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  1. Artists respond
    American art and the Vietnam War, 1965-1975
    Autor*in: Ho, Melissa; Crow, Thomas E.; Levin, Erica; Markoski, Katherine; Nixon, Mignon; Rosler, Martha
    Erschienen: [2019]; © 2019
    Verlag:  Smithsonian American Art Museum, Washington, DC ; Princeton University Press, Princeton

    "By the late 1960s, the United States was in a pitched conflict in Vietnam, against a foreign enemy, and at home--between Americans for and against the war and the status quo. This powerful book showcases how American artists responded to the war,... mehr

     

    "By the late 1960s, the United States was in a pitched conflict in Vietnam, against a foreign enemy, and at home--between Americans for and against the war and the status quo. This powerful book showcases how American artists responded to the war, spanning the period from Lyndon B. Johnson's fateful decision to deploy US Marines to South Vietnam in 1965 to the fall of Saigon ten years later. Artists Respond brings together works by many of the most visionary and provocative artists of the period, including Asco, Chris Burden, Judy Chicago, Corita Kent, Leon Golub, David Hammons, Yoko Ono, and Nancy Spero. It explores how the moral urgency of the Vietnam War galvanized American artists in unprecedented ways, challenging them to reimagine the purpose and uses of art and compelling them to become politically engaged on other fronts, such as feminism and civil rights. The book presents an era in which artists struggled to synthesize the turbulent times and participated in a process of free and open questioning inherent to American civic life. Illustrated in color throughout, Artists Respond features a broad range of art, including painting, sculpture, printmaking, performance and body art, installation, documentary cinema and photography, and conceptualism"--

     
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9780691191188
    RVK Klassifikation: LO 94030 ; LH 60230 ; LH 49470 ; LH 61100 ; LH 60200
    Schlagworte: Vietnam War, 1961-1975; Art; Art, American; Art and war; Art and society; ART / Art & Politics; ART / American / General; ART / History / Contemporary (1945-); ART / Popular Culture; HISTORY / Military / Vietnam War; ART / Mixed Media; Art, American; Art and society; Art and war; 1900-1999; Exhibition catalogs; History
    Umfang: xvi, 396 Seiten, 31 cm
    Bemerkung(en):

    "Published in conjunction with the exhibition of the same name, on view at the Smithsonian American Art Museum, Washington, DC, March 15, 2019 to August 18, 2019. The exhibition will tour to the Minneapolis Institute of Art from September 28, 2019 to January 5, 2020"--Title page verso

    :
  2. "Deeply superficial"
    Andy Warhols Amerika-Images der 1950er und 1960er als Kulturkritik
    Autor*in: Deiss, Mélanie-Chantal
    Erschienen: [2015]; © 2015
    Verlag:  transcript-Verlag, Bielefeld

    In place of the entanglement of person and work that so strongly marks the artistic work of Andy Warhol, and settles it in the usual Pop Art context, Mèlanie-Chantal Deiss locates it within the cultural context of America's post-war period. Viewed... mehr

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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Universität Potsdam, Universitätsbibliothek
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    In place of the entanglement of person and work that so strongly marks the artistic work of Andy Warhol, and settles it in the usual Pop Art context, Mèlanie-Chantal Deiss locates it within the cultural context of America's post-war period. Viewed from this perspective, Warhol's work - which tends to be classified as superficial and ahistorical - exhibits unexpectedly serious engagements with concerns of the 1950s and 1960s. Throughout his image series, expressive, somewhat ambivalent narrative strands from America's post-war period unfurl, which transmit a concrete image, as a kind of written historical document. Warhol's visualized narration ultimately culminates in a cultural critique, which treats America not just as a stage of images, but also as site of contemplation of a cultural imaginary, in which art can critically and productively intervene. In place of the entanglement of person and work that so strongly marks the artistic work of Andy Warhol, and settles it in the usual Pop Art context, Mèlanie-Chantal Deiss locates it within the cultural context of America's post-war period. Viewed from this perspective, Warhol's work - which tends to be classified as superficial and ahistorical - exhibits unexpectedly serious engagements with concerns of the 1950s and 1960s. Throughout his image series, expressive, somewhat ambivalent narrative strands from America's post-war period unfurl, which transmit a concrete image, as a kind of written historical document. Warhol's visualized narration ultimately culminates in a cultural critique, which treats America not just as a stage of images, but also as site of contemplation of a cultural imaginary, in which art can critically and productively intervene. Mélanie-Chantal Deiss (lic. phil.), geb. 1976, hat an der Universität Zürich Germanistik und Anglistik studiert. Sie unterrichtet seit 2004 Deutsch und Englisch am Gymnasium.

     
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    Volltext (kostenfrei)
    Quelle: Staatsbibliothek zu Berlin
    Sprache: Deutsch
    Medientyp: Dissertation
    Format: Online
    ISBN: 9783839431726
    Weitere Identifier:
    RVK Klassifikation: LI 95130
    DDC Klassifikation: 700#DNB
    Schriftenreihe: Image ; Band 84
    De Gruyter eBook-Paket Kunst, Architektur und Design
    Schlagworte: Pop art; ART / American / General
    Umfang: 1 Online-Ressource (328 Seiten), Illustrationen
    Bemerkung(en):

    Dissertation, Universität Zürich, 2013

    Frontmatter -- Inhalt -- Vorwort -- Warhol made in USA: Amerikanische Kultur und Kunst in den 1950ern und 1960ern -- Amusement: Amerikanischer Life-Style in den 1950ern und 1960ern -- Think Prosperity, Have Prosperity: Amerikanische Business-Kunst -- Bold and Beautiful: Amerikanische Star-Fabrik -- TROUmatic: Amerikanische Tragödie -- USA made by Warhol: Amerikanische Kunst und Kultur sowie deren Nach- und Auswirkung -- Bibliografie und Abbildungsverzeichnis -- Backmatter
  3. From subjection to survival
    the artistry of American women writers
    Autor*in: Freitas, Molly J.
    Erschienen: 2023
    Verlag:  Routledge, New York, NY ; Taylor & Francis Group, London

    "From Subjection to Survival is a work of feminist scholarship that works at the intersection of literature and art history, the written and the visual. By examining six important and diverse multiethnic American women writers of the twentieth... mehr

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    Universitätsbibliothek Gießen
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    "From Subjection to Survival is a work of feminist scholarship that works at the intersection of literature and art history, the written and the visual. By examining six important and diverse multiethnic American women writers of the twentieth century (Kate Chopin, Anzia Yezierska, Edith Wharton, Zitkala-Ša, Nella Larsen, and Helena María Viramontes), From Subjection to Survival establishes a genealogy of how women writers claim the power and possibility of visual art to make sense of their experiences. These writers write about women and feature female protagonists who engage with art as painters, writers, muses, or icons in the texts themselves. The texts are written visually to expose the fundamental substantiation of gender in art and the unavoidable aestheticization of women in daily life. As every text in this book makes clear, women can claim substantial power through art. Yet, aestheticization is not always positive. As a consequence of such negative possibilities, the artistic self-referentiality of all of the texts in From Subjection to Survival exposes a negotiated course between subjectivity and objectness which women experience when engaging with art. From Subjection to Survival studies this negotiated course to lay bare the difficult path of women's artistic and aesthetic experience, but ultimately to claim the power and the possibility of the visual arts for women"--...

