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  1. In the shade of the Golden Palace
    Ālāol and Middle Bengali poetics in Arakan
    Autor*in: D'Hubert, Thibaut
    Erschienen: [2018]; © 2018
    Verlag:  Oxford University Press, New York, NY

    Standort:
    Max-Planck-Institut für Bildungsforschung, Bibliothek und wissenschaftliche Information
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9780190860332
    Schriftenreihe: South Asia research
    Schlagworte: Bengali poetry; Bengali poetry; Bengali poetry; Ālāola; Ālāola; Criticism, interpretation, etc; 1600-1699
    Weitere Schlagworte: Ālāola (1607?-1680)
    Umfang: xviii, 378 Seiten, 1 Karte
    Bemerkung(en):

    Literaturverzeichnis: Seite 329-356
  2. Cartesian poetics
    the art of thinking
    Autor*in: Gadberry, Andrea
    Erschienen: [2020]; © 2020
    Verlag:  University of Chicago Press, Chicago

    Cartesian Poetics is a defense of the “resultless enterprises” of poetry and thinking that enlists an unlikely ally in its cause: René Descartes. Against the historical charge that Descartes’ philosophy “slashed poetry’s throat,” this book argues... mehr

     

    Cartesian Poetics is a defense of the “resultless enterprises” of poetry and thinking that enlists an unlikely ally in its cause: René Descartes. Against the historical charge that Descartes’ philosophy “slashed poetry’s throat,” this book argues that the resources of early modern poetry and rhetoric help make Descartes’ thinking possible. Against a familiar and still-prevailing narrative that holds Descartes responsible for initiating the moral injuries caused by Enlightenment reason and modern alienation, this book offers a new interpretation of his intervention in philosophy: the apparent triumphs of disembodied reason are recharacterized here as impassioned and poetic negotiations with the difficulties of thinking itself. In showing how, for Descartes, poetry structures a distinctive way of thinking, this book uses its readings of seventeenth-century works to pose questions urgent for the twenty-first: What is thinking? What does it feel like? What is it good for? Through close readings of Descartes’ most famous philosophical writings (the Discourse on Method and the Meditations along with the Regulae, the Principia, and the Passions of the Soul), the book reveals an implicit poetics in Descartes' body of work, from the puzzling forms of riddle, emblem, and anagram to the antecedents of more familiar Romantic and post-Romantic poetry in love lyric and elegy. The source of an atmosphere for Descartes’ philosophy rather than the object of its argument, poetry imparts the linguistic resources with which Descartes’ philosophy confronts, contains, or simply experiences life’s ordinary inadequacies and passions as well as the constraints of thought.

     
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780226723167
    Weitere Identifier:
    Schriftenreihe: Thinking literature
    Schlagworte: Descartes, René; Denken; Argumentation; Poetik;
    Weitere Schlagworte: Descartes, René / 1596-1650; Poetics / History / 17th century; Descartes, René / 1596-1650; Poetics; 1600-1699; History
    Umfang: 1 Online-Ressource (197 Seiten)
  3. World-making renaissance women
    rethinking early modern women's place in literature and culture
    Beteiligt: Hammons, Pamela (Hrsg.); Siegfried, Brandie R. (Hrsg.)
    Erschienen: 2021
    Verlag:  Cambridge University Press, Cambridge

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  4. Making Italy Anglican
    why the book of common prayer was translated into Italian
    Autor*in: Villani, Stefano
    Erschienen: [2022]; © 2022
    Verlag:  Oxford University Press, New York, NY

    "The first Italian translation of the Book of Common Prayer was made in 1608 by William Bedell (the chaplain to James I's ambassador in Venice) with the help of Fulgenzio Micanzio and Paolo Sarpi. This translation was part of an English propaganda... mehr

     

    "The first Italian translation of the Book of Common Prayer was made in 1608 by William Bedell (the chaplain to James I's ambassador in Venice) with the help of Fulgenzio Micanzio and Paolo Sarpi. This translation was part of an English propaganda plan to instigate a schism in the Church of Venice, at a time of conflict between the court of Rome and the Venetian Republic. This chapter reconstructs the relationships between Sarpi and Micanzio and the English embassy in Venice. As far as we know, Bedell's translation remained a manuscript with no known copies extant"--

     
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9780197587737
    Schriftenreihe: Oxford studies in historical theology
    Schlagworte: Anglikanismus; Church of England; Übersetzung; Italienisch; Geschichte 1607-1861;
    Weitere Schlagworte: Church of England / Italy / History / 17th century; Anglican Communion / Italy / History / 17th century; Italy / Church history / 17th century; Catholic Church / Relations / Church of England / History / 17th century; Church of England / Relations / Catholic Church / History / 17th century; Church of England / Book of common prayer / History; Catholic Church; Church of England; Book of common prayer (Church of England); Anglican Communion; Interfaith relations; Italy; 1600-1699; Church history; History
    Umfang: xiv, 292 Seiten, Illustrationen
    Bemerkung(en):

