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  1. Bertolt Brecht und Ernst Toller
    Beteiligt: Reimers, Kirsten (Herausgeber); Mühlbach, Lydia (Herausgeber); Unger, Thorsten (Herausgeber)
    Erschienen: 2024
    Verlag:  Springer Berlin Heidelberg, Imprint: J.B. Metzler, Berlin, Heidelberg

    Zusammenfassung: Bertolt Brecht und Ernst Toller zählen zu den wichtigsten Dramenautoren der Weimarer Republik. Politisch gab es zu Lebzeiten zahlreiche Berührungspunkte zwischen beiden, und ebenso finden sich hinsichtlich ihres ästhetisch... mehr

     

    Zusammenfassung: Bertolt Brecht und Ernst Toller zählen zu den wichtigsten Dramenautoren der Weimarer Republik. Politisch gab es zu Lebzeiten zahlreiche Berührungspunkte zwischen beiden, und ebenso finden sich hinsichtlich ihres ästhetisch avancierten Anspruchs mit experimentellen Impulsen keineswegs nur im Feld von Theater und Drama Berührungspunkte. Dennoch lassen sich kaum Belege eines intensiveren Austauschs der Autoren finden. Ein Blick in die Forschung erweckt den Eindruck, hier setze sich dieses Schweigen fort. Dieser Band unternimmt es zum ersten Mal, die beiden Autoren und Œuvres zu vergleichen. Der Schwerpunkt liegt auf den Dramen und der Dramenästhetik, aber auch Lyrik, Rundfunk, Frauenrollen, kollaboratives Arbeiten und Kanonfragen sind Themen der 20 Beiträge.

     

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    Quelle: Verbundkataloge
    Beteiligt: Reimers, Kirsten (Herausgeber); Mühlbach, Lydia (Herausgeber); Unger, Thorsten (Herausgeber)
    Sprache: Deutsch
    Medientyp: Ebook
    Format: Online
    ISBN: 9783662689660
    Weitere Identifier:
    Auflage/Ausgabe: 1st ed. 2024
    Schlagworte: Deutsch; Drama; Literatur
    Weitere Schlagworte: Brecht, Bertolt (1898-1956); Toller, Ernst (1893-1939); (lcsh)Literature, Modern--20th century.; (lcsh)Drama.; (lcsh)Intermediality.; Twentieth-Century Literature.; Drama.; Intermediality.
    Umfang: Online-Ressource, XVII, 379 S. 5 Abb., 2 Abb. in Farbe., online resource.
  2. Hybridity in Life Writing
    Combining Text and Images
    Beteiligt: Schmitt, Arnaud (Herausgeber)
    Erschienen: 2024
    Verlag:  Springer Nature Switzerland, Imprint: Palgrave Macmillan, Cham

    Zusammenfassung: This book offers new perspectives on text/image hybridity in the context of life writing. Each chapter explores the very topical issue of how writers and artists combine two media in order to enhance the autobiographical narrative... mehr

     

    Zusammenfassung: This book offers new perspectives on text/image hybridity in the context of life writing. Each chapter explores the very topical issue of how writers and artists combine two media in order to enhance the autobiographical narrative and experience of the reader. It questions the position of images in relation to text, both on the page and in terms of the power balance between media. It also shows how hybridity operates beyond a semantic and cultural balance of power, as the combination of text and images is able to produce content that would not have been possible separately. Including a range of life writing and different visual media, from paintings and photography to graphic memoirs and social media, this edited collection investigates the point at which an image, whether fixed or moving, enters the autobiographical act and confronts the verbal form. Arnaud Schmitt is a professor of American Studies at the University of Pau, France. His field of research is contemporary American literature and he has worked extensively on the concepts of autofiction and self-narration for almost two decades. His book, The Photographer as Autobiographer, was published by Palgrave Macmillan in 2022

     

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    Quelle: Verbundkataloge
    Beteiligt: Schmitt, Arnaud (Herausgeber)
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9783031518041
    Weitere Identifier:
    Auflage/Ausgabe: 1st ed. 2024
    Schriftenreihe: Palgrave Studies in Life Writing
    Weitere Schlagworte: (lcsh)Intermediality.; (lcsh)Creative nonfiction.; (lcsh)Culture--Study and teaching.; (lcsh)Prose literature.; Intermediality.; Non-Fiction Literature.; Visual Culture.; Narrative Text and Prose.
    Umfang: Online-Ressource, XII, 296 p. 15 illus. in color., online resource.
    Bemerkung(en):