     
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781003362579; 1003362575; 9781000827651; 1000827658; 9781000827583; 1000827585
    Weitere Identifier:
    Schriftenreihe: Routledge research in American literature and culture
    Schlagworte: American literature; American literature; American literature; Women artists in literature; Feminism in literature; Women and literature; LITERARY CRITICISM / Feminist; ART / American / General; LITERARY CRITICISM / American / General
    Umfang: 1 Online-Ressource
  4. Warhol and the West
    Autor*in: Ahtone, Heather; Brower, Faith; Hopkins, Seth
    Erschienen: [2019]; © 2019
    Verlag:  Booth Western Art Museum, Cartersville, Georgia ; University of California Press, Oakland, California

    "Andy Warhol's 1986 print portfolio Cowboys and Indians represents an important milestone in both the artist's late career and a shift in the conception of contemporary western American art. One of the last major projects he completed prior to his... mehr

    Standort:
    Freie Universität Berlin, Universitätsbibliothek
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    Standort:
    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
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    "Andy Warhol's 1986 print portfolio Cowboys and Indians represents an important milestone in both the artist's late career and a shift in the conception of contemporary western American art. One of the last major projects he completed prior to his death, Cowboys and Indians received very little critical or public attention at the time of its release and remains one of the most under-studied aspects of the artist's career. This publication will explore, in-depth, for the first time, the range of western imagery he produced"--

     
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    Quelle: Philologische Bibliothek, FU Berlin
    Beteiligt: Warhol, Andy
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9780520303942
    RVK Klassifikation: LI 95130
    Schlagworte: ART / Collections, Catalogs, Exhibitions / General; ART / Individual Artists / General; ART / American / General; ART / History / Contemporary (1945-); ART / Popular Culture; ART / Native American; HISTORY / United States / State & Local / West (AK, CA, CO, HI, ID, MT, NV, UT, WY); Indianer <Motiv>; Cowboy
    Weitere Schlagworte: Warhol, Andy / 1928-1987 / Exhibitions; Warhol, Andy / 1928-1987 / Cowboys and Indians / Exhibitions; Warhol, Andy (1928-1987)
    Umfang: 139 Seiten, Illustrationen, 27 cm
    Bemerkung(en):

    National tour: Booth Western Art Museum, Cartersville, Georgia, August 24-December 31, 2019; National Cowboy & Western Heritage Museum, Oklahoma City, Oklahome, January 31-May 10, 2020; Tacoma Art Museum, Tacoma, Washington, July 1-September 20, 2020

    Warhol and the West : Following Faint Trails to the Lost Gold Mine / Seth Hopkins -- The American Indian and Warhol's Fantasy of an Indigenous Presence / heather ahtone -- Make It Pop : Contemporary Western and Native American Pop Art / Faith Brower
  5. Artists respond
    American art and the Vietnam War, 1965-1975
    Autor*in: Crow, Thomas E.; Levin, Erica; Markoski, Katherine; Nixon, Mignon; Rosler, Martha
    Erschienen: [2019]; © 2019
    Verlag:  Smithsonian American Art Museum, Washington, DC ; Princeton University Press, Princeton ; Oxford

    "By the late 1960s, the United States was in a pitched conflict in Vietnam, against a foreign enemy, and at home--between Americans for and against the war and the status quo. This powerful book showcases how American artists responded to the war,... mehr

    Standort:
    Freie Universität Berlin, Universitätsbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Universität der Künste Berlin, Universitätsbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    "By the late 1960s, the United States was in a pitched conflict in Vietnam, against a foreign enemy, and at home--between Americans for and against the war and the status quo. This powerful book showcases how American artists responded to the war, spanning the period from Lyndon B. Johnson's fateful decision to deploy US Marines to South Vietnam in 1965 to the fall of Saigon ten years later. Artists Respond brings together works by many of the most visionary and provocative artists of the period, including Asco, Chris Burden, Judy Chicago, Corita Kent, Leon Golub, David Hammons, Yoko Ono, and Nancy Spero. It explores how the moral urgency of the Vietnam War galvanized American artists in unprecedented ways, challenging them to reimagine the purpose and uses of art and compelling them to become politically engaged on other fronts, such as feminism and civil rights. The book presents an era in which artists struggled to synthesize the turbulent times and participated in a process of free and open questioning inherent to American civic life. Illustrated in color throughout, Artists Respond features a broad range of art, including painting, sculpture, printmaking, performance and body art, installation, documentary cinema and photography, and conceptualism"--

     
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    Quelle: Philologische Bibliothek, FU Berlin; Staatsbibliothek zu Berlin
    Beteiligt: Ho, Melissa (Hrsg.)
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9780691191188
    RVK Klassifikation: LO 94030 ; LH 60230 ; LH 49470
    Schlagworte: Vietnam War, 1961-1975; Art; Art, American; Art and war; Art and society; ART / Art & Politics; ART / American / General; ART / History / Contemporary (1945-); ART / Popular Culture; HISTORY / Military / Vietnam War; ART / Mixed Media; Art, American; Art and society; Art and war; Exhibition catalogs; History; Vietnamkrieg <Motiv>; Geschichte; Politische Kunst; Kunst
    Weitere Schlagworte: 1900-1999
    Umfang: xvi, 396 Seiten, 31 cm
    Bemerkung(en):

    "Published in conjunction with the exhibition of the same name, on view at the Smithsonian American Art Museum, Washington, DC, March 15, 2019 to August 18, 2019. The exhibition will tour to the Minneapolis Institute of Art from September 28, 2019 to January 5, 2020"--Title page verso