    Introduction -- Chapter 1. Paolo Sarpi, William Bedell, and the first Italian translation of the Book of Common Prayer -- Chapter 2. In search of patronage : the translation by Alessandro Amidei -- Chapter 3. The Italian Church of London -- Chapter 4. The first Italian edition of the Book of Common Prayer (1685) -- Chapter 5. A liturgical use? -- Chapter 6. Learning Italian : the 1733 Gordon and 1796 Montucci-Valetti editions -- Chapter 7. The 1831 Nott edition -- Chapter 8. The Italian editions of the Book of Common Prayer published in the first half of the nineteenth century -- Chapter 9. Anglicans, Episcopalians, and the unification of Italy -- Chapter 10. The Book of Common Prayer for immigrants in London and the United States -- Conclusion
  5. In the shade of the golden palace
    Alaol and middle Bengali poetics in Arakan
    Autor*in: D'Hubert, Thibaut
    Erschienen: 2018
    Verlag:  Oxford University Press, New York, NY

    'In the Shade of the Golden Palace' explores the work of the prolific Bengali poet Alaol (fl. 1651-71), who translated five narrative poems and one versified treatise from medieval Hindi and Persian into Bengali. This text is a guide for readers of... mehr

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    Standort:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
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    Technische Universität Chemnitz, Universitätsbibliothek
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    Hochschule für Musik 'Carl Maria von Weber', Hochschulbibliothek
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    Sächsische Landesbibliothek - Staats- und Universitätsbibliothek Dresden
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    Technische Universität Bergakademie Freiberg, Bibliothek 'Georgius Agricola'
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    Universitätsbibliothek Heidelberg
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    Hochschule für Technik, Wirtschaft und Kultur Leipzig, Hochschulbibliothek
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    Universitätsbibliothek Leipzig
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    Hochschule Mittweida (FH), Hochschulbibliothek
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    Hochschule Zittau / Görlitz, Hochschulbibliothek
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    Westsächsische Hochschule Zwickau, Bibliothek
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    E-Book Oxford EBS
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    'In the Shade of the Golden Palace' explores the work of the prolific Bengali poet Alaol (fl. 1651-71), who translated five narrative poems and one versified treatise from medieval Hindi and Persian into Bengali. This text is a guide for readers of Middle Bengali poetry, a detailed study of the cultural history of the frontier region of Arakan, and an original contribution to the poetics of South Asian literatures.

     
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    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780190860363
    Weitere Identifier:
    Schriftenreihe: South Asia research
    Schlagworte: Bengali poetry; Ālāola ; 1607?-1680? ; Criticism and interpretation; Bengali poetry ; 1500-1800; Bengali poetry; Ālāola; Criticism, interpretation, etc; 1600-1699
    Weitere Schlagworte: Ālāola (1607?-1680?)
    Umfang: 1 Online-Ressource (XVIII, 378 Seiten), map (black and white).
    Bemerkung(en):

    Previously issued in print: 2018. - Includes bibliographical references and index. - Description based on online resource; title from home page (viewed on March 5, 2018)
  6. Women's prophetic writings in seventeenth-century Britain
    Autor*in: Font Paz, Carme
    Erschienen: 2019
    Verlag:  Routledge, Taylor & Francis Group, London

    Standort:
    Universitätsbibliothek Freiburg
    Signatur:
    GE 2023/3913
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    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Württembergische Landesbibliothek
    Signatur:
    69/22967
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9780367877835
    RVK Klassifikation: HK 1020
    Auflage/Ausgabe: First issued in paperback
    Schriftenreihe: Routledge studies in Renaissance literature and culture ; 35
    Schlagworte: English literature; Women and religion; Prophecy; Prophecy; Feminism; Women's rights; Women and literature; Religion and literature; Reformation; English literature; Feminism; Prophecy; Reformation; Religion and literature; Women and literature; Women and religion; Women's rights; England; Criticism, interpretation, etc; History; 1600-1699
    Umfang: xii, 250 Seiten, Illustrationen
    Bemerkung(en):

    Literaturverzeichnis: Seite 223 - 246

    Zählung wurde fälschlich doppelt vergeben: Bände "Gender, speech, and audience reception in early modern England" und "Experiencing drama in the English Renaissance"wurden ebenfalls als Bd. 35 gezählt. Laut Bandliste im Band "Gender, speech, and audience reception in early modern England" im Buch ist "Women's prophetic writings in seventeenth-century Britain" Bd. 36
  7. The poetics of Jacobean drama
    Autor*in: Freer, Coburn
    Erschienen: [2019]
    Verlag:  Johns Hopkins University Press, Baltimore

