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  1. East German film and the Holocaust
    Autor*in: Ward, Elizabeth
    Erschienen: ©2021; [2021]
    Verlag:  Berghahn, New York

    Zusammenfassung: "East Germany's ruling party never officially acknowledged responsibility for the crimes committed in Germany's name during the Third Reich. Instead, it cast communists as both victims of and victors over National Socialist... mehr

     

    Zusammenfassung: "East Germany's ruling party never officially acknowledged responsibility for the crimes committed in Germany's name during the Third Reich. Instead, it cast communists as both victims of and victors over National Socialist oppression while marginalizing discussions of Jewish suffering. Yet for the 1977 Academy Awards, the Ministry of Culture submitted "Jakob der Lügner" - a film focused exclusively on Jewish victimhood that would become the only East German film to ever be officially nominated. By combining close analyses of key films with extensive archival research, this book explores how GDR filmmakers depicted Jews and the Holocaust in a country where memories of Nazi persecution were highly prescribed, tightly controlled and invariably political"--(Provided by publisher on back cover.)

     

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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9781789207477; 1789207479
    Schriftenreihe: Film Europa ; vol. 22
    Schlagworte: Judenvernichtung <Motiv>
    Weitere Schlagworte: (lcsh)Motion pictures--Germany (East)--History.; (lcsh)Holocaust, Jewish (1939-1945), in motion pictures.; (fast)Holocaust, Jewish (1939-1945) in motion pictures.; (fast)Motion pictures.; (fast)Germany (East); (fast)History
    Umfang: xiii, 245 Seiten, illustrations, 24 cm
    Bemerkung(en):

    Includes bibliographical references, filmography, and index

    (from table of contents) Introduction -- Picking up the pieces : Kurt Maetzig's "Ehe im Schatten" -- The German Democratic Republic's ambassador of good will : Konrad Wolf's "Sterne" -- Reframing victimhood : Konrad Wolf's "Professor Mamlock" -- Crimes of the past and politics of the present : Wolfgang Luderer's "Lebende Ware" -- 'In Babelsberg, nothing new' : Gottfried Kolditz's "Das Tal der sieben Monde" -- New encounters on well-worn paths : Kurt Jung-Alsen's "Die Bilder des Zeugen Schattmann" -- Returning to the past : Frank Beyer's "Jakob der Lügner" -- Shifting identities : Michael Kann's "Stielke, Heinz, fünfzehn" -- Calendar-based shame? : Siegfried Kühn's "Die Schauspielerin" -- Conclusion.

  2. La Shoah
    théâtre et cinéma aux limites de la représentation
  3. Germania/Israele
    immagini da una memoria divisa in due
    Erschienen: [2012]
    Verlag:  Le Mani, Recco

    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Sprache: Italienisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9788880126263; 8880126261
    Schlagworte: Film; Judenvernichtung <Motiv>
    Weitere Schlagworte: (lcsh)Holocaust, Jewish (1939-1945), in motion pictures.; (lcsh)Motion pictures--Germany.; (lcsh)Motion pictures--Israel.; (fast)Holocaust, Jewish (1939-1945) in motion pictures.; (fast)Motion pictures.; (fast)Germany.; (fast)Israel.
    Umfang: 382 Seiten, 8 ungezählte Seiten, Illustrationen, 21 cm
  4. A holokauszt témája az irodalomban