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  1. Transfigurations
    violence, death and masculinity in American cinema
    Autor*in: Grønstad, Asbjørn
    Erschienen: [2008]
    Verlag:  Amsterdam University Press, Amsterdam

    Standort:
    Universitätsbibliothek Bielefeld
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Ruhr-Universität Bochum, Universitätsbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Export in Literaturverwaltung   RIS-Format
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    Hinweise zum Inhalt
    Volltext (Array)
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Dissertation
    Format: Online
    ISBN: 9789048508501
    Schriftenreihe: Film culture in transition
    Schlagworte: Film; Mann <Motiv>; Gewalt <Motiv>
    Umfang: 1 Online-Ressource (274 Seiten), Illustrationen
    Bemerkung(en):

    Dissertation, University of Bergen, 2002
  2. Transfigurations
    violence, death and masculinity in American cinema
    Autor*in: Grønstad, Asbjørn
    Erschienen: 2008
    Verlag:  Amsterdam University Press, Amsterdam

    Standort:
    Kunsthistorisches Institut in Florenz, Max-Planck-Institut, Bibliothek

    Standort:
    Zentralinstitut für Kunstgeschichte, Bibliothek
    Fernleihe:
    keine Ausleihe von Bänden, nur Papierkopien werden versandt
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9789048508501
    RVK Klassifikation: AP 50300
    Schriftenreihe: Film culture in transition
    Schlagworte: Violence in motion pictures; Death in motion pictures; Masculinity in motion pictures; Motion pictures, American; Mann <Motiv>; Gewalt <Motiv>; Film
    Umfang: 274 p.
    Bemerkung(en):

    Includes bibliographical references (p. [221]-260) and indexes
  3. Transfigurations
    violence, death and masculinity in American cinema
    Autor*in: Grønstad, Asbjørn
    Erschienen: 2008
    Verlag:  Amsterdam University Press, Amsterdam

    Standort:
    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Ostbayerische Technische Hochschule Amberg-Weiden, Hochschulbibliothek, Standort Weiden
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Export in Literaturverwaltung   RIS-Format
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9048508509; 908964010X; 9089640304; 9789048508501; 9789089640307
    RVK Klassifikation: AP 50300
    Schriftenreihe: Film culture in transition
    Schlagworte: PERFORMING ARTS / Film & Video / Reference; The arts; Film, TV and radio; Films, cinema; Film theory and criticism; Society and social sciences; Society and culture: general; PERFORMING ARTS / Film & Video / General; Death; Masculinity; Motion pictures; Motion pictures, American; Violence; Gewalt <Motiv>; Tod <Motiv>; Männlichkeit <Motiv>; Film; Film; Violence in motion pictures; Death in motion pictures; Masculinity in motion pictures; Motion pictures, American; Film; Mann <Motiv>; Gewalt <Motiv>
    Umfang: 1 Online-Ressource (274 pages)
    Bemerkung(en):

    Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002

    Includes bibliographical references (pages 221-260) and indexes

    Introduction: film violence as figurality -- - Screen violence: five fallacies. Empiricism ; Aristotelianism ; Aestheticism ; Mythologicism ; Mimeticism -- - Filming death. The transfigured image -- - Narrating violence, or, allegories of dying -- - Male subjectivities at the margins. Mean streets: death and disfiguration in Hawks's Scarface -- - Kubrick's The killing and the emplotment of death -- - Blood of a poet: Peckinpah's The wild bunch -- - As I lay dying: violence and subjectivity in Tarantino's Reservoir dogs -- - One-dimensional men: Fincher's Fight club and the end of masculinity

    In many senses, viewers have cut their teeth on the violence in American cinema: from Anthony Perkins slashing Janet Leigh in the most infamous of shower scenes; to the 1970s masterpieces of Martin Scorsese, Sam Peckinpah and Francis Ford Coppola; to our present-day undertakings in imagining global annihilations through terrorism, war, and alien grudges. Transfigurations brings our cultural obsession with film violence into a renewed dialogue with contemporary theory. Grønstad argues that the use of violence in Hollywood films should be understood semiotically rather than viewed realistically; Tranfigurations thus alters both our methodology of reading violence in films and the meanings we assign to them, depicting violence not as a self-contained incident, but as a convoluted network of our own cultural ideologies and beliefs
  4. Transfigurations
    violence, death and masculinity in American cinema
    Autor*in: Grønstad, Asbjørn
    Erschienen: 2008
    Verlag:  Amsterdam University Press, Amsterdam

    Zugang:
    Verlag (kostenfrei)

