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  1. Critical Plays
    Embodied Research for Social Change
    Autor*in: Harris, Anne
    Erschienen: 2014
    Verlag:  SensePublishers, Rotterdam

    Preliminary Material -- Introduction -- Cast of characters and setting -- Prologue -- Scene/class 1: Subjectivities -- Scene/class 2: Cognitive / creative tensions, or what I know versus what I feel -- Intermezzo 1: Miscommunications -- Scene/class... mehr

    Technische Universität Chemnitz, Universitätsbibliothek
    keine Fernleihe
    Max-Planck-Institut für ethnologische Forschung, Bibliothek
    keine Fernleihe
    Helmut-Schmidt-Universität, Universität der Bundeswehr Hamburg, Universitätsbibliothek
    keine Fernleihe
    Bibliotheksservice-Zentrum Baden-Württemberg (BSZ)
    keine Fernleihe
    Leuphana Universität Lüneburg, Medien- und Informationszentrum, Universitätsbibliothek
    keine Fernleihe
    Otto-von-Guericke-Universität, Universitätsbibliothek
    eBook Springer
    keine Fernleihe
    Otto-von-Guericke-Universität, Universitätsbibliothek, Medizinische Zentralbibliothek
    eBook Springer
    keine Fernleihe
    Universitätsbibliothek Mannheim
    keine Fernleihe
    Hochschule für Wirtschaft und Umwelt Nürtingen-Geislingen, Bibliothek Nürtingen
    eBook Springer
    keine Fernleihe
    Bibliotheks-und Informationssystem der Carl von Ossietzky Universität Oldenburg (BIS)
    keine Fernleihe
    Bibliotheks-und Informationssystem der Carl von Ossietzky Universität Oldenburg (BIS)
    keine Fernleihe
    Universität Potsdam, Universitätsbibliothek
    keine Fernleihe

     

    Preliminary Material -- Introduction -- Cast of characters and setting -- Prologue -- Scene/class 1: Subjectivities -- Scene/class 2: Cognitive / creative tensions, or what I know versus what I feel -- Intermezzo 1: Miscommunications -- Scene/class 3: Truth and verisimilitude. 5:08pm -- Intermezzo 2: Dusting down the muse -- Scene/class 4: Finding the form -- Intermezzo 3: One way or another -- Scene/class 5: Telling stories (whose stories?) -- Scene/class 6: Questions of representation -- Intermezzo 4: Art as truth? Holding on to the muse -- Scene 7: Researcher as artist / artist as researcher -- Scene/class 8: Dotting the I’s and crossing the T’s – Rigour or rigor mortis? -- Scene/class 9: Muse or museum? Theory on the street -- Intermezzo 5: Between a rock and a hard place -- Scene/class 10: Contested territories. When blurring the boundaries means crossing the line -- Scene 11: Class notes -- Scene/class 12: Critical plays -- Scene 13: Coda -- Additional reading -- About the authors. Critical Plays is the systematic study of one (fictional) classroom culture populated by six students and their two professors, imaginatively conceived from interviews, experience, observation and thematic analysis, and shaped into performance text. This play-as-research-text aims to provide an encounter both creative and scholarly for readers. The characters who populate it are drawn from the authors’ lived experiences as researchers, teachers, and performance makers. The characters are drawn from the fields of health, performance studies, education and leadership studies to remind readers of the political, social and scholarly power of creative research approaches. The text also attests to the potential of integrating emotion and relationality in the research space. This text is a must-read for qualitative researchers and students of health sciences, communications, interdisciplinary ethnography, rhetoric, education, sociology, drama and theatre arts. Relevant to the lives of an emerging generation of researchers and students, this text highlights new methodological pathways that are open to them as they begin their own scholarly undertakings in a rapidly-evolving global research landscape. It also poses serious questions about education, identity and creativity that readers can reflect on. Written with humor and passion, students will enjoy reading excerpts aloud in class, or on their own. This play can be read or performed purely for pleasure, or used as a class text in courses that address qualitative research methods, performance studies, education, teacher training, pedagogy and curriculum, arts-informed inquiry and research ethics

     

    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Volltext (lizenzpflichtig)
    Volltext (lizenzpflichtig)
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9789462097551
    Weitere Identifier:
    Schriftenreihe: Social Fictions Series
    Educational Research E-Books Online, Collection 2005-2017, ISBN: 9789004394001
    Array
    Schlagworte: Art in education; Arts and society; Classroom environment; Qualitative research; Education; Education
    Umfang: Online-Ressource (XIV, 188 p, online resource)
    Bemerkung(en):

