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  1. The Doppelgänger
    Beteiligt: Barnstone, Deborah Ascher (Herausgeber)
    Erschienen: 2016; © 2016
    Verlag:  Peter Lang, Oxford, [England] ; New York

    Standort:
    Universitäts- und Landesbibliothek Düsseldorf
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Export in Literaturverwaltung   RIS-Format
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    Volltext (URL des Erstveröffentlichers)
    Quelle: Verbundkataloge
    Beteiligt: Barnstone, Deborah Ascher (Herausgeber)
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9783035308181
    Weitere Identifier:
    Auflage/Ausgabe: First edition
    Schriftenreihe: German Visual Culture ; Volume 3
    Schlagworte: Doubles in art; Doubles in motion pictures; Art, German; Motion pictures; Doppelgänger; Künste
    Umfang: 1 Online-Ressource (xi, 273 Seiten), Illustrationen
    Bemerkung(en):

    Includes index

    Description based on print version record
  2. The Doppelgänger
    Beteiligt: Barnstone, Deborah Ascher (Hrsg.)
    Erschienen: 2016; © 2016
    Verlag:  Peter Lang, Oxford, [England]

    Standort:
    Deutsches Forum für Kunstgeschichte, Bibliothek
    Export in Literaturverwaltung   RIS-Format
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    Hinweise zum Inhalt
    Volltext (URL des Erstveröffentlichers)
    Quelle: Verbundkataloge
    Beteiligt: Barnstone, Deborah Ascher (Hrsg.)
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9783035308181
    Weitere Identifier:
    Schriftenreihe: German Visual Culture ; Volume 3
    Schlagworte: Film; Doubles in art; Doubles in motion pictures; Art, German; Motion pictures; Künste; Doppelgänger
    Umfang: 1 online resource (289 pages), illustrations (some color), photographs
    Bemerkung(en):

    Includes index

    Description based on print version record
  3. The Doppelgänger
    Beteiligt: Barnstone, Deborah Ascher (Herausgeber)
    Erschienen: 2016
    Verlag:  Peter Lang AG, Internationaler Verlag der Wissenschaften, Oxford

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  4. <<The>> Doppelgänger
    Beteiligt: Barnstone, Deborah Ascher (Herausgeber)
    Erschienen: 2016; © 2016
    Verlag:  Peter Lang, Oxford, [England] ; New York

    Standort:
    Universitäts- und Landesbibliothek Düsseldorf
    Fernleihe:
    keine Fernleihe
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Volltext (URL des Erstveröffentlichers)
    Quelle: Verbundkataloge
    Beteiligt: Barnstone, Deborah Ascher (Herausgeber)
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9783035308181
    Weitere Identifier:
    Auflage/Ausgabe: First edition
    Schriftenreihe: German Visual Culture ; Volume 3
    Schlagworte: Doubles in art; Doubles in motion pictures; Art, German; Motion pictures
    Umfang: 1 Online-Ressource (xi, 273 Seiten), Illustrationen
    Bemerkung(en):

    Includes index

    Description based on print version record
  5. The Doppelgänger
    Beteiligt: Barnstone, Deborah Ascher (HerausgeberIn)
    Erschienen: [2016]
    Verlag:  Peter Lang AG, Internationaler Verlag der Wissenschaften, Bern

    The Doppelgänger – the double, twin, mirror image or alter ego of someone else – is an ancient and universal theme that can be traced at least as far back as Greek and Roman mythology, but is particularly associated with two areas of study:... mehr

