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  1. Young, gifted and black
    a new generation of artists : the Lumpkin-Boccuzzi Family Collection of Contemporary Art
    Beteiligt: Sargent, Antwaun (Hrsg.); Beasley, Kevin
    Erschienen: [2020]; © 2020
    Verlag:  D.A.P./Distributed Art Publishers Inc., New York, NY

    "Highlighting a dynamic new generation of black artists, 'Young, Gifted and Black' surveys works drawn from the prestigious collection of Bernard I. Lumpkin and Carmine D. Boccuzzi, longtime champions of emerging artists of African descent. Edited by... mehr

    Standort:
    Freie Universität Berlin, Universitätsbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Universität der Künste Berlin, Universitätsbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    "Highlighting a dynamic new generation of black artists, 'Young, Gifted and Black' surveys works drawn from the prestigious collection of Bernard I. Lumpkin and Carmine D. Boccuzzi, longtime champions of emerging artists of African descent. Edited by Antwaun Sargent, the book features over 100 artworks -- including painting, photography, sculpture, and performance -- that explore collective memory, struggle, and self-representation. With texts by curators and artists offering diverse perspectives, [this book] speaks broadly to notions of community and identity that, while rooted in the specific experience of blackness, capture how these artists are shaping the ways we think about representation, race, and the history of art."-- From back cover

     
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    Quelle: Philologische Bibliothek, FU Berlin
    Beteiligt: Sargent, Antwaun (Hrsg.); Beasley, Kevin
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9781942884590; 1942884591
    RVK Klassifikation: LH 29912 ; LO 94037
    Schlagworte: Kunst; Schwarze; Sammlung; Schwarze <Motiv>
    Weitere Schlagworte: Boccuzzi, Carmine D.; Lumpkin, Bernard I.; Lumpkin, Bernard Isaac / Art collections / Exhibitions; Boccuzzi, Carmine / Art collections / Exhibitions; African American art / 21st century / Exhibitions; Art, American / 21st century / Exhibitions
    Umfang: 256 Seiten, 29 cm
    Bemerkung(en):

    Hier auch später erschienene, unveränderte Nachdrucke
  2. Invisible man
    Fahamu Pecou
    Autor*in: Pecou, Fahamu
    Erschienen: [2018]; © 2018
    Verlag:  Halsey Institute of Contemporary Art, Charleston, SC

    "Visible Man" [i.e. "Invisible Man"] provides an in-depth look at the work of Atlanta-based artist Fahamu Pecou (born 1975) from the past two decades, showing how Pecou's work investigates the concept of black masculinity and provides new modes for... mehr

    Standort:
    Bayerische Staatsbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Zentralinstitut für Kunstgeschichte, Bibliothek
    Fernleihe:
    keine Ausleihe von Bänden, nur Papierkopien werden versandt

     

    "Visible Man" [i.e. "Invisible Man"] provides an in-depth look at the work of Atlanta-based artist Fahamu Pecou (born 1975) from the past two decades, showing how Pecou's work investigates the concept of black masculinity and provides new modes for the representation of black bodies. Starting with his self-assumed persona "Fahamu Pecou is the Shit!" and his early NEOPOP works, in which he places himself on the covers of prestigious art and culture magazines, the catalog shows the trajectory of his work, ending with the "DO or DIE" and "#BLACKMATTERLIVES" series

     
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    Quelle: Verbundkataloge
    Beteiligt: Sloan, Mark (Hrsg.)
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9781532345074; 1532345070
    Schlagworte: Zeichnung; Malerei; Junger Mann <Motiv>; Person of Color <Motiv>
    Weitere Schlagworte: Pecou, Fahamu (1975-); Pecou, Fahamu / 1975- / Exhibitions; Art and society / Exhibitions; Art / Psychological aspects / Exhibitions; Hope in art / Exhibitions; African American men in art / Exhibitions; Racism in art / Exhibitions; African American art / 21st century / Exhibitions
    Umfang: 174 Seiten
    Bemerkung(en):