    One thing: Viet-Nam: American art and the Vietnam war / Melissa Ho -- Chronology and plates / Melissa Ho and Katherine Markoski, with contributions by Robert Cozzolino, Joe Madura, Sarah Newman, and E. Carmen Ramos -- Bearing witness in American art of the Vietnam era / Thomas Crow -- To change the form of film: experiments in cinema against the television war / Erica Levin -- What's love got to do, got to do, with it?: feminist politics and America's war in Vietnam / Mignon Nixon -- Vietnam story / Martha Rosler
  6. Intermedia
    Beteiligt: Frohne, Ursula (HerausgeberIn)
    Erschienen: [2022]
    Verlag:  Terra Foundation for American Art, Chicago

    "In 1965, the American artist and Fluxus cofounder Dick Higgins stated that much of the best art being made at the time fell between media. He linked the dismantling of divisions among media to decompartmentalization in society more generally and to... mehr

    Standort:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    "In 1965, the American artist and Fluxus cofounder Dick Higgins stated that much of the best art being made at the time fell between media. He linked the dismantling of divisions among media to decompartmentalization in society more generally and to the impending dawn of a "classless" society. After High Art, represented by the elite medium of painting, he wrote, came the deluge, brought on by Duchamp's ready-mades, Robert Rauschenberg's combines, and Alan Kaprow's happenings. Intermedia, the term Higgins selected to describe this trend, referred to works of art that conceptually fused different and, often, non-traditional media, rather than simply juxtaposing them, as with "mixed media" or "multimedia" art. In intermedia, boundaries between mediums dissolve and new mediums emerge. Visual poetry is a classic example of intermedia, as are Nam June Paik's video sculptures. Never a prescriptive term, intermedia remains fluid, both as an artistic practice and an art-historical category. It resists periodization, as well. Higgins associated intermedia with post-war art yet understood intermedia as a mode of making taken up by many cultures across time. Essays in the volume consider a range of subjects from the history of nineteenth- and twentieth-century American art and visual culture, exploring in detail and depth particular instances of intermedia within specific cultural, social, and historical contexts and in relation to both current and contemporaneous theorizations of media, image making, and materiality. Together, the essays present a rich and newly illuminating account of American artistic practice as an open and proliferating system of medial interrelation and exchange, highlighting the persistent and experimental cross-pollinations and transgenic mutations among painting, drawing, print, sculpture, photography, film, installation, performance, site specific work, and social practice in the art of the United States"--

     
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    Quelle: Staatsbibliothek zu Berlin
    Beteiligt: Frohne, Ursula (HerausgeberIn)
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9780932171702
    Schriftenreihe: Terra Foundation essays ; volume 6
    Schlagworte: Arts and society; Arts and society; Arts; ART / American / General; ART / General
    Umfang: 272 Seiten, Illustrationen
    Bemerkung(en):

    Includes bibliographical references

    Machine generated contents note: 1) Michelle Smiley, "The Circulating Medium: Joseph Saxton, Minting, and the American Daguerreotype" -- 2) Anna Arabindan-Kesson, "From Poetry into Paint: Robert S. Duncanson and The Song of Hiawatha" -- 3) Maggie M. Cao, "The Readymade and the Counterfeit: The Material Conditions of Art and Money" -- 4) Sebastian Egenhofer, "Optics and Humor: Light, Pictures, and Subjectivity in the Work of Dan Graham" -- 5) Eva Ehninger, "Visualizing the City: Interrelations between Painting and Photography" -- 6) Natilee Harren, "Proposals for Intermedia Art Education: Robert Watts' Experimental Workshop at the University of California, Santa Cruz, 1968-1969".
  7. Everyday joys in twenty-first century queer American painting
    ecstatic ordinarinesses
    Autor*in: Deutsch, David
    Erschienen: [2024]
    Verlag:  Routledge, Taylor & Francis Group, New York

    Zugang:
    Verlag (lizenzpflichtig)

    Standort:
    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
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    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781000929669; 9781003399919; 9781000929683
    Weitere Identifier:
    RVK Klassifikation: LO 96697 ; LH 60250
    Schriftenreihe: Routledge research in gender and art
    Schlagworte: Genre painting, American; Sexual minorities in art; ART / American / General; ART / History / Contemporary (1945-)
    Umfang: 1 Online-Ressource (xxviii, 137 Seiten)
  8. The Civil War and American art
    [Published in conjunction with the exhibition of the same name, on view at the Smithsonian American Art Museum in Washington, D.C., from November 16, 2012 through April 28, 2013, and at the Metropolitan Museum of Art, New York City, from May 21 - September 2, 2013]
    Autor*in: Harvey, Eleanor Jones
    Erschienen: 2012
    Verlag:  Smithsonian American Art Museum, Washington, DC ; Yale University Press, New Haven, Conn.

    "The American Civil War was arguably the first modern war. Its grim reality, captured through the new medium of photography, was laid bare. American artists could not approach the conflict with the conventions of European history painting, which... mehr

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    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
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    "The American Civil War was arguably the first modern war. Its grim reality, captured through the new medium of photography, was laid bare. American artists could not approach the conflict with the conventions of European history painting, which glamorized the hero on the battlefield. Instead, many artists found ways to weave the war into works of art that considered the human narrative--the daily experiences of soldiers, slaves, and families left behind. Artists and writers wrestled with the ambiguity and anxiety of the Civil War and used landscape imagery to give voice to their misgivings as well as their hopes for themselves and the nation.This important book looks at the range of artwork created before, during, and following the war, in the years between 1859 and 1876. Author Eleanor Jones Harvey examines the implications of the war on landscape and genre painting, history painting, and photography, as represented in some of the greatest masterpieces of 19th-century American art. The book features extensive quotations from men and women alive during the war years, alongside text by literary figures including Emily Dickinson, Mark Twain, and Walt Whitman, among many others"--

     
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9780300187335; 9780937311981; 0300187335; 0937311987
    RVK Klassifikation: LO 96680
    Auflage/Ausgabe: 1. publ.
    Schlagworte: Art, American; Art and society; Art, American; Art and society; ART / History / Modern (late 19th Century to 1945); HISTORY / United States / Civil War Period (1850-1877); ART / American / General; HISTORY / United States / 19th Century; ART / Collections, Catalogs, Exhibitions / General
    Umfang: XVII, 316 S., zahlr. Ill., 33 cm
    Bemerkung(en):

    Bibliographie S. 274 - 303
  9. Joe Brainard’s Art
    Autor*in: Shamma, Yasmine
    Erschienen: [2022]; ©2019
    Verlag:  Edinburgh University Press, Edinburgh

