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  1. Sonic Fictions of America
    Literature and Popular Music in the U.S. 1950-2010
    Autor*in: Schinko, Carsten
    Erschienen: 2022
    Verlag:  Universitätsverlag Winter, Heidelberg

    Cover -- Titel -- Imprint -- Acknowledgments -- Contents -- Introduction -- Sonic Investments -- The Return of the Voice -- Music: A Noun? -- A Sonic ,punctum' -- Popular Culture, the Popular, and Pop -- Literature as a Social System -- From... mehr

    Standort:
    Universitätsbibliothek Bielefeld
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    Cover -- Titel -- Imprint -- Acknowledgments -- Contents -- Introduction -- Sonic Investments -- The Return of the Voice -- Music: A Noun? -- A Sonic ,punctum' -- Popular Culture, the Popular, and Pop -- Literature as a Social System -- From Proto-Pop to Pop Proper: An Outline -- Part I: Theories of Intermediality -- 1. Literature and Popular Music: Assets and Drawbacks of Intermedial Scholarship -- 1.1. Studying Musico-Literary Intermediality -- 1.2. Inter- and/or Transmediality -- 1.3. Werner Wolf and the Tradition of Intermedial Scholarship -- 1.4. Corrective Readings I: Compositions, Notations, Readability -- 1.5. Corrective Readings II: Transmediality &amp -- Paraliterature -- 1.6. Corrective Readings III: Metaphoricity -- 1.7. Corrective Readings IV: Media Channels, Generic Limits -- 2. Medial Constellations &amp -- Popular Irritations: A Systems Theoretical Reading of Intermediality -- 2.1. Luhmann's Media -- 2.2. Ornamental Guidance: Literature as Art -- 2.3. Art, Advertisement &amp -- Entertainment -- 2.4. Popular Literature -- 2.5. Pop Literature: Intermedial &amp -- Transmedial -- 2.6. Medial Constellations -- Part II: Pre-Pop Excursions -- 3. Opera Diplomacy: The Autonomy of Art and the Enigma of the Voice in Ann Patchett's ,Bel Canto' -- 3.1. Operatic Principles: Popularizing the Classic Paradigm -- 3.2. Intermediality in ,Bel Canto' -- 3.3. Language and/versus Music -- 3.4. Aesthetics: Utopia, Autonomy, and Reconciliation -- 4. De-Acousmatization and Sonic Fidelity: Reading Ralph Ellison's ,Invisible Man' as Jazz Picaresque -- 4.1. Hierarchy of Black Arts -- 4.2. Medial Constellations and Metaphors of Belonging -- 4.3. Generic Affinities: Jazz Picaresque or Symphonic Bildungsroman? -- 4.4. Towards a Particular Universalism -- Part III: Pop from Elvis to Altamont.

     
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    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9783825385071
    RVK Klassifikation: HU 1121
    Schriftenreihe: American Studies ; Volume 315
    Schlagworte: Rezeption; Literatur; Popmusik; Intermedialität
    Weitere Schlagworte: Electronic books
    Umfang: 1 Online-Ressource (528 Seiten)
    Bemerkung(en):

    Literaturverzeichnis: Seite 489-528

    Description based on publisher supplied metadata and other sources
  2. Sonic fictions of America
    literature and popular music in the U.S. 1950-2010
    Autor*in: Schinko, Carsten
    Erschienen: [2021]
    Verlag:  Universitätsverlag Winter, Heidelberg

    Cover -- Titel -- Imprint -- Acknowledgments -- Contents -- Introduction -- Sonic Investments -- The Return of the Voice -- Music: A Noun? -- A Sonic ,punctum' -- Popular Culture, the Popular, and Pop -- Literature as a Social System -- From... mehr

    Standort:
    Universitätsbibliothek Bielefeld
    Fernleihe:
    keine Fernleihe

     

