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  1. Black cultural production after civil rights
    Beteiligt: Patterson, Robert J. (HerausgeberIn)
    Erschienen: [2019]
    Verlag:  University of Illinois Press, Urbana

    Standort:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    Quelle: Staatsbibliothek zu Berlin
    Beteiligt: Patterson, Robert J. (HerausgeberIn)
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9780252084607; 9780252042775
    Schlagworte: African American arts; African American arts; American literature; African Americans in motion pictures; African American artists; African Americans; Politics and culture
    Umfang: x, 268 Seiten, Illustrationen
    Bemerkung(en):

    Includes bibliographical references and index
  2. History and memory in African-American culture
    Beteiligt: Fabre, Geneviève (Hrsg.)
    Erschienen: 1994
    Verlag:  Oxford University Press, New York [u.a.]

    Standort:
    Universität Potsdam, Universitätsbibliothek
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    Quelle: Verbundkataloge
    Beteiligt: Fabre, Geneviève (Hrsg.)
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 0195083962; 0195083970
    RVK Klassifikation: LB 63610 ; HU 1728 ; HR 1728
    Schlagworte: African Americans; African Americans; African American arts; Social Sciences
    Umfang: X, 321 S, Ill
    Bemerkung(en):

    Mit Literaturangaben und Index
  3. A companion to the Harlem Renaissance
    Beteiligt: Sherrard-Johnson, Cherene (HerausgeberIn)
    Erschienen: 2015
    Verlag:  Wiley Blackwell, Chichester, West Sussex, UK

    "A Companion to the Harlem Renaissance presents a comprehensive collection of original essays that address the literature and culture of the Harlem Renaissance from the end of World War I to the middle of the 1930s"--Provided by publisher Machine... mehr

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    Universität Potsdam, Universitätsbibliothek
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    "A Companion to the Harlem Renaissance presents a comprehensive collection of original essays that address the literature and culture of the Harlem Renaissance from the end of World War I to the middle of the 1930s"--Provided by publisher Machine generated contents note: 1. What Renaissance?: A Deep Genealogy of Black Culture in Nineteenth-Century New York City / Cherene Sherrard-Johnson -- 2. Postbellum, Pre-Harlem: Black Writing before the Renaissance / Carla L. Peterson -- 3. Harlem Nights: Expressive Culture, Popular Performance, and the New Negro / Andreá N. Williams -- 4. The New Negro and the New South / Jayna Brown -- 5."All the loving words I never dared to speak": Angelina Weld Grimké's Sapphic Modernism / Erin D. Chapman -- 6. Modernism and the Urban Frontier in the Work of Dorothy West and Helene Johnson / Maureen Honey -- 7. Blueprints for Negro Reading: Sterling Brown's Study Guides / Cynthia Davis / Verner D. Mitchell -- 8. Fashioning Internationalism in Jessie Redmon Fauset's Writing / Sonya Posmentier -- 9. The New Negro Iconoclast, or, The Curious Case of George Samuel Schuyler / Elizabeth M. Sheehan -- 10. Nella Larsen's Spiritual Strivings / Ivy G. Wilson. Note continued: 11. Pastoral and the Problem of Place in Claude McKay's Harlem Shadows / Kathy L. Glass -- 12. Gwendolyn Bennett: A Leading Voice of the Harlem Renaissance / Jennifer Chang -- 13. Reconsidering the Literary Career of Chicago's Zara Wright / Belinda Wheeler -- 14."Betwixt and between": Zora Neale Hurston In[--]and Out[--]of Harlem / Rynetta Davis -- 15. Salon Cultures and Spaces of Culture Edification / Carla Kaplan -- 16. The Sensuous Harlem Renaissance: Sexuality and Queer Culture / André M. Carrington -- 17. Changing Optics: Harlem Renaissance Theater and Performance / Shane Vogel -- 18. Phonography, Race Records, and the Blues Poetry of Langston Hughes / Soyica Diggs Colbert -- 19. Between a Rock and a Hard Place: Sculpture of the Harlem Renaissance / Lisa Hollenbach -- 20. Authenticity and the Boundaries of Blackness / Kirsten Pai Buick -- 21. Black Marxism and the Literary Left / J. Martin Favor. Note continued: 22."Light, bright and damn near white": Representations of Mixed Race in the Harlem Renaissance / Gary Edward Holcomb -- 23. The Aesthetics of Anticipation: The Harlem Renaissance and the Black Arts Movement / Michele Elam -- 24. The "Lost Years" or a "Decade of Progress"?: African American Writers and the Second World War / Margo Natalie Crawford -- 25. Ethiopia in the Verse of the Late Harlem Renaissance / Vaughn Rasberry -- 26. Mapping the Harlem Renaissance in the Americas / Nadia Nurhussein -- 27. Virtual Harlem: Experiencing the New Negro Renaissance / Michael Soto.

