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Justin A. Haynes, The Medieval Classic: Twelfth-Century Latin Epic and the Virgilian Commentary Tradition, New York: Oxford University Press, 2021, pp. x + 214, ISBN 978-0-19-009136-1, £64 (hardback)
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Virgil’s Homer as Tautological Reception in Gabriel Pereira de Castro’s Ulisseia, ou Lisboa Edificada (1636)
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Anna Maria van Schurman, Letters and Poems to and from Her Mentor and Other Members of Her Circle, ed. and transl. Anne R. Larsen and Steve Maiullo (The Other Voice in Early Modern Europe: The Toronto Series, vol. 81), New York and Toronto: Iter Press, 2021, pp. xxiii + 408. ISBN: 978-1649590121, $65.95
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The Iliads of Pindar and Nepos: Codices, Canons and Misattributions in Medieval and Early Modern Scholarship
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Edith Wharton’s The Reef: New York High Society & the House of Atreus
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‘Pontifici dexter Caesaribusque meis’: Ambrogio Fracco’s Sacrorum Fastorum libri, Ovid’s Fasti and the Appropriation of March
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Virgilian Elements in José Rodrigues de Melo's De rusticis Brasiliae rebus (1781)
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Reading Homer in Contemporary China (From the 1980s Until Today)
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Book reviews
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Intertextual sparagmos: Euripides, Ovid and Lord of the Flies
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Heraclitean fire: Greek themes in Hopkins
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Book Reviews
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Ein, “Grundschatz aller Kunst”: Goethe und die Vossische Homer-Übersetzung
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Book reviews
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Medea Barbarosa?: Marriage, Betrayal, Alterity and the Woman from Colchis
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Lindsay Allen, The Persian Empire (Chicago: University of Chicago Press, 2005), 208 pp
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‘I do not love thee Dr Fell’: Tom Brown’s Reception of Martial
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Sidron De Hossche (1596-1653) and the Poetics of the Passion
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The Reception of Petrarch’s Africa in Fascist Italy
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Erysichthon Gets Fed: A Menu in Mary Zimmerman’s Metamorphoses
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Micro Allusions to Pliny and Virgil in Sidonius’s Programmatic Epistles
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Stephen Harrison, Victorian Horace: Classics and Class
Classical Inter/Faces Series, London: Bloomsbury Academic, 2017, pp. x, 200, hardback, £85, ISBN 9781472583918 -
Lesbia and Candida Venustae: The Beloved as Aesthetic Ideal in Catullus and Beza
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Rape, Revenge and Resurrection in Correr’s Progne
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Persephone’s ‘Revolt’: Towards the Acquisition of Femininity in Yannis Ritsos’s ‘Persephone’