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  1. Harun Farocki : Working on the Sight-Lines
    Beteiligt: Elsaesser, Thomas (Hrsg.)
    Erschienen: 2004
    Verlag:  Amsterdam University Press

    For more than thirty years Farocki has been a filmmaker, documentarist, film-essayist and installation artist. What preoccupies him above all is not so much an image of life, but the life of images, as they surround us in the newspapers, the cinema,... mehr

     

    For more than thirty years Farocki has been a filmmaker, documentarist, film-essayist and installation artist. What preoccupies him above all is not so much an image of life, but the life of images, as they surround us in the newspapers, the cinema, history books, user manuals, posters, CCTV footage and advertising. His vast oeuvre of some sixty films includes three feature films (Zwischen den Kriegen/Between the Wars, Etwas wird sichtbar: Vietnam/In Your Eyes: Vietnam, Wie Man sieht/As You See), essay films (e.g. Images of the World-Inscription of War), critical media-pieces, experimental work, children's features for television, historical film essays (e.g. on Peter Lorre), `learning-films' in the tradition of Brecht (e.g. Workers Leaving the Factory) and installation pieces (e.g. Still Life). In this monograph, Elsaesser approaches Farocki's work from different critical perspectives, as well as reflecting on his extraordinary biography. The volume is complemented by interviews, a selection of writings by Farocki and an annotated filmography. £22,50 $39,95 Al meer dan dertig jaar is Harun Farocki werkzaam als filmmaker, documentaire-maker, film-essayist en installatie kunstenaar. Hij houdt zich niet zozeer bezig met het creëren van een beeld van het leven, als wel met het leven van de beelden die ons omringen in kranten, de bioscoop, in de geschiedenis- en handboeken, op posters en in advertenties. Zijn enorme oeuvre omvat meer dan zestig films waaronder drie speelfilms (Zwischen den Kriegen/Between the Wars, Etwas wird sichtbar/In Your Eyes: Vietnam, Wie man sieht), essay films (zoals Images of the World-Inscription of War, Videogramme of a Revolution), kritische mediastukken, experimenteel werk, kinderfilms voor televisie, filmhistorische filmessays (waaronder een film over Peter Lorre), 'educatieve' films in de traditie van Brecht (zoals bijvoorbeeld Workers leaving the Factory) and installaties (zoals Still Life, tentoongesteld op de Documenta X, Kassel, Duitsland). In deze monografie - de eerste Engelstalige studie over Harun Farocki - benaderen toonaangevende wetenschappers Farocki's werk vanuit verschillende invalshoeken, waarbij zowel aandacht is voor een reeks theoretische vraagstukken alsook gereflecteerd wordt op zijn voorbeeldige werk als filmmaker. Het boek is aangevuld met interviews, een selectie uit de artikelen van Farocki en een becommentarieerde filmografie.

     

    Export in Literaturverwaltung   RIS-Format
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    Quelle: OAPEN
    Beteiligt: Elsaesser, Thomas (Hrsg.)
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9789053566350
    Weitere Identifier:
    Schlagworte: Film, TV & radio
    Weitere Schlagworte: motion pictures; film
    Umfang: 1 electronic resource (384 + 32 pag's ill. p.)
  2. Harun Farocki
    working on the sightlines
    Erschienen: 2004
    Verlag:  Amsterdam Univ. Press, Amsterdam

    For more than thirty years Farocki has been a filmmaker, documentarist, film-essayist and installation artist. What preoccupies him above all is not so much an image of life, but the life of images, as they surround us in the newspapers, the cinema,... mehr

    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    For more than thirty years Farocki has been a filmmaker, documentarist, film-essayist and installation artist. What preoccupies him above all is not so much an image of life, but the life of images, as they surround us in the newspapers, the cinema, history books, user manuals, posters, CCTV footage and advertising. His vast oeuvre of some sixty films includes three feature films (Zwischen den Kriegen/Between the Wars, Etwas wird sichtbar: Vietnam/In Your Eyes: Vietnam, Wie Man sieht/As You See), essay films (e.g. Images of the World-Inscription of War), critical media-pieces, experimental work, children's features for television, historical film essays (e.g. on Peter Lorre), `learning-films' in the tradition of Brecht (e.g. Workers Leaving the Factory) and installation pieces (e.g. Still Life). In this monograph, Elsaesser approaches Farocki's work from different critical perspectives, as well as reflecting on his extraordinary biography. The volume is complemented by interviews, a selection of writings by Farocki and an annotated filmography. £22,50 $39,95

     

    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9789053566350
    Schriftenreihe: Film culture in transition
    Schlagworte: Motion picture producers and directors
    Weitere Schlagworte: Farocki, Harun
    Umfang: Online-Ressource (379 p., [32] p. of plates), ill
    Bemerkung(en):

    Includes filmograpy: p. [325]-361 -- Includes bibliographical references and indexes

    Electronic reproduction; Available via World Wide Web

    Contents; Introduction; Image In(ter)ventions; Filming as Writing, Writing as Filming, Staking One's Life; Between Wars, Between Images; Documenting the Life of Ideas? - Farocki and the 'Essay Film'; Images of the World and the Inscription of War; Film: Media: Work: Archive; From the Surveillance Society to the Control Society; Acknowledgements; Farocki: A Filmography; Notes on Contributors; Index of Names; Index of Film Titles / Subjects; Illustrations

  3. Harun Farocki
    working on the sightlines
    Erschienen: 2004
    Verlag:  Amsterdam Univ. Press, Amsterdam

    For more than thirty years Farocki has been a filmmaker, documentarist, film-essayist and installation artist. What preoccupies him above all is not so much an image of life, but the life of images, as they surround us in the newspapers, the cinema,... mehr

    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Digitale Bibliothek
    keine Fernleihe

     

    For more than thirty years Farocki has been a filmmaker, documentarist, film-essayist and installation artist. What preoccupies him above all is not so much an image of life, but the life of images, as they surround us in the newspapers, the cinema, history books, user manuals, posters, CCTV footage and advertising. His vast oeuvre of some sixty films includes three feature films (Zwischen den Kriegen/Between the Wars, Etwas wird sichtbar: Vietnam/In Your Eyes: Vietnam, Wie Man sieht/As You See), essay films (e.g. Images of the World-Inscription of War), critical media-pieces, experimental work, children's features for television, historical film essays (e.g. on Peter Lorre), `learning-films' in the tradition of Brecht (e.g. Workers Leaving the Factory) and installation pieces (e.g. Still Life). In this monograph, Elsaesser approaches Farocki's work from different critical perspectives, as well as reflecting on his extraordinary biography. The volume is complemented by interviews, a selection of writings by Farocki and an annotated filmography. £22,50 $39,95

     

    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9789053566350
    Schriftenreihe: Film culture in transition
    Schlagworte: Motion picture producers and directors
    Weitere Schlagworte: Farocki, Harun
    Umfang: Online-Ressource (379 p., [32] p. of plates), ill
    Bemerkung(en):

    Includes filmograpy: p. [325]-361 -- Includes bibliographical references and indexes

    Electronic reproduction; Available via World Wide Web

    Contents; Introduction; Image In(ter)ventions; Filming as Writing, Writing as Filming, Staking One's Life; Between Wars, Between Images; Documenting the Life of Ideas? - Farocki and the 'Essay Film'; Images of the World and the Inscription of War; Film: Media: Work: Archive; From the Surveillance Society to the Control Society; Acknowledgements; Farocki: A Filmography; Notes on Contributors; Index of Names; Index of Film Titles / Subjects; Illustrations