    Cover -- Titel -- Imprint -- Acknowledgments -- Contents -- Introduction -- Sonic Investments -- The Return of the Voice -- Music: A Noun? -- A Sonic ,punctum' -- Popular Culture, the Popular, and Pop -- Literature as a Social System -- From Proto-Pop to Pop Proper: An Outline -- Part I: Theories of Intermediality -- 1. Literature and Popular Music: Assets and Drawbacks of Intermedial Scholarship -- 1.1. Studying Musico-Literary Intermediality -- 1.2. Inter- and/or Transmediality -- 1.3. Werner Wolf and the Tradition of Intermedial Scholarship -- 1.4. Corrective Readings I: Compositions, Notations, Readability -- 1.5. Corrective Readings II: Transmediality &amp -- Paraliterature -- 1.6. Corrective Readings III: Metaphoricity -- 1.7. Corrective Readings IV: Media Channels, Generic Limits -- 2. Medial Constellations &amp -- Popular Irritations: A Systems Theoretical Reading of Intermediality -- 2.1. Luhmann's Media -- 2.2. Ornamental Guidance: Literature as Art -- 2.3. Art, Advertisement &amp -- Entertainment -- 2.4. Popular Literature -- 2.5. Pop Literature: Intermedial &amp -- Transmedial -- 2.6. Medial Constellations -- Part II: Pre-Pop Excursions -- 3. Opera Diplomacy: The Autonomy of Art and the Enigma of the Voice in Ann Patchett's ,Bel Canto' -- 3.1. Operatic Principles: Popularizing the Classic Paradigm -- 3.2. Intermediality in ,Bel Canto' -- 3.3. Language and/versus Music -- 3.4. Aesthetics: Utopia, Autonomy, and Reconciliation -- 4. De-Acousmatization and Sonic Fidelity: Reading Ralph Ellison's ,Invisible Man' as Jazz Picaresque -- 4.1. Hierarchy of Black Arts -- 4.2. Medial Constellations and Metaphors of Belonging -- 4.3. Generic Affinities: Jazz Picaresque or Symphonic Bildungsroman? -- 4.4. Towards a Particular Universalism -- Part III: Pop from Elvis to Altamont

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9783825385071
    RVK Klassifikation: HU 1121
    Schriftenreihe: American studies ; volume 315
    Schlagworte: Electronic books
    Umfang: 1 Online-Ressource (528 Seiten)
    Bemerkung(en):

    Literaturverzeichnis: Seite 489-528
  3. Sonic Fictions of America
    Literature and Popular Music in the U.S. 1950–2010
    Autor*in: Schinko, Carsten
    Erschienen: 2022
    Verlag:  Universitätsverlag Winter, Heidelberg

    Habitually, the “inter” in intermediality is conceived of as the interrelation between neatly distinguishable semiotic systems and projected as intercompositional agenda. While there are benefits of such a research design it fails to fully fathom... mehr

    Zugang:
    Resolving-System (lizenzpflichtig)

    Standort:
    Badische Landesbibliothek
    Fernleihe:
    keine Fernleihe

     

    Habitually, the “inter” in intermediality is conceived of as the interrelation between neatly distinguishable semiotic systems and projected as intercompositional agenda. While there are benefits of such a research design it fails to fully fathom both pop music and its potential ties to the literary text. Such relations can better be grasped by including the logic of literature as social system and the mediality of communication – in fiction as well as in pop music. ‘Sonic Fictions of America’ defines pop music as medial cluster strongly informed by the indexical effects of recording technologies. How, then, does pop affect literature? More often than not, literature has shown a surprising capacity to immunize itself against the “threat” of the popular, turning to familiar forms and styles to evoke pop phenomena. Discussing a rich array of prose texts from Ralph Ellison to Bret Easton Ellis, this study delineates a rather slow shift towards the end of these self-immunizing tendencies.

     
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  4. Sonic Fictions of America
    Literature and Popular Music in the U.S. 1950-2010
    Autor*in: Schinko, Carsten
    Erschienen: [2021]; © 2021
    Verlag:  Universitätsverlag Winter, Heidelberg

    Cover -- Titel -- Imprint -- Acknowledgments -- Contents -- Introduction -- Sonic Investments -- The Return of the Voice -- Music: A Noun? -- A Sonic ,punctum' -- Popular Culture, the Popular, and Pop -- Literature as a Social System -- From... mehr

    Zugang:
    Aggregator (lizenzpflichtig)

    Standort:
    Hochschulbibliothek Friedensau
    Signatur:
    Online-Ressource
    Fernleihe:
    keine Fernleihe

    Standort:
    Universitätsbibliothek Osnabrück
    Fernleihe:
    keine Fernleihe

    Standort:
    Saarländische Universitäts- und Landesbibliothek
    Fernleihe:
    keine Fernleihe

     