    The Poetics of Jacobean Drama argues for a rediscovered approach to the study of Renaissance drama. Coburn Freer observes that most modern criticism of this drama treats the plays as if they were written in prose, thus overlooking whole areas of... mehr

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    Standort:
    Leibniz-Zentrum Moderner Orient, Bibliothek, Geisteswissenschaftliche Zentren Berlin e.V.
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    Niedersächsische Staats- und Universitätsbibliothek Göttingen
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    Helmut-Schmidt-Universität, Universität der Bundeswehr Hamburg, Universitätsbibliothek
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    Staats- und Universitätsbibliothek Hamburg Carl von Ossietzky
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    Universitätsbibliothek Leipzig
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    Herzog August Bibliothek Wolfenbüttel
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    The Poetics of Jacobean Drama argues for a rediscovered approach to the study of Renaissance drama. Coburn Freer observes that most modern criticism of this drama treats the plays as if they were written in prose, thus overlooking whole areas of dramatic meaning that were understood in the past. Such an understanding, he asserts, was common among writers, actors, audiences, and readers of the Elizabethan and Jacobean eras, and a knowledge of it is essential to a full appreciation of the characterization and dramatic structures in these plays. Freer explores the evolution of the modern reluctance to approach Renaissance drama as one would dramatic poetry - from the standpoint of a listener. Blank verse, the author shows, provided Jacobean dramatists with a poetic form against which they could work the pressures of experience within their characters. The writers' ability to work with and against this form provided infinite resources for delineating character and creating significant coherences in the structure of a play. The book also offers insights into what the Renaissance writer, actor, and playgoer would have regarded as the domain of poetry in drama. Topics discussed include the conditions of stage performance and the style of acting, Elizabethan education, the rise of printed texts and collected editions, and the comments of Elizabethan audiences and readers. Freer's commentary and theoretical explanations suggest both why and how we should pay closer attention to the poetry of Renaissance drama.

     
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  8. El arte de la poética en los virreinatos de América
    Bernardo de Balbuena, Compendio apologético en alabanza de la poesía : Clarinda, Discurso en loor de la poesía
    Beteiligt: Mejías Alonso, Almudena (Hrsg.); Pérez Blanco, Lucrecio; Balbuena, Bernardo de; Clarinda
    Erschienen: noviembre 2019
    Verlag:  Ediciones Complutense, Madrid

    Standort:
    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
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    Standort:
    Ibero-Amerikanisches Institut Preußischer Kulturbesitz, Bibliothek
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    Quelle: Verbundkataloge
    Beteiligt: Mejías Alonso, Almudena (Hrsg.); Pérez Blanco, Lucrecio; Balbuena, Bernardo de; Clarinda
    Sprache: Spanisch
    Medientyp: Buch (Monographie)
    ISBN: 9788466936705
    RVK Klassifikation: IQ 00070
    Auflage/Ausgabe: Primera edición
    Schriftenreihe: Serie Investigación ; 35
    Schlagworte: Poetik
    Weitere Schlagworte: Clarinda (ca. 17. Jh.); Balbuena, Bernardo de (1568-1627); Balbuena, Bernardo de / -1627 / Compendio apologético en alab; Clarinda / active 17th century / Discurso en loor de la poesía; Spanish American poetry / 17th century / History and criticism; Spanish American poetry; 1600-1699; Criticism, interpretation, etc
    Umfang: 182 Seiten
    Bemerkung(en):

    Collection of already published poems by various authors
  9. Striking the chords of spirit and flesh in Polish poetry
    a serendipity
    Beteiligt: Ward, Jean (Hrsg.); Fengler, Maria (Hrsg.); Grzegorzewska, Małgorzata (Hrsg.)
    Erschienen: 2016
    Verlag:  Wydawnictwo Uniwersytetu Gdańskiego, Gdańsk

    "The inspiration for the present collection of essays came from a conference which took place in Gdańsk in 2013, entitled "Poetry: Word Made Flesh: Flesh Made Word". The interest aroused during the conference by this distinctive and fascinating,... mehr

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    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    "The inspiration for the present collection of essays came from a conference which took place in Gdańsk in 2013, entitled "Poetry: Word Made Flesh: Flesh Made Word". The interest aroused during the conference by this distinctive and fascinating, "richly odd" Polish contribution inspired the idea of this book, which is an attempt to gather together, for the benefit of the English-speaking reader, some reflections on Polish poetry from the Baroque period to the present that bears in some manner on the interwoven themes of flesh, word and spirit."