    1 Introduction, Arnaud Schmitt -- Section I. Photography, text, photographic texts_2 Teresa Bruś, ‘Arenas of Hybridity’ -- 3 Nancy Pedri, ‘Photography, Intermediality, and Graphic Illness Narratives’ -- 4 Griselda Pollock in dialogue with Joanne Leonard, ‘Hybrid forms of Becoming in Being in Pictures: An Intimate Photo Memoir (2008)’ -- 5 Laure de Nervaux-Gavoty, ‘In Search of a Lost Past: Family Photography and Postmemory in Michael Ignatieff’s The Russian Album (1987)’ -- 6 Clare Brant, ‘Inserting the Manfish: hybridity in underwater memoir illustrations’ -- 7 Silvia Hernández, ‘Beyond Authentication: Text and Image in Patti Smith’s Autobiographical Prose Work’ -- 8 Marie-Agnès Gay, ‘“Moving shadows disappearing”: Erasure of Self in Theresa Hak Kyung Cha’s Autobiographical “Photo-Essay”’ (Exilée – Temps Morts – Selected Works) -- 9 Anne Green Munk, ‘Picturing ourselves through others – Text and Photography in Sally Mann’s Hybrid Life Writing’ -- 10 Veronica Ceruti, ‘Writing a Life Written in Pictures: Postmemorial Phototextualities in Helena Janeczek’s La ragazza con la Leica (2017)’ -- Section II. The materialities of hybridity: artists, autobiographies, textualities, images and graphic narratives_11 Julia Watson, ‘“This Counter-history”: Teju Cole’s Pandemic Visual Diary on the Kitchen as a Domestic/Postcolonial Medi[t]ation’ -- 12 Anthony S. Foy, ‘Black Bodies, Displayed and Displaced: African American Autobiography after the Halftone’ -- 13 Alex Belsey, ‘“Leaving the marks in”: the Dialectic of Journal & Drawings by Keith Vaughan’ -- 14 Virginia Terry-Sherman, ‘Ambiguous, Enigmatic and Absent Imagery in Contemporary Culinary Memoirs’ -- 15 Suzanne Joinson, ‘Messy Archives of the Self: Life Books and Ephemera of Carolee Schneemann and Francesca Woodman’ -- 16 Natalie Saudo-Welby, ‘Sounds and Silence made Visible: Cece Bell’s El Deafo (2014)’ -- 17 Hélène Tison, ‘Allie Brosh’s Hateful Narcissism’ -- 18 Pablo Allepuz García, ‘Autobiographyto Self-Portraiture, or Vice-versa: Narrativity and Visuality in Artists’ Life Writing’

  3. Wu Ming's Transmedia Activism
    Ethical and Political Challenges to Neoliberalism
    Autor*in: Saporito, Paolo
    Erschienen: 2024
    Verlag:  Springer Nature Switzerland, Imprint: Palgrave Macmillan, Cham

    Zusammenfassung: “…an excellent tool to capture Wu Ming’s multifaceted interventions without reducing the complexity of their participatory practices.” —Monica Jansen, Universiteit Utrecht, Utrecht, Netherlands “…the first comprehensive analysis of... mehr

     

    Zusammenfassung: “…an excellent tool to capture Wu Ming’s multifaceted interventions without reducing the complexity of their participatory practices.” —Monica Jansen, Universiteit Utrecht, Utrecht, Netherlands “…the first comprehensive analysis of the Italian collective’s transmedia activism. A stimulating guide for those who want to learn more about Wu Ming’s writing and how this is situated within a much broader web of social and political practices.” —Emanuela Patti, University of Edinburgh, Edinburgh, Scotland This book explores the activism of the Italian collective Wu Ming. Engaging in a dynamic conversation with critical theory, post-workerist philosophy and eco-criticism, Saporito illuminates how Wu Ming’s forms of protest radically challenge neoliberal models of subjectivity through a revived commitment to an eco-centric ethics. The book charts how Wu Ming’s interventions, combining embodied, literary and online activism, aim to performatively create life-rhythms, practices and ultimately a political subjectivity alternative to fast-paced anthropocentric models imposed by neoliberal apparatuses. In-depth analyses of Wu Ming’s participation in the 27th Genoa G8 Summit, literary texts and online presence define the trajectory of their interventions, which moved from a traumatic repudiation of neoliberal apparatuses in Genoa to a thorough exploration of how these apparatuses produce and control subjectivity. Wu Ming’s literary texts invite the reader to grasp the complexity of the human-non-human relations these apparatuses exploit, while affirmatively exploring eco-centric ethical relations to the non-human other. Wu Ming open their bodies to these relations via hikes, walks, and performances where they try out slow-paced life rhythms and experiment with the non-human affordances of multiple media. Wu Ming’s transmedia activism links these offline initiatives with online strategies that promote the collective creation of critical content, slow down online users’ fast-paced experience, and mobilise a network of human and non-human agents that re-energise embodied, street actions. Paolo Saporito is Research Officer at University College Cork. He has a PhD in Italian Studies from McGill University. His research focuses on the ethics and politics of literature, films and online media

     

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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9783031578885
    Weitere Identifier:
    Auflage/Ausgabe: 1st ed. 2024
    Weitere Schlagworte: (lcsh)Digital media.; (lcsh)Intermediality.; (lcsh)Ecocriticism.; (lcsh)Critical theory.; Digital and New Media.; Intermediality.; Ecocriticism.; Critical Theory.
    Umfang: Online-Ressource, XI, 218 p. 5 illus., online resource.
    Bemerkung(en):

    Chapter 1: Introduction: Mapping Wu Ming’s Transmedia Activism in Neoliberal Society -- Chapter 2: Performing the Multitude: Linguistic and Material Enactments of a Political Subjectivity -- Chapter 3: The Production of Subjectivity in Wu Ming’s Literary Forms of Expression -- Chapter 4: Machinic Assemblages of Political Intervention Across Transmedia Networks -- Chapter 5: Conclusion