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  1. Original copies in Georges Perec and Andy Warhol
    Autor*in: Wadhera, Priya
    Erschienen: [2017]
    Verlag:  Brill Rodopi, Leiden ; Boston

    Priya Wadhera's 'Original Copies in Perec and Warhol' is the first book to explore striking similarities between the works of the author and the artist. Copies abound in Perec's oeuvre, where pastiches, paintings, and intertexts dialogue with the... mehr

    Standort:
    Freie Universität Berlin, Universitätsbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    Priya Wadhera's 'Original Copies in Perec and Warhol' is the first book to explore striking similarities between the works of the author and the artist. Copies abound in Perec's oeuvre, where pastiches, paintings, and intertexts dialogue with the history of copying in the past and present, in literature and in art. Both here and in Warhol's works, the source of the copies is difficult to pinpoint, shrouded in a fog linked to death. This remarkable parallel provides insight into their widely-admired works and a postmodern aesthetic where the original is stripped of its value and the copy reigns supreme. In this study of the original and the copy, Wadhera illuminates the nature of art itself.

     
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    Volltext (URL des Erstveröffentlichers)
    Quelle: Philologische Bibliothek, FU Berlin
    Sprache: Englisch
    Medientyp: Dissertation
    Format: Online
    ISBN: 9789004330207
    Weitere Identifier:
    RVK Klassifikation: IH 70961 ; LH 61060 ; LI 95130
    Schriftenreihe: Faux titre ; volume 413
    Schlagworte: Originality in art; Originality in literature; Art and literature; Kopie; Original; Kunst; Originalität; Literatur
    Weitere Schlagworte: Warhol, Andy (1928-1987); Perec, Georges (1936-1982)
    Umfang: 1 Online-Ressource (XII, 204 Seiten)
    Bemerkung(en):

    Titel der Dissertation: "Copy play: the discourse on art in Georges Perec's 'Un cabinet d’amateur' and its intertexts"

    Dissertation, Columbia University, 2005
  2. Original copies in Georges Perec and Andy Warhol
    Autor*in: Wadhera, Priya
    Erschienen: 2017
    Verlag:  Brill, Leiden, Netherlands ; Boston, [Massachusetts] ; Rodopi

    Standort:
    Kunsthistorisches Institut in Florenz, Max-Planck-Institut, Bibliothek
    Export in Literaturverwaltung   RIS-Format
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9789004330207
    RVK Klassifikation: IH 70961 ; LH 61060 ; LI 95130
    Schriftenreihe: Faux Titre ; Volume 413
    Schlagworte: Art; Originality in art; Originality in literature; Art and literature; Kopie; Kunst; Original; Originalität; Literatur
    Weitere Schlagworte: Perec, Georges (1936-1982); Warhol, Andy (1928-1987); Perec, Georges (1936-1982); Warhol, Andy (1928-1987)
    Umfang: 1 Online-Ressource (216 pages), illustrations
    Bemerkung(en):

    Description based on print version record
  3. Original copies in Georges Perec and Andy Warhol
    Autor*in: Wadhera, Priya
    Erschienen: [2017]
    Verlag:  Brill Rodopi, Leiden

    Contents -- Acknowledgments -- Chapter 1 Introduction -- Part 1 The Copy as Imitation and Enumeration in Perec -- Chapter 2 Copious Beginnings -- 2.1 The incipit of Un cabinet d'amateur (1979) -- 2.2 Defining the Copy -- 2.3 Original and Copy -- 2.4... mehr

    Zugang:

    Standort:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    Contents -- Acknowledgments -- Chapter 1 Introduction -- Part 1 The Copy as Imitation and Enumeration in Perec -- Chapter 2 Copious Beginnings -- 2.1 The incipit of Un cabinet d'amateur (1979) -- 2.2 Defining the Copy -- 2.3 Original and Copy -- 2.4 Mimesis -- 2.5 Copy as copia -- Chapter 3 Copying in Literature -- 3.1 Literature in the Age of the Scribe -- 3.2 Literature in the Age of Mechanical Reproduction -- Chapter 4 Perec and His Copies -- 4.1 Copying in Cabinet -- 4.2 Copies in Cabinet: A Brief Typology -- Part 2 Pastiches -- Chapter 5 Cabinet as Pastiche Chapter 6 The Kunstkammer in History and in Cabinet -- Chapter 7 The Discourse on Authentication -- Part 3 Paintings -- Chapter 8 Copying in Painting -- 8.1 The Tradition of the Painter-Apprentice -- 8.2 Fakes, Forgeries, and Citations -- Chapter 9 Painting in Cabinet -- Chapter 10 Trompe-l'oeil and L'OEil ébloui (1981) -- Chapter 11 From One Canvas to Another -- Part 4 Intertexts -- Chapter 12 Intertextuality in Cabinet -- Chapter 13 An Immediate Intratextual Source: La Vie mode d'emploi (1978) -- Chapter 14 An Intertextual Reference: Pierre Grassou by Balzac (1839) Chapter 15 An Early Intratextual Source: Le Condottière (1957-60) -- Chapter 16 To Copy Is to Create: Menard's "Copy" -- Chapter 17 The Copy in Warhol: Imitation, Enumeration, and Death -- Part 5 Conclusion -- Chapter 18 Copy Play in Perec and Warhol -- 18.1 The Copy as Original and Double -- 18.2 Hidden Origins: Fog and Fogging in Perec -- 18.3 A Memorial and a Celebration, a Forging of Life from Death -- Bibliography -- Index