    Standort:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    The Doppelgänger – the double, twin, mirror image or alter ego of someone else – is an ancient and universal theme that can be traced at least as far back as Greek and Roman mythology, but is particularly associated with two areas of study: psychology, and German literature and culture since the Romantic movement. Although German language literature has been a nexus for writing on the Doppelgänger, there is a paucity of scholarly work treating a broader selection of cultural products from the German-speaking world. The essays in this volume explore the phenomenon of the double in multiple aspects of German visual culture, from traditional art forms like painting and classical ballet to more contemporary ones like film, photography and material culture, and even puppet theatre. New ways of understanding the Doppelgänger emerge from analyses of various media and time periods, such as the theme of the double in a series of portraits by Egon Schiele, the doubling of silk by rayon in Weimar Germany and its implications for class distinctions in Germany, and the use of the x-ray as a form of double in Thomas Mann’s Magic Mountain and Christoph Schlingensief’s performance art Contents: Deborah Ascher Barnstone: Introduction: The Overlooked Trope of the Doppelgänger – Lori A. Felton: Beyond The Self-Seers: The Creative Strategies within Egon Schiele’s Double Self-Portraiture – April A. Eisman: From Double Burden to Double Vision: The Doppelgänger in Doris Ziegler’s Paintings of Women in East Germany – Paul Monty Paret: Jean Paul at the Bauhaus: Oskar Schlemmer’s Doppelgängers – Deborah Ascher Barnstone: Seeing Double: The Doppelgänger in Two Interpretations of the Ballet Classic The Nutcracker, by John Neumeier and Marco Goecke – Nathan J. Timpano: Body Doubles: The Puppe as Doppelgänger in Fin-de-Siècle Viennese Visual Culture – Isa Murdock-Hinrichs: The Remake as Double: Space, Media, and the Irrational in Michael Haneke’s Funny Games – Thomas O. Haakenson/Andrew Felicilda: Melodrama and its Doubles: The Films of Douglas Sirk and Todd Haynes – Maria Makela: Artificial Silk Girls: Rayon as Silk’s Double in Weimar Germany – Brigitte Marschall: X-ray Images as the Body’s Double: From The Magic Mountain by Thomas Mann to the Holy Mountain in the Life and Death of Christoph Schlingensief

     
    Export in Literaturverwaltung   RIS-Format
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    Hinweise zum Inhalt
    Volltext (lizenzpflichtig)
    Quelle: Staatsbibliothek zu Berlin
    Beteiligt: Barnstone, Deborah Ascher (HerausgeberIn)
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9783035308181
    Weitere Identifier:
    9783035308181
    RVK Klassifikation: EC 5410
    Schriftenreihe: German Visual Culture ; 3
    Schlagworte: Deutsches Sprachgebiet; Künste; Doppelgänger; Geschichte 1900-2016;
    Umfang: 1 Online-Ressource (xi, 273 Seiten), Illustrationen
  6. The Doppelgaenger.
    Autor*in: Barnstone, Deborah Ascher
    Erschienen: 2016
    Verlag:  Peter Lang GmbH, Internationaler Verlag der Wissenschaften, Bern

    The Doppelgänger - the double, twin, mirror image or alter ego of someone else - is a universal theme that has been prevalent in German culture since the Romantic period. This volume explores the phenomenon of the double in multiple aspects of German... mehr

    Standort:
    Orient-Institut Beirut
    Signatur:
    Proquest
    Fernleihe:
    keine Fernleihe

    Standort:
    Orient-Institut Istanbul
    Fernleihe:
    keine Fernleihe

    Standort:
    Hochschulbibliothek Friedensau
    Signatur:
    Online-Ressource
    Fernleihe:
    keine Fernleihe

    Standort:
    Deutsches Historisches Institut Paris, Bibliothek
    Fernleihe:
    keine Fernleihe

    Standort:
    Deutsches Historisches Institut in Rom, Bibliothek
    Fernleihe:
    keine Fernleihe

    Standort:
    Deutsches Historisches Institut Washington, Bibliothek
    Signatur:
    e-Book Proquest Ebook Central (Ebrary)
    Fernleihe:
    keine Fernleihe

     