     
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    Quelle: Staatsbibliothek zu Berlin
    Beteiligt: Ward, Jean (Hrsg.); Fengler, Maria (Hrsg.); Grzegorzewska, Małgorzata (Hrsg.)
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9788378654810; 8378654818
    Schriftenreihe: Series between.pomiędzy ; 9
    Weitere Schlagworte: Polish poetry / 17th century / History and criticism; Baroque literature; Baroque literature; Polish poetry; 1600-1699; Criticism, interpretation, etc
    Umfang: 421 Seiten, 20 cm
    Bemerkung(en):

    Array: Array
  10. Shakespeare's rise to cultural prominence
    politics, print and alteration, 1642-1700
    Autor*in: Depledge, Emma
    Erschienen: 2018
    Verlag:  Cambridge University Press, Cambridge

    Shakespeare's rise to prominence was by no means inevitable. While he was popular in his lifetime, the number of new editions and revivals of his plays declined over the following decades. Emma Depledge uses the methodologies of book and theatre... mehr

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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    Shakespeare's rise to prominence was by no means inevitable. While he was popular in his lifetime, the number of new editions and revivals of his plays declined over the following decades. Emma Depledge uses the methodologies of book and theatre history to provide a re-assessment of the reputation and dissemination of Shakespeare during the Interregnum and Restoration. She demonstrates the crucial role of the Exclusion Crisis (1678-1682), a political crisis over the royal succession, as a foundational moment in Shakespeare's canonisation. The period saw a sudden surge of theatrical alterations and a significantly increased rate of new editions and stage revivals. In the wake of the Exclusion Crisis, Shakespeare's plays were made available on a scale not witnessed since the early seventeenth century, thus reversing what might otherwise have been a permanent disappearance of his drama from canonical familiarity and firmly establishing Shakespeare's work in the national cultural imagination Introduction -- Shakespeare in the Civil Wwar and Interregnum years, 1642-1659 -- Shakespeare on the early Restoration stage and page, 1660-1677 -- Shakespeare and the Exclusion Crisis, 1678-82: the decision to alter his plays -- The politics of Shakespeare alterations of the Exclusion Crisis -- Selling Shakespeare on the Exclusion Crisis stage and page -- Shakespeare in the wake of the Exclusion Crisis, 1683-1700

     
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  11. Volpone
    Autor*in: Jonson, Ben
    Erschienen: 2019
    Verlag:  Methuen Drama, London

    Standort:
    Universitätsbibliothek Würzburg
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    Quelle: Verbundkataloge
    Beteiligt: Watson, Robert N. (Hrsg.)
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9781350007796
    RVK Klassifikation: HI 2553
    Auflage/Ausgabe: Revised edition
    Schriftenreihe: New mermaids
    Schlagworte: Textgeschichte; Kommentar
    Weitere Schlagworte: Jonson, Ben (1572-1637): Volpone, or the foxe; Avarice / Drama; Venice (Italy) / Social life and customs / 17th century / Drama; Avarice; Manners and customs; Italy / Venice; 1600-1699; Drama
    Umfang: xxxviii, 177 Seiten, Illustrationen
  12. Tastes of the Empire
    foreign foods in seventeenth century England
    Autor*in: Azevedo, Jillian
    Erschienen: [2017]; © 2017
    Verlag:  McFarland & Company, Inc., Publishers, Jefferson, North Carolina

    Standort:
    Bayerische Staatsbibliothek
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9781476668628; 1476668620
    Schlagworte: Rezeption; Ernährungsgewohnheit; Kolonialware; Literatur
    Weitere Schlagworte: Food / Great Britain / History; European literature / 17th century / History and criticism; Food in literature; Food habits in literature; Cooking in literature; Food / Europe / History; Food habits / Europe / History; Cooking, European / History; Cooking, European; Cooking in literature; European literature; Food; Food habits; Food habits in literature; Food in literature; Great Britain; Europe; 1600-1699; Criticism, interpretation, etc; History
    Umfang: vii, 217 Seiten, Illustrationen, 1 Karte, 23 cm
    Bemerkung(en):

    Introduction -- Culinary travels: William Dampier and travel narratives -- "Let the skie raine Potatoes": foreign foods in English plays -- "The Queens Closet Opened" -- Foreign additives in domestic remedies -- Vices and virtues: tobacco, chocolate, coffee, and tea in print -- Conclusion -- Appendix: English plays featuring foreign foods
  13. Volpone's bastards
    theorising Jonson's city comedy
    Autor*in: Hui, Isaac
    Erschienen: [2018]
    Verlag:  Edinburgh University Press, Edinburgh

    Standort:
    Universitätsbibliothek Augsburg
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    Standort:
    Bayerische Staatsbibliothek
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    Standort:
    Universitätsbibliothek der LMU München
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  14. Theaters of pardoning
    Autor*in: Meyler, Bernadette
    Erschienen: 2019
    Verlag:  Cornell University Press, Ithaca, New York ; London