     
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  4. Black queer freedom
    spaces of injury and paths of desire
    Autor*in: Avilez, GerShun
    Erschienen: [2020]
    Verlag:  University of Illinois Press, Urbana$aChicago$aSpringfield

    "Whether engaged in same-sex desire or gender nonconformity, black queer individuals live with being perceived as a threat while simultaneously being subjected to the threat of physical, psychological, and socioeconomic injury. Attending to and... mehr

    Standort:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    "Whether engaged in same-sex desire or gender nonconformity, black queer individuals live with being perceived as a threat while simultaneously being subjected to the threat of physical, psychological, and socioeconomic injury. Attending to and challenging threats has become a defining element in queer black artists' work throughout the black diaspora. GerShun Avilez analyzes the work of diasporic artists who, denied government protections, have used art to create spaces for justice. He first focuses on how the state seeks to inhibit the movement of black queer bodies through public spaces, whether on the street or across borders. From there, he pivots to institutional spaces--specifically prisons and hospitals--and the ways such places seek to expose queer bodies in order to control them. Throughout, he reveals how desire and art open routes to black queer freedom when policy, the law, racism, and homophobia threaten physical safety, civil rights, and social mobility"--

     
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    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9780252043376; 9780252085284
    Schriftenreihe: The new black studies series
    Schlagworte: African American gays; Gays, Black; African American arts; Gay artists; Homophobia; Racism; Queer theory
    Umfang: xi, 184 Seiten
    Bemerkung(en):

    Enthält Anmerkungen und Index
  5. Transatlantic crossings between Paris and New York
    Pan-Africanism, cultural difference and the arts in the interwar years
    Autor*in: Schmeisser, Iris
    Erschienen: 2006
    Verlag:  Winter, Heidelberg

    Standort:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Dissertation
    Format: Druck
    ISBN: 9783825351281; 3825351289
    RVK Klassifikation: HU 1520
    Schriftenreihe: American Studies ; 133
    Schlagworte: African American arts; African American arts; Pan-Africanism
    Umfang: 376 S., Ill, 210 mm x 135 mm
    Bemerkung(en):

    Zugl.: München, Univ., Diss., 2003
  6. Post-bellum, pre-Harlem
    African American literature and culture, 1877-1919
    Beteiligt: McCaskill, Barbara (Hrsg.)
    Erschienen: c 2006
    Verlag:  New York Univ. Press, New York, NY [u.a.]

    Standort:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    Quelle: Staatsbibliothek zu Berlin
    Beteiligt: McCaskill, Barbara (Hrsg.)
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 0814731686; 0814731678; 9780814731680; 9780814731673
    Weitere Identifier:
    978081473168090000
    9780814731680
    2005037589
    RVK Klassifikation: HT 1728
    Schlagworte: African American arts; African American arts; African American arts; African American arts
    Umfang: XIV, 298 S, Ill, 23 cm
    Bemerkung(en):

    Includes bibliographical references (p. 269-279) and index

    Creative collaboration: as African American as sweet potato pie / Frances Smith FosterCommemorative ceremonies and invented traditions: history, memory, and modernity in the "new Negro" novel of the Nadir / Carla L. Peterson -- Landscapes of labor: race, religion, and Rhode Island in the painting of Edward Mitchell Bannister / Gwendolyn DuBois Shaw -- "Manly husbands and womanly wives": the leadership of educator Lucy Craft Laney / Audrey Thomas McCluskey -- Old and new issue servants: "race" men and women weigh in / Barbara Ryan -- Savannah's Colored Tribune, the Reverend E. K. Love, and the sacred rebellion of uplift / Barbara McCaskill -- A marginal man in Black Bohemia: James Weldon Johnson in the New York tenderloin / Robert M. Dowling -- Jamming with Julius: Charles Chesnutt and the post-bellum-pre-Harlem blues / Barbara A. Baker -- Rewriting Dunbar: realism, black women poets, and the genteel / Paula Bernat Bennett -- Inventing a "Negro Literature": race, dialect, and gender in the early work of Paul Laurence Dunbar, James Weldon Johnson, and Alice Dunbar-Nelson / Caroline Gebhard -- No excuses for our dirt: Booker T. Washington and a "new Negro" middle class / Philip J. Kowalski -- War work, social work, community work: Alice Dunbar-Nelson, federal war work agencies, and Southern African American women / Nikki L. Brown -- Antilynching plays: Angelina Weld Grimké, Alice Dunbar-Nelson, and the evolution of African American drama / Koritha A. Mitchell -- Henry Ossawa Tanner and W. E. B. Du Bois: African American art and "high culture" at the turn into the twentieth century / Margaret Crumpton Winter and Rhonda Reymond -- The Folk, The School, and the Marketplace: Locations of Culture in The souls of black folk / Andrew J. Scheiber.

    Creative collaboration: as African American as sweet potato pie / Frances Smith Foster -- Commemorative ceremonies and invented traditions: history, memory, and modernity in the "new Negro" novel of the Nadir / Carla L. Peterson -- Landscapes of labor: race, religion, and Rhode Island in the painting of Edward Mitchell Bannister / Gwendolyn DuBois Shaw -- "Manly husbands and womanly wives": the leadership of educator Lucy Craft Laney / Audrey Thomas McCluskey -- Old and new issue servants: "race" men and women weigh in / Barbara Ryan -- Savannah's Colored Tribune, the Reverend E. K. Love, and the sacred rebellion of uplift / Barbara McCaskill -- A marginal man in Black Bohemia: James Weldon Johnson in the New York tenderloin / Robert M. Dowling -- Jamming with Julius: Charles Chesnutt and the post-bellum-pre-Harlem blues / Barbara A. Baker -- Rewriting Dunbar: realism, black women poets, and the genteel / Paula Bernat Bennett -- Inventing a "Negro Literature": race, dialect, and gender in the early work of Paul Laurence Dunbar, James Weldon Johnson, and Alice Dunbar-Nelson / Caroline Gebhard -- No excuses for our dirt: Booker T. Washington and a "new Negro" middle class / Philip J. Kowalski -- War work, social work, community work: Alice Dunbar-Nelson, federal war work agencies, and Southern African American women / Nikki L. Brown -- Antilynching plays: Angelina Weld Grimké, Alice Dunbar-Nelson, and the evolution of African American drama / Koritha A. Mitchell -- Henry Ossawa Tanner and W. E. B. Du Bois: African American art and "high culture" at the turn into the twentieth century / Margaret Crumpton Winter and Rhonda Reymond -- The Folk, The School, and the Marketplace: Locations of Culture in The souls of black folk / Andrew J. Scheiber
  7. New thoughts on the Black arts movement
    Erschienen: 2006
    Verlag:  Rutgers Univ. Press, New Brunswick, NJ [u.a.]

