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  1. Exhibiting Antonio Canova
    display and the transformation of sculptural theory
    Autor*in: Ferando, Christina
    Erschienen: [2023]
    Verlag:  Amsterdam University Press, Amsterdam

    <Cite>Exhibiting Antonio Canova: Display and the Transformation of Sculptural Theory</cite> argues that the display of Canova's sculptures in the late eighteenth and early nineteenth centuries acted as a catalyst for discourse across a broad range of... mehr

    Standort:
    Kunsthistorisches Institut in Florenz, Max-Planck-Institut, Bibliothek

    Standort:
    Universitätsbibliothek der LMU München
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Zentralinstitut für Kunstgeschichte, Bibliothek
    Fernleihe:
    keine Ausleihe von Bänden, nur Papierkopien werden versandt

    Standort:
    Bibliotheca Hertziana - Max-Planck-Institut für Kunstgeschichte

     

    Exhibiting Antonio Canova: Display and the Transformation of Sculptural Theory argues that the display of Canova's sculptures in the late eighteenth and early nineteenth centuries acted as a catalyst for discourse across a broad range of subjects. By enshrining his marble figures alongside plaster casts of ancient works, bathing them in candlelight, staining and waxing their surfaces, and even setting them in motion on rotating bases, Canova engaged viewers intellectually, physically, and emotionally. These displays inspired discussions on topics as diverse as originality and artistic production, the association between the sculptural surface, flesh, and anatomy, the relationship between painting and sculpture, and the role of public museums. Beholders' discussions also shaped the legacy of important sculptural theories. They helped usher in their modern definitions and created the lenses through which we experience and interpret works of art, establishing modern attitudes not just towards sculpture, but towards cultural patrimony in general

     
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  2. Exhibiting Antonio Canova
    display and the transformation of sculptural theory
    Autor*in: Ferando, Christina
    Erschienen: [2023]
    Verlag:  Amsterdam University Press, Amsterdam

    <Cite>Exhibiting Antonio Canova: Display and the Transformation of Sculptural Theory</cite> argues that the display of Canova's sculptures in the late eighteenth and early nineteenth centuries acted as a catalyst for discourse across a broad range of... mehr

    Standort:
    Freie Universität Berlin, Universitätsbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    Exhibiting Antonio Canova: Display and the Transformation of Sculptural Theory argues that the display of Canova's sculptures in the late eighteenth and early nineteenth centuries acted as a catalyst for discourse across a broad range of subjects. By enshrining his marble figures alongside plaster casts of ancient works, bathing them in candlelight, staining and waxing their surfaces, and even setting them in motion on rotating bases, Canova engaged viewers intellectually, physically, and emotionally. These displays inspired discussions on topics as diverse as originality and artistic production, the association between the sculptural surface, flesh, and anatomy, the relationship between painting and sculpture, and the role of public museums. Beholders' discussions also shaped the legacy of important sculptural theories. They helped usher in their modern definitions and created the lenses through which we experience and interpret works of art, establishing modern attitudes not just towards sculpture, but towards cultural patrimony in general

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
  3. Exhibiting Antonio Canova
    Display and the Transformation of Sculptural Theory
    Autor*in: Ferando, Christina
    Erschienen: [2023]
    Verlag:  Amsterdam University Press, Amsterdam

    <Cite>Exhibiting Antonio Canova: Display and the Transformation of Sculptural Theory</cite> argues that the display of Canova's sculptures in the late eighteenth and early nineteenth centuries acted as a catalyst for discourse across a broad range of... mehr

    Standort:
    Universität Mainz, Zentralbibliothek, RVK-Aufstellung
    Signatur:
    200 LI 21400 F345
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    Exhibiting Antonio Canova: Display and the Transformation of Sculptural Theory argues that the display of Canova's sculptures in the late eighteenth and early nineteenth centuries acted as a catalyst for discourse across a broad range of subjects. By enshrining his marble figures alongside plaster casts of ancient works, bathing them in candlelight, staining and waxing their surfaces, and even setting them in motion on rotating bases, Canova engaged viewers intellectually, physically, and emotionally. These displays inspired discussions on topics as diverse as originality and artistic production, the association between the sculptural surface, flesh, and anatomy, the relationship between painting and sculpture, and the role of public museums. Beholders' discussions also shaped the legacy of important sculptural theories. They helped usher in their modern definitions and created the lenses through which we experience and interpret works of art, establishing modern attitudes not just towards sculpture, but towards cultural patrimony in general

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9463724095; 9789463724098
    RVK Klassifikation: LI 21400
    Schlagworte: Rezeptionsästhetik
    Weitere Schlagworte: Canova, Antonio (1757-1822); History, Art History, and Archaeology; HIS; Art and Material Culture; ART & MAT; Modern History; MOD HIS; Antonio Canova, Sculpture, Art theory, Display, Reception theory; Theory of art; History of art & design styles: c 1800 to c 1900; ART / European; ART / History / Romanticism; ART / Sculpture & Installation; History of art
    Umfang: 293 Seiten, Illustrationen, 26 cm
    Bemerkung(en):

    List of Illustrations Acknowledgments Introduction. Canova on Display Chapter One. Imagining Sculptural Practice Chapter Two. Reevaluating Ancients and Moderns Chapter Three. Anatomizing the Female Nude Chapter Four. Challenging the Supremacy of Painting Chapter Five. Defining Modern Sculpture Conclusion. Aftereffects Bibliography Index
  4. Exhibiting Antonio Canova
    display and the transformation of sculptural theory
    Autor*in: Ferando, Christina
    Erschienen: [2023]; © 2023
    Verlag:  Amsterdam University Press, Amsterdam

    'Exhibiting Antonio Canova: Display and the Transformation of Sculptural Theory' argues that the display of Canova's sculptures in the late eighteenth and early nineteenth centuries acted as a catalyst for discourse across a broad range of subjects.... mehr

    Standort:
    Universitätsbibliothek Heidelberg
    Signatur:
    2023 D 1704
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Germanisches Nationalmuseum, Bibliothek
    Fernleihe:
    keine Ausleihe von Bänden, nur Papierkopien werden versandt

    Standort:
    UB Weimar
    Signatur:
    Iv CanoAnt/6
    Fernleihe:
    keine Fernleihe

     

    'Exhibiting Antonio Canova: Display and the Transformation of Sculptural Theory' argues that the display of Canova's sculptures in the late eighteenth and early nineteenth centuries acted as a catalyst for discourse across a broad range of subjects. By enshrining his marble figures alongside plaster casts of ancient works, bathing them in candlelight, staining and waxing their surfaces, and even setting them in motion on rotating bases, Canova engaged viewers intellectually, physically, and emotionally. These displays inspired discussions on topics as diverse as originality and artistic production, the association between the sculptural surface, flesh, and anatomy, the relationship between painting and sculpture, and the role of public museums. Beholders' discussions also shaped the legacy of important sculptural theories. They helped usher in their modern definitions and created the lenses through which we experience and interpret works of art, establishing modern attitudes not just towards sculpture, but towards cultural patrimony in general

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Verlag (lizenzpflichtig)
    Quelle: Verbundkataloge
    Beteiligt: Canova, Antonio (IllustratorIn)
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9789463724098
    Schlagworte: Canova, Antonio; Ausstellung; Ästhetik; Theorie;
    Umfang: 293 Seiten, Illustrationen