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  1. Jean-Luc Godard's political filmmaking
    Autor*in: Emmelhainz, Irmgard
    Erschienen: [2019]; © 2019
    Verlag:  Palgrave Macmillan, Cham, Switzerland

    Standort:
    Universitätsbibliothek Eichstätt-Ingolstadt
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Bayerische Staatsbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Universitätsbibliothek der LMU München
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9783319720944; 3319720945
    Weitere Identifier:
    9783319720944
    RVK Klassifikation: AP 51150
    Schlagworte: Politik <Motiv>; Politik; Film
    Weitere Schlagworte: Godard, Jean-Luc (1930-2022); JPA; HPN; Militant cinema; Israel-Palestine; Thirdworldism; Representation; Godard; Political films; French cinema; political filmmaking; political cinema; political directors; militant filmmaking; Dziga Vertov; aesthetic-political; dialectical materialist; dialectical image; Le Petit soldat; Adieu au langage
    Umfang: ix, 327 Seiten, 21 cm x 14.8 cm
  2. Jean-Luc Godard's political filmmaking
    Autor*in: Emmelhainz, Irmgard
    Erschienen: [2019]
    Verlag:  Palgrave Macmillan, Cham, Switzerland

    This book offers an exam ination of the political dimensions of a number of Jean-Luc Godard?s films from the 1960s to the present. The author seeks to dispel the myth that Godard?s work abandoned political questions after the 1970s and was limited to... mehr

    Standort:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
    Signatur:
    10 A 67539
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Thüringer Universitäts- und Landesbibliothek
    Signatur:
    KMW:KX:4000:Goda::2019
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Württembergische Landesbibliothek
    Signatur:
    69/11171
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    This book offers an exam ination of the political dimensions of a number of Jean-Luc Godard?s films from the 1960s to the present. The author seeks to dispel the myth that Godard?s work abandoned political questions after the 1970s and was limited to merely formal ones. The book includes a discussion of militant filmmaking and Godard?s little-known films from the Dziga Vertov Group period, which were made in collaboration with Jean-Pierre Gorin. The chapters present a thorough account of Godard?s investigations on the issue of aesthetic-political representation, including his controversial juxtaposition of the Shoah and the Nakba. Emmelhainz argues that the French director?s oeuvre highlights contradictions between aesthetics and politics in a quest for a dialectical image. By positing all of Godard?s work as experiments in dialectical materialist filmmaking, from 'Le Petit soldat' (1963) to 'Adieu au langage' (2014), the author brings attention to Godard?s ongoing inquiry on the role filmmakers can have in progressive political engagement

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 3319720945; 9783319720944
    Schlagworte: Politics in motion pictures; Godard, Jean-Luc ; 1930- ; fast ; (OCoLC)fst00035647; Politics in motion pictures ; fast ; (OCoLC)fst01896085; Criticism, interpretation, etc ; fast ; (OCoLC)fst01411635
    Weitere Schlagworte: Godard, Jean-Luc (1930-)
    Umfang: ix, 327 Seiten, 22 cm
    Bemerkung(en):

    Includes bibliographical references and index
  3. Jean-Luc Godard's political filmmaking
    Autor*in: Emmelhainz, Irmgard
    Erschienen: [2019]
    Verlag:  Palgrave Macmillan, Cham, Switzerland

    This book offers an exam ination of the political dimensions of a number of Jean-Luc Godard?s films from the 1960s to the present. The author seeks to dispel the myth that Godard?s work abandoned political questions after the 1970s and was limited to... mehr

    Standort:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    This book offers an exam ination of the political dimensions of a number of Jean-Luc Godard?s films from the 1960s to the present. The author seeks to dispel the myth that Godard?s work abandoned political questions after the 1970s and was limited to merely formal ones. The book includes a discussion of militant filmmaking and Godard?s little-known films from the Dziga Vertov Group period, which were made in collaboration with Jean-Pierre Gorin. The chapters present a thorough account of Godard?s investigations on the issue of aesthetic-political representation, including his controversial juxtaposition of the Shoah and the Nakba. Emmelhainz argues that the French director?s oeuvre highlights contradictions between aesthetics and politics in a quest for a dialectical image. By positing all of Godard?s work as experiments in dialectical materialist filmmaking, from 'Le Petit soldat' (1963) to 'Adieu au langage' (2014), the author brings attention to Godard?s ongoing inquiry on the role filmmakers can have in progressive political engagement

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 3319720945; 9783319720944
    Schlagworte: Politics in motion pictures; Godard, Jean-Luc ; 1930- ; fast ; (OCoLC)fst00035647; Politics in motion pictures ; fast ; (OCoLC)fst01896085; Criticism, interpretation, etc ; fast ; (OCoLC)fst01411635
    Weitere Schlagworte: Godard, Jean-Luc (1930-)
    Umfang: ix, 327 Seiten, 22 cm
    Bemerkung(en):

    Includes bibliographical references and index
  4. Jean-Luc Godard's political filmmaking
    Autor*in: Emmelhainz Ortiz, Irmgard
    Erschienen: 2019
    Verlag:  Palgrave Macmillan, Basingstoke

    This book offers an examination of the political dimensions of a number of Jean-Luc Godard's films from the 1960s to the present. The author seeks to dispel the myth that Godard's work abandoned political questions after the 1970s and was limited to... mehr

    Standort:
    Verbund der Öffentlichen Bibliotheken Berlins - VÖBB
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    This book offers an examination of the political dimensions of a number of Jean-Luc Godard's films from the 1960s to the present. The author seeks to dispel the myth that Godard's work abandoned political questions after the 1970s and was limited to merely formal ones. The book includes a discussion of militant filmmaking and Godard's little-known films from the Dziga Vertov Group period, which were made in collaboration with Jean-Pierre Gorin. The chapters present a thorough account of Godard's investigations on the issue of aesthetic-political representation, including his controversial juxtaposition of the Shoah and the Nakba. Emmelhainz argues that the French director's oeuvre highlights contradictions between aesthetics and politics in a quest for a dialectical image. By positing all of Godard's work as experiments in dialectical materialist filmmaking, from Le Petit soldat (1963) to Adieu au langage (2014), the author brings attention to Godard's ongoing inquiry on the role filmmakers can have in progressive political engagement.

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9783319720944
    Weitere Identifier:
    dbh-43873184
    Schlagworte: FIM; Politik <Motiv>
    Weitere Schlagworte: Godard, Jean-Luc
    Umfang: 327 Seiten
    Bemerkung(en):

    Englisch