    "This book aims to address the roots of pardoning's treatment in contemporary politics and uncover what new formulations of pardoning might contribute by examining what it calls "theaters of pardoning"--A form of tragicomedy--in the drama and... mehr

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    Bayerische Staatsbibliothek
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    "This book aims to address the roots of pardoning's treatment in contemporary politics and uncover what new formulations of pardoning might contribute by examining what it calls "theaters of pardoning"--A form of tragicomedy--in the drama and politics of seventeenth-century England"--

     
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9781501739330; 1501739336; 9781501739347; 1501739344
    RVK Klassifikation: HK 1241 ; HK 1091
    Schriftenreihe: Corpus juris : the humanities in politics and law
    Schlagworte: Englisch; Gnadenrecht <Motiv>; Drama
    Weitere Schlagworte: Theater / Political aspects / England / History / 17th century; Clemency in literature; Pardon / England / History / 17th century; Pardon; English drama (Tragicomedy) / 17th century / History and criticism; Politics and literature / England / History / 17th century; Law and literature / England / History / 17th century; Political plays, English / History and criticism; Politics in literature; Clemency in literature; English drama (Tragicomedy); Law and literature; Pardon; Political plays, English; Politics and literature; Politics in literature; Theater / Political aspects; England; 1600-1699; Criticism, interpretation, etc; History
    Umfang: x, 308 Seiten, Illustrationen, 24 cm
    Bemerkung(en):

    Introduction : theaters of pardoning -- Dramatic judgments : Measure for Measure, revenge, and the institution of the law -- Emplotting politics : James I and the "Powder Treason" -- The Laws of Candy : non-sovereign forgiveness and the generalizing of revenge -- From sovereignty to the state : the tragicomic clemency of Massinger's The Bondman -- Between royal pardons and acts of oblivion : the transitional justice of Cosmo Manuche and James Compton, Earl of Northampton -- Pardoning revolution : the 1660 Act of Oblivion and Hobbes's recentering of sovereignty -- Postlude : pardoning and liberal constitutionalism
  15. El arte de la poética en los virreinatos de América
    Bernardo de Balbuena, Compendio apologético en alabanza de la poesía : Clarinda, Discurso en loor de la poesía
    Beteiligt: Mejías Alonso, Almudena (Hrsg.); Pérez Blanco, Lucrecio; Balbuena, Bernardo de; Clarinda
    Erschienen: noviembre 2019
    Verlag:  Ediciones Complutense, Madrid

    Standort:
    Bayerische Staatsbibliothek
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    Beteiligt: Mejías Alonso, Almudena (Hrsg.); Pérez Blanco, Lucrecio; Balbuena, Bernardo de; Clarinda
    Sprache: Spanisch
    Medientyp: Buch (Monographie)
    ISBN: 9788466936705
    RVK Klassifikation: IQ 00070
    Auflage/Ausgabe: Primera edición
    Schriftenreihe: Serie Investigación ; 35
    Schlagworte: Poetik
    Weitere Schlagworte: Clarinda (ca. 17. Jh.); Balbuena, Bernardo de (1568-1627); Balbuena, Bernardo de / -1627 / Compendio apologético en alab; Clarinda / active 17th century / Discurso en loor de la poesía; Spanish American poetry / 17th century / History and criticism; Spanish American poetry; 1600-1699; Criticism, interpretation, etc
    Umfang: 182 Seiten
    Bemerkung(en):

    Collection of already published poems by various authors
  16. Guilt and extenuation in tragedy
    variations on Racinian excuses
    Autor*in: Forman, Edward
    Erschienen: [2021]
    Verlag:  Brill Rodopi, Leiden ; Boston

    "This comparative literary study re-evaluates the reciprocal relationship between tragic drama and current approaches to guilt and extenuation. Focussing on Racine but ranging widely, it sheds original light on tragic archetypes (Phaedra, Oedipus,... mehr

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    "This comparative literary study re-evaluates the reciprocal relationship between tragic drama and current approaches to guilt and extenuation. Focussing on Racine but ranging widely, it sheds original light on tragic archetypes (Phaedra, Oedipus, Clytemnestra, Medea and others) through the lenses of performance theory and modern attitudes towards blame. Tragic drama and legal systems both aim to evaluate the merits of excuses provided on behalf of perpetrators of catastrophic acts. Edward Forman wittily and provocatively explores modern judicial concepts - diminished responsibility, provocation, trauma, ignorance, scapegoating - through the responses of characters in tragedy. Attention is paid to the way in which classical plays (ancient Greek and seventeenth-century French) have been re-interpreted in performance in the light of modern perceptions of human responsibility and helplessness"

