Letzte Suchanfragen

Ergebnisse für *

Zeige Ergebnisse 1 bis 6 von 6.

  1. Scars and Wounds
    Film and Legacies of Trauma
    Erschienen: 2016
    Verlag:  Springer International Publishing - Palgrave Macmillan, Cham

    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Staatsbibliothek zu Berlin
    Sprache: Deutsch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9783319410234; 9783319410241
    RVK Klassifikation: AP 50300
    Schlagworte: Film; Trauma <Motiv>; Wunde <Motiv>;
  2. Scars and Wounds
    Film and Legacies of Trauma
    Beteiligt: Hodgin, Nick (Hrsg.); Thakkar, Amit (Hrsg.)
    Erschienen: [2017]
    Verlag:  Palgrave Macmillan, Cham

    Universitätsbibliothek Bayreuth
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Universitätsbibliothek Passau
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Volltext (URL des Erstveröffentlichers)
    Quelle: Verbundkataloge
    Beteiligt: Hodgin, Nick (Hrsg.); Thakkar, Amit (Hrsg.)
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9783319410241
    Weitere Identifier:
    RVK Klassifikation: AP 50300 ; AP 52800
    Schlagworte: Culture / Study and teaching; Motion pictures and television; Historiography; Civilization / History; Peace; Cultural and Media Studies; Film and Television Studies; Conflict Studies; Memory Studies; Cultural History; Geschichte; Trauma; Film; Trauma <Motiv>; Wunde <Motiv>
    Umfang: 1 Online-Ressource (XII, 299 p. 20 illus., 17 illus. in color)
  3. Scars and Wounds
    Film and Legacies of Trauma
    Beteiligt: Hodgin, Nick (Hrsg.); Thakkar, Amit (Hrsg.)
    Erschienen: 2017
    Verlag:  Palgrave Macmillan, Cham

    This book examines recent cinematic representations of the traumatic legacies of national and international events and processes. Whilst not ignoring European and Hollywood cinema, it includes studies of films about countries which have been less... mehr

    Universitäts- und Landesbibliothek Sachsen-Anhalt / Zentrale
    ebook
    keine Fernleihe
    Helmut-Schmidt-Universität, Universität der Bundeswehr Hamburg, Universitätsbibliothek
    keine Fernleihe
    Bibliotheksservice-Zentrum Baden-Württemberg (BSZ)
    keine Fernleihe
    Leuphana Universität Lüneburg, Medien- und Informationszentrum, Universitätsbibliothek
    keine Fernleihe
    Otto-von-Guericke-Universität, Universitätsbibliothek
    eBook Springer
    keine Fernleihe
    Otto-von-Guericke-Universität, Universitätsbibliothek, Medizinische Zentralbibliothek
    eBook Springer
    keine Fernleihe
    Universitätsbibliothek Mannheim
    keine Fernleihe
    Universitätsbibliothek Mannheim
    keine Fernleihe

     

    This book examines recent cinematic representations of the traumatic legacies of national and international events and processes. Whilst not ignoring European and Hollywood cinema, it includes studies of films about countries which have been less well-represented in cinematic trauma studies, including Australia, Rwanda, Chile and Iran. Each essay establishes national and international contexts that are relevant to the films considered. All essays also deal with form, whether this means the use of specific techniques to represent certain aspects of trauma or challenges to certain genre conventions to make them more adaptable to the traumatic legacies addressed by directors. The editors argue that the healing processes associated with such legacies can helpfully be studied through the idiom of ‘scar-formation’ rather than event-centred ‘wound-creation’ This book examines recent cinematic representations of the traumatic legacies of national and international events and processes. Whilst not ignoring European and Hollywood cinema, it includes studies of films about countries which have been less well-represented in cinematic trauma studies, including Australia, Rwanda, Chile and Iran. Each essay establishes national and international contexts that are relevant to the films considered. All essays also deal with form, whether this means the use of specific techniques to represent certain aspects of trauma or challenges to certain genre conventions to make them more adaptable to the traumatic legacies addressed by directors. The editors argue that the healing processes associated with such legacies can helpfully be studied through the idiom of 'scar-formation' rather than event-centred 'wound-creation'. Nick Hodgin is Lecturer in German at the University of Sheffield, UK. He has published widely on German cinema includingScreening the East: Heimat, Memory and Nostalgia in German Cinema(2011) and the co-edited volume,The GDR Remembered(2011), as well as on international film, documentary film, and cultural studies. Amit Thakkar is Senior Lecturer in Hispanic Studies at Lancaster University, UK. He has co-edited special issues of journals on masculinities and violence in Latin America, one of which was selected for Routledge's Special Issues as Books series. He has also published articles on crash cinemas in Latin American film.