    Examines the multiple angles of the avant-garde poetry and art of Joe Brainard Joe Brainard’s work occupies the literal margins of New York school poetry, while also figuratively influencing its aesthetic margins, shaping the school from both within... mehr

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    Standort:
    Hochschule für Gesundheit, Hochschulbibliothek
    Signatur:
    Initiative E-Books.NRW
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    Standort:
    Universitätsbibliothek Braunschweig
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    Staats- und Universitätsbibliothek Bremen
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    Zentrale Hochschulbibliothek Flensburg
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    Universitätsbibliothek Greifswald
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    HafenCity Universität Hamburg, Bibliothek
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    Staats- und Universitätsbibliothek Hamburg Carl von Ossietzky
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    Hochschule für Angewandte Wissenschaften Hamburg, Hochschulinformations- und Bibliotheksservice (HIBS), Fachbibliothek Technik, Wirtschaft, Informatik
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    Technische Universität Hamburg, Universitätsbibliothek
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    Gottfried Wilhelm Leibniz Bibliothek - Niedersächsische Landesbibliothek
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    Otto-von-Guericke-Universität, Universitätsbibliothek
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    ebook deGruyter
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    Bibliotheks-und Informationssystem der Carl von Ossietzky Universität Oldenburg (BIS)
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    Jade Hochschule Wilhelmshaven/Oldenburg/Elsfleth, Campus Oldenburg, Bibliothek
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    Universitätsbibliothek Osnabrück
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    Hochschulbibliothek Pforzheim, Bereichsbibliothek Technik und Wirtschaft
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    Universitätsbibliothek der Eberhard Karls Universität
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    Jade Hochschule Wilhelmshaven/Oldenburg/Elsfleth, Campus Wilhelmshaven, Bibliothek
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    Examines the multiple angles of the avant-garde poetry and art of Joe Brainard Joe Brainard’s work occupies the literal margins of New York school poetry, while also figuratively influencing its aesthetic margins, shaping the school from both within and without. Brainard was not only an important illustrator and friend to many New York school poets, he was also a respected collage artist, miniature artist, cartoonist, avid letter writer and serious poet. As the canon of avant-garde American poetry warmly embraces his poetry alongside his art, the field of literary criticism is freshly responding with enthusiasm to Brainard’s literary contribution with sophisticated scholarship and first-hand accounts which attend to both his textual and visual nuances. This collection offers the first place for the importance of Brainard’s poetry, collaborations and art to be recognised for their contribution and influence, all in one place.Key FeaturesFeatures series of established and new voices in contemporary American poetrySelected essays all focus on writing but transgress disciplinary lines to also incorporate consideration of Brainard’s visual practice at the same timeSuggests Brainard’s work informingly lined, bound , and shaped the poetics of American avant-gardeShifts critical attention to Brainard’s writing (while also attending to his well known comics and collages)Offers further analysis of Brainard’s art and work as uniquely queer in aesthetic practice

     
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    Quelle: Verbundkataloge
    Beteiligt: Ashbery, John (MitwirkendeR); Berrigan, Edmund (MitwirkendeR); Brainard, John (MitwirkendeR); Cotton, Jess (MitwirkendeR); Cran, Rona (MitwirkendeR); Epstein, Andrew (MitwirkendeR); Fitch, Andy (MitwirkendeR); Glavey, Brian (MitwirkendeR); Keane, Timothy (MitwirkendeR); Kernan, Nathan (MitwirkendeR); Lamm, Kimberly (MitwirkendeR); Notley, Alice (MitwirkendeR); Padgett, Ron (MitwirkendeR); Perloff, Marjorie (MitwirkendeR); Shamma, Yasmine (MitwirkendeR); Smaill, Anna (MitwirkendeR); Sturm, Nick (MitwirkendeR); Waldman, Anne (MitwirkendeR)
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781474436687
    Weitere Identifier:
    Schlagworte: Artistic collaboration; Arts, American; Collage, American; Experimental poetry, American; New York school of art; Literary Studies; ART / American / General
    Umfang: 1 Online-Ressource (280 p.), 36 colour illustrations
  10. Grand illusions
    American art and the First World War
    Autor*in: Lubin, David M.
    Erschienen: [2016]
    Verlag:  Oxford University Press, New York, NY

    "Taking readers on a tour of the major historical events during and immediately after World War I, Grand Illusions considers the famous and forgotten artists and artworks that sought to make sense of America's first total war"-- mehr

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    Bayerische Staatsbibliothek
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    "Taking readers on a tour of the major historical events during and immediately after World War I, Grand Illusions considers the famous and forgotten artists and artworks that sought to make sense of America's first total war"--

     
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9780190218614
    RVK Klassifikation: LH 84380
    Schlagworte: World War, 1914-1918 / Art and the war; Arts, American / 20th century / Themes, motives; Arts and society / United States / History / 20th century; ART / American / General; HISTORY / Military / World War I.; HISTORY / United States / 20th Century; Arts, American / Themes, motives; Arts and society; Geschichte; Weltkrieg (1914-1918); Erster Weltkrieg <Motiv>; Gesellschaft; Künste
    Umfang: xii, 366 Seiten, Illustrationen
    Bemerkung(en):

    Machine generated contents note: -- Introduction -- Part One -- 1. War, Modernism, and the American Spirit -- 2. Dangerous Waters -- 3. Mirroring Masculinity -- 4. Morning in America -- 5. Duchamp's Fountain -- Part Two -- 6. To See or Not to See -- 7. Artists in Uniform -- 8. Fixing Faces -- 9. Monsters at Home -- 10. Epilogue: Men, Machines, and Apes -- Works Cited -- Index
  11. Warhol and the West
    Autor*in: Ahtone, Heather; Brower, Faith; Hopkins, Seth
    Erschienen: [2019]; © 2019
    Verlag:  Booth Western Art Museum, Cartersville, Georgia ; University of California Press, Oakland, California

    "Andy Warhol's 1986 print portfolio Cowboys and Indians represents an important milestone in both the artist's late career and a shift in the conception of contemporary western American art. One of the last major projects he completed prior to his... mehr

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    Universitätsbibliothek der LMU München
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    "Andy Warhol's 1986 print portfolio Cowboys and Indians represents an important milestone in both the artist's late career and a shift in the conception of contemporary western American art. One of the last major projects he completed prior to his death, Cowboys and Indians received very little critical or public attention at the time of its release and remains one of the most under-studied aspects of the artist's career. This publication will explore, in-depth, for the first time, the range of western imagery he produced"--

