: c1994
    Verlag:  Abrams, New York

    Standort:
    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 0874270936
    RVK Klassifikation: LO 94030
    Schlagworte: Männlichkeit
    Weitere Schlagworte: Array; Array; Array
    Umfang: 223 Seiten, Ill., 25 cm
    Bemerkung(en):

    Includes bibliographical references (p. 201-210)

    Filmography: p. 215-219

    Ausstellungsdaten der Beilage entnommen

    Literaturverz. S. 201 - 210

    Filmogr. S. 215 - 219
  7. Invisible man
    Fahamu Pecou
    Beteiligt: Pecou, Fahamu (KünstlerIn); Sloan, Mark (HerausgeberIn)
    Erschienen: [2016]
    Verlag:  Halsey Institute of Contemporary Art, Charleston, SC ; EMORY, Michael C. Carlos Museum, Atlanta, Ga.

    "Visible Man" [i.e. "Invisible Man"] provides an in-depth look at the work of Atlanta-based artist Fahamu Pecou (born 1975) from the past two decades, showing how Pecou's work investigates the concept of black masculinity and provides new modes for... mehr

    Standort:
    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
    Signatur:
    ::8:2018:2950:
    Fernleihe:
    keine Fernleihe

     

    "Visible Man" [i.e. "Invisible Man"] provides an in-depth look at the work of Atlanta-based artist Fahamu Pecou (born 1975) from the past two decades, showing how Pecou's work investigates the concept of black masculinity and provides new modes for the representation of black bodies. Starting with his self-assumed persona "Fahamu Pecou is the Shit!" and his early NEOPOP works, in which he places himself on the covers of prestigious art and culture magazines, the catalog shows the trajectory of his work, ending with the "DO or DIE" and "#BLACKMATTERLIVES" series

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Verbundkataloge
    Beteiligt: Pecou, Fahamu (KünstlerIn); Sloan, Mark (HerausgeberIn)
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9781532345074; 1532345070
    RVK Klassifikation: LI 99999
    Schlagworte: Art and society; Art; Hope in art; African American men in art; Racism in art; African American art; African American art; African American men in art; Art; Art and society; Hope in art; Racism in art; Pecou, Fahamu
    Weitere Schlagworte: Pecou, Fahamu (1975-)
    Umfang: 174 pages, 27 cm
    Bemerkung(en):

    Band im Schuber