    Standort:
    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 0813536944; 0813536952; 9780813536958
    RVK Klassifikation: HU 1728
    Schlagworte: Black Arts movement; African American arts; Arts
    Umfang: X, 390 S, Ill., Kt, 26 cm
  8. Performing blackness
    enactments of African-American modernism
    Autor*in: Benston, Kimberly W.
    Erschienen: 2000
    Verlag:  Routledge, London [u.a.]

    "Performing Blackness offers a challenging interpretation of black cultural expression since the Black Arts Movement of the 1960s. Exploring drama, music, poetry, sermons, and criticism, Benston offers an exciting meditation on modern black... mehr

    Standort:
    Freie Universität Berlin, Universitätsbibliothek
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    Standort:
    Universität der Künste Berlin, Universitätsbibliothek
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    "Performing Blackness offers a challenging interpretation of black cultural expression since the Black Arts Movement of the 1960s. Exploring drama, music, poetry, sermons, and criticism, Benston offers an exciting meditation on modern black performance's role in realizing African-American aspirations for autonomy and authority." "Artists covered include: Ntozake Shange, Ed Bullins, John Coltrane, Amiri Baraka, Adrienne Kennedy, and Michael Harper."--BOOK JACKET.

     
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    Quelle: Philologische Bibliothek, FU Berlin
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 0415009480; 0415009499
    RVK Klassifikation: HU 1728
    Auflage/Ausgabe: 1. publ.
    Schlagworte: Amerikaans; Letterkunde; Negers; Uitvoerende kunsten; Geschichte; Literatur; Schwarze; Schwarze. USA; African American arts; African Americans in literature; African Americans; American literature; American literature; Modernism (Literature); Performing arts; Moderne; Schwarze; Literatur
    Umfang: XIII, 386 S., Ill.
  9. American culture between the wars
    revisionary modernism & postmodern critique
    Autor*in: Kalaidjian, Walter B.
    Erschienen: c 1993
    Verlag:  Columbia Univ. Press, New York [u.a.]

    Standort:
    Universität Potsdam, Universitätsbibliothek
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 0231082789; 0231082797
    Schlagworte: Arts and society; Feminism and the arts; African American arts; Avant-garde (Aesthetics); Kultur; Postmoderne
    Umfang: XVI, 316 S, Ill., graph. Darst, 24 cm
    Bemerkung(en):

    Includes bibliographical references (p. [265]-303) and index

    Literaturangaben
  10. Kwame Brathwaite - black is beautiful
    Autor*in: Ford, Tanisha C.
    Erschienen: 2019
    Verlag:  Aperture, New York, NY

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    Quelle: Verbundkataloge
    Beteiligt: Brathwaite, Kwame; Willis, Deborah
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9781597114431
    RVK Klassifikation: AP 94100
    Auflage/Ausgabe: First edition
    Schlagworte: Photograhy, Artistic; African American photographers; Photographers; African Americans; African Americans; African American arts; Harlem Renaissance
    Weitere Schlagworte: Brathwaite, Kwame (1938-)
    Umfang: 143 Seiten
    Bemerkung(en):

    Coincides with a touring exhibition of Brathwaite's work May 2019

    Includes bibliographical references
  11. Aphrodite's Daughters
    Three Modernist Poets of the Harlem Renaissance
    Autor*in: Honey, Maureen
    Erschienen: [2016]; © 2016
    Verlag:  Rutgers University Press, New Brunswick, NJ

    The Harlem Renaissance was a watershed moment for racial uplift, poetic innovation, sexual liberation, and female empowerment. Aphrodite’s Daughters introduces us to three amazing women who were at the forefront of all these developments, poetic... mehr

    Standort:
    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
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    Link zum Verbundkatalog:
    Kooperativer Bibliotheksverbund Berlin-Brandenburg (KOBV)

     

    The Harlem Renaissance was a watershed moment for racial uplift, poetic innovation, sexual liberation, and female empowerment. Aphrodite’s Daughters introduces us to three amazing women who were at the forefront of all these developments, poetic iconoclasts who pioneered new and candidly erotic forms of female self-expression. Maureen Honey paints a vivid portrait of three African American women—Angelina Weld Grimké, Gwendolyn B. Bennett, and Mae V. Cowdery—who came from very different backgrounds but converged in late 1920s Harlem to leave a major mark on the literary landscape. She examines the varied ways these poets articulated female sexual desire, ranging from Grimké’s invocation of a Sapphic goddess figure to Cowdery’s frank depiction of bisexual erotics to Bennett’s risky exploration of the borders between sexual pleasure and pain. Yet Honey also considers how they were united in their commitment to the female body as a primary source of meaning, strength, and transcendence. The product of extensive archival research, Aphrodite’s Daughters draws from Grimké, Bennett, and Cowdery’s published and unpublished poetry, along with rare periodicals and biographical materials, to immerse us in the lives of these remarkable women and the world in which they lived. It thus not only shows us how their artistic contributions and cultural interventions were vital to their own era, but also demonstrates how the poetic heart of their work keeps on beating

