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  1. William Kentridge
    smoke, ashes, fable
    Erschienen: [2017]
    Verlag:  Mercatorfonds, Brussels ; Distributed by Yale University Press, New Haven

    Introduction -- Being Kentridge / Margaret K. Koerner -- Tummelplatz / Joseph Leo Koerner -- Feats of prestidigitation / Harmon Siegel -- Seven types of obsolescence / Bejamin H.D. Buchloh. The well-known South African artist William Kentridge (b.... mehr

    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
    1 B 187857
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    documenta archiv, Bibliothek
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    Introduction -- Being Kentridge / Margaret K. Koerner -- Tummelplatz / Joseph Leo Koerner -- Feats of prestidigitation / Harmon Siegel -- Seven types of obsolescence / Bejamin H.D. Buchloh. The well-known South African artist William Kentridge (b. 1955) has become famous for his time-lapse animation movies and installations, as well as his activities as an opera and theater director. This book offers a unique selection of Kentridge's work curated for Sint-Janshospitaal in Bruges-- at 800 years one of Europe's oldest surviving hospital buildings-- organized around the themes of trauma and healing. The book features an introduction by Margaret K. Koerner, and also includes essays by diverse distinguished contributors: Benjamin Buchloh considers Kentridge's alternate reception of the historical avant-garde from a perspective of exile; Joseph Leo Koerner explores the artist's work as a self-styled process of working in which the past simultaneously disfigures and redeems; and Harmon Siegel examines Kentridge's approach to film history

     

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    Quelle: Staatsbibliothek zu Berlin
    Beteiligt: Koerner, Margaret Koster (HerausgeberIn, VerfasserIn); Kentridge, William (IllustratorIn)
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9789462301924; 9462301921; 9780300230253; 0300230257
    Schlagworte: Art, South African; Art, South African; Medicine in the Arts; Psychological Trauma; Delivery of Health Care; Exhibits as Topic; Mental Healing; Kentridge, William; Art, South African; Exhibition catalogs
    Weitere Schlagworte: Kentridge, William (1955-); Kentridge, William (1955-)
    Umfang: xiv, 217 pages, illustrations (chiefly color), 31 cm
    Bemerkung(en):

    This publication was published on the occasion of the exhibition "William Kentridge: smoke ashes, fable" at the Sint-Janshospitaal, Bruges, Belgium from 21 October 2017 to 25 February 2018

    Includes bibliographical references

  2. William Kentridge - smoke, ashes, fable
    Erschienen: [2017]; © 2017
    Verlag:  Mercatorfonds, [Brussels] ; Yale University Press, New Haven

    The well-known South African artist William Kentridge (b. 1955) has become famous for his time-lapse animation movies and installations, as well as his activities as an opera and theater director. This book offers a unique selection of Kentridge's... mehr

    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    The well-known South African artist William Kentridge (b. 1955) has become famous for his time-lapse animation movies and installations, as well as his activities as an opera and theater director. This book offers a unique selection of Kentridge's work curated for Sint-Janshospitaal in Bruges--at 800 years one of Europe's oldest surviving hospital buildings--organized around the themes of trauma and healing. The book features an introduction by Margaret K. Koerner, and also includes essays by diverse distinguished contributors: Benjamin Buchloh considers Kentridge's alternate reception of the historical avant-garde from a perspective of exile; Joseph Leo Koerner explores the artist's work as a self-styled process of working in which the past simultaneously disfigures and redeems; and Harmon Siegel examines Kentridge's approach to film history

     

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    Quelle: Staatsbibliothek zu Berlin
    Beteiligt: Kentridge, William; Koerner, Margaret K. (Hrsg.); Buchloh, Benjamin H. D. (Hrsg.); Koerner, Joseph Leo (Hrsg.)
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9789462301924; 9780300230253
    RVK Klassifikation: LI 45830 ; LI 99999
    Schlagworte: Heilung <Motiv>; Video-Installation; Zeichnung
    Weitere Schlagworte: Kentridge, William (1955-); Kentridge, William / 1955- / Exhibitions; Kentridge, William / 1955-; Artists / South Africa / Exhibitions; Artists; South Africa; Exhibition catalogs
    Umfang: xiv, 217 Seiten
    Bemerkung(en):

    This publication was published on the occasion of the exhibition "William Kentridge: smoke ashes, fable" at the Sint-Janshispitaal, Bruges, Belgium from 21 October 2017 to 25 February 2018

  3. William Kentridge - smoke, ashes, fable
    Erschienen: [2017]; © 2017
    Verlag:  Mercatorfonds, [Brussels] ; Yale University Press, New Haven

    The well-known South African artist William Kentridge (b. 1955) has become famous for his time-lapse animation movies and installations, as well as his activities as an opera and theater director. This book offers a unique selection of Kentridge's... mehr

    Bayerische Staatsbibliothek
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Universitätsbibliothek der LMU München
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    The well-known South African artist William Kentridge (b. 1955) has become famous for his time-lapse animation movies and installations, as well as his activities as an opera and theater director. This book offers a unique selection of Kentridge's work curated for Sint-Janshospitaal in Bruges--at 800 years one of Europe's oldest surviving hospital buildings--organized around the themes of trauma and healing. The book features an introduction by Margaret K. Koerner, and also includes essays by diverse distinguished contributors: Benjamin Buchloh considers Kentridge's alternate reception of the historical avant-garde from a perspective of exile; Joseph Leo Koerner explores the artist's work as a self-styled process of working in which the past simultaneously disfigures and redeems; and Harmon Siegel examines Kentridge's approach to film history

     

    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Verbundkataloge
    Beteiligt: Kentridge, William; Koerner, Margaret K. (Hrsg.); Buchloh, Benjamin H. D. (Hrsg.); Koerner, Joseph Leo (Hrsg.)
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9789462301924; 9780300230253
    RVK Klassifikation: LI 45830 ; LI 99999
    Schlagworte: Heilung <Motiv>; Video-Installation; Zeichnung
    Weitere Schlagworte: Kentridge, William (1955-); Kentridge, William / 1955- / Exhibitions; Kentridge, William / 1955-; Artists / South Africa / Exhibitions; Artists; South Africa; Exhibition catalogs
    Umfang: xiv, 217 Seiten
    Bemerkung(en):

    This publication was published on the occasion of the exhibition "William Kentridge: smoke ashes, fable" at the Sint-Janshispitaal, Bruges, Belgium from 21 October 2017 to 25 February 2018