Direkt zur Hauptnavigation springen Direkt zum Inhalt springen
info(at)avldigital.remove-this.de
Deutsch English
Filtern nach
Aktive Filter
Letzte Suchanfragen

Ergebnisse für *

Zeige Ergebnisse 1 bis 6 von 6.

  1. Irony and idyll
    Jane Austen's 'Pride and Prejudice' and 'Mansfield Park' on screen
    Autor*in: Sørbø, Marie N.
    Erschienen: 2014
    Verlag:  Rodopi B.V., Amsterdam

    Jane Austen’s worldwide popularity is not least due to the remaking of her novels for the visual media. Of the fifty-odd Austen related productions since 1938, forty-three of them adapt her novels to the various screens of cinema, television,... mehr

    Standort:
    Universitätsbibliothek Bamberg
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Bayerische Staatsbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Universitätsbibliothek Regensburg
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Universitätsbibliothek Würzburg
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    Jane Austen’s worldwide popularity is not least due to the remaking of her novels for the visual media. Of the fifty-odd Austen related productions since 1938, forty-three of them adapt her novels to the various screens of cinema, television, computer and tablet. However, her attraction for film-makers is undoubtedly promoted by her own qualities. As a novelist, Jane Austen has been particularly recognized for her ironic voice, which dominates all her stories and gives the readers a peculiar perspective on her world. Do film-makers want this, and if so, how do they transmit her attitude of amused distance? In the present book, Marie N. Sørbø investigates the function and targets of irony in two novels and seven films. This is the first book-length study of Austen’s irony since 1952, and the only comparative analysis of all the available screen adaptations of 'Pride and Prejudice' and 'Mansfield Park'. On the bicentenary of their publication, these novels continue to influence modern culture

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9789042038462
    RVK Klassifikation: HL 1685
    Schriftenreihe: Costerus : New series ; 203
    Schlagworte: Ironie <Motiv>; Film
    Weitere Schlagworte: Austen, Jane (1775-1817): Pride and prejudice; Austen, Jane (1775-1817): Mansfield Park
    Umfang: 416 S., Ill.
    Bemerkung(en):

    Teilw. zugl.: Oslo, Univ., Diss., 2008 u.d.T.: Sørbø, Marie N.: Jane Austen's irony as received in film adaptations
  2. Irony and idyll
    Jane Austen's Pride and Prejudice and Mansfield Park on screen
    Autor*in: Sørbø, Marie N.
    Erschienen: 2014; © 2014
    Verlag:  Rodopi, Amsterdam, Netherlands

    Standort:
    Kunsthistorisches Institut in Florenz, Max-Planck-Institut, Bibliothek
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Verbundkataloge
    Beteiligt: Bergshoeff, Aart Jan
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9789042038462; 9789401210898
    Schriftenreihe: Costerus New Series ; 203
    Schlagworte: Literatur; Literature; Literature; Ironie <Motiv>; Film
    Weitere Schlagworte: Austen, Jane (1775-1817): Mansfield Park; Austen, Jane (1775-1817): Pride and prejudice
    Umfang: 1 online resource (423 pages), illustrations
    Bemerkung(en):

    Description based on online resource; title from PDF title page (ebrary, viewed June 26, 2014)
  3. Irony and idyll
    Jane Austen's 'Pride and Prejudice' and 'Mansfield Park' on screen
    Autor*in: Sørbø, Marie N.
    Erschienen: 2014
    Verlag:  Rodopi B.V., Amsterdam

    Jane Austen’s worldwide popularity is not least due to the remaking of her novels for the visual media. Of the fifty-odd Austen related productions since 1938, forty-three of them adapt her novels to the various screens of cinema, television,... mehr