     
    Export in Literaturverwaltung   RIS-Format
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    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9789004330207
    Weitere Identifier:
    Schriftenreihe: Faux Titre Ser ; volume 413
    Faux titre ; 413
    Schlagworte: Art; Originality in art; Originality in literature; Art and literature; Art; Originality in art; Originality in literature; Art and literature
    Weitere Schlagworte: Perec, Georges (1936-1982); Warhol, Andy (1928-1987); Perec, Georges (1936-1982); Warhol, Andy (1928-1987)
    Umfang: 1 Online-Ressource (xii, 216 p)
    Bemerkung(en):

    Description based upon print version of record
  4. Original copies in Georges Perec and Andy Warhol
    Autor*in: Wadhera, Priya
    Erschienen: [2017]
    Verlag:  Brill Rodopi, Leiden

    Priya Wadhera's 'Original Copies in Perec and Warhol' is the first book to explore striking similarities between the works of the author and the artist. Copies abound in Perec's oeuvre, where pastiches, paintings, and intertexts dialogue with the... mehr

     

    Priya Wadhera's 'Original Copies in Perec and Warhol' is the first book to explore striking similarities between the works of the author and the artist. Copies abound in Perec's oeuvre, where pastiches, paintings, and intertexts dialogue with the history of copying in the past and present, in literature and in art. Both here and in Warhol's works, the source of the copies is difficult to pinpoint, shrouded in a fog linked to death. This remarkable parallel provides insight into their widely-admired works and a postmodern aesthetic where the original is stripped of its value and the copy reigns supreme. In this study of the original and the copy, Wadhera illuminates the nature of art itself

     
    Export in Literaturverwaltung   RIS-Format
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    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Dissertation
    Format: Druck
    ISBN: 9789004326170; 9789004330207
    RVK Klassifikation: IH 70961 ; LH 61060 ; LI 95130
    Schriftenreihe: Faux titre ; volume 413
    Schlagworte: Originality in art; Originality in literature; Art and literature
    Umfang: XII, 204 Seiten, 25 cm
    Bemerkung(en):

    Literaturverzeichnis: Seite [193]-201

    Dissertation, Columbia University, 2005
  5. Original copies in Georges Perec and Andy Warhol
    Autor*in: Wadhera, Priya
    Erschienen: [2017]
    Verlag:  Brill Rodopi, Leiden

    Priya Wadhera's 'Original Copies in Perec and Warhol' is the first book to explore striking similarities between the works of the author and the artist. Copies abound in Perec's oeuvre, where pastiches, paintings, and intertexts dialogue with the... mehr

     

    Priya Wadhera's 'Original Copies in Perec and Warhol' is the first book to explore striking similarities between the works of the author and the artist. Copies abound in Perec's oeuvre, where pastiches, paintings, and intertexts dialogue with the history of copying in the past and present, in literature and in art. Both here and in Warhol's works, the source of the copies is difficult to pinpoint, shrouded in a fog linked to death. This remarkable parallel provides insight into their widely-admired works and a postmodern aesthetic where the original is stripped of its value and the copy reigns supreme. In this study of the original and the copy, Wadhera illuminates the nature of art itself

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Dissertation
    Format: Online
    ISBN: 9789004330207
    Weitere Identifier:
    Schriftenreihe: Faux titre ; volume 413
    Schlagworte: Originality in art; Originality in literature; Art and literature
    Umfang: 1 Online-Ressource (XII, 204 Seiten)
    Bemerkung(en):