     
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  17. Realism and role-play
    the human figure in French art from Callot to the Brothers Le Nain
    Autor*in: Knowles, Marika
    Erschienen: 2020
    Verlag:  University of Delaware Press, Newark, Delaware ; University of Virginia Press, [Charlottesville, Virginia]

    "After the heroic nudes of the Renaissance and depictions of the tortured bodies of Christian saints, early seventeenth-century French artists turned their attention to their fellow humans, to nobles and beggars seen on the streets of Paris, to... mehr

    Standort:
    Kunsthistorisches Institut in Florenz, Max-Planck-Institut, Bibliothek

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    Bayerische Staatsbibliothek
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    Universitätsbibliothek der LMU München
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    Zentralinstitut für Kunstgeschichte, Bibliothek
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    Bibliotheca Hertziana - Max-Planck-Institut für Kunstgeschichte

     

    "After the heroic nudes of the Renaissance and depictions of the tortured bodies of Christian saints, early seventeenth-century French artists turned their attention to their fellow humans, to nobles and beggars seen on the streets of Paris, to courtesans standing at their windows, to vendors advertising their wares, to peasants standing before their landlords. Fascinated by the intricate politics of the encounter between two human beings, artists such as Jacques Callot, Daniel Rabel, Abraham Bosse, Claude Vignon, Georges de la Tour, Jean de Saint-Igny, the Brothers Le Nain, Pierre Brebiette, Jean I Le Blond, and Charles David represented the human figure as a performer who acted out his or her social role. The resulting figures were everyday types whose representations in series of prints, painted galleries, and illustrated books created a repertoire of contemporary social roles. The Real Performer draws upon literature, social history, and affect theory in order to understand the way that figuration performed social positions"--

     
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9781644532058; 9781644531808
    RVK Klassifikation: LM 83520
    Schriftenreihe: Studies in seventeenth- and eighteenth-century art and culture
    Schlagworte: Kunst; Mensch <Motiv>
    Weitere Schlagworte: Human beings in art; Figurative art, French / 17th century; Social status in art; Role playing in art; Figurative art, French; Human beings in art; Role playing in art; Social status in art; 1600-1699
    Umfang: XIV, 308 Seiten, Illustrationen, 23 cm
  18. The subject of Britain, 1603-25
    Autor*in: Ivic, Christopher
    Erschienen: 2020
    Verlag:  Manchester University Press, Manchester

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    Bayerische Staatsbibliothek
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    Universitätsbibliothek der LMU München
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  19. Thinking through place on the early modern English stage
    Autor*in: Bozio, Andrew
    Erschienen: 2020
    Verlag:  Oxford University Press, Oxford

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    Bayerische Staatsbibliothek
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    Universitätsbibliothek der LMU München
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    Universitätsbibliothek Würzburg
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9780198846567
    RVK Klassifikation: HG 627
    Auflage/Ausgabe: First edition
    Schriftenreihe: Early modern literary geographies
    Schlagworte: Ort <Motiv>; Englisch; Aufführung; Drama
    Weitere Schlagworte: Theater / England / History / 17th century; Theater; England; 1600-1699; History
    Umfang: vii, 213 Seiten, Illustrationen und Karten, 22 cm
  20. Convents and novices in early modern English dramatic works
    in medias res
    Autor*in: Rapatz, Vanessa L.
    Erschienen: [2020]
    Verlag:  De Gruyter, Berlin ; Boston ; Medieval Institute Publications, Western Michigan University, [Kalamazoo, Mich.]

    Standort:
    Universitätsbibliothek der LMU München
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 1501517902; 9781501517907
    Schriftenreihe: Late Tudor and Stuart drama
    Schlagworte: Englisch; Religion <Motiv>; Drama; Kloster <Motiv>
    Weitere Schlagworte: English drama / 17th century / History and criticism; Convents in literature; Nuns in literature; Religion in literature; Convents in literature; English drama; Nuns in literature; Religion in literature; 1600-1699; Criticism, interpretation, etc
    Umfang: viii, 180 pages, 24 cm
  21. Cartesian poetics
    the art of thinking
    Autor*in: Gadberry, Andrea
    Erschienen: [2020]; © 2020
    Verlag:  University of Chicago Press, Chicago ; London

    "The philosopher René Descartes is usually associated with cold reason rather than with feeling, to the extent that Rousseau charged his philosophy had "slashed poetry's throat." Andrea Gadberry argues, on the contrary, that Descartes' thought was... mehr