    Produced in conjunction with the exhibition"DO or DIE: Affect, Ritual, Resistance" organized by the Halsey Institute of Contemporary Art, College of Charleston, School of the Arts, in collaboration with the Michael C. Carlos Museum of Emory University. Exhibition schedule: Halsey Institute of Contemporary Art, College of Charleston, Charleston, SC, August 26-October 8, 2016; Mary Elizabeth Dee Shaw Gallery, Weber State University, Ogden, UT, February 23-April 7, 2018; Museum of Art, University of New Hampshire, Durham, NH, August 27-October 21, 2018; and, Michael C. Carlos Museum, Emory University, Atlanta, GA, January 19-April 28, 2019
  3. Amy Sherald
    Beteiligt: Sherald, Amy; Melandri, Lisa; Christovale, Erin
    Erschienen: [2018]
    Verlag:  Contemporary Art Museum St. Louis, Saint Louis, Missouri

    Foreword / Lisa Melandri -- Notes on Amy Sherald / Erin Christovale -- Plates mehr

    Standort:
    Zentralinstitut für Kunstgeschichte, Bibliothek
    Fernleihe:
    keine Ausleihe von Bänden, nur Papierkopien werden versandt

     

    Foreword / Lisa Melandri -- Notes on Amy Sherald / Erin Christovale -- Plates

     
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    Quelle: Verbundkataloge
    Beteiligt: Sherald, Amy; Melandri, Lisa; Christovale, Erin
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9780988997097; 0988997096
    RVK Klassifikation: LI 99999
    Auflage/Ausgabe: First edition
    Schlagworte: Malerei; Person of Color <Motiv>
    Weitere Schlagworte: Sherald, Amy (1973-); Sherald, Amy / Exhibitions; Painting, American / 21st century / Exhibitions; Painting, Modern / 21st century / Exhibitions; Women painters / Georgia / 21st century / Exhibitions; African American painters / Georgia / 21st century / Exhibitions; African American women artists / 21st century / Exhibitions; African American art / 21st century / Exhibitions; African Americans in art / 21st century / Exhibitions; African American women artists; African American art; African American painters; African Americans in art; Painting, American; Painting, Modern; Women painters; Georgia; Exhibition catalogs
    Umfang: 35 Seiten, 26 cm
    Bemerkung(en):

    Impressum: Published on the occasion of the exhibition "Amy Sherald", Contemporary Art Museum St. Louis, May 11-August 19, 2018; Crystal Bridges Museum of American Art, Bentonville, Arkansas, September 1-December 31, 2018; Spelman College Museum of Fine Art, Atlanta, Georgia, January 31-May 18, 2019
  4. Young, gifted and black
    a new generation of artists : the Lumpkin-Boccuzzi Family Collection of Contemporary Art
    Beteiligt: Sargent, Antwaun (Hrsg.); Beasley, Kevin
    Erschienen: [2020]; © 2020
    Verlag:  D.A.P./Distributed Art Publishers Inc., New York, NY

    "Highlighting a dynamic new generation of black artists, 'Young, Gifted and Black' surveys works drawn from the prestigious collection of Bernard I. Lumpkin and Carmine D. Boccuzzi, longtime champions of emerging artists of African descent. Edited by... mehr

    Standort:
    Bayerische Staatsbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Zentralinstitut für Kunstgeschichte, Bibliothek
    Fernleihe:
    keine Ausleihe von Bänden, nur Papierkopien werden versandt

     

    "Highlighting a dynamic new generation of black artists, 'Young, Gifted and Black' surveys works drawn from the prestigious collection of Bernard I. Lumpkin and Carmine D. Boccuzzi, longtime champions of emerging artists of African descent. Edited by Antwaun Sargent, the book features over 100 artworks -- including painting, photography, sculpture, and performance -- that explore collective memory, struggle, and self-representation. With texts by curators and artists offering diverse perspectives, [this book] speaks broadly to notions of community and identity that, while rooted in the specific experience of blackness, capture how these artists are shaping the ways we think about representation, race, and the history of art."-- From back cover