    Literaturverzeichnis: Seite [193]-201

    Dissertation, Columbia University, 2005
  6. Original copies in Georges Perec and Andy Warhol
    Autor*in: Wadhera, Priya
    Erschienen: [2017]
    Verlag:  Brill, Leiden

    Machine generated contents note:1.Introduction --pt. 1Copy as Imitation and Enumeration in Perec --2.Copious Beginnings --2.1.incipit of Un cabinet d'amateur (1979) --2.2.Defining the Copy --2.3.Original and Copy --2.4.Mimesis --2.5.Copy as copia... mehr

    Standort:
    Hochschule Aalen, Bibliothek
    Signatur:
    E-Book EBSCO
    Fernleihe:
    keine Fernleihe

    Standort:
    Hochschule Esslingen, Bibliothek
    Signatur:
    E-Book Ebsco
    Fernleihe:
    keine Fernleihe

    Standort:
    Saarländische Universitäts- und Landesbibliothek
    Fernleihe:
    keine Fernleihe

    Standort:
    Universitätsbibliothek der Eberhard Karls Universität
    Fernleihe:
    keine Fernleihe

     

    Machine generated contents note:1.Introduction --pt. 1Copy as Imitation and Enumeration in Perec --2.Copious Beginnings --2.1.incipit of Un cabinet d'amateur (1979) --2.2.Defining the Copy --2.3.Original and Copy --2.4.Mimesis --2.5.Copy as copia --3.Copying in Literature --3.1.Literature in the Age of the Scribe --3.2.Literature in the Age of Mechanical Reproduction --4.Perec and His Copies --4.1.Copying in Cabinet --4.2.Copies in Cabinet: A Brief Typology --pt. 2Pastiches --5.Cabinet as Pastiche --6.Kunstkammer in History and in Cabinet --7.Discourse on Authentication --pt. 3Paintings --8.Copying in Painting --8.1.Tradition of the Painter-Apprentice --8.2.Fakes, Forgeries, and Citations --9.Painting in Cabinet --10.Trompe-l'oeil and L'Œil ebloui (1981) --11.From One Canvas to Another --pt. 4Intertexts --12.Intertextuality in Cabinet --13.Immediate Intratextual Source: La Vie mode d'emploi (1978) --14.Intertextual Reference: Pierre Grassou by Balzac (1839) --15.Early Intratextual Source: Le Condottiere (1957 -- 60) --16.To Copy Is to Create: Menard's "Copy" --17.Copy in Warhol: Imitation, Enumeration, and Death --pt. 5Conclusion --18.Copy Play in Perec and Warhol --18.1.Copy as Original and Double --18.2.Hidden Origins: Fog and Fogging in Perec --18.3.Memorial and a Celebration, a Forging of Life from Death.

     
    Export in Literaturverwaltung   RIS-Format
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    Hinweise zum Inhalt
    Volltext (lizenzpflichtig)
    Quelle: Verbundkataloge
    Sprache: Englisch; Französisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9789004330207; 9004330208
    Schriftenreihe: Faux titre ; volume 413
    Schlagworte: Art; Originality in art; Originality in literature; Art and literature; ART ; Criticism & Theory; Art and literature; Originality in art; Originality in literature; Criticism, interpretation, etc
    Weitere Schlagworte: Perec, Georges (1936-1982); Warhol, Andy (1928-1987); Perec, Georges; Warhol, Andy
    Umfang: 1 Online-Ressource
    Bemerkung(en):

    Includes bibliographical references and index
  7. Original copies in Georges Perec and Andy Warhol
    Autor*in: Wadhera, Priya
    Erschienen: [2017]
    Verlag:  Brill Rodopi, Leiden

    Contents -- Acknowledgments -- Chapter 1 Introduction -- Part 1 The Copy as Imitation and Enumeration in Perec -- Chapter 2 Copious Beginnings -- 2.1 The incipit of Un cabinet d'amateur (1979) -- 2.2 Defining the Copy -- 2.3 Original and Copy -- 2.4... mehr

    Zugang:

    Standort:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
    Fernleihe:
    keine Fernleihe

     