     
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    Quelle: Verbundkataloge
    Beteiligt: Warhol, Andy
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9780520303942
    RVK Klassifikation: LI 95130
    Schlagworte: ART / Collections, Catalogs, Exhibitions / General; ART / Individual Artists / General; ART / American / General; ART / History / Contemporary (1945-); ART / Popular Culture; ART / Native American; HISTORY / United States / State & Local / West (AK, CA, CO, HI, ID, MT, NV, UT, WY); Indianer <Motiv>; Cowboy
    Weitere Schlagworte: Warhol, Andy / 1928-1987 / Exhibitions; Warhol, Andy / 1928-1987 / Cowboys and Indians / Exhibitions; Warhol, Andy (1928-1987)
    Umfang: 139 Seiten, Illustrationen, 27 cm
    Bemerkung(en):

    National tour: Booth Western Art Museum, Cartersville, Georgia, August 24-December 31, 2019; National Cowboy & Western Heritage Museum, Oklahoma City, Oklahome, January 31-May 10, 2020; Tacoma Art Museum, Tacoma, Washington, July 1-September 20, 2020

    Warhol and the West : Following Faint Trails to the Lost Gold Mine / Seth Hopkins -- The American Indian and Warhol's Fantasy of an Indigenous Presence / heather ahtone -- Make It Pop : Contemporary Western and Native American Pop Art / Faith Brower
  12. American encounters
    genre painting and everyday life ; [in conjunction with the exhibition "New frontier II. L'Art américain entre au Louvre. Aux sources de la peinture de genre américaine" at the Musée du Louvre from January 19 to April 22, 2013 and "American encounters: genre painting and everyday life" at Crystal Bridges Museum of American Art from May 11 to August 12, 2013 and the High Museum of Art from September 14, 2013 to January 12, 2014]
    Erschienen: 2012
    Verlag:  Terra Foundation for American Art, Chicago, Ill.

    "Genre painting flourished in the U.S. during the mid-19th century. These narrative scenes depicting the everyday activities of stock or typed characters captivated American audiences. Delineating distinctly American characters, often through the... mehr

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    "Genre painting flourished in the U.S. during the mid-19th century. These narrative scenes depicting the everyday activities of stock or typed characters captivated American audiences. Delineating distinctly American characters, often through the exploration of racial, regional, or class differences, genre painting, like landscape, was often called upon as a vehicle for expression of cultural nationalism.Two paintings from the Louvre represent the Dutch and English schools, key sources on which genre painters in the U.S. drew in developing their own idiom. These rich genre paintings, alongside three outstanding American examples, enable the exploration of a variety of interrelated themes including the development of character types, confrontations between them, the spaces of their confrontations, the role of the senses as well as music and narrative, and the graphic reproduction and dissemination of genre paintings in the form of prints.Genre Painting and Everyday Life accompanies the first of a series of focused exhibitions collaboratively organized by the Musee du Louvre, the Crystal Bridges Museum of American Art, the High Museum of Art, and the Terra Foundation for American Art"..

     
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9780295992693
    Schlagworte: Geschichte; Genre painting, American; National characteristics, American, in art; ART / American / General; ART / History / Modern (late 19th Century to 1945); ART / Subjects & Themes / Human Figure; Genremalerei; Ethnische Gruppe <Motiv>
    Umfang: 67 S., zahlr. Ill., 22 cm
    Bemerkung(en):

    Includes bibliographical references
  13. Modernism in the Pacific Northwest
    the mythic and the mystical ; masterworks form the Seattle Art Museum ; [published in conjunction with the exhibition Modernism in the Pacific Northwest: The Mythic and the Mystical, organized by the Seattle Art Museum and on view from June 19-September 7, 2014]
    Autor*in: Junker, Patricia A.
    Erschienen: 2014
    Verlag:  Univ. of Washington Press, Seattle

    "Few regions of the country produced such a distinctive group of artists with such a particular view on the modern world as did the Pacific Northwest in the 1930s and 1940s. Capitalizing on their particular geographical position at what was a modern... mehr

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    "Few regions of the country produced such a distinctive group of artists with such a particular view on the modern world as did the Pacific Northwest in the 1930s and 1940s. Capitalizing on their particular geographical position at what was a modern art outpost...working free from the strong influences of New York and Europe, and sitting at the portal to the Far East...a close-knit group of artists sought to address the global political, social, and economic ills of their time. The seminal figures in this group...Mark Tobey and Morris Graves especially...quickly garnered critical attention in New York for their uncommon imagery and expressive technique, which drew upon spiritual tenents ranging from Zen Buddhism to the Persian Bahai faith and their mastery of Asian calligraphy. Modernism in the Pacific Northwest presents an overview drawn from SAM's unparalleled collection of the key figures of this generation: painters Mark Tobey, Morris Graves, Guy Anderson, Kenneth Callahan, Leo Kenney, Paul Horiuchi, and George Tsutakawa, and sculptors Phil McCracken and James Washington. Patricia Junker is the Ann M. Barwick Curator of American Art at the Seattle Art Museum and is the author of Albert Bierstadt and Edward Hopper"..

     
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  14. World War I and American art
    Beteiligt: Cozzolino, Robert (Hrsg.); Knutson, Anne Classen (Hrsg.); Lubin, David M. (Hrsg.)
    Erschienen: [2016]; © 2016
    Verlag:  Pennsylvania Academy of the Fine Arts in association with Princeton University Press, Philadelphia

    "World War I and American Art provides an unprecedented look at the ways in which American artists reacted to the war. Artists took a leading role in chronicling the war, crafting images that influenced public opinion, supported mobilization efforts,... mehr

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    Staatliche Bibliothek Regensburg
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    "World War I and American Art provides an unprecedented look at the ways in which American artists reacted to the war. Artists took a leading role in chronicling the war, crafting images that influenced public opinion, supported mobilization efforts, and helped to shape how the war's appalling human toll was memorialized. The book brings together paintings, drawings, prints, photographs, posters, and ephemera, spanning the diverse visual culture of the period to tell the story of a crucial turning point in the history of American art"

     
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    Quelle: Verbundkataloge
    Beteiligt: Cozzolino, Robert (Hrsg.); Knutson, Anne Classen (Hrsg.); Lubin, David M. (Hrsg.)
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9780691172699
    RVK Klassifikation: LH 47100 ; LH 84380 ; LO 94031
    Schlagworte: Geschichte; Weltkrieg (1914-1918); Erster Weltkrieg <Motiv>; Kunst
    Weitere Schlagworte: Art, American / Themes, motives / 20th century; World War, 1914-1918 / Art and the war; Art and society / History / 20th century / United States; ART / Subjects & Themes / General; ART / Art & Politics; ART / American / General; ART / History / Modern (late 19th Century to 1945); Art and society / Exhibitions / History / 20th century / United States; Art, American / Exhibitions / Themes, motives / 20th century; War in art / Exhibitions / 20th century; World War, 1914-1918 / Art and the war / Exhibitions
    Umfang: 319 Seiten
    Bemerkung(en):

    This book is published in conjunction with the exhibition World War I and American art, organized by the Pennsylvania Acadamy of the Fine Arts. Pennsylvania Acadamy of the Fine Arts, Philadelphia, November 4, 2016-April 9, 2017. New-York Historical Society, New York, May 26-September 3, 2017. Frist Center for the Visual Arts, Nashville, Tennessee, October 6,1017-January 21, 2018.

