Heteroglossia: Bakhtinian dialogism within a play's monologue
Abstract: This study tries to expand the richness of Bakhtin's theory of novel by showing the reader that its thorough features could be traced back in a play rather than a novel, considering it more than what is usually the basis of "historical...
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Abstract: This study tries to expand the richness of Bakhtin's theory of novel by showing the reader that its thorough features could be traced back in a play rather than a novel, considering it more than what is usually the basis of "historical poetics" mainly in the form of a novel accentuating the constitution of a social ideology besides an individual one while gesturing dialogically in the interaction between representation in its textual form and particularities of its proper probable forces in their socio-historical stratifications within notions such as dialogism, intertextuality, heteroglossia and polyphony. To do so a successful Irish play of exuberance is invited to be served by a thinker from the past Soviet. Since the references are written in an artistic language, a language near to a poetic one tries to tinker rationality to irrationality. In the light of O’Halloran's eccentric nostalgia which tries to handle a play all in all monologically from the voice of just a single char
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Document markup - Why? How?
Abstract: "In this paper the author argues that markup and writing belong to related systems for storing information and/ or speech and that there is no clear border between the two. In addition he argues that marking up text done as more or less...
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Abstract: "In this paper the author argues that markup and writing belong to related systems for storing information and/ or speech and that there is no clear border between the two. In addition he argues that marking up text done as more or less separate from ordinary writing has been used in Western scholarly work at least since the times of the library in the Museum in Alexandria and up until today. Markup means that some part of a document is identified and some statement is made about the linguistic and/ or textual status and interpretative frame of that part or it is extracted for some scholarly purpose. The ways and means by which this is done may vary. It will depend both on the aim: why exactly do we wish to identify this part of the text? And on the technology available: papyrus scrolls and reed pens make for different markup than what is done with computer stored texts. In this paper selected uses for digital text and markup are discussed with examples mainly taken from the electr
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Political culture and television fiction: the amazing Mrs Pritchard
Abstract: "Recently, the study of politics has expanded its scope by recognizing the constitutive power of `political culture' at the same time as cultural studies has become more interested in formal political processes and their relationship to...
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Abstract: "Recently, the study of politics has expanded its scope by recognizing the constitutive power of `political culture' at the same time as cultural studies has become more interested in formal political processes and their relationship to popular culture. This article is a case study of political culture in the United Kingdom, focusing on one example of fictional expression, a television drama series broadcast in 2006: The Amazing Mrs Pritchard . The premise of the article is that the imaginative work of political fiction provides an opportunity to explore the cultural mediation of uncertainties and tensions in contemporary politics and political values. The framing of the series involves a generic mixture of realism and fantasy unusual in the British context and the key themes, which include political trust and the limits of political action, are discussed in relation both to their fictional articulation and their wider reference." [author's abstract]
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Analysis of Edward Bond's war plays
Abstract: The War Plays'trilogy (Red, Black and Ignorant, The Tin Can People and Great Peace) presents the scenario of a waste land ‘with apocalyptical shades. The post nuclear environment of the plays reflects the Atmosphere of the historical period...
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Abstract: The War Plays'trilogy (Red, Black and Ignorant, The Tin Can People and Great Peace) presents the scenario of a waste land ‘with apocalyptical shades. The post nuclear environment of the plays reflects the Atmosphere of the historical period when it was written. The beginning of the eighties saw the debate about nuclear weapons and strong discussions about the Thatcher administration in this respect. Edward Bond emerged from a group of left-wing writers who joined the experimental fringe theatre in the 1970s. To make sense of this literature, we turn to content analysis to examine the trends and categorize the burgeoning management research of the past 25 years that uses content analysis. In Red Black and Ignorant characters confront the paradox. Society uses dramatists to create the drama it needs but a dramatist is not a conduit. He is responsible for what he writes, not out of duty but because discerning anything means evaluating it and this requires desire and commitment. What a
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Robert Browning: a dramatic monologue Marvel
Abstract: One of the most effective literary devices within different didactic and aesthetic forms is the dramatic monologue. The dramatic monologue distinguishes the speaker's character from that of the poet’s. The double meaning that lies at the...
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Abstract: One of the most effective literary devices within different didactic and aesthetic forms is the dramatic monologue. The dramatic monologue distinguishes the speaker's character from that of the poet’s. The double meaning that lies at the heart of the dramatic monologue, conveys the speaker's version or variety of meaning and intentions. The Dramatic monologue has been practiced for a very long time, but it was Robert browning who invested it with a deeper level of meaning giving it frequency in an attempt to support preexisting aesthetic values in favor of a poem that valued form over content. Although such a dialogue is called dramatic, it is not a theatrical device, proper. The speaker of the poem delivers such comments on the slice of life at disposal that would leave us with a deep emotional experience. By listening to the words pouring out of the speaker’s mind, the reader/listener obtains a psychoanalytic view of the speaker. The current article aims to study Robert browning
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