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  1. Der transgressive Charakter der Pornografie: Philosophische und feministische Positionen
    Autor*in: Schocher, Nathan
    Erschienen: 2021
    Verlag:  SSOAR, GESIS – Leibniz-Institut für Sozialwissenschaften e.V., Mannheim ; transcript Verlag, Bielefeld

    Abstract: Viele Menschen nutzen täglich Pornografie. Doch was erregt, erregt auch Anstoß - aktuell vor allem im Rahmen zweier Debatten: der sogenannten Pornografisierung der Gesellschaft und der Popularisierung von alternativen Pornografien. Der... mehr

     

    Abstract: Viele Menschen nutzen täglich Pornografie. Doch was erregt, erregt auch Anstoß - aktuell vor allem im Rahmen zweier Debatten: der sogenannten Pornografisierung der Gesellschaft und der Popularisierung von alternativen Pornografien. Der Autor zeigt, dass diese Debatten in einem transgressiven Charakter der Pornografie wurzeln. In der Auseinandersetzung mit den philosophischen Konzepten von Foucault und Bataille sowie feministischer Pornografie-Kritik von Butler und Preciado entwickelt er ein Instrumentarium, mit dem sich ein differenziertes Bild des transgressiven Charakters der Pornografie zeichnen lässt

     
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  2. A study of Carter's Wolf-Alice based on showalter's gynocriticism
    Autor*in: Nouri, Azadeh; Aziz Mohammadi, Fatemeh
    Erschienen: 2015

    Abstract: One of the most radical and stylish fiction authors of the 20th century, Angela Carter, expresses her views of feminism through her various novels and fairy tales. Carter began experimenting with writing fairy tales in 1970, which coincided... mehr

     

    Abstract: One of the most radical and stylish fiction authors of the 20th century, Angela Carter, expresses her views of feminism through her various novels and fairy tales. Carter began experimenting with writing fairy tales in 1970, which coincided with the period of second wave feminism in the Unites States. The majority of Angela Carter's work revolve around a specific type of feminism, radical libertarian feminism and her critique of the patriarchal role that have been placed on women. In this article, the main concentrate is on heroine’s internalized consciousness which echoes in their behavior. All of the female protagonists in carter's short stories; such as The Company of Wolves, and Werewolf and mainly in Wolf-Alice have similar characteristics with different conditions, in which they are represented in a very negative light with less than ideal roles. In these stories, the protagonist is a young girl who has many conflicts with love and desire. Carter attempts to encourage women t

     
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Online
    Weitere Identifier:
    oai:gesis.izsoz.de:document/57490
    DDC Klassifikation: Soziologie, Anthropologie (301); Sozialwissenschaften (300)
    Weitere Schlagworte: (thesoz)Literatur; (thesoz)Erzählung; (thesoz)Feminismus; (thesoz)Emanzipation; (thesoz)Patriarchat; (thesoz)Liebe; (thesoz)Pornographie; Carter, A.
    Umfang: Online-Ressource
    Bemerkung(en):

    Veröffentlichungsversion

    begutachtet (peer reviewed)

    In: International Letters of Social and Humanistic Sciences (2015) 48 ; 1-8
  3. A study of carter's The Snow Child in the light of Showalter's theories
    Autor*in: Aziz Mohammadi, Fatemeh
    Erschienen: 2015

    Abstract: Angela Carter was an English fiction writer and journalist. Her female protagonists often take an empowered roles where they rise up against oppression and fight for both sexual and political equality. The actions of these women are direct... mehr

     

    Abstract: Angela Carter was an English fiction writer and journalist. Her female protagonists often take an empowered roles where they rise up against oppression and fight for both sexual and political equality. The actions of these women are direct reflections of the feminist movement that took place in the 1970s. The concepts within this movement relating specifically to the ideologies of radical-libertarian feminist, and regarding the extent to which she promotes feminist due to her style, referred to as "Galm-Rock" feminism. Carter began experimenting with writing fairy tales in 1970, which coincided with the period of second wave feminism in the Unites States. The majority of Angela Carter's work revolve around a specific type of feminism, radical libertarian feminism and her critique of the patriarchal role that have been placed on women. In this article, the main concentrate is on heroine's internalized consciousness which echoes in their behavior. All of the female protagonists in ca

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Online
    Weitere Identifier:
    oai:gesis.izsoz.de:document/57483
    DDC Klassifikation: Soziologie, Anthropologie (301); Sozialwissenschaften (300)
    Weitere Schlagworte: (thesoz)Literatur; (thesoz)Feminismus; (thesoz)Emanzipation; (thesoz)Patriarchat; (thesoz)Liebe; (thesoz)Pornographie; Carter, A.
    Umfang: Online-Ressource
    Bemerkung(en):

    Veröffentlichungsversion

    begutachtet (peer reviewed)

    In: International Letters of Social and Humanistic Sciences (2015) 48 ; 133-137
  4. A gynocritical study of The Company of Wolves by Angela Carter
    Autor*in: Nouri, Azadeh; Aziz Mohammadi, Fatemeh
    Erschienen: 2015

    Abstract: In 1979, Carter published one of her mast renowned collections of short fiction, The Bloody Chamber. The majority of Angela Carter's work revolve around a specific type of feminism, radical libertarian feminism and her critique of the... mehr

     

    Abstract: In 1979, Carter published one of her mast renowned collections of short fiction, The Bloody Chamber. The majority of Angela Carter's work revolve around a specific type of feminism, radical libertarian feminism and her critique of the patriarchal role that have been placed on women. which she promotes feminist due to her style, referred to as "Galm-Rock" feminism In this article, the main concentrate is on heroine's internalized consciousness which echoes in their behavior. All of the female protagonists in carter's short stories; such as The Werewolf, The Wolf-Alice, and mainly in The Company of Wolves have similar characteristics with different conditions, in which they are represented in a very negative light with less than ideal roles. In these stories, the protagonist is a young girl who has many conflicts with love and desire. Carter attempts to encourage women to do something about this degrading representation

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Online
    Weitere Identifier:
    oai:gesis.izsoz.de:document/57485
    DDC Klassifikation: Soziologie, Anthropologie (301); Sozialwissenschaften (300)
    Weitere Schlagworte: (thesoz)Literatur; (thesoz)Erzählung; (thesoz)Feminismus; (thesoz)Emanzipation; (thesoz)Patriarchat; (thesoz)Liebe; (thesoz)Pornographie; Carter, A.
    Umfang: Online-Ressource
    Bemerkung(en):

    Veröffentlichungsversion

    begutachtet (peer reviewed)

    In: International Letters of Social and Humanistic Sciences (2015) 48 ; 100-106