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  1. Theatre and its other
    Abhinavagupta on dance and dramatic acting
    Autor*in: Ganser, Elisa
    Erschienen: 2022
    Verlag:  Brill, Leiden

    "What is Dance? What is Theatre? What is the boundary between enacting a character and narrating a story? When does movement become tinted with meaning? And when does beauty shine alone as if with no object? These universal aesthetic questions find a... mehr

    Zugang:
    Resolving-System (kostenfrei)

    Standort:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    "What is Dance? What is Theatre? What is the boundary between enacting a character and narrating a story? When does movement become tinted with meaning? And when does beauty shine alone as if with no object? These universal aesthetic questions find a theoretically vibrant and historically informed set of replies in the oeuvre of the eleventh-century Kashmirian author Abhinavagupta. The present book offers the first critical edition, translation, and study of a crucial and lesser known passage of his commentary on the Nāṭyaśāstra, the seminal work of Sanskrit dramaturgy. The nature of dramatic acting and the mimetic power of dance, emotions, and beauty all play a role in Abhinavagupta's thorough investigation of performance aesthetics, now presented to the modern reader"--

     
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    Volltext (kostenfrei)
    Volltext (kostenfrei)
    Quelle: Staatsbibliothek zu Berlin
    Beteiligt: Ganser, Elisa; Ganser, Elisa
    Sprache: Englisch; Sanskrit
    Medientyp: Ebook
    Format: Online
    ISBN: 9789004467057
    Weitere Identifier:
    Schriftenreihe: Gonda indological studies ; 23
    Schlagworte: Aesthetics, Indic; Sanskrit drama; Theater
    Weitere Schlagworte: Bharata Muni: Nāṭyaśāstra; Abhinavagupta Rājānaka: Abhinavabhāratī
    Umfang: 1 Online-Ressource (XII, 405 Seiten)
    Bemerkung(en):

    Includes bibliographical references and index
  2. Theatre and its other
    Abhinavagupta on dance and dramatic acting
    Autor*in: Ganser, Elisa
    Erschienen: [2022]
    Verlag:  Brill, Leiden

    "What is Dance? What is Theatre? What is the boundary between enacting a character and narrating a story? When does movement become tinted with meaning? And when does beauty shine alone as if with no object? These universal aesthetic questions find a... mehr

    Standort:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
    Signatur:
    10 A 140975
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    "What is Dance? What is Theatre? What is the boundary between enacting a character and narrating a story? When does movement become tinted with meaning? And when does beauty shine alone as if with no object? These universal aesthetic questions find a theoretically vibrant and historically informed set of replies in the oeuvre of the eleventh-century Kashmirian author Abhinavagupta. The present book offers the first critical edition, translation, and study of a crucial and lesser known passage of his commentary on the Nāṭyaśāstra, the seminal work of Sanskrit dramaturgy. The nature of dramatic acting and the mimetic power of dance, emotions, and beauty all play a role in Abhinavagupta's thorough investigation of performance aesthetics, now presented to the modern reader"--

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Staatsbibliothek zu Berlin
    Beteiligt: Ganser, Elisa; Ganser, Elisa
    Sprache: Englisch; Sanskrit
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9789004449817
    Schriftenreihe: Gonda indological studies ; volume 23
    Schlagworte: Aesthetics, Indic; Sanskrit drama; Theater
    Weitere Schlagworte: Bharata Muni: Nāṭyaśāstra; Abhinavagupta Rājānaka: Abhinavabhāratī
    Umfang: XII, 413 Seiten
    Bemerkung(en):

    Includes bibliographical references and index
  3. Theatre and its other
    Abhinavagupta on dance and dramatic acting
    Autor*in: Ganser, Elisa
    Erschienen: 2022
    Verlag:  Brill, Leiden

    "What is Dance? What is Theatre? What is the boundary between enacting a character and narrating a story? When does movement become tinted with meaning? And when does beauty shine alone as if with no object? These universal aesthetic questions find a... mehr

    Zugang:
    Resolving-System (kostenfrei)