     
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  12. Wrestling with the muse
    Dudley Randall and the Broadside Press
    Autor*in: Boyd, Melba Joyce
    Erschienen: c2003
    Verlag:  Columbia University Press, New York

    Standort:
    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
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    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Link zum Verbundkatalog:
    Kooperativer Bibliotheksverbund Berlin-Brandenburg (KOBV)
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780231503648
    Weitere Identifier:
    Schlagworte: Geschichte; African American arts; African American poets; American literature; Literature publishing; Poets, American; Publishers and publishing; Presse
    Weitere Schlagworte: Randall, Dudley (1914-2000); Randall, Dudley (1914-2000)
    Umfang: 1 Online-Ressource (xii, 385 p)
    Bemerkung(en):

    Includes bibliographical references (p. [363]-370) and index
  13. Literary Sisters
    Dorothy West and Her Circle, A Biography of the Harlem Renaissance
    Autor*in: Mitchell, Verner D.; Davis, Cynthia
    Erschienen: [2011]; © 2012
    Verlag:  Rutgers University Press, New Brunswick, NJ

    Harlem Renaissance writer Dorothy West led a charmed life in many respects. Born into a distinguished Boston family, she appeared in Gershwin’s Porgy and Bess, then lived in the Soviet Union with a group that included Langston Hughes, to whom she... mehr

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    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
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    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Link zum Verbundkatalog:
    Kooperativer Bibliotheksverbund Berlin-Brandenburg (KOBV)

     

    Harlem Renaissance writer Dorothy West led a charmed life in many respects. Born into a distinguished Boston family, she appeared in Gershwin’s Porgy and Bess, then lived in the Soviet Union with a group that included Langston Hughes, to whom she proposed marriage. She later became friends with Jacqueline Kennedy Onassis, who encouraged her to finish her second novel, The Wedding, which became the octogenarian author’s first bestseller. Literary Sisters reveals a different side of West’s personal and professional lives—her struggles for recognition outside of the traditional literary establishment, and her collaborations with talented African American women writers, artists, and performers who faced these same problems. West and her "literary sisters"—women like Zora Neale Hurston and West’s cousin, poet Helene Johnson—created an emotional support network that also aided in promoting, publishing, and performing their respective works. Integrating rare photos, letters, and archival materials from West’s life, Literary Sisters is not only a groundbreaking biography of an increasingly important author but also a vivid portrait of a pivotal moment for African American women in the arts

     
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780813552132
    Weitere Identifier:
    Schlagworte: LITERARY CRITICISM / General; African American arts; African American women in literature; African American women; American literature; American literature; Harlem Renaissance
    Umfang: 1 online resource (216 pages), 23 photographs
    Bemerkung(en):

    Description based on online resource; title from PDF title page (publisher's Web site, viewed 23. Jun 2020)
  14. A companion to the Harlem Renaissance
    Beteiligt: Sherrard-Johnson, Cherene (editor.)
    Erschienen: 2015
    Verlag:  Wiley Blackwell, Hoboken, NJ

    "A Companion to the Harlem Renaissance presents a comprehensive collection of original essays that address the literature and culture of the Harlem Renaissance from the end of World War I to the middle of the 1930s"--Provided by publisher mehr

    Standort:
    Bibliotheks-und Informationssystem der Carl von Ossietzky Universität Oldenburg (BIS)
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    Standort:
    Bibliotheks-und Informationssystem der Carl von Ossietzky Universität Oldenburg (BIS)
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    Standort:
    Bibliotheks-und Informationssystem der Carl von Ossietzky Universität Oldenburg (BIS)
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    Standort:
    Universitätsbibliothek Osnabrück
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    "A Companion to the Harlem Renaissance presents a comprehensive collection of original essays that address the literature and culture of the Harlem Renaissance from the end of World War I to the middle of the 1930s"--Provided by publisher

     
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    Quelle: Verbundkataloge
    Beteiligt: Sherrard-Johnson, Cherene (editor.)
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Online
    Schriftenreihe: Blackwell companions to literature and culture ; 91
    Schlagworte: Literature and society; African American arts; African Americans in literature; Harlem Renaissance; American literature; African Americans in popular culture
    Umfang: Online-Ressource
    Bemerkung(en):

    Includes bibliographical references and index
  15. Beyond the color line and the Iron Curtain
    reading encounters between Black and Red, 1922-1963
    Autor*in: Baldwin, Kate A.
    Erschienen: 2002
    Verlag:  Duke University Press, Durham, N.C

    Re-examines the relations between African Americans and the Soviet Union from a more transnational perspective and shows how these relations were crucial in the formation of Black modernism mehr

    Standort:
    Hochschulbibliothek Friedensau
    Signatur:
    Online-Ressource
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    keine Fernleihe

     