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    Bayerische Staatsbibliothek
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    "The philosopher René Descartes is usually associated with cold reason rather than with feeling, to the extent that Rousseau charged his philosophy had "slashed poetry's throat." Andrea Gadberry argues, on the contrary, that Descartes' thought was crucially enabled by early modern poetry and rhetoric. Where others have seen Cartesian philosophy as a triumph of disembodied reason, Gadberry points to Descartes's own impassioned and poetic negotiations with the difficulties of thought and its limits. Gadberry's approach to seventeenth-century writings poses questions urgent for the twenty-first: What is thinking? What does it feel like? What is it good for? Her book reveals an implicit poetics in Descartes' texts, from the puzzling forms of riddle, emblem, and anagram to the antecedents of more familiar, Romantic and post-Romantic poetry in love lyric and elegy. Gadberry's argument is grounded in the rich poetic culture of Descartes' time, even as it traces a biography of thinking. Helping us read classic moments of philosophical argumentation in a new light, this elegant study also expands outward to redefine thinking in light of its poetic shape. This book will be the first volume published in the new Thinking Literature series edited by Nan Z. Da and Anahid Nersessian"--

     
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9780226723020; 9780226722979
    RVK Klassifikation: EC 2430 ; EC 3000 ; CI 3017
    Schriftenreihe: Thinking literature
    Schlagworte: Argumentation; Poetik; Denken
    Weitere Schlagworte: Descartes, René (1596-1650); Descartes, René / 1596-1650; Poetics / History / 17th century; Descartes, René / 1596-1650; Poetics; 1600-1699; History
    Umfang: 197 Seiten, 23 cm
    Bemerkung(en):

    Introduction: Resultless Enterprises -- Common-Sense Envy -- Lyric Disposition -- Bitter Satisfactions -- After Thoughts -- Epilogue: "A Painful Feeling of Strangeness."
  22. Aesthetic science
    representing nature in the Royal Society of London, 1650-1720
    Autor*in: Wragge-Morley, Alexander
    Erschienen: 2020
    Verlag:  The University of Chicago Press, Chicago ; London

    "The scientists affiliated with the early Royal Society of London have long been regarded as forerunners of modern empiricism, rejecting the symbolic and moral goals of Renaissance natural history in favor of plainly representing the world as it... mehr

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    Universität der Bundeswehr München, Universitätsbibliothek
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    Standort:
    Deutsches Forum für Kunstgeschichte, Bibliothek

     

    "The scientists affiliated with the early Royal Society of London have long been regarded as forerunners of modern empiricism, rejecting the symbolic and moral goals of Renaissance natural history in favor of plainly representing the world as it really was. Alexander Wragge-Morley challenges this interpretation by arguing that key figures such as John Ray, Robert Boyle, Nehemiah Grew, Robert Hooke, and Thomas Willis saw the study of nature as an aesthetic project. In fact, they practiced a science that depended on harnessing the embodied pleasures and pains that arise from sensory experience. Aesthetic Science reveals how judgments of taste and pleasures played a central role in the formation of consensus in scientific communities and the emergence of what we now understand as scientific objectivity"--

     
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780226681054
    Weitere Identifier:
    RVK Klassifikation: AK 18400 ; AK 34510 ; AK 53900 ; TB 6200
    Schlagworte: Wissenschaft; Ästhetik
    Weitere Schlagworte: Ray, John / 1627-1705; Boyle, Robert / 1627-1691; Grew, Nehemiah / 1641-1712; Hooke, Robert / 1635-1703; Willis, Thomas / 1621-1675; Royal Society (Great Britain); Science / Great Britain / History / 17th century; Science / Aesthetics; Knowledge, Theory of; Senses and sensation / Great Britain; Boyle, Robert / 1627-1691; Grew, Nehemiah / 1641-1712; Hooke, Robert / 1635-1703; Ray, John / 1627-1705; Willis, Thomas / 1621-1675; Royal Society (Great Britain); Knowledge, Theory of; Science; Science / Aesthetics; Senses and sensation; Great Britain; 1600-1699; History
    Umfang: 1 Online-Ressource (243 Seiten), Illustrationen
    Bemerkung(en):

    Introduction -- Physico-theology, natural philosophy, and sensory experience -- An empiricism of imperceptible entities -- In search of lost designs -- Verbal picturing -- Natural philosophy and the cultivation of taste -- Conclusion : embodied aesthetics
  23. Coming to
    consciousness and natality in early modern England
    Autor*in: Harrison, Timothy M.
    Erschienen: 2020
    Verlag:  The University of Chicago Press, Chicago : London

    "In "Coming To," Timothy Harrison reminds us of the forgotten role of poetry in the history of the idea of consciousness. Drawing our attention to a sea change in the English seventeenth century, when, over the course of a half century, "conscience"... mehr

