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  1. Holmes and the Ripper
    Versus Narratives
    Erschienen: 2024
    Verlag:  Springer Nature Switzerland, Imprint: Palgrave Macmillan, Cham

    Zusammenfassung: "Lucyna Krawczyk-Żywko’s ambitious study pursues the endlessly intriguing parallel textual lives of Sherlock Holmes and Jack the Ripper. The strange case that she sets out to solve is the extensive but neglected corpus of versus... mehr

     

    Zusammenfassung: "Lucyna Krawczyk-Żywko’s ambitious study pursues the endlessly intriguing parallel textual lives of Sherlock Holmes and Jack the Ripper. The strange case that she sets out to solve is the extensive but neglected corpus of versus narratives: texts in which the great detective sets out to defeat the Whitechapel murderer. Krawczyk-Żywko convincingly reads these works as part of a rich textual constellation influenced by the overlapping Sherlockian and Ripperological culture texts. Her book’s focus will inevitably intrigue aficionados of Holmes and its insights into aspects of adaptation, neo-Victorianism and biofiction mean it will also appeal strongly to scholars in these areas." —Dr Chris Louttit, Radboud University, The Netherlands In versus narratives Sherlock Holmes is fighting or otherwise engaging Jack the Ripper. These texts pit the archetypal detective against the archetypal serial killer using established formulas as well as new narrative and generic features, a combination that results in their mass appeal among authors and audiences alike. The list of primary sources includes 120 titles – novels, short stories, plays, fanfiction, ‘Grand Game’ studies, movies, TV shows, video and board games – which are treated as a dialogic network of transfictional and transmedial texts. This study unpacks the versus corpus in its media dispersal by analysing Sherlock Holmes and Jack the Ripper as serial figures and culture-texts emphasising the increasing palimpsestousness of the former and the multidirectional polymorphousness of the latter, and tracing the overlapping Doylean culture-text. It also addresses the way character constellations are represented, negotiated, and fed back into the versus network, contextualising them within the coalescence of fact and fiction, Gothic and crime fiction frames, cultural memory, neo-Victorianism, and biofiction. Lucyna Krawczyk-Żywko is Assistant Professor at the Institute of English Studies, University of Warsaw, Poland. She coordinates the research group 'From Queen Anne to Queen Victoria' and initiated the Changing Narratives conference series. Her research combines neo-Victorian, crime fiction, and adaptation studies and focuses on the rewritings of Victorian villains and detectives

     

    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9783031531842
    Weitere Identifier:
    Auflage/Ausgabe: 1st ed. 2024
    Schriftenreihe: Crime Files
    Weitere Schlagworte: (lcsh)Literature, Modern--19th century.; (lcsh)Literature, Modern--20th century.; (lcsh)Literature, Modern--21st century.; (lcsh)Ethnology--Great Britain.; (lcsh)Culture.; (lcsh)Mass media and crime.; Nineteenth-Century Literature.; Contemporary Literature.; British Culture.; Crime and the Media.
    Umfang: Online-Ressource, X, 214 p., online resource.
    Bemerkung(en):

    Chapter 1. Sherlock Holmes versus Jack the Ripper -- Chapter 2. Enter Holmes and Jack -- Chapter 3. Parallel Culture-Texts -- Chapter 4. The Versus Storyworld -- Chapter 5. Palimpsestuous Holmes -- Chapter 6. Polymorphous Jack -- Chapter 7. (Mis)Remembering Secondary Characters -- Chapter 8. Neo-Casting or Decentring the Great Detective -- Chapter 9. Detective Doyle

  2. Rene Girard, Law, Literature, and Cinema
    The Legal Drama of the Scapegoat
    Autor*in: Wilson, Eric M.
    Erschienen: 2024
    Verlag:  Springer Nature Singapore, Imprint: Springer, Singapore

    Zusammenfassung: This book is the first monograph to critically evaluate the work of the literary scholar René Girard from the perspectives of Law and Literature and Law and Film Studies, two of the most multidisciplinary branches of critical legal... mehr

     

    Zusammenfassung: This book is the first monograph to critically evaluate the work of the literary scholar René Girard from the perspectives of Law and Literature and Law and Film Studies, two of the most multidisciplinary branches of critical legal theory. The central thesis is that Girard’s theory of the scapegoat mechanism provides a wholly new and original means of re-conceptualizing the nature of judicial modernity, which is the belief that modern Law constitutes an internally coherent and exclusively secular form of rationality. The book argues that it is the archaic scapegoat mechanism – the reconciliation of the community through the direction of unified violence against a single victim – that actually works best in explaining all of the outstanding issues of Law and Literature in both of its sub-forms: law-as-literature (the analysis of legal language and practice exemplified by literacy texts) and law-in-literature (the exploration of issues in legal theory through the fictitious form of the novel). The book will provide readers with: (i) a useful introduction to the most important elements of the work of René Girard; (ii) a greater awareness of the ‘hidden’ nature of legal culture and reasoning within a post-secular age; and (iii) a new understanding of the ‘subversive’ (or ‘enlightening‘) nature of some of the most iconic works on Law in both Literature and Cinema, media which by their nature allow for the expression of truths repressed by formal legal discourse

     

    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9789819711567
    Weitere Identifier:
    Auflage/Ausgabe: 1st ed. 2024
    Weitere Schlagworte: (lcsh)Law--Philosophy.; (lcsh)Law--History.; (lcsh)Literature--Philosophy.; (lcsh)Motion pictures.; (lcsh)Culture--Study and teaching.; (lcsh)Mass media and crime.; (lcsh)Critical criminology.; Theories of Law, Philosophy of Law, Legal History.; Literary Theory.; Film Theory.; Cultural Studies.; Crime and the Media.; Critical Criminology.
    Umfang: Online-Ressource, XII, 901 p., online resource.
    Bemerkung(en):

    Rene Girard, Sophocles, Oedipus Tyrannus, and the goat song of Tragoidia -- ‘El sueno de la razon produce monstruos’ or, ‘the dream of reason creates monsters’: Two little piggies went to the Apocalypse in William Golding’s Lord of the Flies -- ‘Does anybody know anything about the law?’: White male grown-ups in the wilderness and their regression to the state of nature in James Dickey’s Deliverance -- ‘A little law and order wouldn’t hurt anybody around here’: The Man Who Shot Liberty Valance and High Noon -- ‘A woman only loves a real man’: Metaphysical desire and the crisis of undifferentiation in Akira Kurosawa’s Yojimbo and Rashomon -- ‘I just want to talk…’: Liberalism, generative unanimity, and post-sacrificial scapegoating in 12 Angry Men -- ‘You must always point...’: The Post-Heroic Lawyer as scapegoat and scapegoater in Presumed Innocent, The Verdict, and Cape Fear -- The telling of lies and the casting of lots: Franz Kafka’s The Trial and the eternal un-decidability of the scapegoat -- ‘…Why do we, all of us, have to keep judging and being judged?’: The scapegoat and the scapegoater in Albert Camus’ The Stranger and The Fall -- ‘Out There’: Monstrous doubles and the folie a deux in Truman Capote’s In Cold Blood -- The Good Murderer Gary Gilmore: The re-sacralization of the scapegoat in the age of public reason -- Spare a Thought for the Hangman: The apocalypse of Rene Girard