    Standort:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Filmuniversität Babelsberg KONRAD WOLF, Universitätsbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Export in Literaturverwaltung   RIS-Format
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    Hinweise zum Inhalt
    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9789048508501
    RVK Klassifikation: AP 50300
    Schriftenreihe: Film culture in transition
    Schlagworte: Violence in motion pictures; Death in motion pictures; Masculinity in motion pictures; Motion pictures, American; Mann <Motiv>; Gewalt <Motiv>; Film
    Umfang: 274 p.
    Bemerkung(en):

    Includes bibliographical references (p. [221]-260) and indexes
  5. Transfigurations
    violence, death and masculinity in American cinema
    Autor*in: Grønstad, Asbjørn
    Erschienen: 2008
    Verlag:  Amsterdam University Press, Amsterdam

    "Transfigurations: Violence, Death and Masculinity in American Cinema suggests a fundamental rethinking of the notion of violence in Hollywood cinema, and discloses the methodological and theoretical inadequacies of a series of common approaches to... mehr

    Zugang:
    Verlag (kostenfrei)

    Standort:
    Bibliothek der Hochschule Darmstadt, Zentralbibliothek
    Fernleihe:
    keine Fernleihe

    Standort:
    TU Darmstadt, Universitäts- und Landesbibliothek - Stadtmitte
    Fernleihe:
    keine Fernleihe

    Standort:
    Bibliothek der Frankfurt University of Applied Sciences
    Fernleihe:
    keine Fernleihe

    Standort:
    Universitätsbibliothek J. C. Senckenberg, Zentralbibliothek (ZB)
    Fernleihe:
    keine Fernleihe

    Standort:
    Hochschul- und Landesbibliothek Fulda, Standort Heinrich-von-Bibra-Platz
    Fernleihe:
    keine Fernleihe

    Standort:
    Universitätsbibliothek Gießen
    Fernleihe:
    keine Fernleihe

    Standort:
    Universitätsbibliothek Kassel, Landesbibliothek und Murhardsche Bibliothek der Stadt Kassel
    Fernleihe:
    keine Fernleihe

    Standort:
    Universität Mainz, Zentralbibliothek
    Fernleihe:
    keine Fernleihe

    Standort:
    Universität Marburg, Universitätsbibliothek
    Fernleihe:
    keine Fernleihe

     

    "Transfigurations: Violence, Death and Masculinity in American Cinema suggests a fundamental rethinking of the notion of violence in Hollywood cinema, and discloses the methodological and theoretical inadequacies of a series of common approaches to screen violence. More specifically, the book challenges the traditional understanding of the concept of memesis with regard to film fiction in general and film violence in particular. Transfigurations deconstructs the idea that the film image is a transparent entity, and proposes instead that filmicity is always opaque. In turn, this argument leads to the conclusion that all film fiction is amimetic, and that it entails processes of transfiguration rather representation, aesthetic theorization rather than mimetic reflection. By considering film violence not as a mirror but as a trope, this book shows how the violence in films may be interpreted as a discourse on death and masculinity."--Jacket. In many senses, viewers have cut their teeth on the violence in American cinema: from Anthony Perkins slashing Janet Leigh in the most infamous of shower scenes; to the 1970s masterpieces of Martin Scorsese, Sam Peckinpah and Francis Ford Coppola; to our present-day undertakings in imagining global annihilations through terrorism, war, and alien grudges. Transfigurations brings our cultural obsession with film violence into a renewed dialogue with contemporary theory. Grønstad argues that the use of violence in Hollywood films should be understood semiotically rather than viewed realistically; Tranfigurations thus alters both our methodology of reading violence in films and the meanings we assign to them, depicting violence not as a self-contained incident, but as a convoluted network of our own cultural ideologies and beliefs.

     
    Export in Literaturverwaltung   RIS-Format
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  6. Transfigurations
    violence, death and masculinity in American cinema
    Autor*in: Grønstad, Asbjørn
    Erschienen: 2008
    Verlag:  Amsterdam University Press, Amsterdam ; EBSCO Industries, Inc., Birmingham, AL, USA

    "Transfigurations: Violence, Death and Masculinity in American Cinema suggests a fundamental rethinking of the notion of violence in Hollywood cinema, and discloses the methodological and theoretical inadequacies of a series of common approaches to... mehr

    Standort:
    Bibliothek der Hochschule Mainz, Untergeschoss
    Fernleihe:
    keine Fernleihe

     