    Re-examines the relations between African Americans and the Soviet Union from a more transnational perspective and shows how these relations were crucial in the formation of Black modernism

     
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 0822329905; 1283063328; 0822383837; 082232976X; 9781283063326; 9780822329909; 9780822383833; 9780822329763
    Schriftenreihe: New Americanists
    Schlagworte: African American arts; African Americans; African American authors; Communism; African American intellectuals
    Umfang: Online-Ressource (xii, 346 p), ill, 24 cm
    Bemerkung(en):

    Includes bibliographical references (p. [263]-331) and index

    Electronic reproduction; Available via World Wide Web

    CONTENTS; Acknowledgments; Introduction: The Demand for a New Kind of Person:Black Americans and the Soviet Union, 1922-1963; 1 ''Not at All God's White People'': McKay and the Negro in Red; 2 Between Harem and Harlem: Hughes and the Ways of the Veil; 3 Du Bois, Russia, and the ''Refusal to Be 'White,' ''; 4 Black Shadows across the Iron Curtain: Robeson's Stancebetween Cold War Cultures; Epilogue: The Only Television Hostess Who Doesn't Turn Red; Notes; Selected Bibliography; Index
  16. The Indignant Generation
    A Narrative History of African American Writers and Critics, 1934-1960
    Autor*in: Jackson, Lawrence P
    Erschienen: [2021]
    Verlag:  Princeton University Press, Princeton, NJ

    Frontmatter -- Contents -- List of Illustrations -- Acknowledgments -- Introduction Irredeemable Promise: The Bittersweet Career of J. Saunders Redding -- Chapter One Three Swinging Sisters: Harlem, Howard, and the South Side (1934–1936) -- Chapter... mehr

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    Standort:
    Hochschule für Gesundheit, Hochschulbibliothek
    Signatur:
    Initiative E-Books.NRW
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    Standort:
    Universitätsbibliothek Braunschweig
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    Standort:
    Staats- und Universitätsbibliothek Bremen
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    Standort:
    Zentrale Hochschulbibliothek Flensburg
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    Standort:
    Universitätsbibliothek Greifswald
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    Standort:
    HafenCity Universität Hamburg, Bibliothek
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    Standort:
    Staats- und Universitätsbibliothek Hamburg Carl von Ossietzky
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    Frontmatter -- Contents -- List of Illustrations -- Acknowledgments -- Introduction Irredeemable Promise: The Bittersweet Career of J. Saunders Redding -- Chapter One Three Swinging Sisters: Harlem, Howard, and the South Side (1934–1936) -- Chapter Two The Black Avant-Garde between Left and Right (1935–1939) -- Chapter Three A New Kind of Challenge (1936–1939) -- Chapter Four The Triumph of Chicago Realism (1938–1940) -- Chapter Five Bigger Thomas among the Liberals (1940–1943) -- Chapter Six Friends in Need of Negroes: Bucklin Moon and Thomas Sancton (1942–1945) -- Chapter Seven “Beating That Boy”: White Writers, Critics, Editors, and the Liberal Arts Coalition (1944–1949) -- Chapter Eight Afroliberals and the End of World War II (1945–1946) -- Chapter Nine Black Futilitarianists and the Welcome Table (1945–1947) -- Chapter Ten The Peril of Something New, or, the Decline of Social Realism (1947–1948) -- Chapter Eleven The Negro New Liberal Critic and the Big Little Magazine (1948–1949) -- Chapter Twelve The Communist Dream of African American Modernism (1947–1950) -- Chapter Thirteen The Insinuating Poetics of the Mainstream (1949–1950) -- Chapter Fourteen Still Looking for Freedom (1949–1954) -- Chapter Fifteen The Expatriation: The Price of Brown and the New Bohemians (1952–1955) -- Chapter Sixteen Liberal Friends No More: The Rubble of White Patronage (1956–1958) -- Chapter Seventeen The End of the Negro Writer (1955–1960) -- Chapter Eighteen The Reformation of Black New Liberals (1958–1960) -- Chapter Nineteen Prometheus Unbound (1958–1960) -- Notes -- Index The Indignant Generation is the first narrative history of the neglected but essential period of African American literature between the Harlem Renaissance and the civil rights era. The years between these two indispensable epochs saw the communal rise of Richard Wright, Gwendolyn Brooks, Ralph Ellison, Lorraine Hansberry, James Baldwin, and many other influential black writers. While these individuals have been duly celebrated, little attention has been paid to the political and artistic milieu in which they produced their greatest works. With this commanding study, Lawrence Jackson recalls the lost history of a crucial era. Looking at the tumultuous decades surrounding World War II, Jackson restores the "indignant" quality to a generation of African American writers shaped by Jim Crow segregation, the Great Depression, the growth of American communism, and an international wave of decolonization. He also reveals how artistic collectives in New York, Chicago, and Washington fostered a sense of destiny and belonging among diverse and disenchanted peoples. As Jackson shows through contemporary documents, the years that brought us Their Eyes Were Watching God, Native Son, and Invisible Man also saw the rise of African American literary criticism--by both black and white critics. Fully exploring the cadre of key African American writers who triumphed in spite of segregation, The Indignant Generation paints a vivid portrait of American intellectual and artistic life in the mid-twentieth century

     
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    ISBN: 9781400836239
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    Schlagworte: African American arts; African American critics; African Americans; African Americans; American literature; LITERARY CRITICISM / American / African-American
    Umfang: 1 Online-Ressource (600 p), 60 halftones
  17. Gay rebel of the Harlem renaissance
    selections from the work of Richard Bruce Nugent
    Autor*in: Nugent, Bruce
    Erschienen: 2002
    Verlag:  Duke University Press, Durham [N.C.]