    Standort:
    Orient-Institut Beirut
    Signatur:
    Online
    Fernleihe:
    keine Fernleihe

    Standort:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
    Fernleihe:
    keine Fernleihe

    Standort:
    Universitätsbibliothek Erfurt / Forschungsbibliothek Gotha, Universitätsbibliothek Erfurt
    Fernleihe:
    keine Fernleihe

    Standort:
    Evangelische Hochschule Freiburg, Hochschulbibliothek
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    keine Fernleihe

    Standort:
    Universitäts- und Landesbibliothek Sachsen-Anhalt / Zentrale
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    Standort:
    Helmut-Schmidt-Universität, Universität der Bundeswehr Hamburg, Universitätsbibliothek
    Fernleihe:
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    Standort:
    Gottfried Wilhelm Leibniz Bibliothek - Niedersächsische Landesbibliothek
    Fernleihe:
    keine Fernleihe

    Standort:
    Universitätsbibliothek Heidelberg
    Fernleihe:
    keine Fernleihe

    Standort:
    Universitätsbibliothek Hildesheim
    Fernleihe:
    keine Fernleihe

    Standort:
    Thüringer Universitäts- und Landesbibliothek
    Fernleihe:
    keine Fernleihe

    Standort:
    Universitätsbibliothek Leipzig
    Fernleihe:
    keine Fernleihe

    Standort:
    Universitätsbibliothek Mannheim
    Fernleihe:
    keine Fernleihe

    Standort:
    Universitätsbibliothek Osnabrück
    Fernleihe:
    keine Fernleihe

    Standort:
    Universität Potsdam, Universitätsbibliothek
    Fernleihe:
    keine Fernleihe

    Standort:
    Seminar für Indologie und vergleichende Religionswissenschaft, Bibliothek
    Fernleihe:
    keine Fernleihe

    Standort:
    Herzog August Bibliothek Wolfenbüttel
    Fernleihe:
    keine Fernleihe

     

    "What is Dance? What is Theatre? What is the boundary between enacting a character and narrating a story? When does movement become tinted with meaning? And when does beauty shine alone as if with no object? These universal aesthetic questions find a theoretically vibrant and historically informed set of replies in the oeuvre of the eleventh-century Kashmirian author Abhinavagupta. The present book offers the first critical edition, translation, and study of a crucial and lesser known passage of his commentary on the Nāṭyaśāstra, the seminal work of Sanskrit dramaturgy. The nature of dramatic acting and the mimetic power of dance, emotions, and beauty all play a role in Abhinavagupta's thorough investigation of performance aesthetics, now presented to the modern reader"--

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Volltext (kostenfrei)
    Volltext (kostenfrei)
    Quelle: Staatsbibliothek zu Berlin
    Beteiligt: Ganser, Elisa; Ganser, Elisa
    Sprache: Englisch; Sanskrit
    Medientyp: Ebook
    Format: Online
    ISBN: 9789004467057
    Weitere Identifier:
    Schriftenreihe: Gonda indological studies ; 23
    Schlagworte: Aesthetics, Indic; Sanskrit drama; Theater
    Weitere Schlagworte: Bharata Muni: Nāṭyaśāstra; Abhinavagupta Rājānaka: Abhinavabhāratī
    Umfang: 1 Online-Ressource (XII, 405 Seiten)
    Bemerkung(en):

    Includes bibliographical references and index
  4. Theatre and its other
    Abhinavagupta on dance and dramatic acting
    Autor*in: Ganser, Elisa
    Erschienen: [2022]
    Verlag:  Brill, Leiden

    "What is Dance? What is Theatre? What is the boundary between enacting a character and narrating a story? When does movement become tinted with meaning? And when does beauty shine alone as if with no object? These universal aesthetic questions find a... mehr