     

    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Volltext (lizenzpflichtig)
    Quelle: Verbundkataloge
    Beteiligt: Hodgin, Nick (Hrsg.); Thakkar, Amit (Hrsg.)
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9783319410241
    Weitere Identifier:
    RVK Klassifikation: AP 50300
    Schriftenreihe: Array
    Array
    Schlagworte: Culture; Cultural and Media Studies; Motion pictures and television; Historiography; Civilization; Peace
    Umfang: Online-Ressource (XII, 299 p. 20 illus., 17 illus. in color, online resource)
  4. Scars and Wounds
    Film and Legacies of Trauma
    Beteiligt: Hodgin, Nick (Hrsg.); Thakkar, Amit (Hrsg.)
    Erschienen: [2017]
    Verlag:  Palgrave Macmillan, Cham

    Freie Universität Berlin, Universitätsbibliothek
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Volltext (URL des Erstveröffentlichers)
    Quelle: Philologische Bibliothek, FU Berlin
    Beteiligt: Hodgin, Nick (Hrsg.); Thakkar, Amit (Hrsg.)
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9783319410241
    Weitere Identifier:
    RVK Klassifikation: AP 50300 ; AP 52800
    Schlagworte: Culture / Study and teaching; Motion pictures and television; Historiography; Civilization / History; Peace; Cultural and Media Studies; Film and Television Studies; Conflict Studies; Memory Studies; Cultural History; Geschichte; Trauma; Film; Trauma <Motiv>; Wunde <Motiv>
    Umfang: 1 Online-Ressource (XII, 299 p. 20 illus., 17 illus. in color)
  5. Scars and wounds
    film and legacies of trauma
    Autor*in: Thakkar, Amit
    Erschienen: 2017
    Verlag:  Springer International Publishing, Cham

    Contents -- Notes on Contributors -- List of Figures -- Chapter 1: Introduction: Trauma Studies, Film and the Scar Motif -- 'Privileged Traumas': Which Trauma and Why? -- The Image and Its Vibrations -- The Victim-Perpetrator Continuum and the... mehr

    Hochschulbibliothek Friedensau
    Online-Ressource
    keine Fernleihe

     