    Contents -- Acknowledgments -- Chapter 1 Introduction -- Part 1 The Copy as Imitation and Enumeration in Perec -- Chapter 2 Copious Beginnings -- 2.1 The incipit of Un cabinet d'amateur (1979) -- 2.2 Defining the Copy -- 2.3 Original and Copy -- 2.4 Mimesis -- 2.5 Copy as copia -- Chapter 3 Copying in Literature -- 3.1 Literature in the Age of the Scribe -- 3.2 Literature in the Age of Mechanical Reproduction -- Chapter 4 Perec and His Copies -- 4.1 Copying in Cabinet -- 4.2 Copies in Cabinet: A Brief Typology -- Part 2 Pastiches -- Chapter 5 Cabinet as Pastiche Chapter 6 The Kunstkammer in History and in Cabinet -- Chapter 7 The Discourse on Authentication -- Part 3 Paintings -- Chapter 8 Copying in Painting -- 8.1 The Tradition of the Painter-Apprentice -- 8.2 Fakes, Forgeries, and Citations -- Chapter 9 Painting in Cabinet -- Chapter 10 Trompe-l'oeil and L'OEil ébloui (1981) -- Chapter 11 From One Canvas to Another -- Part 4 Intertexts -- Chapter 12 Intertextuality in Cabinet -- Chapter 13 An Immediate Intratextual Source: La Vie mode d'emploi (1978) -- Chapter 14 An Intertextual Reference: Pierre Grassou by Balzac (1839) Chapter 15 An Early Intratextual Source: Le Condottière (1957-60) -- Chapter 16 To Copy Is to Create: Menard's "Copy" -- Chapter 17 The Copy in Warhol: Imitation, Enumeration, and Death -- Part 5 Conclusion -- Chapter 18 Copy Play in Perec and Warhol -- 18.1 The Copy as Original and Double -- 18.2 Hidden Origins: Fog and Fogging in Perec -- 18.3 A Memorial and a Celebration, a Forging of Life from Death -- Bibliography -- Index

     
    Export in Literaturverwaltung   RIS-Format
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    Hinweise zum Inhalt
    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9789004330207
    Weitere Identifier:
    Schriftenreihe: Faux Titre Ser ; volume 413
    Faux titre ; 413
    Schlagworte: Art; Originality in art; Originality in literature; Art and literature; Art; Originality in art; Originality in literature; Art and literature
    Weitere Schlagworte: Perec, Georges (1936-1982); Warhol, Andy (1928-1987); Perec, Georges (1936-1982); Warhol, Andy (1928-1987)
    Umfang: 1 Online-Ressource (xii, 216 p)
    Bemerkung(en):

    Description based upon print version of record
  8. Original copies in Georges Perec and Andy Warhol
    Autor*in: Wadhera, Priya
    Erschienen: [2017]
    Verlag:  Brill Rodopi, Leiden

    Contents -- Acknowledgments -- Chapter 1 Introduction -- Part 1 The Copy as Imitation and Enumeration in Perec -- Chapter 2 Copious Beginnings -- 2.1 The incipit of Un cabinet d'amateur (1979) -- 2.2 Defining the Copy -- 2.3 Original and Copy -- 2.4... mehr

    Standort:
    Universitätsbibliothek Erfurt / Forschungsbibliothek Gotha, Universitätsbibliothek Erfurt
    Fernleihe:
    keine Fernleihe

    Standort:
    Universitäts- und Landesbibliothek Sachsen-Anhalt / Zentrale
    Fernleihe:
    keine Fernleihe

    Standort:
    Helmut-Schmidt-Universität, Universität der Bundeswehr Hamburg, Universitätsbibliothek
    Fernleihe:
    keine Fernleihe

    Standort:
    Universitätsbibliothek Kiel, Zentralbibliothek
    Fernleihe:
    keine Fernleihe

    Standort:
    Hochschulbibliothek Friedensau
    Signatur:
    Online-Ressource
    Fernleihe:
    keine Fernleihe

    Standort:
    Kommunikations-, Informations- und Medienzentrum der Universität Hohenheim
    Fernleihe:
    keine Ausleihe von Bänden, nur Papierkopien werden versandt

     

