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  1. Plants, places, and power
    toward social and ecological justice in German literature and film
    Autor*in: Stehle, Maria
    Erschienen: 2023
    Verlag:  Boydell & Brewer Ltd, Columbia, MD

    "Plants, Places, and Power is a study of plants and landscapes in and beyond contemporary German-language literature and film. Stories and images of plants and landscapes in cultural productions are key sites for exposing the violent legacies of... mehr

    Standort:
    Deutsche Kinemathek - Museum für Film und Fernsehen, Bibliothek
    Signatur:
    E
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Universitätsbibliothek Freiburg
    Signatur:
    GE 2023/1803
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Niedersächsische Staats- und Universitätsbibliothek Göttingen
    Signatur:
    2023 A 5522
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    "Plants, Places, and Power is a study of plants and landscapes in and beyond contemporary German-language literature and film. Stories and images of plants and landscapes in cultural productions are key sites for exposing the violent legacies of German colonialism and Nazism and for addressing contemporary forms of racism, nationalism, social and ecological injustice, and gender inequity. The novels and films discussed in this book address these key political issues in contemporary Europe and propose alternative ways for people to live together on this planet by formulating more inclusive and sustainable concepts of belonging. The book has two main objectives: to offer new approaches to contemporary literature and film from an intersectional, ecological perspective, and to form a canon. All of the works focused on, from Mo Asumang's documentary film Roots Germania (2007) through Faraz Shariat's Futur Drei (2020) and from Yōko Tawada's novel Das nackte Auge (2004) to Saša Stanišić's Herkunft (2019), are by female artists, artists of color, artists who have experienced forced displacement, and/or queer artists. In five chapters, Maria Stehle reads artworks in reference to ecological systems, develops forms of eco- and social criticism based on art, and intertwines ecological and critical thinking with questions of form, affect, and aesthetics"--

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Cover (lizenzpflichtig)
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9781640141254
    Weitere Identifier:
    9781640141254
    RVK Klassifikation: AP 59408 ; GO 16012 ; GO 16016
    Schriftenreihe: Women and gender in German studies
    Schlagworte: Motion pictures; Plants in motion pictures; Landscapes in motion pictures; Ecocriticism in motion pictures; German literature; Plants in literature; Landscapes in literature; Ecocriticism in literature; Film criticism; Literary criticism; Colonialism & imperialism; Englisch; English; Ethnic minorities & multicultural studies; Ethnische Gruppen und multikulturelle Studien; Film theory & criticism; Filmgeschichte, Filmtheorie und Filmkritik; Gender Studies: Frauen und Mädchen; Gender studies: women; Kolonialismus und Imperialismus; LITERARY CRITICISM / European / German; Literary studies: fiction, novelists & prose writers; Literaturwissenschaft: Prosa, Erzählung, Roman, Autoren; PERFORMING ARTS / Film & Video / History & Criticism; SOCIAL SCIENCE / Gender Studies; Social impact of environmental issues; Soziale Auswirkungen von Umweltfaktoren
    Umfang: x, 176 Seiten, 37 Illustrationen, 24 cm
    Bemerkung(en):

    Includes bibliographical references and index

    "Camden House is an imprint of Boydell & Brewer Inc., Rochester, USA and Boydell & Brewer Limited, Woodbridge, UK" - Impressum

    Preface and Acknowledgments: People and PlacesIntroduction: Living in Relation: Plants, Place-Making, and Social Justice1: Landscapes: Infrastructures, Power Topographies, and Feral Gardens in Juli Zeh's Unterleuten (2016), Valeska Grisebach's Western (2017), and Anna Sofie Hartmann's Giraffe (2019)2: Uncanny Gardens: Migration and Belonging in Doerte Hansen's Altes Land (2015) and Sasa Stanisic's Herkunft (2019) 3: Trees, Roots, and Anti-Racism in Ilija Trojanow's Nach der Flucht (2017), Mo Asumang's Roots Germania (2007) and Die Arier (2014), and Elliot Blue's Home? (2018)4: Defiant Flowers and Manufactured Happiness in Vera Chytilova's Daisies (1966), Pipilotti Rist's Pepperminta (2009), and Jessica Hausner's Little Joe: Gluck ist ein Geschaft (2019)5: Senses, Queer Interrelations, and Decolonial Geographies in Yoko Tawada's Das nackte Auge (2004), Shari Hagen's Auf den zweiten Blick (2012), and Faraz Shariat's Futur Drei (2020)Epilogue: Erasures and Different StoriesBibliography Index
  2. Plants, places, and power
    toward social and ecological justice in German literature and film
    Autor*in: Stehle, Maria
    Erschienen: 2023
    Verlag:  Camden House, Rochester, New York

    Zusammenfassung: "Plants, Places, and Power is a study of plants and landscapes in and beyond contemporary German-language literature and film. Stories and images of plants and landscapes in cultural productions are key sites for exposing the violent... mehr

     

    Zusammenfassung: "Plants, Places, and Power is a study of plants and landscapes in and beyond contemporary German-language literature and film. Stories and images of plants and landscapes in cultural productions are key sites for exposing the violent legacies of German colonialism and Nazism and for addressing contemporary forms of racism, nationalism, social and ecological injustice, and gender inequity. The novels and films discussed in this book address these key political issues in contemporary Europe and propose alternative ways for people to live together on this planet by formulating more inclusive and sustainable concepts of belonging. The book has two main objectives: to offer new approaches to contemporary literature and film from an intersectional, ecological perspective, and to form a canon. All of the works focused on, from Mo Asumang's documentary film Roots Germania (2007) through Faraz Shariat's Futur Drei (2020) and from Yōko Tawada's novel Das nackte Auge (2004) to Saša Stanišić's Herkunft (2019), are by female artists, artists of color, artists who have experienced forced displacement, and/or queer artists. In five chapters, Maria Stehle reads artworks in reference to ecological systems, develops forms of eco- and social criticism based on art, and intertwines ecological and critical thinking with questions of form, affect, and aesthetics"--

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9781640141254
    Weitere Identifier:
    9781640141254
    RVK Klassifikation: AP 59408 ; GO 16012 ; GO 16016
    Schriftenreihe: Women and gender in German studies
    Schlagworte: :z Geschichte 2000-2020; !04114354X!; !041740475!; :z Geschichte 2000-2020
    Weitere Schlagworte: (lcsh)Motion pictures--Germany--History--21st century; (lcsh)Plants in motion pictures; (lcsh)Landscapes in motion pictures; (lcsh)Ecocriticism in motion pictures; (lcsh)German literature--21st century--History and criticism; (lcsh)Plants in literature; (lcsh)Landscapes in literature; (lcsh)Ecocriticism in literature; Film criticism; Literary criticism
    Umfang: x, 176 Seiten, Illustrationen
    Bemerkung(en):

    Includes bibliographical references and index