    Standort:
    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    Jane Austen’s worldwide popularity is not least due to the remaking of her novels for the visual media. Of the fifty-odd Austen related productions since 1938, forty-three of them adapt her novels to the various screens of cinema, television, computer and tablet. However, her attraction for film-makers is undoubtedly promoted by her own qualities. As a novelist, Jane Austen has been particularly recognized for her ironic voice, which dominates all her stories and gives the readers a peculiar perspective on her world. Do film-makers want this, and if so, how do they transmit her attitude of amused distance? In the present book, Marie N. Sørbø investigates the function and targets of irony in two novels and seven films. This is the first book-length study of Austen’s irony since 1952, and the only comparative analysis of all the available screen adaptations of 'Pride and Prejudice' and 'Mansfield Park'. On the bicentenary of their publication, these novels continue to influence modern culture

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9789042038462
    RVK Klassifikation: HL 1685
    Schriftenreihe: Costerus : New series ; 203
    Schlagworte: Ironie <Motiv>; Film
    Weitere Schlagworte: Austen, Jane (1775-1817): Pride and prejudice; Austen, Jane (1775-1817): Mansfield Park
    Umfang: 416 S., Ill.
    Bemerkung(en):

    Teilw. zugl.: Oslo, Univ., Diss., 2008 u.d.T.: Sørbø, Marie N.: Jane Austen's irony as received in film adaptations
  4. Irony and Idyll
    Jane Austen's Pride and Prejudice and Mansfield Park on Screen
    Autor*in: Sørbø, Marie N.
    Erschienen: 2014
    Verlag:  Editions Rodopi, Amsterdam

    Jane Austen's worldwide popularity is not least due to the remaking of her novels for the visual media. Of the fifty-odd Austen related productions since 1938, forty-three of them adapt her novels to the various screens of cinema, television,... mehr

    Standort:
    Universität Frankfurt, Elektronische Ressourcen
    Signatur:
    /
    Fernleihe:
    keine Fernleihe

    Standort:
    Universitätsbibliothek Gießen
    Fernleihe:
    keine Fernleihe

     

    Jane Austen's worldwide popularity is not least due to the remaking of her novels for the visual media. Of the fifty-odd Austen related productions since 1938, forty-three of them adapt her novels to the various screens of cinema, television, computer and tablet. However, her attraction for film-makers is undoubtedly promoted by her own qualities. As a novelist, Jane Austen has been particularly recognized for her ironic voice, which dominates all her stories and gives the readers a peculiar perspective on her world. Do film-makers want this, and if so, how do they transmit her attitude of amu...

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9789042038462; 9789401210898 (Sekundärausgabe)
    RVK Klassifikation: HL 1685
    Umfang: 423 p.
    Bemerkung(en):

    Description based upon print version of record

    Online-Ausg.:
  5. Irony and Idyll
    Jane Austen's Pride and Prejudice and Mansfield Park on Screen
    Autor*in: Sørbø, Marie N.
    Erschienen: 2014
    Verlag:  Editions Rodopi, Amsterdam

    Jane Austen's worldwide popularity is not least due to the remaking of her novels for the visual media. Of the fifty-odd Austen related productions since 1938, forty-three of them adapt her novels to the various screens of cinema, television,... mehr

    Standort:
    Hochschulbibliothek Friedensau
    Signatur:
    Online-Ressource
    Fernleihe:
    keine Fernleihe

     

    Jane Austen's worldwide popularity is not least due to the remaking of her novels for the visual media. Of the fifty-odd Austen related productions since 1938, forty-three of them adapt her novels to the various screens of cinema, television, computer and tablet. However, her attraction for film-makers is undoubtedly promoted by her own qualities. As a novelist, Jane Austen has been particularly recognized for her ironic voice, which dominates all her stories and gives the readers a peculiar perspective on her world. Do film-makers want this, and if so, how do they transmit her attitude of amu

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9789042038462
    Umfang: Online-Ressource (423 p)
    Bemerkung(en):

    Description based upon print version of record

    Cover; Title Page; Copyright Page; Contents; Illustrations; Acknowledgements; Introduction: Responses to Austen's Novels; PART I: PRIDE AND PREJUDICE; Chapter One The Novel: Austen's Ironic Voice; Chapter TwoThe Novel: Courtship Couched in Irony; Chapter ThreeThe 1940 Film: Old England Invoked; Chapter FourThe 1980 Miniseries: Faithful to the Feminist Perspective?; Chapter FiveThe 1995 Miniseries: Faithful to the Female Audience; Chapter SixThe 2005 Film: Everybody Loves the Bennet Family; PART II: MANSFIELD PARK; Chapter SevenThe Novel: Class and Patriarchy Undermined