    Cover -- Titel -- Imprint -- Acknowledgments -- Contents -- Introduction -- Sonic Investments -- The Return of the Voice -- Music: A Noun? -- A Sonic ,punctum' -- Popular Culture, the Popular, and Pop -- Literature as a Social System -- From Proto-Pop to Pop Proper: An Outline -- Part I: Theories of Intermediality -- 1. Literature and Popular Music: Assets and Drawbacks of Intermedial Scholarship -- 1.1. Studying Musico-Literary Intermediality -- 1.2. Inter- and/or Transmediality -- 1.3. Werner Wolf and the Tradition of Intermedial Scholarship -- 1.4. Corrective Readings I: Compositions, Notations, Readability -- 1.5. Corrective Readings II: Transmediality &amp -- Paraliterature -- 1.6. Corrective Readings III: Metaphoricity -- 1.7. Corrective Readings IV: Media Channels, Generic Limits -- 2. Medial Constellations &amp -- Popular Irritations: A Systems Theoretical Reading of Intermediality -- 2.1. Luhmann's Media -- 2.2. Ornamental Guidance: Literature as Art -- 2.3. Art, Advertisement &amp -- Entertainment -- 2.4. Popular Literature -- 2.5. Pop Literature: Intermedial &amp -- Transmedial -- 2.6. Medial Constellations -- Part II: Pre-Pop Excursions -- 3. Opera Diplomacy: The Autonomy of Art and the Enigma of the Voice in Ann Patchett's ,Bel Canto' -- 3.1. Operatic Principles: Popularizing the Classic Paradigm -- 3.2. Intermediality in ,Bel Canto' -- 3.3. Language and/versus Music -- 3.4. Aesthetics: Utopia, Autonomy, and Reconciliation -- 4. De-Acousmatization and Sonic Fidelity: Reading Ralph Ellison's ,Invisible Man' as Jazz Picaresque -- 4.1. Hierarchy of Black Arts -- 4.2. Medial Constellations and Metaphors of Belonging -- 4.3. Generic Affinities: Jazz Picaresque or Symphonic Bildungsroman? -- 4.4. Towards a Particular Universalism -- Part III: Pop from Elvis to Altamont.

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9783825385071
    RVK Klassifikation: HU 1121
    Schriftenreihe: American Studies ; Volume 315
    Schlagworte: Electronic books
    Umfang: 1 Online-Ressource (528 Seiten)
    Bemerkung(en):

    Literaturverzeichnis: Seite 489-528

    Description based on publisher supplied metadata and other sources
  5. Sonic fictions of America
    literature and popular music in the U.S. 1950-2010
    Autor*in: Schinko, Carsten
    Erschienen: [2021]; © 2021
    Verlag:  Universitätsverlag Winter, Heidelberg

    Zugang:
    Aggregator (lizenzpflichtig)
    Aggregator (lizenzpflichtig)

    Standort:
    Hochschule Aalen, Bibliothek
    Signatur:
    E-Book EBSCO
    Fernleihe:
    keine Fernleihe

    Standort:
    Staats- und Universitätsbibliothek Bremen
    Fernleihe:
    keine Fernleihe

    Standort:
    Hochschule Esslingen, Bibliothek
    Signatur:
    E-Book Ebsco
    Fernleihe:
    keine Fernleihe

    Standort:
    Saarländische Universitäts- und Landesbibliothek
    Fernleihe:
    keine Fernleihe

    Standort:
    Universitätsbibliothek der Eberhard Karls Universität
    Fernleihe:
    keine Fernleihe
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9783825385071
    RVK Klassifikation: HU 1121
    Schriftenreihe: American studies ; volume 315
    Schlagworte: American fiction; American fiction; Music and literature; Music and literature; Popular music in literature; American fiction; Music and literature; Popular music in literature; Criticism, interpretation, etc; History
    Umfang: 1 Online-Ressource (528 Seiten)
  6. Sonic Fictions of America
    Literature and Popular Music in the U.S. 1950-2010
    Autor*in: Schinko, Carsten
    Erschienen: 2022
    Verlag:  Universitätsverlag Winter, Heidelberg ; ProQuest, Ann Arbor, Michigan

    Standort:
    Universitätsbibliothek Kassel, Landesbibliothek und Murhardsche Bibliothek der Stadt Kassel
    Fernleihe:
    keine Fernleihe
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9783825385071
    RVK Klassifikation: HU 1121 ; HU 1691
    DDC Klassifikation: Englisch, Altenglisch (420)
    Auflage/Ausgabe: 1st ed.
    Schriftenreihe: American Studies – A Monograph Series ; v.315
    Schlagworte: Literatur; Popmusik; Rezeption; Intermedialität
    Umfang: 1 Online-Ressource (530 pages)
    Bemerkung(en):

    Description based on publisher supplied metadata and other sources