    Introduction -- Early work -- Sahdji -- Smoke, lilies, and jade -- Narcissus -- Scheme -- Bastard song -- Who asks this thing? -- Geisha man (excerpt) -- The Bible stories -- Beyond where the star stood still -- The now discordant song of bells --... mehr

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    Introduction -- Early work -- Sahdji -- Smoke, lilies, and jade -- Narcissus -- Scheme -- Bastard song -- Who asks this thing? -- Geisha man (excerpt) -- The Bible stories -- Beyond where the star stood still -- The now discordant song of bells -- Slender length of beauty -- Tree with kerioth-fruit -- Harlem -- On Harlem -- The dark tower -- Gentleman Jigger (excerpts) -- Salt Lake saga -- Meeting Raymond -- Rent party -- Negro art -- Stuartt gets a job -- Orini -- Harlem renaissance personalities -- On Georgette Harvey -- On Rose McClendon -- On the dark tower -- On Blanche Dunn -- On "Gloria Swanson" -- On Alexander Gumby -- On Carl van Vechten -- After the Harlem renaissance -- Transition -- Pope Pius the only -- Lunatique -- You think to shame me -- You see, I am a homosexual.

     
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    Beteiligt: Wirth, Thomas H. (MitwirkendeR)
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780822383611; 0822383616
    Weitere Identifier:
    Schlagworte: African American gays; Racially mixed people; Gay men; African American arts; Harlem Renaissance
    Umfang: 1 online resource (xii, 293 p.), ill.
    Bemerkung(en):

    Includes bibliographical references (p. [281]-287) and index. - Description based on print version record
  18. The indignant generation
    a narrative history of African American writers and critics, 1934-1960
    Autor*in: Jackson, Lawrence Patrick
    Erschienen: ©2011
    Verlag:  Princeton University Press, Princeton, N.J

    Irredeemable promise : the bittersweet career of J. Saunders Redding -- Three swinging sisters : Harlem, Howard, and the South Side (1934-1936) -- The Black avant-garde between Left and Right (1935-1939) -- A new kind of challenge (1936-1939) -- The... mehr

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    Irredeemable promise : the bittersweet career of J. Saunders Redding -- Three swinging sisters : Harlem, Howard, and the South Side (1934-1936) -- The Black avant-garde between Left and Right (1935-1939) -- A new kind of challenge (1936-1939) -- The triumph of Chicago realism (1938-1940) -- Bigger Thomas among the liberals (1940-1943) -- Friends in need of Negroes : Bucklin Moon and Thomas Sancton (1942-1945) -- "Beating that boy" : white writers, critics, editors, and the Liberal Arts Coalition (1944-1949) -- Afroliberals and the end of World War II (1945-1946) -- Black futilitarianists and the welcome table (1945-1947) -- The peril of something new, or, the decline of social realism (1947-1948) -- The Negro new liberal critic and the big little magazine (1948-1949) -- The communist dream of African American modernism (1947-1950) -- The insinuating poetics of the mainstream (1949-1950) -- Still looking for freedom (1949-1954) -- The expatriation : the price of Brown and the new Bohemians (1952-1955) -- Liberal friends no more : the rubble of white patronage (1956-1958) -- The end of the Negro writer (1955-1960) -- The reformation of Black new liberals (1958-1960) -- Prometheus unbound (1958-1960). This the first narrative history of the neglected but essential period of African American literature between the Harlem Renaissance and the civil rights era. The years between these two indispensable epochs saw the communal rise of Richard Wright, Gwendolyn Brooks, Ralph Ellison, Lorraine Hansberry, James Baldwin, and many other influential black writers. While these individuals have been duly celebrated, little attention has been paid to the political and artistic milieu in which they produced their greatest works. With this study, the author recalls the lost history of a crucial era. Looking at the tumultuous decades surrounding World War II, Jackson restores the "indignant" quality to a generation of African American writers shaped by Jim Crow segregation, the Great Depression, the growth of American communism, and an international wave of decolonization. He also reveals how artistic collectives in New York, Chicago, and Washington fostered a sense of destiny and belonging among diverse and disenchanted peoples. As he shows, through contemporary documents, the years that brought us Their Eyes Were Watching God, Native Son, and Invisible Man also saw the rise of African American literary criticism by both black and white critics. Fully exploring the cadre of key African American writers who triumphed in spite of segregation, this work paints a portrait of American intellectual and artistic life in the mid-twentieth century

     
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  19. A history of the Harlem Renaissance
    Beteiligt: Farebrother, Rachel (HerausgeberIn); Thaggert, Miriam (HerausgeberIn)
    Erschienen: 2021
    Verlag:  Cambridge University Press, Cambridge, United Kingdom

    "Essays such as W. E. B. Du Bois's "Criteria of Negro Art," Langston Hughes's "The Negro Artist and the Racial Mountain," and George Schuyler' "The Negro-Art Hokum"--which make respective cases for art as propaganda, the cultural distinctiveness of... mehr