    Includes bibliographical references and index
  15. California Mexicana
    missions to murals, 1820-1930
    Beteiligt: Manthorne, Katherine (Hrsg.)
    Erschienen: [2017]
    Verlag:  Laguna Art Museum in association with University of California Press, [Laguna Beach, Calif.]

    "California Mexicana: Missions to Murals, 1820-1930 asks how Mexico became California. The project moves backward in time, establishing the foundations upon which modern artists built. Mapping practices, pictures of manners and customs, landscape... mehr

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    "California Mexicana: Missions to Murals, 1820-1930 asks how Mexico became California. The project moves backward in time, establishing the foundations upon which modern artists built. Mapping practices, pictures of manners and customs, landscape paintings, and illustrated civic documents all played significant roles in encouraging inhabitants to apprehend the distinctive qualities of their surroundings and themselves. This book charts the ways in which Mexico and California engaged in this performing of place through the visual arts"...

     
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  16. The Civil War and American art
    [published in conjunction with the exhibition of the same name, on view at the Smithsonian American Art Museum in Washington, D.C., from November 16, 2012 through April 28, 2013, and at the Metropolitan Museum of Art, New York City, from May 21 - September 2, 2013]
    Erschienen: 2012
    Verlag:  Yale Univ. Press, New Haven, Conn.

    "The American Civil War was arguably the first modern war. Its grim reality, captured through the new medium of photography, was laid bare. American artists could not approach the conflict with the conventions of European history painting, which... mehr

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    Universitätsbibliothek Bayreuth
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    Standort:
    Universitätsbibliothek Erlangen-Nürnberg, Hauptbibliothek
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    Standort:
    Bayerische Staatsbibliothek
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    Zentralinstitut für Kunstgeschichte, Bibliothek
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    Universitätsbibliothek Würzburg
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    "The American Civil War was arguably the first modern war. Its grim reality, captured through the new medium of photography, was laid bare. American artists could not approach the conflict with the conventions of European history painting, which glamorized the hero on the battlefield. Instead, many artists found ways to weave the war into works of art that considered the human narrative--the daily experiences of soldiers, slaves, and families left behind. Artists and writers wrestled with the ambiguity and anxiety of the Civil War and used landscape imagery to give voice to their misgivings as well as their hopes for themselves and the nation.This important book looks at the range of artwork created before, during, and following the war, in the years between 1859 and 1876. Author Eleanor Jones Harvey examines the implications of the war on landscape and genre painting, history painting, and photography, as represented in some of the greatest masterpieces of 19th-century American art. The book features extensive quotations from men and women alive during the war years, alongside text by literary figures including Emily Dickinson, Mark Twain, and Walt Whitman, among many others"--

     
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  17. Creative rebellion for the twenty-first century
    the importance of public and interactive art to political life in America
    Autor*in: Boros, Diana
    Erschienen: 2012
    Verlag:  Palgrave Macmillan, New York, NY [u.a.]

    "Employing political philosophy to argue the need for social and public art projects to be a part of the everyday lives of Americans, Boros creates a new synthesis of philosophical ideas to support the political value of public art. The author... mehr

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    Universitätsbibliothek Erlangen-Nürnberg, Hauptbibliothek
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    Kunsthistorisches Institut in Florenz, Max-Planck-Institut, Bibliothek

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    "Employing political philosophy to argue the need for social and public art projects to be a part of the everyday lives of Americans, Boros creates a new synthesis of philosophical ideas to support the political value of public art. The author endeavors to add to the ongoing discussions regarding the foundations of democracy, engages in groundbreaking new ways the works of key political philosophers, and promotes public art as a way to re-invigorate our everyday public experiences, and to re-engage people in their communities. "--

     
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9780230338791
    Auflage/Ausgabe: 1. ed.
    Schlagworte: Public art / Political aspects / United States; Interactive art / Political aspects / United States; Political participation / United States; POLITICAL SCIENCE / History & Theory; ART / American / General; SOCIAL SCIENCE / Media Studies; Politik; Öffentlicher Raum; Politische Ästhetik; Politik; Kunst; Interaktive Kunst
    Umfang: XVI, 204 S., Ill.
    Bemerkung(en):

    Machine generated contents note: -- Everyday Rebellion: Using Tocqueville to Argue the Need for a Revitalization of American society and Democracy through Art * The Coupling of the Dionysian and the Apollonian: The Evolution of Nietzsche's Definition of Transcendent Art * Camus and the Transformative Nature of Art: Art and Public Art as Invigorating Encounter
  18. Artists respond
    American art and the Vietnam War, 1965-1975
    Autor*in: Crow, Thomas E.; Levin, Erica; Markoski, Katherine; Nixon, Mignon; Rosler, Martha
    Erschienen: [2019]; © 2019
    Verlag:  Smithsonian American Art Museum, Washington, DC ; Princeton University Press, Princeton ; Oxford

    "By the late 1960s, the United States was in a pitched conflict in Vietnam, against a foreign enemy, and at home--between Americans for and against the war and the status quo. This powerful book showcases how American artists responded to the war,... mehr

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    "By the late 1960s, the United States was in a pitched conflict in Vietnam, against a foreign enemy, and at home--between Americans for and against the war and the status quo. This powerful book showcases how American artists responded to the war, spanning the period from Lyndon B. Johnson's fateful decision to deploy US Marines to South Vietnam in 1965 to the fall of Saigon ten years later. Artists Respond brings together works by many of the most visionary and provocative artists of the period, including Asco, Chris Burden, Judy Chicago, Corita Kent, Leon Golub, David Hammons, Yoko Ono, and Nancy Spero. It explores how the moral urgency of the Vietnam War galvanized American artists in unprecedented ways, challenging them to reimagine the purpose and uses of art and compelling them to become politically engaged on other fronts, such as feminism and civil rights. The book presents an era in which artists struggled to synthesize the turbulent times and participated in a process of free and open questioning inherent to American civic life. Illustrated in color throughout, Artists Respond features a broad range of art, including painting, sculpture, printmaking, performance and body art, installation, documentary cinema and photography, and conceptualism"--