    Chapter EightThe Novel: Marriage as a Game of SpeculationChapter NineThe 1983 Miniseries: The Beauty of Tradition; Chapter TenThe 1999 Film: Aiming for Austen's Voice; Chapter ElevenThe 1999 Film: The Targets of Irony - Racism,Sexism and Class; Chapter TwelveThe 2007 TV Film: ""Some Much Needed Sizzle""; ConclusionThe Voice of Irony and the Urge for Idyll; Filmography; Bibliography; Index
  6. Irony and idyll
    Jane Austen's Pride and Prejudice and Mansfield Park on screen
    Autor*in: Sørbø, Marie N.
    Erschienen: 2014
    Verlag:  Rodopi, Amsterdam [u.a.]

    "Jane Austen's worldwide popularity is not least due to the remaking of her novels for the visual media. Of the fifty-odd Austen related productions since 1938, forty-three of them adapt her novels to the various screens of cinema, television,... mehr

    Standort:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
    Signatur:
    10 A 36714
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Staats- und Universitätsbibliothek Bremen
    Signatur:
    a ang 569 aus 7/704
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Bibliothek im KG IV, Bereich Anglistik und Amerikanistik
    Signatur:
    Frei 24: Z 46-203
    Fernleihe:
    keine Ausleihe von Bänden, nur Papierkopien werden versandt

    Standort:
    Niedersächsische Staats- und Universitätsbibliothek Göttingen
    Signatur:
    2014 A 14968
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Württembergische Landesbibliothek
    Signatur:
    64/11586
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Klassik Stiftung Weimar / Herzogin Anna Amalia Bibliothek
    Signatur:
    HL 1685 S774
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    "Jane Austen's worldwide popularity is not least due to the remaking of her novels for the visual media. Of the fifty-odd Austen related productions since 1938, forty-three of them adapt her novels to the various screens of cinema, television, computer and tablet. However, her attraction for film-makers is undoubtedly promoted by her own qualities. As a novelist, Jane Austen has been particularly recognized for her ironic voice, which dominates all her stories and gives the readers a peculiar perspective on her world. Do film-makers want this, and if so, how do they transmit her attitude of amused distance? In the present book, Marie N. Sørbø investigates the function and targets of irony in two novels and seven films. This is the first book-length study of Austen's irony since 1952, and the only comparative analysis of all the available screen adaptations of 'Pride and Prejudice' and 'Mansfield Park'. On the bicentenary of their publication, these novels continue to influence modern culture."--Provided by publisher

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9789042038462
    Weitere Identifier:
    9789042038462
    RVK Klassifikation: HL 1685
    Schriftenreihe: Costerus ; N.S. ; 203
    Schlagworte: Irony in literature; Irony in motion pictures
    Weitere Schlagworte: Austen, Jane (1775-1817)
    Umfang: 416 S., Ill.
    Bemerkung(en):

    Teilw. zugl.: Oslo, Univ., Diss., 2008 u.d.T.: Jane Austen's irony as received in film adaptations

    Part 1. Pride and PrejudiceThe novel: Austen's ironic voice -- The novel: Courtship couched in irony -- The 1940 film: Old England invoked -- The 1980 miniseries: Faithful to the feminist perspective? -- The 1995 miniseries: Faithful to the female audience -- The 2005 film: Everybody loves the Bennett family -- Part 2. Mansfield Park -- The novel: Class and patriarchy undermined -- The novel: marriage as a game of speculation -- The 1983 moniseries: The beauty of tradition -- The 1999 film: Aiming for Austen's voice -- The 1999 film: The targets of irony-racism, sexism and class -- The 2007 TV film: "Some much needed sizzle" -- Conclusion: The voice of irony and the urge for idyll.