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  1. Netherlandish and Italian female portraiture in the fifteenth century
    gender, identity, and the tradition of power
    Erschienen: [2022]
    Verlag:  Amsterdam University Press, Amsterdam

    This book investigates the aesthetic and conceptual characteristics of fifteenth-century female portraiture on panel. Portraits of women increased substantially during this century. They formed part of a material and a visual culture borne out of the... mehr

    Universitätsbibliothek Heidelberg
    2022 C 3934
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Germanisches Nationalmuseum, Bibliothek
    keine Ausleihe von Bänden, nur Papierkopien werden versandt
    Württembergische Landesbibliothek
    73a/1401
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    This book investigates the aesthetic and conceptual characteristics of fifteenth-century female portraiture on panel. Portraits of women increased substantially during this century. They formed part of a material and a visual culture borne out of the rapid rise of an oligarchy from entrepreneurial activities that was especially advanced in the urbanised territories of Italy and Flanders. 0For this reason, the portraits in this book are by Netherlandish and Italian painters. They are simultaneously illustrative of the emancipation of the genre from its medieval idiom, and of the responses to the matrix of patriarchy, under which society was organised. 0Patriarchy is an androcentric structure that places women in a paradoxical situation of legal and social disenfranchisement on the account of purported psychophysical inadequacy, whilst making them the catalysts, through arranged marriages, for the success of the spheres of power, which are controlled by men. Thus, these portraits are also a window into women?s lives in this structure. 0This book is the first systematic study of their sign-system and of the feminine experience of seeing and being seen, at the intersection of disciplines that include art history, anthropology, legal history, philosophy. The surprising results suggest new interpretations of form and function in female portraiture, women?s active role in the imaging process and the early instances of a pro-women ideology

     

    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9789463728614
    Weitere Identifier:
    9789463728614
    RVK Klassifikation: LH 85090
    Schriftenreihe: Visual and Material Culture, 1300-1700
    Schlagworte: Niederlande; Italien; Frau <Motiv>; Bildnismalerei; Geschichte 1400-1500;
    Umfang: 316 Seiten, Illustrationen
  2. Netherlandish and Italian female portraiture in the fifteenth century
    gender, identity, and the tradition of power
    Erschienen: [2022]
    Verlag:  Amsterdam University Press, [Amsterdam]

    This book investigates the aesthetic and conceptual characteristics of fifteenth-century female portraiture on panel. Portraits of women increased substantially during this century. They formed part of a material and a visual culture borne out of the... mehr

    Kunsthistorisches Institut in Florenz, Max-Planck-Institut, Bibliothek
    Universitätsbibliothek der LMU München
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Zentralinstitut für Kunstgeschichte, Bibliothek
    keine Ausleihe von Bänden, nur Papierkopien werden versandt
    Universitätsbibliothek Würzburg
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    This book investigates the aesthetic and conceptual characteristics of fifteenth-century female portraiture on panel. Portraits of women increased substantially during this century. They formed part of a material and a visual culture borne out of the rapid rise of an oligarchy from entrepreneurial activities that was especially advanced in the urbanised territories of Italy and Flanders. 0For this reason, the portraits in this book are by Netherlandish and Italian painters. They are simultaneously illustrative of the emancipation of the genre from its medieval idiom, and of the responses to the matrix of patriarchy, under which society was organised. 0Patriarchy is an androcentric structure that places women in a paradoxical situation of legal and social disenfranchisement on the account of purported psychophysical inadequacy, whilst making them the catalysts, through arranged marriages, for the success of the spheres of power, which are controlled by men. Thus, these portraits are also a window into women?s lives in this structure. 0This book is the first systematic study of their sign-system and of the feminine experience of seeing and being seen, at the intersection of disciplines that include art history, anthropology, legal history, philosophy. The surprising results suggest new interpretations of form and function in female portraiture, women?s active role in the imaging process and the early instances of a pro-women ideology

     

    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9789463728614
    RVK Klassifikation: LH 85090
    Schriftenreihe: Visual and Material Culture, 1300-1700 ; 39
    Schlagworte: Geschlechterrolle; Frau <Motiv>; Bildnis; Bildnismalerei
    Umfang: 316 Seiten, XLVIII Seiten Tafeln, Illustrationen
  3. Netherlandish and Italian female portraiture in the fifteenth century
    gender, identity, and the tradition of power
    Erschienen: [2022]
    Verlag:  Amsterdam University Press, Amsterdam

    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9463728619; 9789463728614
    RVK Klassifikation: LH 70060 ; LO 10230 ; LH 61020 ; LN 10240
    Schriftenreihe: Visual and material culture, 1300-1700 ; 39
    Schlagworte: Niederlande; Italien; Bildnismalerei; Frau <Motiv>; Ästhetik; Geschichte 1400-1500
    Umfang: 316 Seiten, XLVIII Seiten Tafeln, Illustrationen, 24,5 cm
    Bemerkung(en):

    Enthält Literaturverzeichnis auf Seite [277]-312

    Bandzählung auf dem Buchrücken

  4. Netherlandish and Italian female portraiture in the fifteenth century
    gender, identity, and the tradition of power
    Erschienen: [2022]
    Verlag:  Amsterdam University Press, Amsterdam

    Kunst- und Museumsbibliothek der Stadt Köln
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9789463728614
    Schriftenreihe: Visual and material culture, 1300-1700 ; 39
    Schlagworte: Niederlande; Italien; Bildnis; Frau <Motiv>; Geschichte 1400-1500; Bildnismalerei; Geschlechterrolle
    Umfang: 316 Seiten, XLVIII Seiten Tafeln, Illustrationen
  5. Netherlandish and Italian female portraiture in the fifteenth century
    gender, identity, and the tradition of power
    Erschienen: [2022]
    Verlag:  Amsterdam University Press, [Amsterdam]

    This book investigates the aesthetic and conceptual characteristics of fifteenth-century female portraiture on panel. Portraits of women increased substantially during this century. They formed part of a material and a visual culture borne out of the... mehr

    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    This book investigates the aesthetic and conceptual characteristics of fifteenth-century female portraiture on panel. Portraits of women increased substantially during this century. They formed part of a material and a visual culture borne out of the rapid rise of an oligarchy from entrepreneurial activities that was especially advanced in the urbanised territories of Italy and Flanders. 0For this reason, the portraits in this book are by Netherlandish and Italian painters. They are simultaneously illustrative of the emancipation of the genre from its medieval idiom, and of the responses to the matrix of patriarchy, under which society was organised. 0Patriarchy is an androcentric structure that places women in a paradoxical situation of legal and social disenfranchisement on the account of purported psychophysical inadequacy, whilst making them the catalysts, through arranged marriages, for the success of the spheres of power, which are controlled by men. Thus, these portraits are also a window into women?s lives in this structure. 0This book is the first systematic study of their sign-system and of the feminine experience of seeing and being seen, at the intersection of disciplines that include art history, anthropology, legal history, philosophy. The surprising results suggest new interpretations of form and function in female portraiture, women?s active role in the imaging process and the early instances of a pro-women ideology

     

    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9789463728614
    RVK Klassifikation: LH 85090
    Schriftenreihe: Visual and Material Culture, 1300-1700 ; 39
    Schlagworte: Geschlechterrolle; Frau <Motiv>; Bildnis; Bildnismalerei
    Umfang: 316 Seiten, XLVIII Seiten Tafeln, Illustrationen