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    "In "Coming To," Timothy Harrison reminds us of the forgotten role of poetry in the history of the idea of consciousness. Drawing our attention to a sea change in the English seventeenth century, when, over the course of a half century, "conscience" made a sudden shift to "consciousness," he traces a line that leads from the philosophy of René Descartes to the poetry of John Milton, from the prenatal memories of theologian Thomas Traherne to the unresolved perspective on natality, consciousness, and ethics in the philosophy of John Locke. Harrison shows how each of these figures responded to the importance accorded the first-person perspective and their views of the origins of how human thought began. Taken together, the writings of this unlikely group of thinkers sheds new light on the emergence of the concept of consciousness and the meaning of human natality. It will be read by literary scholars, philosophers, and historians of science alike"--

     
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  24. Aesthetic science
    representing nature in the Royal Society of London, 1650-1720
    Autor*in: Wragge-Morley, Alexander
    Erschienen: 2020
    Verlag:  The University of Chicago Press, Chicago ; London

    "The scientists affiliated with the early Royal Society of London have long been regarded as forerunners of modern empiricism, rejecting the symbolic and moral goals of Renaissance natural history in favor of plainly representing the world as it... mehr

    Standort:
    Kunsthistorisches Institut in Florenz, Max-Planck-Institut, Bibliothek

    Standort:
    Deutsches Museum, Bibliothek
    Fernleihe:
    keine Ausleihe von Bänden, nur Papierkopien werden versandt

    Standort:
    Universitätsbibliothek der LMU München
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Bibliotheca Hertziana - Max-Planck-Institut für Kunstgeschichte

     

    "The scientists affiliated with the early Royal Society of London have long been regarded as forerunners of modern empiricism, rejecting the symbolic and moral goals of Renaissance natural history in favor of plainly representing the world as it really was. Alexander Wragge-Morley challenges this interpretation by arguing that key figures such as John Ray, Robert Boyle, Nehemiah Grew, Robert Hooke, and Thomas Willis saw the study of nature as an aesthetic project. In fact, they practiced a science that depended on harnessing the embodied pleasures and pains that arise from sensory experience. Aesthetic Science reveals how judgments of taste and pleasures played a central role in the formation of consensus in scientific communities and the emergence of what we now understand as scientific objectivity"--

     
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9780226680729; 9780226680866; 022668086X
    RVK Klassifikation: AK 18400 ; AK 53900 ; AK 34510 ; TB 6200
    Schlagworte: Ästhetik; Wissenschaft
    Weitere Schlagworte: Ray, John / 1627-1705; Boyle, Robert / 1627-1691; Grew, Nehemiah / 1641-1712; Hooke, Robert / 1635-1703; Willis, Thomas / 1621-1675; Royal Society (Great Britain); Science / Great Britain / History / 17th century; Science / Aesthetics; Knowledge, Theory of; Senses and sensation / Great Britain; Boyle, Robert / 1627-1691; Grew, Nehemiah / 1641-1712; Hooke, Robert / 1635-1703; Ray, John / 1627-1705; Willis, Thomas / 1621-1675; Royal Society (Great Britain); Knowledge, Theory of; Science; Science / Aesthetics; Senses and sensation; Great Britain; 1600-1699; History
    Umfang: 243 Seiten, Illustrationen
    Bemerkung(en):

    Introduction -- Physico-theology, natural philosophy, and sensory experience -- An empiricism of imperceptible entities -- In search of lost designs -- Verbal picturing -- Natural philosophy and the cultivation of taste -- Conclusion : embodied aesthetics
  25. Scenes and traces of the English Civil War
    Autor*in: Bann, Stephen
    Erschienen: 2020
    Verlag:  Reaktion Books Ltd, London

    The English Civil War has become a frequent point of reference in contemporary political debate. A bitter and bloody series of conflicts, it shook the very foundations of seventeenth-century Britain. This is the first attempt to portray the visual... mehr

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    Bayerische Staatsbibliothek
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    Standort:
    Universitätsbibliothek der LMU München
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    The English Civil War has become a frequent point of reference in contemporary political debate. A bitter and bloody series of conflicts, it shook the very foundations of seventeenth-century Britain. This is the first attempt to portray the visual legacy of this period, as passed down, revisited and periodically reworked over two and a half centuries of subsequent English history. Highly regarded art historian Stephen Bann deftly interprets the mass of visual evidence accessible today, from ornate tombs and statues to surviving sites of vandalism and iconoclasm, public signage and historical paintings of subjects, events and places

     
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9781789142280
    Schlagworte: Englischer Bürgerkrieg; Kunst; Kollektives Gedächtnis; Englischer Bürgerkrieg <Motiv>
    Weitere Schlagworte: Art, English / 17th century; War in art; Great Britain / History / Civil War, 1642-1649; Art, English; War in art; Great Britain; 1600-1699; History
    Umfang: 288 Seiten, Illustrationen, Karte, Portraits, 26 cm