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    "Essays such as W. E. B. Du Bois's "Criteria of Negro Art," Langston Hughes's "The Negro Artist and the Racial Mountain," and George Schuyler' "The Negro-Art Hokum"--which make respective cases for art as propaganda, the cultural distinctiveness of black American art, and the absence of any fundamental differences between black and white American art--lay bare some of the key disagreements that continue to animate debates about the politics of representation. Marita Bonner's 1925 Crisis essay "On Being Young, a Woman, and Colored," with its eloquent insistence that any examination of the relationship between art and politics must attend to questions of sexuality and gender, anticipates critical approaches developed by pioneering black feminists, including Barbara Christian, Akasha (Gloria) Hull, Deborah E. McDowell, Claudia Tate, and Cheryl A. Wall, from the 1970s. Indeed, an enduring tendency to sideline Bonner and other black women writers in critical accounts of Harlem Renaissance debates about "art or propaganda" signals the continuing salience of the black feminist project of "engendering the Harlem Renaissance [by] undoing perimeters that exclude women and their writing""--

     
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    Beteiligt: Farebrother, Rachel (HerausgeberIn); Thaggert, Miriam (HerausgeberIn)
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9781108493574
    Weitere Identifier:
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    RVK Klassifikation: HU 1728
    Schlagworte: American literature; American literature; African American arts; African Americans in literature; African Americans; Harlem Renaissance
    Umfang: xix, 432 Seiten, Illustrationen
    Bemerkung(en):

    Includes bibliographical references
  20. The Harlem Renaissance
    Autor*in: Green, Meghan
    Erschienen: 2020
    Verlag:  Cavendish Square Publishing, New York

    Introduction: The Revival of a Culture -- Change in the City -- Literature -- Music -- Theater -- Art. "The intellectual and cultural expansion of the 1920s known as the Harlem Renaissance deeply enriched American society. Recently freed from... mehr

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    Introduction: The Revival of a Culture -- Change in the City -- Literature -- Music -- Theater -- Art. "The intellectual and cultural expansion of the 1920s known as the Harlem Renaissance deeply enriched American society. Recently freed from slavery, black Americans finally had an opportunity to freely express themselves even though they continued to face many hardships, including segregation and poverty. Through main text that features annotated quotes from primary sources and historical photographs, readers learn about the contributions people of color made to art, literature, and music in the 1920s. In-depth sidebars connect these past achievements with those of the present, and discussion questions ask readers to think critically about the impact of the Harlem Renaissance."--

     
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    ISBN: 9781502657695; 9781502657688
    RVK Klassifikation: HU 1728
    Auflage/Ausgabe: First edition
    Schriftenreihe: Turning points
    Schlagworte: Harlem Renaissance; African Americans; African American arts; African Americans
    Umfang: pages cm104 Seiten
    Bemerkung(en):

    Includes bibliographical references and index

    Zielgruppe - Audience: Ages 12

    Zielgruppe - Audience: Grades 7-9
  21. A history of the Harlem Renaissance
    Beteiligt: Farebrother, Rachel (HerausgeberIn); Thaggert, Miriam (HerausgeberIn)
    Erschienen: 2021
    Verlag:  Cambridge University Press, Cambridge, United Kingdom

    The Harlem Renaissance was the most influential single movement in African American literary history. The movement laid the groundwork for subsequent African American literature, and had an enormous impact on later black literature world-wide. In its... mehr

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    The Harlem Renaissance was the most influential single movement in African American literary history. The movement laid the groundwork for subsequent African American literature, and had an enormous impact on later black literature world-wide. In its attention to a wide range of genres and forms - from the roman à clef and the bildungsroman, to dance and book illustrations - this book seeks to encapsulate and analyze the eclecticism of Harlem Renaissance cultural expression. It aims to re-frame conventional ideas of the New Negro movement by presenting new readings of well-studied authors, such as Zora Neale Hurston and Langston Hughes, alongside analysis of topics, authors, and artists that deserve fuller treatment. An authoritative collection on the major writers and issues of the period, A History of the Harlem Renaissance takes stock of nearly a hundred years of scholarship and considers what the future augurs for the study of 'the New Negro'.

     
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  22. African American literature in transition, 1960-1970
    black art, politics, and aesthetics
    Beteiligt: Eversley, Shelly (HerausgeberIn)
    Erschienen: 2022
    Verlag:  Cambridge University Press, Cambridge, United Kingdom

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    Beteiligt: Eversley, Shelly (HerausgeberIn)
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    Schriftenreihe: African American literature in transition / editor: Joycelyn K. Moody (The University of Texas at San Antonio) ; associate editor: Cassander Smith (The University of Alabama) ; 13
    Schlagworte: American literature; African Americans in literature; African Americans; African Americans; African American arts; African American aesthetics; LITERARY CRITICISM / American / General; Literary criticism
    Umfang: xvii, 278 Seiten
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    Literaturangaben
  23. Start a riot!
    civil unrest in Black Arts Movement drama, fiction, and poetry
    Autor*in: Abdul-Ghani, Casarae Lavada
    Erschienen: 2022
    Verlag:  University Press of Mississippi, Jackson

    Acknowledgments --Introduction: "I'm gonna start a riot!" --Chapter 1: The inability to compromise: examining Black rage and revolt in the revolutionary theatre of Amiri Baraka and Ben Caldwell --Chapter 2: "Blackblues": The BAM aesthetic and Black... mehr

