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  1. James Kelman
    politics and aesthetics
    Autor*in: Kelly, Aaron
    Erschienen: 2013
    Verlag:  Peter Lang, Oxford

    This study argues that James Kelman's work should not be construed as a resigned capitulation to capitalist domination or to the fracture of a once unified working-class collective purpose mehr

     

    This study argues that James Kelman's work should not be construed as a resigned capitulation to capitalist domination or to the fracture of a once unified working-class collective purpose

     
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9783035304640; 3035304645; 1299675506; 9781299675506
    Schriftenreihe: Studies in the History and Culture of Scotland ; 3
    Schlagworte: LITERARY CRITICISM / European / English, Irish, Scottish, Welsh
    Weitere Schlagworte: Kelman, James / 1946- / Criticism and interpretation; Kelman, James / 1946- / (OCoLC)fst00168702; Kelman, James / 1946-
    Umfang: 1 online resource
    Bemerkung(en):

    Print version record

    Includes bibliographical references and index
  2. James Kelman
    Politics and Aesthetics
    Autor*in: Kelly, Aaron
    Erschienen: 2013
    Verlag:  Peter Lang AG, Internationaler Verlag der Wissenschaften, Oxford

    Export in Literaturverwaltung   RIS-Format
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  3. James Kelman
    Autor*in: Kelly, Aaron
    Erschienen: 2013
    Verlag:  Peter Lang AG, Bern ; Peter Lang International Academic Publishers

    This study argues that James Kelman’s work should not be construed as a resigned capitulation to capitalist domination or to the fracture of a once unified working-class collective purpose. Politics are to be found not only in the content but also... mehr

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    This study argues that James Kelman’s work should not be construed as a resigned capitulation to capitalist domination or to the fracture of a once unified working-class collective purpose. Politics are to be found not only in the content but also the form of Kelman’s work. The radical aspect of his style is that rather than pandering to a ready-made identity, he remains antagonistically non-identical to the prevailing logic of capitalism by contesting its supposedly shared worldview and modes of perception. Instead, Kelman’s fiction continually disputes the notion of consensus by revealing the voices of those excluded, those who are unaccounted for in that false consensus. His work uncovers a stark contradiction in the governing logic of our times: we are asked to accept that class has disappeared at the same time that we are told the system that causes it in the first place – capitalism – is inevitably here forever. Even the most alienated individuals in his stories remind us that isolation can transcend itself by returning us to the social conditions that are its cause. We find politics in Kelman’s aesthetics, as his work formally contests who has the right to feel, to think, to speak.

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9783035304640
    Weitere Identifier:
    DDC Klassifikation: Englische, altenglische Literaturen (820)
    Auflage/Ausgabe: 1st, New ed.
    Schriftenreihe: Studies in the History and Culture of Scotland ; 3
    Schlagworte: Soziale Klasse <Motiv>
    Weitere Schlagworte: Kelman, James (1946-)
    Umfang: 1 Online-Ressource