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  1. Colors in medieval art
    theories, matter, and light from Suger to Grosseteste (1100-1250)
    Autor*in: Virdis, Alberto
    Erschienen: 2023
    Verlag:  Viella, Rome ; Masaryk University Press, Brno

    Projected color saturates our world of images and screens, leading to a dissociation of color from material realities through its cultural attachment to light and the efflorescence of optics. Under these conditions, it is difficult to imagine a past... mehr

    Standort:
    Universitätsbibliothek Erlangen-Nürnberg, Hauptbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Kunsthistorisches Institut in Florenz, Max-Planck-Institut, Bibliothek

    Standort:
    Zentralinstitut für Kunstgeschichte, Bibliothek
    Fernleihe:
    keine Ausleihe von Bänden, nur Papierkopien werden versandt

    Standort:
    Bibliotheca Hertziana - Max-Planck-Institut für Kunstgeschichte

     

    Projected color saturates our world of images and screens, leading to a dissociation of color from material realities through its cultural attachment to light and the efflorescence of optics. Under these conditions, it is difficult to imagine a past where color was an eminently material, cultural, and social object. This book argues that color is and was a central "cultural object" within art history, a fact first elucidated through an examination of the debates and difficulties of color in language, theology, science, and philosophy. Following this overview of medieval aesthetical debates, the author pursues two pivotal case studies which span the twelfth and thirteenth centuries: the Basilica of Saint-Denis and the Cathedral of Lincoln, respectively connected to the figures of the abbot Suger and the bishop Robert Grosseteste. Prominent thinkers and concepteurs of sacred spaces and images, they both confronted existing theories of color and optics, and the theology of Pseudo-Dionysius the Areopagite. The case studies both center the art of stained glass, a revolutionary medium that blurs the boundaries between color, materiality, and light. Emerging strongly throughout this beautifully illustrated volume are traces of a central Middle Ages in which color played a fundamental yet groundbreaking role at the crossroads of aesthetic, intellectual, and theological issues

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9791254693629; 9788028003296
    RVK Klassifikation: LH 74000 ; LH 74090 ; LM 61840 ; LO 55900
    Auflage/Ausgabe: 1st edition
    Schriftenreihe: Convivia ; 3
    Schlagworte: Farbe; Visuelle Wahrnehmung; Mittelalter; Licht; Ästhetik; Spätantike; Kunst; Philosophie
    Weitere Schlagworte: Grosseteste, Robertus (1168-1253); Sugerus Sancti Dionysii (1081-1151)
    Umfang: 396 Seiten, Illustrationen, Plan
    Bemerkung(en):

    Number of copies: 300
  2. Colors in medieval art
    theories, matter, and light from Suger to Grosseteste (1100-1250)
    Autor*in: Virdis, Alberto
    Erschienen: 2023
    Verlag:  Viella, Rome ; Masaryk University Press, Brno

    Projected color saturates our world of images and screens, leading to a dissociation of color from material realities through its cultural attachment to light and the efflorescence of optics. Under these conditions, it is difficult to imagine a past... mehr

     

    Projected color saturates our world of images and screens, leading to a dissociation of color from material realities through its cultural attachment to light and the efflorescence of optics. Under these conditions, it is difficult to imagine a past where color was an eminently material, cultural, and social object. This book argues that color is and was a central "cultural object" within art history, a fact first elucidated through an examination of the debates and difficulties of color in language, theology, science, and philosophy. Following this overview of medieval aesthetical debates, the author pursues two pivotal case studies which span the twelfth and thirteenth centuries: the Basilica of Saint-Denis and the Cathedral of Lincoln, respectively connected to the figures of the abbot Suger and the bishop Robert Grosseteste. Prominent thinkers and concepteurs of sacred spaces and images, they both confronted existing theories of color and optics, and the theology of Pseudo-Dionysius the Areopagite. The case studies both center the art of stained glass, a revolutionary medium that blurs the boundaries between color, materiality, and light. Emerging strongly throughout this beautifully illustrated volume are traces of a central Middle Ages in which color played a fundamental yet groundbreaking role at the crossroads of aesthetic, intellectual, and theological issues