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Verbundkataloge
    Beteiligt: Sargent, Antwaun (Hrsg.); Beasley, Kevin
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9781942884590; 1942884591
    RVK Klassifikation: LH 29912 ; LO 94037
    Schlagworte: Kunst; Schwarze; Sammlung; Schwarze <Motiv>
    Weitere Schlagworte: Boccuzzi, Carmine D.; Lumpkin, Bernard I.; Lumpkin, Bernard Isaac / Art collections / Exhibitions; Boccuzzi, Carmine / Art collections / Exhibitions; African American art / 21st century / Exhibitions; Art, American / 21st century / Exhibitions
    Umfang: 256 Seiten, 29 cm
    Bemerkung(en):

    Hier auch später erschienene, unveränderte Nachdrucke
  5. Mickalene Thomas: I can't see you without me
    Beteiligt: Thomas, Mickalene
    Erschienen: [2018]
    Verlag:  Wexner Center for the Arts, The Ohio State University, Columbus, Ohio

    Presenting paintings of some of the artist's key models and muses, 'I Can't See You Without Me' illuminates the work of Brooklyn painter Mickalene Thomas (born 1971). Culling from art history and popular culture, Thomas creates scintillating... mehr

    Standort:
    Bayerische Staatsbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Zentralinstitut für Kunstgeschichte, Bibliothek
    Fernleihe:
    keine Ausleihe von Bänden, nur Papierkopien werden versandt

     

    Presenting paintings of some of the artist's key models and muses, 'I Can't See You Without Me' illuminates the work of Brooklyn painter Mickalene Thomas (born 1971). Culling from art history and popular culture, Thomas creates scintillating portraits that deconstruct the highly charged connections between sitter, artist and viewer. Whether depicted as classically composed 19th-century odalisques, Afro-adorned vixens of blaxploitation films or as a powerful maternal figure yearning for social mobility, the recurring models in Thomas' compositions (almost exclusively women of color) convey a spirit of strength and self-confidence. Across this archetypal array, it is both their contradictions and kinships that make the black female body such fertile terrain for the artist's ongoing investigations. By casting herself, her late mother and other formidable women in her life as models, muses and collaborators, Thomas particularizes her distinctive oeuvre of portraiture. Focused yet expansive, the catalog both reasserts and further contextualizes issues of identity, sexuality and agency in Thomas' work that have only become more nuanced and palpable over time. Exhibition: Wexner Center for the Arts, The Ohio State University, Columbus, USA (14̊.09. - 30.12.2018)

     
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    Quelle: Verbundkataloge
    Beteiligt: Thomas, Mickalene
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9781881390572; 1881390578
    RVK Klassifikation: LI 99999
    Schlagworte: Person of Color <Motiv>; Bildnismalerei; Malerei
    Weitere Schlagworte: Thomas, Mickalene (1971-); Thomas, Mickalene / 1971- / Exhibitions; Thomas, Mickalene / 1971-; African American painters / 21st century / Exhibitions; African American artists / 21st century / Exhibitions; African American art / 21st century / Exhibitions; Painting, American / 21st century / Exhibitions; Photography, Artistic / 21st century / Exhibitions; African American art; African American artists; African American painters; Painting, American; Photography, Artistic; 2000-2099; Exhibition catalogs; Exhibition catalogs
    Umfang: 124 pages, 28 cm
    Bemerkung(en):

    This catalog accompanies the exhibition: Mickalene Thomas: I can't see you without me, Wexner Center for the Arts at the Ohio State University, September 14-December 30, 2018

    Array: Array
  6. Harmonia Rosales
    master narrative
    Beteiligt: Garrett, Rosamund (Hrsg.); Rosales, Harmonia; Rosales, Harmonia
    Erschienen: [2023]
    Verlag:  Paul Holberton Publishing, [London]

    This vibrant catalogue presents the work of contemporary artist Harmonia Rosales. Featuring over twenty paintings and a monumental sculptural installation, Harmonia Rosales: Master Narrative is the artist?s first major touring exhibition and first... mehr