    The Doppelgänger - the double, twin, mirror image or alter ego of someone else - is a universal theme that has been prevalent in German culture since the Romantic period. This volume explores the phenomenon of the double in multiple aspects of German visual culture, from painting and classical ballet to film and photography. Cover -- Contents -- Figures -- Introduction: The Overlooked Trope of the Doppelgänger (Deborah Ascher Barnstone) -- Part I: The Doppelgänger in Painting -- 1 Beyond The Self-Seers: The Creative Strategies within Egon Schiele's Double Self-Portraiture (Lori A. Felton) -- 2 From Double Burden to Double Vision: The Doppelgänger in Doris Ziegler's Paintings of Women in East Germany (April A. Eisman) -- Part II: The Doppelgänger in Performance Art -- 3 Jean Paul at the Bauhaus: Oskar Schlemmer's (Paul Monty Paret) -- 4 Seeing Double: The Doppelgänger in Two Interpretations of the Ballet Classic The Nutcracker, by John Neumeier and Marco Goecke (Deborah Ascher Barnstone) -- 5 Body Doubles: The Puppe as Doppelgänger in Fin-de-Siècle Viennese Visual Culture (Nathan J. Timpano) -- Part III: The Doppelgänger in Film -- 6 The Remake as Double: Space, Media, and the Irrational in Michael Haneke's Funny Games (Isa Murdock-Hinrichs) -- 7 Melodrama and its Doubles: The Films of Douglas Sirk and Todd Haynes (Thomas O. Haakenson and Andrew Felicilda) -- Part IV: The Doppelgänger as Metaphor -- 8 Artificial Silk Girls: Rayon as Silk's Double in Weimar Germany (Maria Makela) -- 9 X-ray Images as the Body's Double: From The Magic Mountain by Thomas Mann to the Holy Mountain in the Life and Death of Christoph Schlingensief (Brigitte Marschall) -- Notes on Contributors -- Index.

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9783035308181
    RVK Klassifikation: EC 5410
    Schlagworte: Doubles in motion pictures; Art, German; Motion pictures; Doubles in art; Doubles in art; Electronic books
    Umfang: 1 online resource (289 pages)
    Bemerkung(en):

    Includes bibliographical references and index
  7. The Doppelgänger
    Autor*in: Barnstone, Deborah Ascher
    Erschienen: 2016
    Verlag:  Peter Lang AG, Bern ; Peter Lang International Academic Publishers

    The Doppelgänger – the double, twin, mirror image or alter ego of someone else – is an ancient and universal theme that can be traced at least as far back as Greek and Roman mythology, but is particularly associated with two areas of study:... mehr

    Zugang:

    Standort:
    Universitätsbibliothek Gießen
    Fernleihe:
    keine Fernleihe

     

    The Doppelgänger – the double, twin, mirror image or alter ego of someone else – is an ancient and universal theme that can be traced at least as far back as Greek and Roman mythology, but is particularly associated with two areas of study: psychology, and German literature and culture since the Romantic movement. Although German language literature has been a nexus for writing on the Doppelgänger, there is a paucity of scholarly work treating a broader selection of cultural products from the German-speaking world. The essays in this volume explore the phenomenon of the double in multiple aspects of German visual culture, from traditional art forms like painting and classical ballet to more contemporary ones like film, photography and material culture, and even puppet theatre. New ways of understanding the Doppelgänger emerge from analyses of various media and time periods, such as the theme of the double in a series of portraits by Egon Schiele, the doubling of silk by rayon in Weimar Germany and its implications for class distinctions in Germany, and the use of the x-ray as a form of double in Thomas Mann’s Magic Mountain and Christoph Schlingensief’s performance art.