    Contents -- Notes on Contributors -- List of Figures -- Chapter 1: Introduction: Trauma Studies, Film and the Scar Motif -- 'Privileged Traumas': Which Trauma and Why? -- The Image and Its Vibrations -- The Victim-Perpetrator Continuum and the Implicated Subject -- The Scar Motif -- Notes -- Works Cited -- Filmography -- Chapter 2: Trauma in Recent Algerian Documentary Cinema: Stories of Civil Conflict Told by the Living Dead -- Theory: Cvetkovich, Khanna and Butler -- The Algerian Context -- Trauma in Recent Documentary Cinema: Sahraoui, Bensmaïl and Djahnine -- Conclusion -- Notes -- Works Cited -- Filmography -- Chapter 3: Elusive Figures: Children's Trauma and Bosnian War Cinema -- Bosnian War, Victimhood, Cinema, and the Siege -- Archiving the Pain of Children -- Narrative War Cinema and the Child -- Ethnicity, Identity, Violence, and the Elusive Child -- Conclusion: In Excess of Identity, or, Beyond Politicising a Child's Trauma -- Notes -- Works Cited -- Filmography -- Chapter 4: Conferring Visibility on Trauma within Rwanda's National Reconciliation: Kivu Ruhorahoza's Disturbing and Salutary Camera -- 'The Making of' … or the Art of Shooting Back? -- 'The Making of a Killer' or the Art of Propaganda -- 'Making With' or the Art of Surviving -- 'The Unmaking of' or the Art of Resisting the Cycle of Genocide -- Notes -- Works Cited -- Filmography -- Chapter 5: Proximity and Distance: Approaching Trauma in Katrina Films -- Digging Deep -- Against Vanishing -- Low and Behold -- The Safety of Distance? -- Conclusion -- Notes -- Works Cited -- Filmography -- Chapter 6: 'Our Long National Nightmare Is Over'?: The Resolution of Trauma and Male Melodrama in The Tree of Life -- Freud, Hysteria and the Soldier: Legacies of Trauma -- The Tree of Life -- Conclusion: Melodrama, Silence and the Cosmological Fix -- Notes -- Works Cited -- Filmography Chapter 7: Listening to the Pain of Others: Isabel Coixet's La vida secreta de las palabras (The Secret Life of Words) -- From Aural Voyeurism and Phonophilia to Listening Otherwise -- Hapticity and Scars -- Conclusion: Reflections on the Ending -- Notes -- Works Cited -- Filmography -- Chapter 8: Australian Postcolonial Trauma and Silences in Samson and Delilah -- Trauma Trails and Inheritances -- Can Samson Speak? -- Silence and Violence -- Survival and Destruction -- Conclusion: Implicated Belonging -- Notes -- Works Cited -- Filmography -- Chapter 9: Trauma's Slow Onslaught: Sound and Silence in Lav Diaz's Florentina Hubaldo, CTE -- The Chronic Trauma of Colonialism -- Repetitive Trauma and the Slow Impact -- Physical and Mental Trauma -- The Viewer as Listener -- Post-Traumatic Sound and Sonic Rupture -- Conclusion -- Notes -- Works Cited -- Filmography -- Chapter 10: Flesh and Blood in the Globalised Age: Pablo Trapero's Nacido y criado (Born and Bred) and Carancho (The Vulture) -- Trauma and the Symbolic Order: The Argentine Context -- Trauma in the Private Sphere: Nacido y criado (Born and Bred) (2006) -- Public Displays of Trauma: Carancho (The Vulture) (2010) -- Conclusion: Towards a Biopolitical Perspective of Trauma -- Notes -- Works Cited -- Filmography -- Chapter 11: Unclaimed Experience and the Implicated Subject in Pablo Larraín's Post Mortem -- The Chilean Context -- Post Mortem: Stories of 'Regular People' -- Conclusion -- Notes -- Works Cited -- Filmography -- Chapter 12: Persepolis: Telling Tales of Trauma -- A Dual National Context -- Voices and Images from the Margins -- Exile, Trauma and Rewriting History -- Animation -- Conclusion: Not Remembering -- Notes -- Works Cited -- Filmography -- Index

     

    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9783319410241
    RVK Klassifikation: AP 50300
    Schlagworte: Civilization-History; Psychic trauma in motion pictures; Motion pictures ; History; Electronic books
    Umfang: 1 online resource (307 pages)
    Bemerkung(en):

    Includes bibliographical references and index. Description based on print version record

  6. Scars and Wounds
    Film and Legacies of Trauma
    Erschienen: 2016
    Verlag:  Springer International Publishing - Palgrave Macmillan, Cham

    Staats- und Universitätsbibliothek Hamburg Carl von Ossietzky
    AP 50300 G299 H6
    keine Fernleihe
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Verbundkataloge
    Sprache: Deutsch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9783319410234; 9783319410241
    RVK Klassifikation: AP 50300
    Schlagworte: Film; Trauma <Motiv>; Wunde <Motiv>;