Verlag:
Ediciones Metales Pesados, Santiago de Chile
Book combines an exemplary journey through Latin American artistic production. We are here involved in the vital contingency of a thought that is attracted by interruptions and not by continuities, by outbursts and not by restorations, by the...
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Book combines an exemplary journey through Latin American artistic production. We are here involved in the vital contingency of a thought that is attracted by interruptions and not by continuities, by outbursts and not by restorations, by the intermingling of disassembled bodies and gender (s) and not by full identities , by the breakages of kinship and not by direct lineages, by the choppy knowledge and not by the unitary synthesis of an integral knowledge. he social and cultural mutations that brought the technologies of creation to experiment with new ways of doing and thinking about art that mix the expressive power of forms and concepts with citizen demands and community demands, civil movements, desire struggles that spread to crowds in action
"'Stealing history, counter-narratives and oppositional artistic practices' has as its horizon the social and cultural mutations that took the technologies of creation to experiment with new ways of doing and thinking about art that mix the expressive power of forms and concepts with citizen demands and community demands, civil movements, desire struggles that spread to crowds in action. "--Auto translation from cover of book (viewed on Amazon website viewed on December 14, 2017)
Prólogo -- Introducción -- ¿Como sabemos a qué se parece el conseptualismo latinoamericano? -- Desgaste y disolución del objeto en el arte peruano de los años sesenta -- Una guerrilla cultura : Juan Acha y la vanguardia peruana -- El giro discursivo de las exposiciones desde una perspectiva del Sur : São Paulo (1978) y Medellín (1981) -- Red Conceptualismos del Sur : memoria, política, microhistorias y experimentación con archivos -- Acción gráfica en los años ochenta -- Fosa común -- Cadáveres maricas. El Grupo Chaclacayo y la imagen de la nuerte -- La realidad me puede chupar la pija, querido. El Mueo Travesti del Perú y las historias que merecemos -- Los femenismos contra la historia (del arte). Notas sobre cultural visual y políticas de representación