    Includes bibliographical references

    PRAISE FOR CRITICAL PLAYS; TABLE OF CONTENTS; ACKNOWLEDGEMENTS; INTRODUCTION; PROLOGUE; CRITICAL FICTIONS; ABOUT THIS BOOK; INFORMING THEORY; PERFORMANCE TEXT AS RESEARCH/ PLAYWRITING AS RESEARCH; THE AUDIENCE; REFERENCES; CAST OF CHARACTERS AND SETTING; CAST OF CHARACTERS; SETTING; PROLOGUE; KURT; BARB; SCENE / CLASS 1: SUBJECTIVITIES; SCENE / CLASS 2: COGNITIVE / CREATIVE TENSIONS, OR WHAT IKNOW VERSUS WHAT I FEEL; INTERMEZZO 1: MISCOMMUNICATIONS; SCENE / CLASS 3: TRUTH AND VERISIMILITUDE.5:08PM; INTERMEZZO 2: DUSTING DOWN THE MUSE; SCENE / CLASS 4: FINDING THE FORM

    INTERMEZZO 3: ONE WAY OR ANOTHERSCENE / CLASS 5: TELLING STORIES(WHOSE STORIES?); SCENE / CLASS 6: QUESTIONS OF REPRESENTATION; INTERMEZZO 4 - ART AS TRUTH? HOLDINGON TO THE MUSE; SCENE 7: RESEARCHER AS ARTIST / ARTISTAS RESEARCHER; SCENE / CLASS 8: DOTTING THE I'S AND CROSSINGTHE T'S - RIGOUR OR RIGOR MORTIS?; SCENE / CLASS 9: MUSE OR MUSEUM? THEORYON THE STREET; INTERMEZZO 5: BETWEEN A ROCKAND A HARD PLACE; SCENE/ CLASS 10: CONTESTED TERRITORIES. WHEN BLURRING THE BOUNDARIES MEANSCROSSING THE LINE; SCENE 11: CLASS NOTES; SCENE / CLASS 12: CRITICAL PLAYS; SCENE 13: CODA; ADDITIONAL READING

    ABOUT THE AUTHORS

  2. Critical plays
    embodied research for social change
    Autor*in: Harris, Anne M.
    Erschienen: [2014]; © 2014
    Verlag:  Sense Publishers, Rotterdam

    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Ostbayerische Technische Hochschule Amberg-Weiden, Hochschulbibliothek, Standort Weiden
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9789462097551; 9462097550; 9789462097544
    Schriftenreihe: Social fictions series
    Schlagworte: DRAMA / English, Irish, Scottish, Welsh; Array
    Umfang: 1 online resource
    Bemerkung(en):

    Print version record

    Introduction -- Cast of Characters and Setting -- Prologue -- Scene / Class 1: Subjectivities -- Scene / Class 2: Cognitive / Creative Tensions, Or What I Know Versus What I Feel -- Intermezzo 1: Miscommunications -- Scene / Class 3: Truth And Verisimilitude. 5:08 pm -- Intermezzo 2: Dusting Down The Muse -- Scene / Class 4: Finding The Form -- Intermezzo 3: One Way Or Another -- Scene / Class 5: Telling Stories (Whose Stories?) -- Scene / Class 6: Questions Of Representation -- Intermezzo 4 -- Art As Truth? Holding On To The Muse -- Scene 7: Researcher As Artist / Artist As Researcher -- Scene / Class 8: Dotting The I's And Crossing The T's -- Rigour Or Rigor Mortis? -- Scene / Class 9: Muse Or Museum? Theory On The Street -- Intermezzo 5: Between A Rock And A Hard Place -- Scene / Class 10: Contested Territories. When Blurring The Boundaries Means Crossing The Line -- Scene 11: Class Notes -- Scene / Class 12: Critical Plays -- Scene 13: Coda

  3. Critical Plays
    a Embodied Research for Social Change
    Erschienen: 2014
    Verlag:  Brill | Sense, Leiden ; Brill, Boston

    Critical Plays is the systematic study of one (fictional) classroom culture populated by six students and their two professors, imaginatively conceived from interviews, experience, observation and thematic analysis, and shaped into performance text.... mehr

    Universität Mainz, Zentralbibliothek
    keine Fernleihe

     