    Standort:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    "What is Dance? What is Theatre? What is the boundary between enacting a character and narrating a story? When does movement become tinted with meaning? And when does beauty shine alone as if with no object? These universal aesthetic questions find a theoretically vibrant and historically informed set of replies in the oeuvre of the eleventh-century Kashmirian author Abhinavagupta. The present book offers the first critical edition, translation, and study of a crucial and lesser known passage of his commentary on the Nāṭyaśāstra, the seminal work of Sanskrit dramaturgy. The nature of dramatic acting and the mimetic power of dance, emotions, and beauty all play a role in Abhinavagupta's thorough investigation of performance aesthetics, now presented to the modern reader"--

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Staatsbibliothek zu Berlin
    Beteiligt: Ganser, Elisa; Ganser, Elisa
    Sprache: Englisch; Sanskrit
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9789004449817
    Schriftenreihe: Gonda indological studies ; volume 23
    Schlagworte: Aesthetics, Indic; Sanskrit drama; Theater
    Weitere Schlagworte: Bharata Muni: Nāṭyaśāstra; Abhinavagupta Rājānaka: Abhinavabhāratī
    Umfang: XII, 413 Seiten
    Bemerkung(en):

    Includes bibliographical references and index
  5. Abhinavabhāratī text
    restored and other articles
    Autor*in: Kulkarni, Vaman Mahadeo
    Erschienen: 2003
    Verlag:  Shresthi Kasturbhai Lalbhai Smarak Nidhi, Ahmedabad

    Critical writings on Abhinavabhāratī of Abhinavagupta Rājānaka, commentary on Nāṭyaśāstra of Bharata Muni. mehr

    Standort:
    Bayerische Staatsbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    Critical writings on Abhinavabhāratī of Abhinavagupta Rājānaka, commentary on Nāṭyaśāstra of Bharata Muni.

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Verbundkataloge
    Sprache: Englisch; Sanskrit
    Medientyp: Buch (Monographie)
    Auflage/Ausgabe: 1. ed.
    Schriftenreihe: Shresthi Kasturbhai Lalbhai collected research-articles series ; 6
    Schlagworte: Array; aRasas
    Weitere Schlagworte: Array; Abhinavagupta <Rājānaka>: Abhinavabhāratī; Abhinavagupta (ca. 1000): Abhinava-bhāratī
    Umfang: XVI, 220 S., 25 cm
    Bemerkung(en):

    Critical writings on Abhinavabhāratī of Abhinavagupta Rājānaka, commentary on Nāṭyaśāstra of Bharata Muni.

    Includes bibliographical references (p. [219] - 220)
  6. A study of Abhinavabhāratī on Bharata's Nāṭyaśāstra and Avaloka on Dhañanjaya's Daśarūpaka
    dramaturgical principles
    Autor*in: Gupta, Manjul
    Erschienen: 2010
    Verlag:  Gyan Publ. House, New Delhi

    Standort:
    Niedersächsische Staats- und Universitätsbibliothek Göttingen
    Signatur:
    2011 A 3923
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Centre for Asian and Transcultural Studies (CATS), Abteilung Südasien
    Signatur:
    ind 54 I 10/3250
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Export in Literaturverwaltung   RIS-Format
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    Quelle: Verbundkataloge
    Sprache: Englisch; Sanskrit
    Medientyp: Dissertation
    Format: Druck
    ISBN: 8121200865
    Auflage/Ausgabe: [Reprint]
    Schlagworte: Drama
    Weitere Schlagworte: Bharata Muni: Nāṭyaśāstra; Abhinavagupta Rājānaka: Abhinavabhāratī; Dhanañjaya: Daśarūpaka; Dhanika: Avaloka; Bharata Muni; Dhanañjaya Bhañja 1611-1701; Abhinavagupta fl. c. 975-1025; Dhanika
    Umfang: 374 S, 22 cm
    Bemerkung(en):

    Includes bibliographical references ([359]-362) and index

    Reprint. Originally published:1987. - Includes index. - Includes bibliographical references (p. [359]-362). - Englisch u. Sanskrit in Devanagari-Schr

    Teilw. zugl.: Chandigarh, Punjab Univ., Diss., 1980 u.d.T.: A @comparative study of the Abhinavabhāratī and Avaloka