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9791254693629; 9788028003296
    RVK Klassifikation: LH 74000 ; LH 74090 ; LM 61840 ; LO 55900
    Auflage/Ausgabe: 1st edition
    Schriftenreihe: Convivia ; 3
    Schlagworte: Spätantike; Mittelalter; Kunst; Farbe; Licht; Ästhetik; Visuelle Wahrnehmung; Philosophie; Geschichte 1100-1250; ; Sugerus; Klosterkirche Saint-Denis <Saint-Denis>; ; Grosseteste, Robertus; Kathedrale Lincoln <Lincoln>;
    Umfang: 396 Seiten, Illustrationen
    Bemerkung(en):

    Enthält Literaturverzeichnis auf Seite 339-387
  3. Colors in medieval art
    theories, matter, and light from Suger to Grosseteste (1100-1250)
    Autor*in: Virdis, Alberto
    Erschienen: 2023
    Verlag:  Viella, Rome ; Masaryk University Press, Brno

    Projected color saturates our world of images and screens, leading to a dissociation of color from material realities through its cultural attachment to light and the efflorescence of optics. Under these conditions, it is difficult to imagine a past... mehr

    Standort:
    Freie Universität Berlin, Universitätsbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    Projected color saturates our world of images and screens, leading to a dissociation of color from material realities through its cultural attachment to light and the efflorescence of optics. Under these conditions, it is difficult to imagine a past where color was an eminently material, cultural, and social object. This book argues that color is and was a central "cultural object" within art history, a fact first elucidated through an examination of the debates and difficulties of color in language, theology, science, and philosophy. Following this overview of medieval aesthetical debates, the author pursues two pivotal case studies which span the twelfth and thirteenth centuries: the Basilica of Saint-Denis and the Cathedral of Lincoln, respectively connected to the figures of the abbot Suger and the bishop Robert Grosseteste. Prominent thinkers and concepteurs of sacred spaces and images, they both confronted existing theories of color and optics, and the theology of Pseudo-Dionysius the Areopagite. The case studies both center the art of stained glass, a revolutionary medium that blurs the boundaries between color, materiality, and light. Emerging strongly throughout this beautifully illustrated volume are traces of a central Middle Ages in which color played a fundamental yet groundbreaking role at the crossroads of aesthetic, intellectual, and theological issues

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Philologische Bibliothek, FU Berlin
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9791254693629; 9788028003296
    RVK Klassifikation: LH 74000 ; LH 74090 ; LM 61840 ; LO 55900
    Auflage/Ausgabe: 1st edition
    Schriftenreihe: Convivia ; 3
    Schlagworte: Farbe; Visuelle Wahrnehmung; Mittelalter; Licht; Ästhetik; Spätantike; Kunst; Philosophie
    Weitere Schlagworte: Grosseteste, Robertus (1168-1253); Sugerus Sancti Dionysii (1081-1151)
    Umfang: 396 Seiten, Illustrationen, Plan
    Bemerkung(en):

    Number of copies: 300
  4. Colors in medieval art
    theories, matter, and light from Suger to Grosseteste (1100–1250)
    Autor*in: Virdis, Alberto
    Erschienen: 2023
    Verlag:  Viella, Rome ; Masaryk University Press, Brno

    Standort:
    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Rathgen-Forschungslabor, Bibliothek
    Signatur:
    KG 31
    Fernleihe:
    keine Fernleihe

    Standort:
    Universität Freiburg, Kunstgeschichtliches Institut, Bibliothek
    Signatur:
    Frei 13: Q-A-3-22
    Fernleihe:
    keine Ausleihe von Bänden, nur Papierkopien werden versandt

    Standort:
    Niedersächsische Staats- und Universitätsbibliothek Göttingen
    Signatur:
    2024 A 2084
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Staats- und Universitätsbibliothek Hamburg Carl von Ossietzky
    Signatur:
    MK 15 8 Col. Vir.1
    Fernleihe:
    keine Fernleihe

    Standort:
    Universitätsbibliothek Heidelberg
    Signatur:
    2024 C 2823
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Diözesanbibliothek Münster
    Signatur:
    24:0832
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    LWL Museum für Kunst und Kultur, Westfälisches Landesmuseum, Bibliothek
    Signatur:
    E A 03725
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9791254693629; 9788028003296
    Auflage/Ausgabe: 1st edition
    Schriftenreihe: Convivia ; 3
    Schlagworte: Mittelalter; Kunst; Farbe; Licht; Ästhetik; Theologie; Geschichte 1100-1250;
    Umfang: 396 Seiten, Illustrationen, 22 cm