     
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    Quelle: Verbundkataloge
    Beteiligt: Ho, Melissa (Hrsg.)
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9780691191188
    RVK Klassifikation: LO 94030 ; LH 60230 ; LH 49470
    Schlagworte: Vietnam War, 1961-1975; Art; Art, American; Art and war; Art and society; ART / Art & Politics; ART / American / General; ART / History / Contemporary (1945-); ART / Popular Culture; HISTORY / Military / Vietnam War; ART / Mixed Media; Art, American; Art and society; Art and war; Exhibition catalogs; History; Vietnamkrieg <Motiv>; Geschichte; Politische Kunst; Kunst
    Weitere Schlagworte: 1900-1999
    Umfang: xvi, 396 Seiten, 31 cm
    Bemerkung(en):

    "Published in conjunction with the exhibition of the same name, on view at the Smithsonian American Art Museum, Washington, DC, March 15, 2019 to August 18, 2019. The exhibition will tour to the Minneapolis Institute of Art from September 28, 2019 to January 5, 2020"--Title page verso

    One thing: Viet-Nam: American art and the Vietnam war / Melissa Ho -- Chronology and plates / Melissa Ho and Katherine Markoski, with contributions by Robert Cozzolino, Joe Madura, Sarah Newman, and E. Carmen Ramos -- Bearing witness in American art of the Vietnam era / Thomas Crow -- To change the form of film: experiments in cinema against the television war / Erica Levin -- What's love got to do, got to do, with it?: feminist politics and America's war in Vietnam / Mignon Nixon -- Vietnam story / Martha Rosler
  19. America is the prison
    arts and politics in prison in the 1970s
    Autor*in: Bernstein, Lee
    Erschienen: ©2010
    Verlag:  University of North Carolina Press, Chapel Hill, N.C.

    Standort:
    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
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    Ostbayerische Technische Hochschule Amberg-Weiden, Hochschulbibliothek, Standort Weiden
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 0807898325; 1469604043; 9780807898321; 9781469604046
    Schlagworte: ART / American / General; SOCIAL SCIENCE / Criminology; Arts, American; Arts and society; Arts / Political aspects; Prisoners as artists; Geschichte; Politik; Prisoners as artists; Arts, American; Arts; Arts and society; Politische Literatur; Kunst; Justizvollzugsanstalt; Literatur
    Umfang: 1 Online-Ressource (xi, 224 pages)
    Bemerkung(en):

    Includes bibliographical references and index

    Introduction -- We shall have order : the cultural politics of law and order -- The age of Jackson : George Jackson and the radical critique of incarceration -- What works? : reform and repression in prison programs -- We took the weight : incarcerated writers and artists in the Black Arts movement -- Cell block theater : entertainment, liberation, and the politics of prison theater -- Radical chic : Jack Henry Abbott and the decline of prison programming -- Conclusion

    Bernstein explores the forces that sparked a dramatic "prison art renaissance" in the 1970s, when incarcerated people produced powerful works of writing, performance, and visual art. An extraordinary range of prison programs--fine arts, theater, secondary education, and prisoner-run programs--allowed the voices of prisoners such as George Jackson, Miguel Pinero, and Jack Henry Abbott to influence the Black Arts Movement, the Nuyorican writers, "New Journalism," and political theater, among the most important aesthetic contributions of the decade
  20. Artistic liberties
    American literary realism and graphic illustration, 1880 - 1905
    Autor*in: Sonstegard, Adam
    Erschienen: 2014
    Verlag:  Univ. of Alabama Press, Tuscaloosa, Ala.

    "Artistic Liberties is a landmark study of the illustrations that originally accompanied now-classic works of American literary realism and the ways editors, authors, and illustrators vied for authority over the publications".. mehr

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    Bayerische Staatsbibliothek
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    Universitätsbibliothek Regensburg
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    "Artistic Liberties is a landmark study of the illustrations that originally accompanied now-classic works of American literary realism and the ways editors, authors, and illustrators vied for authority over the publications"..

     
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9780817318055
    RVK Klassifikation: HT 1121 ; HT 1723
    Schriftenreihe: Studies in American literary realism and naturalism
    Schlagworte: LITERARY CRITICISM / American / General; ART / American / General; Geschichte; American fiction; Illustration of books; Publishers and publishing; Stereotypes (Social psychology) in art; Stereotypes (Social psychology) in literature; LITERARY CRITICISM / American / General; ART / American / General; Realismus; Illustration; Literatur
    Umfang: XIV, 230 S., Ill.
    Bemerkung(en):

    Includes bibliographical references and index
  21. Joe Brainard's Art
    Autor*in: Shamma, Yasmine
    Erschienen: [2022]; © 2019
    Verlag:  Edinburgh University Press, Edinburgh

    Examines the multiple angles of the avant-garde poetry and art of Joe Brainard Joe Brainard's work occupies the literal margins of New York school poetry, while also figuratively influencing its aesthetic margins, shaping the school from both within... mehr

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    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
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    TH-AB - Technische Hochschule Aschaffenburg, Hochschulbibliothek
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    Technische Hochschule Augsburg
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    Universitätsbibliothek Bamberg
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    Hochschule Coburg, Zentralbibliothek
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    Hochschule Kempten, Hochschulbibliothek
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    Hochschule Landshut, Hochschule für Angewandte Wissenschaften, Bibliothek
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    Universitätsbibliothek Passau
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    Examines the multiple angles of the avant-garde poetry and art of Joe Brainard Joe Brainard's work occupies the literal margins of New York school poetry, while also figuratively influencing its aesthetic margins, shaping the school from both within and without. Brainard was not only an important illustrator and friend to many New York school poets, he was also a respected collage artist, miniature artist, cartoonist, avid letter writer and serious poet. As the canon of avant-garde American poetry warmly embraces his poetry alongside his art, the field of literary criticism is freshly responding with enthusiasm to Brainard's literary contribution with sophisticated scholarship and first-hand accounts which attend to both his textual and visual nuances. This collection offers the first place for the importance of Brainard's poetry, collaborations and art to be recognised for their contribution and influence, all in one place.Key FeaturesFeatures series of established and new voices in contemporary American poetrySelected essays all focus on writing but transgress disciplinary lines to also incorporate consideration of Brainard's visual practice at the same timeSuggests Brainard's work informingly lined, bound , and shaped the poetics of American avant-gardeShifts critical attention to Brainard's writing (while also attending to his well known comics and collages)Offers further analysis of Brainard's art and work as uniquely queer in aesthetic practice