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9783035308181
    Weitere Identifier:
    DDC Klassifikation: Künste; Bildende und angewandte Kunst (700)
    Auflage/Ausgabe: 1st, New ed.
    Schriftenreihe: German Visual Culture ; 3
    Schlagworte: Malerei; Performance <Künste>; Künste; Doppelgänger
    Umfang: 1 Online-Ressource
  8. The Doppelgänger
    Beteiligt: Barnstone, Deborah Ascher (Herausgeber)
    Erschienen: 2016
    Verlag:  Peter Lang, Oxford ; Proquest, Ann Arbor, Michigan

    Standort:
    Universität Marburg, Universitätsbibliothek
    Fernleihe:
    keine Fernleihe
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Verbundkataloge
    Beteiligt: Barnstone, Deborah Ascher (Herausgeber)
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9783035308181
    DDC Klassifikation: Künste; Bildende und angewandte Kunst (700)
    Schriftenreihe: German visual culture ; volume 3
    Schlagworte: Malerei; Performance <Künste>; Künste; Doppelgänger
    Umfang: 1 Online-Ressource (xi, 273 Seiten), Illustrationen
  9. The Doppelgänger
    Beteiligt: Barnstone, Deborah Ascher (HerausgeberIn)
    Erschienen: [2016]
    Verlag:  Peter Lang AG, Internationaler Verlag der Wissenschaften, Bern

    The Doppelgänger – the double, twin, mirror image or alter ego of someone else – is an ancient and universal theme that can be traced at least as far back as Greek and Roman mythology, but is particularly associated with two areas of study:... mehr

    Standort:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
    Fernleihe:
    keine Fernleihe

     

    The Doppelgänger – the double, twin, mirror image or alter ego of someone else – is an ancient and universal theme that can be traced at least as far back as Greek and Roman mythology, but is particularly associated with two areas of study: psychology, and German literature and culture since the Romantic movement. Although German language literature has been a nexus for writing on the Doppelgänger, there is a paucity of scholarly work treating a broader selection of cultural products from the German-speaking world. The essays in this volume explore the phenomenon of the double in multiple aspects of German visual culture, from traditional art forms like painting and classical ballet to more contemporary ones like film, photography and material culture, and even puppet theatre. New ways of understanding the Doppelgänger emerge from analyses of various media and time periods, such as the theme of the double in a series of portraits by Egon Schiele, the doubling of silk by rayon in Weimar Germany and its implications for class distinctions in Germany, and the use of the x-ray as a form of double in Thomas Mann’s Magic Mountain and Christoph Schlingensief’s performance art Contents: Deborah Ascher Barnstone: Introduction: The Overlooked Trope of the Doppelgänger – Lori A. Felton: Beyond The Self-Seers: The Creative Strategies within Egon Schiele’s Double Self-Portraiture – April A. Eisman: From Double Burden to Double Vision: The Doppelgänger in Doris Ziegler’s Paintings of Women in East Germany – Paul Monty Paret: Jean Paul at the Bauhaus: Oskar Schlemmer’s Doppelgängers – Deborah Ascher Barnstone: Seeing Double: The Doppelgänger in Two Interpretations of the Ballet Classic The Nutcracker, by John Neumeier and Marco Goecke – Nathan J. Timpano: Body Doubles: The Puppe as Doppelgänger in Fin-de-Siècle Viennese Visual Culture – Isa Murdock-Hinrichs: The Remake as Double: Space, Media, and the Irrational in Michael Haneke’s Funny Games – Thomas O. Haakenson/Andrew Felicilda: Melodrama and its Doubles: The Films of Douglas Sirk and Todd Haynes – Maria Makela: Artificial Silk Girls: Rayon as Silk’s Double in Weimar Germany – Brigitte Marschall: X-ray Images as the Body’s Double: From The Magic Mountain by Thomas Mann to the Holy Mountain in the Life and Death of Christoph Schlingensief

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Volltext (lizenzpflichtig)
    Quelle: Staatsbibliothek zu Berlin
    Beteiligt: Barnstone, Deborah Ascher (HerausgeberIn)
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9783035308181
    Weitere Identifier:
    9783035308181
    RVK Klassifikation: EC 5410
    Schriftenreihe: German Visual Culture ; 3
    Schlagworte: Deutsches Sprachgebiet; Künste; Doppelgänger; Geschichte 1900-2016;
    Umfang: 1 Online-Ressource (xi, 273 Seiten), Illustrationen