    Critical Plays is the systematic study of one (fictional) classroom culture populated by six students and their two professors, imaginatively conceived from interviews, experience, observation and thematic analysis, and shaped into performance text. This play-as-research-text aims to provide an encounter both creative and scholarly for readers. The characters who populate it are drawn from the authors' lived experiences as researchers, teachers, and performance makers. The characters are drawn from the fields of health, performance studies, education and leadership studies to remind readers of the political, social and scholarly power of creative research approaches. The text also attests to the potential of integrating emotion and relationality in the research space. This text is a must-read for qualitative researchers and students of health sciences, communications, interdisciplinary ethnography, rhetoric, education, sociology, drama and theatre arts. Relevant to the lives of an emerging generation of researchers and students, this text highlights new methodological pathways that are open to them as they begin their own scholarly undertakings in a rapidly-evolving global research landscape. It also poses serious questions about education, identity and creativity that readers can reflect on. Written with humor and passion, students will enjoy reading excerpts aloud in class, or on their own. This play can be read or performed purely for pleasure, or used as a class text in courses that address qualitative research methods, performance studies, education, teacher training, pedagogy and curriculum, arts-informed inquiry and research ethics.

     

    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9789462097551
    Weitere Identifier:
    Schriftenreihe: Social Fictions Series ; 11
    Educational Research E-Books Online, Collection 2005-2017, ISBN: 9789004394001
    Umfang: 1 Online-Ressource
  4. Critical plays
    embodied research for social change
    Verlag:  Sense Publishers, Rotterdam

    Critical Plays is the systematic study of one (fictional) classroom culture populated by six students and their two professors, imaginatively conceived from interviews, experience, observation and thematic analysis, and shaped into performance text.... mehr

    Saarländische Universitäts- und Landesbibliothek
    keine Fernleihe
    Universitätsbibliothek der Eberhard Karls Universität
    keine Fernleihe

     

    Critical Plays is the systematic study of one (fictional) classroom culture populated by six students and their two professors, imaginatively conceived from interviews, experience, observation and thematic analysis, and shaped into performance text. This play-as-research-text aims to provide an encounter both creative and scholarly for readers. The characters who populate it are drawn from the authors? lived experiences as researchers, teachers, and performance makers. The characters are drawn from the fields of health, performance studies, education and leadership studies to remind readers of the political, social and scholarly power of creative research approaches. The text also attests to the potential of integrating emotion and relationality in the research space. This text is a must-read for qualitative researchers and students of health sciences, communications, interdisciplinary ethnography, rhetoric, education, sociology, drama and theatre arts. Relevant to the lives of an emerging generation of researchers and students, this text highlights new methodological pathways that are open to them as they begin their own scholarly undertakings in a rapidly-evolving global research landscape. It also poses serious questions about education, identity and creativity that readers can reflect on. Written with humor and passion, students will enjoy reading excerpts aloud in class, or on their own. This play can be read or performed purely for pleasure, or used as a class text in courses that address qualitative research methods, performance studies, education, teacher training, pedagogy and curriculum, arts-informed inquiry and research ethics. Anne Harris, PhD is a playwright and scholar who addresses themes of diversity, creativity and gender in her work. Chris Sinclair is Head of drama education at the University of Melbourne. She is also a freelance community artist who draws on research in her arts practice and the arts in her research

     

    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Volltext (lizenzpflichtig)
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9789462097551; 9462097550
    Schriftenreihe: Social fictions series
    Schlagworte: Qualitative research; Art in education; Arts and society; Classroom environment; Qualitative research; Art in education; Arts and society; Classroom environment; DRAMA ; English, Irish, Scottish, Welsh; Art in education; Arts and society; Classroom environment; Qualitative research ; Methodology; Drama
    Umfang: Online Ressource
    Bemerkung(en):

    Includes bibliographical references. - Print version record

  5. Critical Plays
    Embodied Research for Social Change
    Autor*in: Harris, Anne
    Erschienen: 2014
    Verlag:  SensePublishers, Rotterdam

    Preliminary Material -- Introduction -- Cast of characters and setting -- Prologue -- Scene/class 1: Subjectivities -- Scene/class 2: Cognitive / creative tensions, or what I know versus what I feel -- Intermezzo 1: Miscommunications -- Scene/class... mehr