    Standort:
    Bayerische Staatsbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Zentralinstitut für Kunstgeschichte, Bibliothek
    Fernleihe:
    keine Ausleihe von Bänden, nur Papierkopien werden versandt

     

    This vibrant catalogue presents the work of contemporary artist Harmonia Rosales. Featuring over twenty paintings and a monumental sculptural installation, Harmonia Rosales: Master Narrative is the artist?s first major touring exhibition and first scholarly catalogue of her work.00Los Angeles-based artist Harmonia Rosales (b. Chicago, 1984) rewrites the canon, or the master narrative of art history, from the perspective of an Afro-Cuban American woman in the twenty-first century. Her canvases seamlessly weave the tales and characters rooted in West African Yorùbá religion, Greek mythology, and Christianity with the canonical works and artistic techniques of the European Renaissance. Through her visual storytelling, Rosales presents the notion of human and cultural survival on her own terms ? one that highlights the beauty and strength of Black people, particularly women, while touching upon grand narratives of creation, tragedy, survival and transcendence.00This beautifully illustrated publication includes a catalogue of works in the exhibition, a biography of the artist and new essays by noted scholars in their fields. These essays explore themes ranging from storytelling and narrative to gender and depiction of beauty to race and diaspora.00Exhibition: Memphis Brooks Museum of Art, Tennessee, USA (03.-06.2023) / Spelman College Museum of Fine Art, Atlanta, USA (08.-12.2023)

     
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  7. Mickalene Thomas: I can't see you without me
    Beteiligt: Thomas, Mickalene
    Erschienen: [2018]
    Verlag:  Wexner Center for the Arts, The Ohio State University, Columbus, Ohio

    Presenting paintings of some of the artist's key models and muses, 'I Can't See You Without Me' illuminates the work of Brooklyn painter Mickalene Thomas (born 1971). Culling from art history and popular culture, Thomas creates scintillating... mehr

    Standort:
    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Universität der Künste Berlin, Universitätsbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    Presenting paintings of some of the artist's key models and muses, 'I Can't See You Without Me' illuminates the work of Brooklyn painter Mickalene Thomas (born 1971). Culling from art history and popular culture, Thomas creates scintillating portraits that deconstruct the highly charged connections between sitter, artist and viewer. Whether depicted as classically composed 19th-century odalisques, Afro-adorned vixens of blaxploitation films or as a powerful maternal figure yearning for social mobility, the recurring models in Thomas' compositions (almost exclusively women of color) convey a spirit of strength and self-confidence. Across this archetypal array, it is both their contradictions and kinships that make the black female body such fertile terrain for the artist's ongoing investigations. By casting herself, her late mother and other formidable women in her life as models, muses and collaborators, Thomas particularizes her distinctive oeuvre of portraiture. Focused yet expansive, the catalog both reasserts and further contextualizes issues of identity, sexuality and agency in Thomas' work that have only become more nuanced and palpable over time. Exhibition: Wexner Center for the Arts, The Ohio State University, Columbus, USA (14̊.09. - 30.12.2018)

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Verbundkataloge
    Beteiligt: Thomas, Mickalene
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9781881390572; 1881390578
    RVK Klassifikation: LI 99999
    Schlagworte: Person of Color <Motiv>; Bildnismalerei; Malerei
    Weitere Schlagworte: Thomas, Mickalene (1971-); Thomas, Mickalene / 1971- / Exhibitions; Thomas, Mickalene / 1971-; African American painters / 21st century / Exhibitions; African American artists / 21st century / Exhibitions; African American art / 21st century / Exhibitions; Painting, American / 21st century / Exhibitions; Photography, Artistic / 21st century / Exhibitions; African American art; African American artists; African American painters; Painting, American; Photography, Artistic; 2000-2099; Exhibition catalogs; Exhibition catalogs
    Umfang: 124 pages, 28 cm
    Bemerkung(en):

    This catalog accompanies the exhibition: Mickalene Thomas: I can't see you without me, Wexner Center for the Arts at the Ohio State University, September 14-December 30, 2018

    Array: Array