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Post-war British fiction as "metaphysical ethography"
"gods, godgames and goodness" in John Fowles's The magus and Iris Murdoch's The sea, the sea -
The sentiment of spending
intimate relationships and the consumerist environment in the works of Zola, Rachilde, Maupassant, and Huysmans -
Relations
ethics and the modernist subject in James Joyce's Ulysses, Virginia Woolf's The Waves, and Djuna Barnes's Nightwood