    "Transfigurations: Violence, Death and Masculinity in American Cinema suggests a fundamental rethinking of the notion of violence in Hollywood cinema, and discloses the methodological and theoretical inadequacies of a series of common approaches to screen violence. More specifically, the book challenges the traditional understanding of the concept of memesis with regard to film fiction in general and film violence in particular. Transfigurations deconstructs the idea that the film image is a transparent entity, and proposes instead that filmicity is always opaque. In turn, this argument leads to the conclusion that all film fiction is amimetic, and that it entails processes of transfiguration rather representation, aesthetic theorization rather than mimetic reflection. By considering film violence not as a mirror but as a trope, this book shows how the violence in films may be interpreted as a discourse on death and masculinity."--Jacket. In many senses, viewers have cut their teeth on the violence in American cinema: from Anthony Perkins slashing Janet Leigh in the most infamous of shower scenes; to the 1970s masterpieces of Martin Scorsese, Sam Peckinpah and Francis Ford Coppola; to our present-day undertakings in imagining global annihilations through terrorism, war, and alien grudges. Transfigurations brings our cultural obsession with film violence into a renewed dialogue with contemporary theory. Grønstad argues that the use of violence in Hollywood films should be understood semiotically rather than viewed realistically; Tranfigurations thus alters both our methodology of reading violence in films and the meanings we assign to them, depicting violence not as a self-contained incident, but as a convoluted network of our own cultural ideologies and beliefs.

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9789048508501; 9048508509; 1282171410; 9781282171411
    RVK Klassifikation: AP 44983 ; AP 53450
    Schriftenreihe: Film culture in transition
    Schlagworte: Film; Gewalt <Motiv>; Tod <Motiv>; Männlichkeit <Motiv>
    Umfang: 1 Online-Ressource (274 pages), Illustrations
    Bemerkung(en):

    Includes bibliographical references (pages 221-260) and indexes
  7. Transfigurations
    violence, death and masculinity in American cinema
    Autor*in: Grønstad, Asbjørn
    Erschienen: [2008]
    Verlag:  Amsterdam University Press, Amsterdam

    Standort:
    Universitätsbibliothek Bielefeld
    Fernleihe:
    keine Fernleihe

    Standort:
    Ruhr-Universität Bochum, Universitätsbibliothek
    Fernleihe:
    keine Fernleihe
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Volltext (Array)
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Dissertation
    Format: Online
    ISBN: 9789048508501
    Schriftenreihe: Film culture in transition
    Schlagworte: Los Angeles- Hollywood; Film; Gewalt <Motiv>; Mann <Motiv>; USA; Film; Gewalt <Motiv>
    Umfang: 1 Online-Ressource (274 Seiten), Illustrationen
    Bemerkung(en):

    Dissertation, University of Bergen, 2002
  8. Transfigurations
    violence, death and masculinity in American cinema
    Autor*in: Grønstad, Asbjørn
    Erschienen: 2008
    Verlag:  Amsterdam University Press, Amsterdam

    In many senses, viewers have cut their teeth on the violence in American cinema: from Anthony Perkins slashing Janet Leigh in the most infamous of shower scenes; to the 1970s masterpieces of Martin Scorsese, Sam Peckinpah and Francis Ford Coppola; to... mehr

    Standort:
    Hochschulbibliothek Friedensau
    Signatur:
    Online-Ressource
    Fernleihe:
    keine Fernleihe

     

    In many senses, viewers have cut their teeth on the violence in American cinema: from Anthony Perkins slashing Janet Leigh in the most infamous of shower scenes; to the 1970s masterpieces of Martin Scorsese, Sam Peckinpah and Francis Ford Coppola; to our present-day undertakings in imagining global annihilations through terrorism, war, and alien grudges. Transfigurations brings our cultural obsession with film violence into a renewed dialogue with contemporary theory. Grønstad argues that the use of violence in Hollywood films should be understood semiotically rather than viewed realistically; Tranfigurations thus alters both our methodology of reading violence in films and the meanings we assign to them, depicting violence not as a self-contained incident, but as a convoluted network of our own cultural ideologies and beliefs

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9789048508501
    RVK Klassifikation: AP 50300 ; AP 44983
    Schriftenreihe: Film culture in transition
    Schlagworte: Motion pictures, American; Violence in motion pictures; Masculinity in motion pictures; Death in motion pictures
    Umfang: Online-Ressource (274 p), ill
    Bemerkung(en):

    Includes bibliographical references (p. [221]-260) and indexes

    Electronic reproduction; Available via World Wide Web

    Contents; Acknowledgements; Prolegomenon; Introduction: Film Violens as Figurality; 1. Screen Violence: Five Fallacies; 2. Filming Death; 3. Male Subjectivities at the Margins; Postscript; Notes; Bibliography; Index of Names; Index of Film Titles; Index of Subjects