    Universität Potsdam, Universitätsbibliothek
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    Preliminary Material -- Introduction -- Cast of characters and setting -- Prologue -- Scene/class 1: Subjectivities -- Scene/class 2: Cognitive / creative tensions, or what I know versus what I feel -- Intermezzo 1: Miscommunications -- Scene/class 3: Truth and verisimilitude. 5:08pm -- Intermezzo 2: Dusting down the muse -- Scene/class 4: Finding the form -- Intermezzo 3: One way or another -- Scene/class 5: Telling stories (whose stories?) -- Scene/class 6: Questions of representation -- Intermezzo 4: Art as truth? Holding on to the muse -- Scene 7: Researcher as artist / artist as researcher -- Scene/class 8: Dotting the I’s and crossing the T’s – Rigour or rigor mortis? -- Scene/class 9: Muse or museum? Theory on the street -- Intermezzo 5: Between a rock and a hard place -- Scene/class 10: Contested territories. When blurring the boundaries means crossing the line -- Scene 11: Class notes -- Scene/class 12: Critical plays -- Scene 13: Coda -- Additional reading -- About the authors. Critical Plays is the systematic study of one (fictional) classroom culture populated by six students and their two professors, imaginatively conceived from interviews, experience, observation and thematic analysis, and shaped into performance text. This play-as-research-text aims to provide an encounter both creative and scholarly for readers. The characters who populate it are drawn from the authors’ lived experiences as researchers, teachers, and performance makers. The characters are drawn from the fields of health, performance studies, education and leadership studies to remind readers of the political, social and scholarly power of creative research approaches. The text also attests to the potential of integrating emotion and relationality in the research space. This text is a must-read for qualitative researchers and students of health sciences, communications, interdisciplinary ethnography, rhetoric, education, sociology, drama and theatre arts. Relevant to the lives of an emerging generation of researchers and students, this text highlights new methodological pathways that are open to them as they begin their own scholarly undertakings in a rapidly-evolving global research landscape. It also poses serious questions about education, identity and creativity that readers can reflect on. Written with humor and passion, students will enjoy reading excerpts aloud in class, or on their own. This play can be read or performed purely for pleasure, or used as a class text in courses that address qualitative research methods, performance studies, education, teacher training, pedagogy and curriculum, arts-informed inquiry and research ethics

     

    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Volltext (lizenzpflichtig)
    Volltext (lizenzpflichtig)
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9789462097551
    Weitere Identifier:
    Schriftenreihe: Social Fictions Series
    Educational Research E-Books Online, Collection 2005-2017, ISBN: 9789004394001
    Array
    Schlagworte: Art in education; Arts and society; Classroom environment; Qualitative research; Education; Education
    Umfang: Online-Ressource (XIV, 188 p, online resource)
    Bemerkung(en):

    Includes bibliographical references

    PRAISE FOR CRITICAL PLAYS; TABLE OF CONTENTS; ACKNOWLEDGEMENTS; INTRODUCTION; PROLOGUE; CRITICAL FICTIONS; ABOUT THIS BOOK; INFORMING THEORY; PERFORMANCE TEXT AS RESEARCH/ PLAYWRITING AS RESEARCH; THE AUDIENCE; REFERENCES; CAST OF CHARACTERS AND SETTING; CAST OF CHARACTERS; SETTING; PROLOGUE; KURT; BARB; SCENE / CLASS 1: SUBJECTIVITIES; SCENE / CLASS 2: COGNITIVE / CREATIVE TENSIONS, OR WHAT IKNOW VERSUS WHAT I FEEL; INTERMEZZO 1: MISCOMMUNICATIONS; SCENE / CLASS 3: TRUTH AND VERISIMILITUDE.5:08PM; INTERMEZZO 2: DUSTING DOWN THE MUSE; SCENE / CLASS 4: FINDING THE FORM

    INTERMEZZO 3: ONE WAY OR ANOTHERSCENE / CLASS 5: TELLING STORIES(WHOSE STORIES?); SCENE / CLASS 6: QUESTIONS OF REPRESENTATION; INTERMEZZO 4 - ART AS TRUTH? HOLDINGON TO THE MUSE; SCENE 7: RESEARCHER AS ARTIST / ARTISTAS RESEARCHER; SCENE / CLASS 8: DOTTING THE I'S AND CROSSINGTHE T'S - RIGOUR OR RIGOR MORTIS?; SCENE / CLASS 9: MUSE OR MUSEUM? THEORYON THE STREET; INTERMEZZO 5: BETWEEN A ROCKAND A HARD PLACE; SCENE/ CLASS 10: CONTESTED TERRITORIES. WHEN BLURRING THE BOUNDARIES MEANSCROSSING THE LINE; SCENE 11: CLASS NOTES; SCENE / CLASS 12: CRITICAL PLAYS; SCENE 13: CODA; ADDITIONAL READING

    ABOUT THE AUTHORS