     
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    Volltext (URL des Erstveröffentlichers)
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781474436687
    Weitere Identifier:
    Schlagworte: Literary Studies; ART / American / General; Artistic collaboration; Arts, American; Collage, American; Experimental poetry, American; New York school of art
    Umfang: 1 Online-Ressource (280 Seiten), 36 colour illustrations
    Bemerkung(en):

    Description based on online resource; title from PDF title page (publisher's Web site, viewed 29. Mrz 2022)
  22. The Edinburgh Companion to Don DeLillo and the Arts
    Erschienen: [2023]; © 2023
    Verlag:  Edinburgh University Press, Edinburgh

    The first book to comprehensively address Don DeLillo's deep and lasting engagement with the arts across the entirety of his writing careerProvides the first comprehensive study of Don DeLillo's profound engagement with the visual, performing and... mehr

    Standort:
    Technische Hochschule Augsburg
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    Standort:
    Bayerische Staatsbibliothek
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    The first book to comprehensively address Don DeLillo's deep and lasting engagement with the arts across the entirety of his writing careerProvides the first comprehensive study of Don DeLillo's profound engagement with the visual, performing and plastic arts throughout his 50+ years career as a writerThe Edinburgh Companion to Don DeLillo and the Arts is the first book to provide a comprehensive study of Don DeLillo's career-long engagements with the visual, literary, digital and televisual, performing, filmic, and spatial arts. Gathering original essays from a diverse range of international contributors, including established voices in DeLillo criticism and emerging experts, the volume forges new paths in the study of one of the greatest authors of the twentieth and twenty-first centuries. Beginning with a section dedicated to experiential and political aesthetics in DeLillo's work, the Companion offers new perspectives on the forms and functions of the arts across DeLillo's entire oeuvre-from his first novel Americana, through his plays, essays, short stories, to his latest novel, The Silence. This exciting Companion is a genuine intervention in DeLillo scholarship by offering an interdisciplinary examination of his work across forms, media, method, and theory

     
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    Volltext (URL des Erstveröffentlichers)
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781474499910
    Weitere Identifier:
    Schriftenreihe: Edinburgh Companions to Literature and the Humanities
    Schlagworte: Literary Studies; ART / American / General
    Umfang: 1 Online-Ressource (488 pages), 6 B/W illustrations 3 colour illustrations 6 black & white and 3 colour illustrations
    Bemerkung(en):

    Description based on online resource; title from PDF title page (publisher's Web site, viewed 01. Nov 2023)
  23. Wild Life
    The Life and Work of Charley Harper
    Beteiligt: Klanten, Robert (Hrsg.); Servert, Andrea (Hrsg.); Charley Harper, Art Studio (Hrsg.)
    Erschienen: 2022
    Verlag:  Die Gestalten Verlag, Berlin

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  24. From subjection to survival
    the artistry of American women writers
    Autor*in: Freitas, Molly J.
    Erschienen: 2023
    Verlag:  Routledge,, New York, NY

    Zugang:
    Verlag (lizenzpflichtig)

    Standort:
    Universitäts- und Landesbibliothek Sachsen-Anhalt / Zentrale
    Fernleihe:
    keine Fernleihe
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781003362579; 1003362575; 9781000827651; 1000827658; 9781000827583; 1000827585
    Weitere Identifier:
    Schriftenreihe: Routledge research in American literature and culture
    Schlagworte: American literature; American literature; American literature; Women artists in literature; Feminism in literature; Women and literature; LITERARY CRITICISM / Feminist; ART / American / General; LITERARY CRITICISM / American / General
    Umfang: 1 online resource.
  25. World War I and American art
    Beteiligt: Cozzolino, Robert (Hrsg.); Knutson, Anne Classen (Hrsg.); Lubin, David M. (Hrsg.)
    Erschienen: [2016]; © 2016
    Verlag:  Pennsylvania Academy of the Fine Arts in association with Princeton University Press, Philadelphia

    "World War I and American Art provides an unprecedented look at the ways in which American artists reacted to the war. Artists took a leading role in chronicling the war, crafting images that influenced public opinion, supported mobilization efforts,... mehr

    Standort:
    Freie Universität Berlin, Universitätsbibliothek
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    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
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    Standort:
    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
    Fernleihe:
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    "World War I and American Art provides an unprecedented look at the ways in which American artists reacted to the war. Artists took a leading role in chronicling the war, crafting images that influenced public opinion, supported mobilization efforts, and helped to shape how the war's appalling human toll was memorialized. The book brings together paintings, drawings, prints, photographs, posters, and ephemera, spanning the diverse visual culture of the period to tell the story of a crucial turning point in the history of American art"

     
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    Quelle: Philologische Bibliothek, FU Berlin
    Beteiligt: Cozzolino, Robert (Hrsg.); Knutson, Anne Classen (Hrsg.); Lubin, David M. (Hrsg.)
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9780691172699
    RVK Klassifikation: LH 47100 ; LH 84380 ; LO 94031
    Schlagworte: Geschichte; Weltkrieg (1914-1918); Erster Weltkrieg <Motiv>; Kunst
    Weitere Schlagworte: Art, American / Themes, motives / 20th century; World War, 1914-1918 / Art and the war; Art and society / History / 20th century / United States; ART / Subjects & Themes / General; ART / Art & Politics; ART / American / General; ART / History / Modern (late 19th Century to 1945); Art and society / Exhibitions / History / 20th century / United States; Art, American / Exhibitions / Themes, motives / 20th century; War in art / Exhibitions / 20th century; World War, 1914-1918 / Art and the war / Exhibitions
    Umfang: 319 Seiten
    Bemerkung(en):

    This book is published in conjunction with the exhibition World War I and American art, organized by the Pennsylvania Acadamy of the Fine Arts. Pennsylvania Acadamy of the Fine Arts, Philadelphia, November 4, 2016-April 9, 2017. New-York Historical Society, New York, May 26-September 3, 2017. Frist Center for the Visual Arts, Nashville, Tennessee, October 6,1017-January 21, 2018.

    Includes bibliographical references and index