    Contents -- Acknowledgments -- Chapter 1 Introduction -- Part 1 The Copy as Imitation and Enumeration in Perec -- Chapter 2 Copious Beginnings -- 2.1 The incipit of Un cabinet d'amateur (1979) -- 2.2 Defining the Copy -- 2.3 Original and Copy -- 2.4 Mimesis -- 2.5 Copy as copia -- Chapter 3 Copying in Literature -- 3.1 Literature in the Age of the Scribe -- 3.2 Literature in the Age of Mechanical Reproduction -- Chapter 4 Perec and His Copies -- 4.1 Copying in Cabinet -- 4.2 Copies in Cabinet: A Brief Typology -- Part 2 Pastiches -- Chapter 5 Cabinet as Pastiche Chapter 6 The Kunstkammer in History and in Cabinet -- Chapter 7 The Discourse on Authentication -- Part 3 Paintings -- Chapter 8 Copying in Painting -- 8.1 The Tradition of the Painter-Apprentice -- 8.2 Fakes, Forgeries, and Citations -- Chapter 9 Painting in Cabinet -- Chapter 10 Trompe-l'oeil and L'OEil ébloui (1981) -- Chapter 11 From One Canvas to Another -- Part 4 Intertexts -- Chapter 12 Intertextuality in Cabinet -- Chapter 13 An Immediate Intratextual Source: La Vie mode d'emploi (1978) -- Chapter 14 An Intertextual Reference: Pierre Grassou by Balzac (1839) Chapter 15 An Early Intratextual Source: Le Condottière (1957-60) -- Chapter 16 To Copy Is to Create: Menard's "Copy" -- Chapter 17 The Copy in Warhol: Imitation, Enumeration, and Death -- Part 5 Conclusion -- Chapter 18 Copy Play in Perec and Warhol -- 18.1 The Copy as Original and Double -- 18.2 Hidden Origins: Fog and Fogging in Perec -- 18.3 A Memorial and a Celebration, a Forging of Life from Death -- Bibliography -- Index

     
    Export in Literaturverwaltung   RIS-Format
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    Hinweise zum Inhalt
    Volltext (lizenzpflichtig)
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9789004330207
    Schriftenreihe: Faux Titre Ser ; volume 413
    Faux Titre ; Volume 413
    Schlagworte: Art; Originality in art; Originality in literature; Art and literature; Perec, Georges ; 1936-1982 ; Criticism and interpretation; Warhol, Andy ; 1928-1987 ; Criticism and interpretation; Art ; Copying; Originality in art; Originality in literature; Art and literature; Electronic books
    Weitere Schlagworte: Perec, Georges (1936-1982); Warhol, Andy (1928-1987)
    Umfang: 1 Online-Ressource (xii, 216 p)
    Bemerkung(en):

    Description based upon print version of record
  9. Original copies in Georges Perec and Andy Warhol
    Autor*in: Wadhera, Priya
    Erschienen: [2017]
    Verlag:  Brill Rodopi, Leiden

    Priya Wadhera's 'Original Copies in Perec and Warhol' is the first book to explore striking similarities between the works of the author and the artist. Copies abound in Perec's oeuvre, where pastiches, paintings, and intertexts dialogue with the... mehr

    Zugang:

    Standort:
    Universität Marburg, Universitätsbibliothek
    Fernleihe:
    keine Fernleihe

     

    Priya Wadhera's 'Original Copies in Perec and Warhol' is the first book to explore striking similarities between the works of the author and the artist. Copies abound in Perec's oeuvre, where pastiches, paintings, and intertexts dialogue with the history of copying in the past and present, in literature and in art. Both here and in Warhol's works, the source of the copies is difficult to pinpoint, shrouded in a fog linked to death. This remarkable parallel provides insight into their widely-admired works and a postmodern aesthetic where the original is stripped of its value and the copy reigns supreme. In this study of the original and the copy, Wadhera illuminates the nature of art itself.

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Dissertation
    Format: Online
    ISBN: 9789004330207
    Weitere Identifier:
    RVK Klassifikation: LI 95130 ; IH 70961 ; LH 61060
    Schriftenreihe: Faux titre ; volume 413
    Schlagworte: Original; Kopie; Literatur; Kunst; Originalität
    Weitere Schlagworte: Perec, Georges (1936-1982); Warhol, Andy (1928-1987)
    Umfang: 1 Online-Ressource (XII, 204 Seiten)
    Bemerkung(en):

    Titel der Dissertation: "Copy play: the discourse on art in Georges Perec's 'Un cabinet d’amateur' and its intertexts"

    Dissertation, Columbia University, 2005
  10. Original Copies in Georges Perec and Andy Warhol
    Autor*in: Wadhera, Priya
    Erschienen: 2016
    Verlag:  BRILL, Leiden ; ProQuest, Ann Arbor, Michigan

    Standort:
    Universität Frankfurt, Elektronische Ressourcen
    Signatur:
    /
    Fernleihe:
    keine Fernleihe

    Standort:
    Universitätsbibliothek Gießen
    Fernleihe:
    keine Fernleihe
    Export in Literaturverwaltung   RIS-Format
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9789004330207
    Schriftenreihe: Faux Titre Ser. ; v.413
    Umfang: 1 Online-Ressource (216 pages)
    Bemerkung(en):

    Description based on publisher supplied metadata and other sources