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    Acknowledgments --Introduction: "I'm gonna start a riot!" --Chapter 1: The inability to compromise: examining Black rage and revolt in the revolutionary theatre of Amiri Baraka and Ben Caldwell --Chapter 2: "Blackblues": The BAM aesthetic and Black rage in Gwendolyn Brooks's "Riot" --Chapter 3: The crisis of Black revolutionary politics in Sonia Sanchez's "The Bronx Is next" (and "Sister Son/ji") --Chapter 4: Black politics and the neoliberal dilemma in Henry Dumas's "Riot or revolt?" --Epilogue --Notes --Bibliography --Index. "While the legacy of Black urban rebellions during the turbulent 1960s continues to permeate throughout US histories and discourses, scholars seldom explore within scholarship examining Black Cultural Production, artist-writers of the Black Arts Movement (BAM) that addressed civil unrest, specifically riots, in their artistic writings. Start a Riot! Civil Unrest in Black Arts Movement Drama, Fiction, and Poetry analyzes riot iconography and its usefulness as a political strategy of protestation. Through a mixed-methods approach of literary close-reading, historical, and sociological analysis, Casarae Lavada Abdul-Ghani considers how BAM artist-writers like Amiri Baraka (LeRoi Jones), Ben Caldwell, Gwendolyn Brooks, Sonia Sanchez, and Henry Dumas challenge misconceptions regarding Black protest through experimental explorations in their writings. Representations of riots became more pronounced in the 1960s as pivotal leaders shaping Black consciousness, such as Malcolm X and Martin Luther King Jr., were assassinated. BAM artist-writers sought to override the public's interpretation in their literary expose̹s that a riot's disjointed and disorderly methods led to more chaos than reparative justice. Start a Riot! uncovers how BAM artist-writers expose anti-Black racism and, by extension, the United States' inability to compromise with Black America on matters related to citizenship rights, housing (in)security, economic inequality, and education-tenets emphasized during the Black Power Movement. Abdul-Ghani argues that BAM artist-writers did not merely write literature that reflected a spirit of protest; in many cases, they understood their texts, themselves, as acts of protest"--

     
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    ISBN: 9781496840448; 9781496840455
    RVK Klassifikation: HU 1728
    Schriftenreihe: Margaret Walker Alexander series in African American studies
    Schlagworte: Black Arts movement; African American arts; Arts; Black nationalism
    Umfang: X, 175 Seiten
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    Includes bibliographical references and index

    Hier auch später erschienene, unveränderte Nachdrucke
  24. Feelin
    creative practice, pleasure, and Black feminist thought
    Autor*in: Judd, Bettina
    Erschienen: [2023]
    Verlag:  Northwestern University Press, Evanston, Illinois

    "Through interviews, close readings, and archival research, Bettina Judd draws on the fields of affect studies and Black studies to analyze the creative processes and contributions of Black women artists"-- mehr

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    "Through interviews, close readings, and archival research, Bettina Judd draws on the fields of affect studies and Black studies to analyze the creative processes and contributions of Black women artists"--

     
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    ISBN: 9780810145320; 9780810145337
    RVK Klassifikation: LO 94000 ; LH 60250
    Schlagworte: African American arts; American literature; American literature; Emotions in art; Emotions in literature; Emotions in music; Feminism and the arts
    Umfang: x, 227 Seiten, Illustrationen, 26 cm
    Bemerkung(en):

    Includes bibliographical references (pages 211-221) and index

    Introduction: Feel Me -- A Black Study in Grief: Salish Sea -- Lucille Clifton's Atheology of Joy! -- Ecstatic Vocal Practice -- Shame and the Visual Field of Black Motherhood -- Toward a Methodology of Anger -- The End: Everything in the Ocean.
  25. Under a bad sign
    criminal self-representation in African American popular culture
    Autor*in: Munby, Jonathan
    Erschienen: 2011
    Verlag:  University of Chicago Press, Chicago

    Introduction: "Cruel Stack O'Lee": trickster badness and the fight against subordination in African American vernacular culture -- Original gangsta culture: fortune economy and the criminal mediation of Black entry into urban modernity -- Sin city... mehr

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    Saarländische Universitäts- und Landesbibliothek
    Fernleihe:
    keine Fernleihe

    Standort:
    Universitätsbibliothek der Eberhard Karls Universität
    Fernleihe:
    keine Fernleihe

     

    Introduction: "Cruel Stack O'Lee": trickster badness and the fight against subordination in African American vernacular culture -- Original gangsta culture: fortune economy and the criminal mediation of Black entry into urban modernity -- Sin city cinema: the underworld race films of Oscar Micheaux and Ralph Cooper -- Hustlers in the house of literature: Julian Mayfield, Chester Himes, and the Black literary ghetto -- From Up tight! to Dolemite: the changing politics of baadasssss cinema -- Keeping it reel: from Goines to gangsta -- Epilogue: global gangsta: life in death. What accounts for the persistence of the figure of the black criminal in popular culture created by African Americans? Unearthing the overlooked history of art that has often seemed at odds with the politics of civil rights and racial advancement, Under a Bad Sign explores the rationale behind this tradition of criminal self-representation from the Harlem Renaissance to contemporary gangsta culture. In this lively exploration, Jonathan Munby takes a uniquely broad view, laying bare the way the criminal appears within and moves among literary, musical, and visual arts

     
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