Preliminary Material /John Nash -- BIBLIOGRAPHICAL NOTE /John Nash -- INTRODUCTION /John Nash -- “SHORT CUTS TO CULTURE”: CENSORSHIP AND MODERNISM; OR, LEARNING TO READ ULYSSES /Barbara Leckie -- MODERNISM AND “THE PLAIN READER’S RIGHTS”: DUFF-RIDING-GRAVES RE-READING JOYCE /Jean-Michel Rabaté -- READING ELLMANN READING JOYCE /John McCourt -- THE AUDIENCES FOR JOYCE’S AUTOBIOGRAPHIES /Roy Gottfried -- A MEETING IN THE WESTERN CANON: BORGES’S CONVERSATION WITH JOYCE /Beatriz Vegh -- JOYCE ON THE EASTERN EDGE: GLOBALIZATION, LOCALIZATION AND JOYCE STUDIES IN TAIWAN /Yu-Chen Lin -- “AMERICA IS FRANKLY CONTEMPTUOUS”: JAMES JOYCE’S WORK IN PROGRESS FOR THE UNITED STATES /Craig Monk -- “A CONSTANT LABOUR”: WORK IN PROGRESS AND THE SPECIALIZATION OF READING /John Nash -- JOYCE READING HIMSELF AND OTHERS /Ingeborg Landuyt -- PROTOCOLS OF READING ULYSSES /Brian G. Caraher -- FEMINIST AUDIENCES FOR JOYCE /Catherine Driscoll -- THE FIDELITY OF THEORY: JAMES JOYCE AND THE RHETORIC OF BELATEDNESS /Joe Brooker -- NOTES ON CONTRIBUTORS /John Nash. This book presents for the first time a collective examination of the issue of audience in relation to Joyce’s work and the cultural moments of its reception. While many of the essays gathered in this volume are concerned with particular readers and readings of Joyce’s work, they all, individually and generally, gesture at something broader than a specific act of reception. Joyce’s Audiences is an important narrative of the cultural receptions of Joyce but it is also an exploration of the author’s own fascination with audiences, reflecting a wider concern with reading and interpretation in general. Twelve essays by an international cast of Joyce critics deal with: the censorship and promotion of Ulysses ; the ‘plain reader’ in modernism; Richard Ellmann’s influence on Joyce’s reputation; the implied audiences of Stephen Hero and Portrait ; Borges’s relation with Joyce; the study of Joyce in Taiwan; the promotion of Joyce in the U.S.; the complaint that there is insufficient time to read Joyce’s work; the revisions to “Work in Progress” that respond to specific reviews; strategies of critical interpretation; Joyce and feminism; and the ‘belated’ readings of post-structuralism
This book presents for the first time a collective examination of the issue of audience in relation to Joyce's work and the cultural moments of its reception. While many of the essays gathered in this volume are concerned with particular readers and...
mehr
This book presents for the first time a collective examination of the issue of audience in relation to Joyce's work and the cultural moments of its reception. While many of the essays gathered in this volume are concerned with particular readers and readings of Joyce's work, they all, individually and generally, gesture at something broader than a specific act of reception. Joyce's Audiences is an important narrative of the cultural receptions of Joyce but it is also an exploration of the author's own fascination with audiences, reflecting a wider concern with reading and interpretation in general. Twelve essays by an international cast of Joyce critics deal with: the censorship and promotion of Ulysses ; the 'plain reader' in modernism; Richard Ellmann's influence on Joyce's reputation; the implied audiences of Stephen Hero and Portrait ; Borges's relation with Joyce; the study of Joyce in Taiwan; the promotion of Joyce in the U.S.; the complaint that there is insufficient time to read Joyce's work; the revisions to "Work in Progress" that respond to specific reviews; strategies of critical interpretation; Joyce and feminism; and the 'belated' readings of post-structuralism.
Preliminary Material /John Nash -- BIBLIOGRAPHICAL NOTE /John Nash -- INTRODUCTION /John Nash -- “SHORT CUTS TO CULTURE”: CENSORSHIP AND MODERNISM; OR, LEARNING TO READ ULYSSES /Barbara Leckie -- MODERNISM AND “THE PLAIN READER’S RIGHTS”: DUFF-RIDING-GRAVES RE-READING JOYCE /Jean-Michel Rabaté -- READING ELLMANN READING JOYCE /John McCourt -- THE AUDIENCES FOR JOYCE’S AUTOBIOGRAPHIES /Roy Gottfried -- A MEETING IN THE WESTERN CANON: BORGES’S CONVERSATION WITH JOYCE /Beatriz Vegh -- JOYCE ON THE EASTERN EDGE: GLOBALIZATION, LOCALIZATION AND JOYCE STUDIES IN TAIWAN /Yu-Chen Lin -- “AMERICA IS FRANKLY CONTEMPTUOUS”: JAMES JOYCE’S WORK IN PROGRESS FOR THE UNITED STATES /Craig Monk -- “A CONSTANT LABOUR”: WORK IN PROGRESS AND THE SPECIALIZATION OF READING /John Nash -- JOYCE READING HIMSELF AND OTHERS /Ingeborg Landuyt -- PROTOCOLS OF READING ULYSSES /Brian G. Caraher -- FEMINIST AUDIENCES FOR JOYCE /Catherine Driscoll -- THE FIDELITY OF THEORY: JAMES JOYCE AND THE RHETORIC OF BELATEDNESS /Joe Brooker -- NOTES ON CONTRIBUTORS /John Nash. This book presents for the first time a collective examination of the issue of audience in relation to Joyce’s work and the cultural moments of its reception. While many of the essays gathered in this volume are concerned with particular readers and readings of Joyce’s work, they all, individually and generally, gesture at something broader than a specific act of reception. Joyce’s Audiences is an important narrative of the cultural receptions of Joyce but it is also an exploration of the author’s own fascination with audiences, reflecting a wider concern with reading and interpretation in general. Twelve essays by an international cast of Joyce critics deal with: the censorship and promotion of Ulysses ; the ‘plain reader’ in modernism; Richard Ellmann’s influence on Joyce’s reputation; the implied audiences of Stephen Hero and Portrait ; Borges’s relation with Joyce; the study of Joyce in Taiwan; the promotion of Joyce in the U.S.; the complaint that there is insufficient time to read Joyce’s work; the revisions to “Work in Progress” that respond to specific reviews; strategies of critical interpretation; Joyce and feminism; and the ‘belated’ readings of post-structuralism
